Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Acintya Capture : Jurnal Seni Media Rekam Sanggitarupa Framing: Journal of Art, Film, Television, Animation, Games and Technology
Adji, Titus Soepono
Unknown Affiliation
Arts Humanities

Published : 14 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 14 Documents
Search

 1   2 
Jagad Jawa RM Kristiadi pada Proses Kreatif Program Televisi di TVRI Yogyakarta Adji, Titus Soepono
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3141

Abstract

ABSTRACT RM Kristiadi is a TV producer at TVRI who has been working since 1997. He is involved in programs that still exist at TVRI Yogyakarta, such as Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, etc. These programs stil exist until right now, among others, because they lift the atmosphere of Javanese Culture in accordance with the principle of the similarity of body memory, the framework of fantasy that is believed in the process of its creation. RM Kristiadi also conducted experiments in building new works through critical thinking on the achievements that have ever existed. This research is a qualitative descriptive study, which focuses on knowing the background of RM Kristiadi's creative process. Data was collected through a series of direct interview processes with the interviewees, with data reinforced from documents. Key Word: Java Athmosphere, TV Produser, TV Program.  ABSTRAK RM Kristiadi seorang produser televisi di TVRI yang berkarya sejak tahun 1997. Dia terlibat dalam program-program yang hingga saat ini masih eksis di TVRI Yogyakarta, seperti Obrolan Angkringan, Plengkung Gading, Karang Tumaritis, dll. Program-program tersebut eksis antara lain karena mengangkat atmosfer Budaya Jawa sesuai dengan prinsip kesamaan Memori tubuh, Kerangka fantasi yang diyakini dalam proses penciptaannya. RM Kristiadi juga melakukan eksperimentasi dalam membangun kebaruan karya melalui daya kritis atas capaian-capaian yang pernah ada. Penelitian ini merupakan penelitian Deskriptif Kualitatif, yang berfokus untuk mengetahui latar belakang alur pemikiran proses kreatif RM Kristiadi. Data dikumpulkan melalui serangkaian proses wawancara langsung pada narasumber, dengan diperkuat data-data dari dokumen. Kata Kunci: Jagad Jawa, Produser Televisi, Program Acara Televisi.
IMAJINASI KEBANGSAAN ORANG JAWA DI SURINAME DALAM VIDEO MUSIK POPULER Adji, Titus Soepono
Capture : Jurnal Seni Media Rekam Vol. 1 No. 1 (2009)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v1i1.471

Abstract

In nowadays context, Javanese people in Suriname seems to be something un expectable. They have been living far away from the mother land since a century ago. This kind condition not only restricted the communication within their ancestors but loose also the access into their cultural and identity references. Who really am I? Where did I Come from ? and What is my goal here? There are some frequent questions. Following the technology, here , is internet , we now able to see that Javanese people in Suriname can say the origin of their Javanese identity. Is it a deconstruction ? or a reflexive media to show their origin identity. Keyword : Javanese, Suriname, identity
PROSES KREATIF EDDIE CAHYONO DALAM PENCIPTAAN FILM SITI Nugroho, Widhi; Adji, Titus Soepono; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 8 No. 2 (2017)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v8i2.2049

Abstract

The Siti film directed by Eddie Cahyono deserves to be appreciated as a work of long fiction films by creative production. Evidently, the film funded with a budget under 150 million rupiah, able to deliver it into the nomination of film festivals, even this film is able to win awards in a number of prestigious film festivals in various countries. It can not be separated from the creative work of Eddie Cahyono as a scriptwriter and director at the filmThis creative work isdue to his role as a meticulous person,looking deeply,appreciating the role of women,elevating her dignity and then transferring it in a film. Siti is a reflection of women living in confinement, debt induced,taking care of families and husbands paralyzed by sea accidents as fishermen.Siti just want to be free and independent of it all, it is a statement to be conveyed Eddie Cahyonothrough this film.The stages in reviewing this creativity include Eddie Cahyono's work steps in writing film scenarios that include the process of finding ideas, themes, story settings, story conflicts to the whole siti movie scenario,while to examine the directing process including the preproduction process (script breakdown, casting, reading, rehearsal), production process (shooting in the field) and post-production process through the mise en scene in the Siti film.Keywords: Siti film,creativity,scriptwriter,and director
PARTISIPATORY DIRECTING IN THE FILM NOISE IN SILENCE Syam, Reskyana; Adji, Titus Soepono; Fauzi, Abas
Capture : Jurnal Seni Media Rekam Vol. 11 No. 2 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i2.2679

Abstract

Deaf people are social groups that are protected by the Law of the Republic of Indonesia Number 8 of 2016 concerning Persons with Disabilities, but they still feel injustice or unfair in the world of education and in society environment. The above problems are the basis for the creation of the documentary film Noise In Silence. The type of research used is artistic research which produces a documentary film work. Documentary film production is carried out using a participatory directing style, while the analysis uses a visual approach. The resulting documentary film shows the participatory style can support the discovery of answers to the director's doubts, and can reveal the subject's experience in depth so that it can be captured by the audience. In addition, the dramatization of the presentation was successfully realized, so that this film has a high influence on the emotional level of the audience.
Co-Authors Agung, I Putu Suhada Ajie, Purwoko Fauzi, Abas nugroho, widhi Suciati, Dica Mustika Syam, Reskyana Wastiwi S, Sri