Claim Missing Document
Check
Articles

Found 24 Documents
Search

STRATEGI PENGEMBANGAN SENI LUKIS WAYANG KACA NAGASEPAHA SEBAGAI DAYA TARIK WISATA BERBASIS EKONOMI KREATIF Putu Agus Wirawan; Ida Bagus Gede Paramita; Made Novita Dwi Lestari
Cultoure: Jurnal Ilmiah Pariwisata Budaya Hindu Vol 4, No 2 (2023)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/cultoure.v4i2.3659

Abstract

Nagasepaha glass painting is one of the differentiations owned by Nagasepaha village, because it has a uniqueness of the object. Having a typical painting technique with a decorative style and naturalism also painting in a reverse style. The development era of globalization generate competition for artists to continue to create innovative and adaptive works. However, there are problems from artists with lack of comprehension about digital marketing, sales, to marketing. Until there needs to be a development of Nagasepaha glass puppet painting to be more innovative and adaptive. This study aimed at : 1) To finding out the creative process of Nagasepaha glass painting, (2) To identify potential creative economy-based tourism attractions from Nagasepaha glass painting, (3) To analyze the development strategy of Nagasepaha glass painting based on creative economy. This research uses a qualitative type of research with a case study approach. Data collection through literature study, observation, interviews, and documentation. Using the SWOT analysis method. The result of this research is that the creative process of Nagasepaha glass painting is quite developed, because there are encouraging factors, namely internal and external factors. Until there are potentials contained with the existence of glass paintings starting from the welfare of artists, communities and Nagasepaha village.
BAKTI (SUBAK ACTIVITY) SEBAGAI MODEL PENGEMBANGAN AGROWISATA DI DESA PANJI ANOM BULELENG Paramita, Ida Bagus Gede; Dane, Nyoman
Cultoure: Jurnal Ilmiah Pariwisata Budaya Hindu Vol 4, No 2 (2023)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/cultoure.v4i2.3808

Abstract

Tujuan dari penulisan hasil penelitian ini adalah untuk mendiskripsikan terkait dengan pengembangan agrowista yang berkelanjutan. Dalam pengembangannya mencoba mengangkat keberadaan subak sebagai model aktivitas wisata atau yang disebut bakti (subak aktivity). Dalam menganalisis pengembangan agrowisata di desa Panji Anom maka menggunakan pendekatan kualitatif dengan tahapan metode analisis data.  Adapun hasil dari analisis data yakni terkait dengan agrowisata yang saat ini menjadi daya tarik wisata berbasis pertanian. Hubungan antara pariwisata dan pertanian tentunya berdampak positif bagi pariwisata dan pertanian, ini  dikarenakan keduanya bisa saling mendukung.  Konsep agrowisata bisa terlihat dari bakti (subak aktivity) yang menekankan tentang keberadaan subak di desa Panji Anom sebagai model pengembangan agrowisata. Bakti (subak aktivity) memiliki beberapa ativitas ketika para wisatawan menikmati agrowisata di desa Panji Anom seperti menikmati panorama alam, belajar bertani, serta ikut mengolah hasil pertanian hingga menikmati suguhan yang langsung diambil dari petani. Keberadaan bakti (subak aktivity) mencerminkan tentang pariwisata yang berkelanjutan karena memperlihatkan aspek ekologi, budaya dan ekonomi.Kata Kunci: Subak Aktivity, Agrowisata, desa Panji Anom
Dekolonialisasi dalam Geguritan Kebo Tarunāntaka: Representasi Kebo Taruna dalam Rekonstruksi Egalitarianisme Paramita, Ida Bagus Gede
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.4224

Abstract

Kebo Taruna, within the discursive construction of centrality in shaping various aspects of Balinese society, possesses an inherent connection to the concept of representation. The ideational conception of this character is specifically conveyed in the Geguritan Kebo Tarunāntaka. The manuscript contains discourse mechanisms, metaphorical language, and distinctive constructions of meaning. Textually, the geguritan illustrates Kebo Taruna’s role in de-hegemonizing the dominance of the Majapahit Kingdom over the Balinese Kingdom. This study aims to identify the emancipatory dimensions of the Kebo Taruna character in selected stanzas of the Geguritan Kebo Tarunāntaka, to analyze his representation as a symbol of resistance against Majapahit’s hegemonic power, and to reinterpret the geguritan as a medium of decolonial discourse. The approach employed combines Norman Fairclough’s model of Critical Discourse Analysis (CDA) with speech act theory. The findings indicate that Kebo Taruna is represented as a symbolic agent who articulates resistance to the coloniality of power and constructs a sovereign and autonomous Balinese identity. The gegugitan reveals emancipatory dimensions through its rejection of hegemonic narratives, glorification of sovereignty, and transformation of language into a decolonial instrument. The conclusion affirms that Geguritan Kebo Tarunāntaka is not merely a literary heritage, but a discursive medium that embodies symbolic resistance, articulates a liberated cultural identity, and enacts decolonial strategies through language making it highly relevant for critical readings of power discourse within the Balinese local context.
Sacred and Rational Negotiations: The Contestation between Ulu Desa and Prajuru Desa in Pedawa and Julah, North Bali Paramita, Ida Bagus Gede; Suarka, I Nyoman; Pujaastawa, Ida Bagus Gde; Suardiana, I Wayan
International Journal of Multidisciplinary Sciences Vol. 3 No. 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i3.4840

Abstract

This study examines the contestation between Ulu Desa (sacred-traditional authority) and Prajuru Desa (administrative authority) in the Bali Aga villages of Pedawa and Julah, which reflects the ongoing tension between customary governance and state regulation. The research aims to analyze how historical trajectories, regulatory frameworks, and socio-economic transformations have shaped the dynamics between sacred and bureaucratic leadership. Using a qualitative descriptive approach, data were collected through in-depth interviews, participant observation, and document analysis, and interpreted with Bourdieu’s concepts of habitus, capital, and field as well as Foucault’s theories on power and discourse. The findings reveal that, (1) historical practices of surveillance embedded dual forms of discipline ritual and administrative within village governance, (2) the penetration of state mechanisms, particularly through village competitions and regional regulations, gradually displaced sacred legitimacy in favor of bureaucratic authority and (3) socio-economic factors such as migration, education, technology, and financial support further reinforced the dominance of Prajuru Desa. Nevertheless, Ulu Desa continues to hold symbolic significance as a guardian of cosmological order. In conclusion, the study demonstrates that the contestation between these two institutions illustrates a hybridization of power in Bali Aga society, where tradition and modernity coexist through tension, negotiation, and adaptation.