Article Per Year (5 Year)
p-Index From 2021 - 2026
2.092
P-Index
This Author published in this journals
All Journal Jurnal Ilmu Komunikasi PALASTREN Jurnal Perempuan Jurnal Studi Komunikasi urnal Interaksi: Jurnal Ilmu Komunikasi NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Jurnal Inovasi Hasil Pengabdian Masyarakat (JIPEMAS) Ultimacomm: Jurnal Ilmu Komunikasi Jurnal Perempuan LINIMASA: JURNAL ILMU KOMUNIKASI JIIP (Jurnal Ilmiah Ilmu Pendidikan) Jurnal Ilmu Komunikasi Jurnal Ilmu Komunikasi Da'watuna: Journal of Communication and Islamic Broadcasting Arkus Jurnal Spektrum Komunikasi
Aulia Rahmawati
Ilmu Komunikasi, Fakultas Ilmu Sosial Ilmu Politik, Univeritas Pembangunan ‘Veteran’ Jawa Timur
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Social Sciences Other

Published : 17 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 17 Documents
Search

 1   2 
Representasi Relasi Sosial pada Masa Pandemi Dalam Film Social Distance Riyan Fredian Dzul Iftikar; Aulia Rahmawati
Da'watuna: Journal of Communication and Islamic Broadcasting Vol 2 No 4 (2022): Da'watuna: Journal of Communication and Islamic Broadcasting 
Publisher : Institut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.754 KB) | DOI: 10.47467/dawatuna.v2i4.2380

Abstract

Social relations are ties of relationships or behavior between individuals. Social relations are formed differently according to the environmental conditions. The Social Distance Film Series which was produced during the Covid Pandemic makes the depiction of social relations in this film interesting, where this film is made with real-life conditions that are filled with lockdown regulations and also distance restrictions between individuals. In this study, researchers used John Fiske's semiotics research method, and collected data through documentation of scenes in the film and also literature study. Then the data will be analyzed through three levels of John Fiske's semiotics, the Reality Level, the Representation Level, and the Ideology Level. Keywords: Film Representation, Social Relation, Social Distance Film
ANALISIS FRAMING OBJEKTIFIKASI PEREMPUAN PADA PEMBERITAAN KASUS PERSELINGKUHAN DI PORTAL BERITA INDOZONE.ID DAN TRIBUNNEWS.COM PERIODE FEBRUARI HINGGA MARET 2021 Dwi Prasetyo Wahyuningtyas; Aulia Rahmawati
Linimasa : Jurnal Ilmu Komunikasi Vol. 6 No. 1 (2023): Januari 2023
Publisher : Ilmu Komunikasi, FISIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Regardless the role of women as perpetrators or victims in the society cases, the mass media often portrays women as the parties who always cause problems. This study aims to determine the objectification and representation of women in the news framing in the news of Nissa Sabyan has an affair with Ayus Sabyan on the news portal Indozone.id and Tribunnews.com for the period February to March 2021. The analysis will use the framing analysis method from Pan & Kosicki on eighteen corpus. The results of the study indicate that there are similarities in the news themes presented on the two news portals, that female actors have a greater responsibility for the occurrence of infidelity in relationship. However, there are differences in conveying the news, where Indozone.id tends to put Nissa Sabyan as pelakor (perebut lelaki orang) or a label for woman who flirts to men who already have a partner. While Tribunnews.com portrays Ayus with good images. The objectification of women on the two news portals is shown through the choice of words such as “tidak harus cantik”, “gatel”, and “wanita cantik”which indicate there are standart to categorize women. Furthermore, the mass media choose to compare Nissa Sabyan and Ririe Fairus by using the words “lebih memilih”, “dibandingkan”, “daripada” for Ayus statement to end his marriage status. Rather than doing that, the mass media should comparing infidelity and marriage by giving narations that Ayus wants to continuou his relationship with Nissa Sabyan than to keep his marriage with Ririe Fairus.
The COVID-19 Conundrum and the Lived Experiences of Indonesian Final Year University Students Aulia Rahmawati
Arkus Vol. 9 No. 1 (2023): Arkus
Publisher : HM Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37275/arkus.v9i1.292

Abstract

The overarching research on the COVID-19 pandemic is dominated by the science-medical research area. There is a lacuna of research addressing the social dimension of the pandemic in relation to everyday lives. This research has utilized Heideggerian hermeneutic phenomenology to address the question of “How do Indonesian final-year students deal with the pandemic, and how do they make sense of it through their lived experiences?”. Focus group discussions and in-depth interviews were generated in order to interview 24 final-year university students. The findings and discussion revealed that two major themes emerged: challenges and disappointments. The participants cited supervision problems along with unsupportive home situations and loneliness/isolation as the challenges during this pandemic. This research also explored the way in which a sense of disappointment lies within the displacement of their living events, such as the loss of a spatial identity which is represented by the university spaces, through to the missed chance of having a graduation ceremony. The COVID-19 pandemic is a spiraling conundrum wherein the physical dimension of health often eclipses the mental-psychological dimension. This research demonstrates that the lasting effect of the pandemic stretches beyond the materiality discourses of public health. The social dimensions of everyday living experiences should be taken into consideration by policymakers, including university boards, when formulating higher education policies during the pandemic.
Representasi Legenda Urban dalam Film KKN di Desa Penari (Analisis Semiotika John Fiske) Fakhri Visan Rahmaddani; Aulia Rahmawati
JIIP - Jurnal Ilmiah Ilmu Pendidikan Vol. 6 No. 9 (2023): JIIP (Jurnal Ilmiah Ilmu Pendidikan)
Publisher : STKIP Yapis Dompu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54371/jiip.v6i9.2838

Abstract

KKN di Desa Penari adalah film yang menceritakan peristiwa nyata mahasiswa yang sedang melakukan KKN di daerah Kabupaten Banyuwangi. Penelitian ini dilakukan untuk melihat bagaimana legenda urban direpresentasikan dalam film KKN di Desa Penari. Metode yang digunakan dalam penelitian ini menggunakan analisis semiotika milik John Fiske yang memiliki tiga level yaitu level realitas, level representasi, dan level ideologi. Pengumpulan data yang dilakukan peneliti dalam penelitian ini adalah dokumentasi dan studi pustaka. Hasil dari penelitian ini adalah mengungkapkan bahwa legenda urban yang terlihat terdapat pada budaya tapal kuda, tari gandrung, tapak tilas, sesajen, dan ular yang di mana masing-masing memiliki legenda urban tersendiri dan memiliki ideologi tersendiri. Ideologi yang bekerja dalam film ini memiliki keterkaitan terhadap legenda urban yang di mana ditemukan adanya ideologi animisme dan ideologi dinamisme, bahwa masih ada masyarakat kita yang memiliki kepercayaan terhadap hal-hal mistis di tempat mereka.
Imagining the "New Father”: Fatherhood and Masculinity in Keluarga Cemara (2018) Aulia Rahmawati; Catur Putri Kirana
Ultimacomm: Jurnal Ilmu Komunikasi Vol 15 No 1 (2023): Ultimacomm
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimacomm.v15i2.3107

Abstract

This study critically analyzes the representation of fatherhood and masculinity in the Indonesian film Keluarga Cemara (2018). It utilizes Norman Fairclough's framework for critical discourse analysis to examine how sociocultural norms and expectations shape the conceptualizations of fatherhood roles. The analysis revealed that conventional patriarchal values dictate fatherhood primarily through an economic lens, placing immense pressure on fathers as financial providers. However, the film's portrayal of the character Abah disrupts this dominant narrative by highlighting the importance of the father's emotional presence and involvement in children's lives, even when facing financial constraints. Abah's struggles expose the narrow definitions of masculinity and fatherhood perpetuated by society. His character illuminates the phenomenon of "father hunger" arising from emotional disconnection when paternal roles focus exclusively on being the breadwinner. This study argues that the film prompts a re-examination of outmoded fatherhood norms to address children’s holistic developmental needs. This emphasizes the need for a more inclusive understanding of masculinity and fatherhood in the Indonesian society and culture. The analysis is situated within the specific sociocultural context of the film, highlighting the complex interplay between cinematic texts, discourse, and broader norms. It underscores cinema's potential to challenge engrained gender roles and catalyze progressive social change
Digital Communication Patterns Of Milenial Extensions And Farmers In Yogyakarta (DIY) Post Pandemi Covid-19 Ririn Tutiasri; Kusumajanti; Aulia Rahmawati; Syafrida Nurrachmi Febriyanti; Dian Hutami Rahmawati
Jurnal Spektrum Komunikasi Vol 11 No 2 (2023): Jurnal Spektrum Komunikasi : June 2023
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v11i2.501

Abstract

This study examines the communication patterns made by agricultural extension agents for the Special Region of Yogyakarta (DIY) with millennial farmers after the Covid-19 pandemic. The Covid-19 outbreak has changed the way we communicate, especially the use of communication media. A very real change can be seen by keeping a distance when carrying out communications and activities. Everyone is forced by circumstances to be able to use communication media, namely gadgets as a communication tool. The words of millennial farmers started to be heard at the start of the pandemic, where these members of the millennial farmers were different from previous farmers, namely farmers who were media literate and able to adapt quickly to circumstances. Many social media applications are used to communicate during the pandemic, and these millennial farmers choose applications that easily facilitate their communication. Collecting data in this study using interviews, observation, documentation, and focus group discussion (FGD). Data analysis techniques used with qualitative descriptions. Research informants consisted of extension workers and millennial farmers from four districts and one city, namely Kulonprogo, Bantul, Gunung Kidul, Sleman, and Yogyakarta City. The results of the study indicate that there has been a change in communication patterns carried out by extension agents with millennial farmers after the pandemic, due to the use of technology. After the Covid-19 pandemic, information was digitized for farmer groups, they used information technology to communicate. The pattern of farmer communication during the post-pandemic period has also changed, where millennial farmers have taken a role in coordinating information
Curating culture: Instagram and the visual representation of heritage tourism in Surabaya Aulia Rahmawati; Ririn Tutiasri; Syafrida Febriyanti
Jurnal Studi Komunikasi Vol. 8 No. 1 (2024)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v8i1.6785

Abstract

This study investigates how Instagram shapes public engagement with cultural heritage through a case study in Surabaya, Indonesia. Surabaya possesses diverse assets; however, its tourism potential remains underexplored compared with established destinations such as Yogyakarta. Instagram offers opportunities to study how Surabaya’s identity is visually constructed and promoted to visitors. Through hashtag #surabayaheritage, users practice certain perspectives on the city’s multifaceted history. This study aims to investigate how Instagram shapes public engagement with cultural heritage through a case study of Surabaya, Indonesia. Specifically, this research examines how Surabaya's identity is visually constructed through the hashtag #surabayaheritage on Instagram. Employing both qualitative content analysis and critical visual discourse, this study examined 100 top Instagram posts, revealing that heritage discourse dominated the posts, with Dutch colonial buildings being the primary photographic subjects. The research findings also emphasise that while the historical discourse emphasises architectural details and educational history, it marginalises other aspects of cultural heritage, especially those that do not originate from the colonial era. By applying visual discourse analysis, this aestheticised selective gaze indicates the productive power of Instagram conventions in framing heritage sites. Further research should incorporate non-Instagram perspectives and spatial analysis. As heritage tourism expands globally, critical examination of social media discourse provides vital insights into the risks and opportunities for inclusive and sustainable development, particularly for local communities.
Co-Authors Ade Kusuma Catur Putri Kirana Dian Hutami Rahmawati Dwi Prasetyo Wahyuningtyas Fakhri Visan Rahmaddani Febriyanti, M.Med.Kom, Syafrida Nurrachmi Kusumajanti Ririn Puspita Tutiasri ririn tutiasri Riyan Fredian Dzul Iftikar Santoso, Wahyu Sumardjijati Sumardjijati Syafrida Febriyanti Tasya Fasa Anjani Vicky Virgiawan Walgunadi