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All Journal KALANGWAN Segara Widya: Jurnal Penelitian Seni VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Journal of Music Science, Technology, and Industry (JOMSTI) Journal of Innovation Research and Knowledge Jurnal Igel: Journal of Dance Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Desiari,  Made Ayu
Institut Seni Indonesia Denpasar
Arts Humanities Economics, Econometrics & Finance Education Health Professions Law, Crime, Criminology & Criminal Justice Social Sciences Other

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MEMBANGUN DAN MEWUJUDKAN POTENSI KESENIAN GENERASI MUDA DALAM MASYARAKAT DESA CARANGSARI MELALUI SENI TARI Ni Putu Selvy Pradnyani; I Wayan Sutirtha; Made Ayu Desiari
Jurnal IGEL : Journal Of Dance Vol 5 No 2 (2025): Jurnal IGEL: Journal Of Dance VOL.5 NO.2, Oktober 2025
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v5i2.6074

Abstract

AbstrakPenciptaan Tari Rejang Maparisudha Jagat berangkat dari ide tentang kesucian alam semesta yang kemudiandirefleksikan melalui gerak tubuh manusia dalam bentuk koreografi. Kata Maparisudha berasal dari Bahasa Sansekerta,yang berarti “penyucian” sedangkan “Jagat” berarti “alam semesta beserta isinya.” Dengan demikian, MaparisudhaJagat dapat dimaknai sebagai upaya penyucian terhadap alam semesta dan seluruh isinya. Tarian ini dibawakan secaraberkelompok oleh sembilan penari putri yang disusun sesuai dengan arah mata angin. Pada karya Tari RejangMaparisudha Jagat, metode penciptaan yang digunakan dalam mewujudkan karya tari, berpijak pada metode AngriptaSasolahan (menciptakan tari-tarian). Metode penciptaan tersebut di dalamnya meliputi lima tahapan penting, yaitungarencana, nuasen, makalin, nelesin, dan ngebah. Dalam penyajiannya, digunakan iringan barungan Gamelan GongKebyar karena sifat fleksibelnya mampu menghadirkan suasana religius dan tenang sesuai dengan tujuan karya.Kata Kunci: Tari Maparisudha Jagat, Alam Semesta, Religi
SRI TANJUNG: A NEW CREATION OF BALINESE DRAMA GONG Suratni, Ni Wayan; Iriani, Ni Wayan; Desiari, Made Ayu
Journal of Innovation Research and Knowledge Vol. 4 No. 6: Nopember 2024
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/jirk.v4i6.8826

Abstract

This applied research aims to create a new Balinese Drama Gong. Traditional Balinese Drama Gong is increasingly marginalized amidst the development of the entertainment industry. Only a few drama viewers know about the character Sri Tanjung in the Banyuwangi legend. The problems are: 1) What is the form of the new Balinese gong drama creation?; 2) What is the process of creating new Balinese Drama Gong?; A new Balinese Gong drama creation can be realized using R&D methods from an art studies perspective. The creation began with field study activities and a literature study regarding traditional Balinese Drama Gong and Banyuwangi legends. The output in the form of a formula is then constructed, implemented as a Balinese Drama Gong, tested, and promoted as a new creation of a Balinese Drama Gong. The results of the research show : 1) This new creation of Balinese Drama Gong uses the Sri Tanjung story, Gamelan Gong Kebyar, Indonesian language, sound system, fog, and modern lighting; 2) Sri Tanjung, a new creation of Balinese Drama Gong, was created through the make a scenario in the searching stage, the artwork designing stage, the socialization stage, the artwork testing stage, and the artwork promotion stage.
Jejagulan Kendang: Oceanic Fauna as An Inspiration of Musical Concept in Karawitan Bali Sadguna, I Gde Made Indra; Desiari, Made Ayu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The seas and oceans hold profound significance within the cultural and spiritual milieu of the Balinese people. From a theological perspective, the ocean serves as a site for purification and spiritual cleansing, while for artists, it represents an abundant source of creative inspiration. Anecdotes abound regarding the profound influence of marine biodiversity on the composition of musical pieces and conceptualizations within the realm of Balinese karawitan. This scholarly endeavor seeks to undertake a comprehensive analysis of one such musical concept within Balinese culture, known as jejagulan kendang. It is mentioned in the Balinese Language Dictionary that jagul is a large and long fish, often compared to a whale. Although jejagulan kendang is a somewhat ubiquitous term, at times employed with a degree of ambiguity, a rigorous examination of its meaning and implications has hitherto been absent from academic discourse. Consequently, the principal objective of this research is to elucidate the early genesis of jejagulan kendang, tracing its evolution into the contemporary era, and exploring the manner in which marine fauna has served as a wellspring of inspiration for a distinctive musical concept within Balinese karawitan. This research is conducted within the framework of a descriptive-qualitative methodology, with an emphasis on the aesthetic paradigm and the domain of Balinese karawitanology. The empirical data are derived from a multifaceted approach, including in-depth interviews, meticulous observations, and intricate musical analyses of compositions featuring jejagulan kendang. It is envisaged that the findings of this study will provide a comprehensive depiction of the transformation and inspiration derived from oceanic fauna, as they manifest within the musical tapestry of Balinese karawitan. As such, this research is poised to serve as an invaluable reference for Balinese karawitan musicians, both in terms of theoretical knowledge and practical application.
Co-Authors I Gede Oka Surya Negara I Ketut Sariada, I Ketut Indra Sadguna, I Gde Made Iriani, Ni Wayan Kustiyanti, Dyah Miranti Br Sembiring Miranti Br Sembiring Ni Made Ruastiti Ni Putu Selvy Pradnyani Suratni, Ni Wayan Suratni, Ni Wyn. Sutirtha, I Wayan Tjok. Istri Putra Padmini Tjok. Istri Putra Padmini Wira yasa, I Made Wira yasa Wiwin Sari Putri, Ni Komang