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Memijak Bumi, Menjunjung Langit: Identitas Kelompok Diaspora Muslim di Eropa Gemilang, Muhammad Soufi Cahya; Windayanto, Riqko Nur Ardi
Jurnal Penelitian Vol 14, No 2 (2020): JURNAL PENELITIAN
Publisher : LP2M IAIN kUDUS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/jp.v14i2.8557

Imigrasi kelompok diaspora Muslim dari Timur Tengah menuju Eropa telah menyebabkan gejolak berupa naiknya kekuatan-kekuatan gerakan populis sayap kanan. Kehadiran diaspora Muslim dipandang dapat mengancam status sosial dan identitas kultural. Akibatnya, mereka mengalami serangan identitas, marginalisasi, dan diskriminasi. Penelitian ini mencoba menguraikan strategi negosasi dan apropriasi yang dilakukan oleh kelompok diaspora Muslim dalam menghadapi serangan-serangan tersebut melalui penyesuaian nilai-nilai Islam dengan nilai-nilai kebudayaan Barat. Selain itu, penelitian ini juga memaparkan proses-proses dalam menjalankan strategi dan dampak dari strategi tersebut bagi kelompok diaspora Muslim di Eropa. Data penelitian diperoleh melalui tinjauan literatur berupa jurnal periodik, buku, dan surat kabar cetak maupun daring yang relevan terhadap pembahasan. Hasil dari penelitian ini menunjukkan bahwa negosiasi antara kelompok diaspora Muslim dengan kebudayaan Barat menghasilkan tiga identitas sebagai produk brain drain dan gain, yaitu Muslim Liberal, Moderat, dan Radikal. Studi ini menawarkan sebuah refleksi bahwa diaspora Muslim bukanlah kelompok homogen sebagaimana propaganda yang diwacanakan oleh kelompok sayap kanan di Eropa. Akan tetapi, mereka adalah kelompok yang heterogen dengan berbagai pandangan sebagai wujud kedinamisan mereka dalam mengapropriasi identitas.

Memijak Bumi, Menjunjung Langit: Identitas Kelompok Diaspora Muslim di Eropa Gemilang, Muhammad Soufi Cahya; Windayanto, Riqko Nur Ardi
Jurnal Penelitian Vol 14, No 2 (2020): JURNAL PENELITIAN
Publisher : LP2M IAIN kUDUS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/jp.v14i2.8557

Imigrasi kelompok diaspora Muslim dari Timur Tengah menuju Eropa telah menyebabkan gejolak berupa naiknya kekuatan-kekuatan gerakan populis sayap kanan. Kehadiran diaspora Muslim dipandang dapat mengancam status sosial dan identitas kultural. Akibatnya, mereka mengalami serangan identitas, marginalisasi, dan diskriminasi. Penelitian ini mencoba menguraikan strategi negosasi dan apropriasi yang dilakukan oleh kelompok diaspora Muslim dalam menghadapi serangan-serangan tersebut melalui penyesuaian nilai-nilai Islam dengan nilai-nilai kebudayaan Barat. Selain itu, penelitian ini juga memaparkan proses-proses dalam menjalankan strategi dan dampak dari strategi tersebut bagi kelompok diaspora Muslim di Eropa. Data penelitian diperoleh melalui tinjauan literatur berupa jurnal periodik, buku, dan surat kabar cetak maupun daring yang relevan terhadap pembahasan. Hasil dari penelitian ini menunjukkan bahwa negosiasi antara kelompok diaspora Muslim dengan kebudayaan Barat menghasilkan tiga identitas sebagai produk brain drain dan gain, yaitu Muslim Liberal, Moderat, dan Radikal. Studi ini menawarkan sebuah refleksi bahwa diaspora Muslim bukanlah kelompok homogen sebagaimana propaganda yang diwacanakan oleh kelompok sayap kanan di Eropa. Akan tetapi, mereka adalah kelompok yang heterogen dengan berbagai pandangan sebagai wujud kedinamisan mereka dalam mengapropriasi identitas.

FUNGSI POLITIK PUITIKA MAGIS DALAM CERPEN “ULAR DAN AMARAH” KARYA A.S. LAKSANA DALAM MENGARTIKULASIKAN PANDANGAN TERHADAP KEKERASAN MEI 1998 Windayanto, Riqko Nur Ardi
Hasta Wiyata Vol. 7 No. 2 (2024): Jurnal Hasta Wiayata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2024.007.002.03

This research aims to reveal the political function of magical poetics in the short story “Ular dan Amarah” by A.S. Laksana with the theory of magical realism, political function, and articulation. Methodologically, this research consists of poetic data and political data, which are collected, respectively, from short story texts and historical-political-social humanities texts. Both two is analyzed using coherent interpretation and relational analysis between literary work and politics. The are two main findings in this research. First, this short story fulfills the five elements of magical realism so it is a literary work in the magical realism genre. These elements constitute poetics which itself contains a political function. Based on reading the content, parsing discursive words, and the researcher’s knowledge, this short story refers to incidents of violence against ethnic Chinese in May 1998. Second, by making use of the magical, this short story articulates the view that China as a victim is a marginal group that has no power so it must be emphasized and strengthened. This is an effort not to forget this incident and continue to demand state responsibility. The author also criticized this magical thing that violence should not be responded to with violence as done by the character Seto in the short story. On the other hand, non-violent resistance is the “wise” path that must be taken considering that this short story appeared in 2017, dozens of years after the violent incident occurred, resulting in “retention”, which made the violent response change to “wise”.

Produksi Sosial dalam Peta Pemikiran Janet Wolff dan Contoh Penerapannya dalam Kajian Filologi Windayanto, Riqko Nur Ardi; Santoso, Widjajanti Mulyono
Jumantara: Jurnal Manuskrip Nusantara Vol. 15 No. 1 (2024): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37014/jumantara.v15i1.5029

This article aims to map the social production theory conceptually by Janet Wolff and its application in philological studies by taking the Hikayat Indraputra as an example of an object of analysis. Conceptually and analytically social production theory covers the aesthetic codes that set the literature, the ideology, the cultural production aspects, and the meaning as optional discussion. In this theory, the manuscript which consists of literature text is understood as a social product or collective product so that the analysis relates the text and manuscript, the text and context, and the textological analysis and codicological analysis. Methodologically this theory is applied, especially, by using the dialectical method that by Wolff is built on historical materialism. Manuscripts and texts are very diverse. Therefore, using this theory requires certain adjustments to the manuscripts and texts to be studied so that the theory is not applied haphazardly. Ultimately, with its broad concept offering, this theory can be used to carry out one of the tasks in philological studies, namely interpreting or interpreting edited text, and continuously developing the philological studies.

Lanskap Pariwisata Malang dalam Komik Si Juki Seri Jalan-Jalan Nusantara: Petualangan di Malang Bromo Tengger Semeru Karya Faza Meonk Windayanto, Riqko Nur Ardi
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 3 No. 2 (2024): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.032.02

Penelitian ini bertujuan untuk membongkar penyajian lanskap pariwisata di Malang dalam komik petualangan di Malang karya Faza Meonk dan konteks politik yang melingkupinya.Kebaruan penelitian ini adalah menempatkan komik sebagai praktik diskursif. Naratologi komik dan konsep lanskap pariwisata digunakan sebagai teori. Secara metodologis, data dihimpun dengan penyimakan, pemindaian, dan dianalisis secara interpretatif. Hasil penelitian menempatkan praktik kepariwisataan, Malang memiliki lanskap wisata. Diawali wisata kampung (kota), wisata berbasis alam (kabupaten), dan wisata artifisial (Kota Batu). Tiap lanskap memiliki atraksinya masing-masing, yang dikunjungi oleh Juki, Mang Awung, dan Sam Ongis sebagai subjek wisatawan. Lanskap tersebut digambarkan dengan dua kode: realistis dan kartun. Kedua kode mengimplikasikan perjumpaan ideologis, yaitu informasi dan fakta pariwisata secara objektif yang berdampingan dengan cerita dan fiksi yang subjektif. Perjumpaan ini menempatkan komik sebagai modal budaya dalam kebijakan publik pariwisata sebagai konteks politik yang melingkupi produksinya.

DI BAWAH LANGIT TAK BERBINTANG KARYA UTUY TATANG SONTANI: TINJAUAN SASTRA PERJALANAN CARL THOMPSON Windayanto, Riqko Nur Ardi
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.817.93-111

Di Bawah Langit Tak Berbintang (DBLTB) by Utuy Tatang Sontani is a travel literature because it narrates travel, fulfills the formal-aesthetic characteristics of travel literature, and reconstructs travel experiences in a novelistic way. This study explains aspects of travel literature and the author's ideology with Thompson's theory of travel literature. The first problem data are verbal units in DBLTB which tell about self-other, movement, room, meeting, agenda, and writing, which are collected using the note-taking technique. Data ideology is narratives from social, cultural, and ideological texts, which are collected by literature study. The data are analyzed by content analysis and Laclau and Mouffe’s discourse analysis. This study shows that Utuy involved himself as I, a traveler in Indonesia and China. The journey makes him arrives at spaces, such as Bandung, Jakarta, Peking, Canton, Cengkareng, sanatoriums, and Cing Tao, and brings him meets with others, both people, places, and activities. In its journey, the dominant world is described subjectively, which then shows the author's agenda, namely and defends his ideology, namely individualism.

Air yang Kultural dan Ideologis: Konstruksi Naratologis Kuala dalam Hikayat Parang Puting Windayanto, Riqko Nur Ardi
JENTERA: Jurnal Kajian Sastra Vol 13, No 1 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v13i1.7149

This research aims to reveal the narratological construction of kuala in the Hikayat Parang Puting so that its cultural and ideological values can be identified. By amalgamating the narratological theory of Mieke Bal and Ansgar Nünning, this research moves dialectically between literary works and Malay culture to reveal this construction. The Hikayat Parang Puting MSS Malay D 3 as the British Library collection that has been transliterated is the data source for gathering linguistic units representing kuala constructions. Methodologically, this data is textually analyzed with attention to its context in literary works and the narratology theories employed. The analysis is further reinforced with literature reviews to correlate the literary data with cultural data beyond the text. This research found that kuala is a geographical element that is spread out, one of which is in Penang. In Penang, Hikayat Parang Puting was produced by Ibrahim. The presence of kuala in the text, thus, cannot be separated from that fact. Similar to the cultural idea of kuala, kuala in the text is perceived by the characters and narrator as a space of power (Hall-Airriess) and a liminal space (Andaya). However, this power does not mean a force; liminal space does not contain spiritual potential, but rather myth. Kuala tends to be constructed as an intermediate location that is connected to a dangerous world as well as a space that is safe from these dangers. Narratively, kuala is also a location that conveys land and sea as two opposing locations in the story. This research ultimately concludes that the cultural and ideological kuala is a geographical object that articulates animistic energies, which can bring both security and danger as well as disasters and safety. This becomes the reality of the meaning and culture offered by the tale. AbstrakPenelitian ini bertujuan untuk menguraikan konstruksi naratologis kuala dalam Hikayat Parang Puting sehingga dapat diketahui nilai kultural dan ideologisnya. Penggunaan teori naratologi dari Mieke Bal dan Ansgar Nünning menjadikan penelitian ini bergerak secara dialektal antara karya sastra dan budaya Melayu untuk mengungkapkan konstruksi itu. Hikayat Parang Puting MSS Malay D 3 koleksi British Library yang telah dialihaksarakan menjadi sumber data untuk menghimpun data satuan-satuan lingual yang merepresentasikan konstruksi kuala. Secara metodologis, data ini dianalisis secara tekstual dengan memperhatikan konteksnya dalam karya sastra dan teori naratologi yang digunakan. Analisis diperkuat pula dengan studi pustaka sehingga data karya sastra dikorelasikan dengan data budaya di luar teks. Penelitian ini menemukan bahwa kuala merupakan elemen geografis yang tersebar, salah satunya, di Penang. Di Penang inilah Hikayat Parang Puting diproduksi oleh Ibrahim. Kehadiran kuala dalam teks, dengan demikian, tidak terlepas dari kenyataan itu. Mirip dengan gagasan budaya tentang kuala, kuala dalam teks dipersepsikan oleh karakter dan narator sebagai ruang kekuasaan (Hall-Airriess) dan ruang liminal (Andaya). Namun, kekuasaan ini tidak berarti kekuatan; ruang antara tidak mengandung potensi spiritual, tetapi mitologis. Kuala cenderung dikonstruksi sebagai ruang antara yang terhubung dengan dunia yang berbahaya sekaligus ruang aman dari bahaya tersebut. Secara naratif, kuala juga menjadi lokasi yang mengantarai daratan dan lautan sebagai dua lokasi yang beroposisi dalam cerita. Penelitian ini pada akhirnya menyimpulkan bahwa kuala yang kultural dan ideologis adalah objek geografis yang mengartikulasikan energi animisme, yang bisa mendatangkan rasa aman dan bahaya juga bencana dan keselamatan. Hal itu menjadi kenyataan makna dan budaya yang ditawarkan oleh hikayat.

PENYAKIT KULIT SEBAGAI PEMBANGUN STRUKTUR NARATIF: TINJAUAN NARATOLOGIS HIKAYAT AGUNG SAKTI KARYA MUHAMMAD BAKIR Dewojati, Cahyaningrum; Winarti, Daru; Udu, Sumiman; Windayanto, Riqko Nur Ardi
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data were explained through dialectics and interreference. This research yielded several main results. First, skin diseases (itches, smallpox, scabs, and Tinea corporis) are attached to the elements of the fabula. These diseases change circumstances, shape events and time, infect the characters (the Gods), and change the locations (from heaven to earth). Skin diseases were found to be the building block of the narrative structure. In this role, skin diseases become a means of articulating Islamism. This narrative is linked to the development of Islam in Malay-speaking lands and political resistance to polytheistic Hinduism, which is placed in opposition to the monotheistic Islam which places Allah as the only deity. This ideology was articulated and written down as a literary work to be disseminated among local Straits-born Chinese. This is also contextually related to the issues of manuscript rental, diseases in Malay tradition, and spread of diseases in Batavia in the 19th century.

MISTISISME JAWA DALAM CERPEN ANJING-ANJING MENYERBU KUBURAN KARYA KUNTOWIJOYO: TINJAUAN REALISME MAGIS WENDY B. FARIZ Windayanto, Riqko Nur Ardi
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 1, No 3 (2020): October
Publisher : Fakultas Bahasa dan Sastra Indoensia

This study aims to describe aspects of Javanese mysticism in the “Anjing-Anjing Menyerbu Kuburan” short story by Kuntowijoyo. This research uses qualitative method and descriptive approach. These aspects of mysticism are described with the five characteristics of the magical realism of Wendy B. Fariz's perspective, such as irreducible element, the phenomenal world, unsettling doubt, merging realms, and the disruptions of time, space and identity. The results showed that Javanese mysticism’s manifested in the form of pesugihan as a shortcut to achieve the wealth; and various magical objects, characters, and events. The socio-cultural background of the Javanese people, especially regarding to economic condition, also causes this practice of pesugihan.

Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol 31, No 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.

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