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FUNGSI POLITIK PUITIKA MAGIS DALAM CERPEN “ULAR DAN AMARAH” KARYA A.S. LAKSANA DALAM MENGARTIKULASIKAN PANDANGAN TERHADAP KEKERASAN MEI 1998 Windayanto, Riqko Nur Ardi
Hasta Wiyata Vol. 7 No. 2 (2024): Jurnal Hasta Wiayata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2024.007.002.03

Abstract

This research aims to reveal the political function of magical poetics in the short story “Ular dan Amarah” by A.S. Laksana with the theory of magical realism, political function, and articulation. Methodologically, this research consists of poetic data and political data, which are collected, respectively, from short story texts and historical-political-social humanities texts. Both two is analyzed using coherent interpretation and relational analysis between literary work and politics. The are two main findings in this research. First, this short story fulfills the five elements of magical realism so it is a literary work in the magical realism genre. These elements constitute poetics which itself contains a political function. Based on reading the content, parsing discursive words, and the researcher’s knowledge, this short story refers to incidents of violence against ethnic Chinese in May 1998. Second, by making use of the magical, this short story articulates the view that China as a victim is a marginal group that has no power so it must be emphasized and strengthened. This is an effort not to forget this incident and continue to demand state responsibility. The author also criticized this magical thing that violence should not be responded to with violence as done by the character Seto in the short story. On the other hand, non-violent resistance is the “wise” path that must be taken considering that this short story appeared in 2017, dozens of years after the violent incident occurred, resulting in “retention”, which made the violent response change to “wise”.
Produksi Sosial dalam Peta Pemikiran Janet Wolff dan Contoh Penerapannya dalam Kajian Filologi Windayanto, Riqko Nur Ardi; Santoso, Widjajanti Mulyono
Jumantara: Jurnal Manuskrip Nusantara Vol. 15 No. 1 (2024): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37014/jumantara.v15i1.5029

Abstract

This article aims to map the social production theory conceptually by Janet Wolff and its application in philological studies by taking the Hikayat Indraputra as an example of an object of analysis. Conceptually and analytically social production theory covers the aesthetic codes that set the literature, the ideology, the cultural production aspects, and the meaning as optional discussion. In this theory, the manuscript which consists of literature text is understood as a social product or collective product so that the analysis relates the text and manuscript, the text and context, and the textological analysis and codicological analysis. Methodologically this theory is applied, especially, by using the dialectical method that by Wolff is built on historical materialism. Manuscripts and texts are very diverse. Therefore, using this theory requires certain adjustments to the manuscripts and texts to be studied so that the theory is not applied haphazardly. Ultimately, with its broad concept offering, this theory can be used to carry out one of the tasks in philological studies, namely interpreting or interpreting edited text, and continuously developing the philological studies.
Lanskap Pariwisata Malang dalam Komik Si Juki Seri Jalan-Jalan Nusantara: Petualangan di Malang Bromo Tengger Semeru Karya Faza Meonk Windayanto, Riqko Nur Ardi
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 3 No. 2 (2024): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.032.02

Abstract

Penelitian ini bertujuan untuk membongkar penyajian lanskap pariwisata di Malang dalam komik petualangan di Malang karya Faza Meonk dan konteks politik yang melingkupinya.Kebaruan penelitian ini adalah menempatkan komik sebagai praktik diskursif. Naratologi komik dan konsep lanskap pariwisata digunakan sebagai teori. Secara metodologis, data dihimpun dengan penyimakan, pemindaian, dan dianalisis secara interpretatif. Hasil penelitian menempatkan praktik kepariwisataan, Malang memiliki lanskap wisata. Diawali wisata kampung (kota), wisata berbasis alam (kabupaten), dan wisata artifisial (Kota Batu). Tiap lanskap memiliki atraksinya masing-masing, yang dikunjungi oleh Juki, Mang Awung, dan Sam Ongis sebagai subjek wisatawan. Lanskap tersebut digambarkan dengan dua kode: realistis dan kartun. Kedua kode mengimplikasikan perjumpaan ideologis, yaitu informasi dan fakta pariwisata secara objektif yang berdampingan dengan cerita dan fiksi yang subjektif. Perjumpaan ini menempatkan komik sebagai modal budaya dalam kebijakan publik pariwisata sebagai konteks politik yang melingkupi produksinya.
DI BAWAH LANGIT TAK BERBINTANG KARYA UTUY TATANG SONTANI: TINJAUAN SASTRA PERJALANAN CARL THOMPSON Windayanto, Riqko Nur Ardi
ATAVISME Vol 25, No 2 (2022): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v25i2.817.93-111

Abstract

Di Bawah Langit Tak Berbintang (DBLTB) by Utuy Tatang Sontani is a travel literature because it narrates travel, fulfills the formal-aesthetic characteristics of travel literature, and reconstructs travel experiences in a novelistic way. This study explains aspects of travel literature and the author's ideology with Thompson's theory of travel literature. The first problem data are verbal units in DBLTB which tell about self-other, movement, room, meeting, agenda, and writing, which are collected using the note-taking technique. Data ideology is narratives from social, cultural, and ideological texts, which are collected by literature study. The data are analyzed by content analysis and Laclau and Mouffe’s discourse analysis. This study shows that Utuy involved himself as I, a traveler in Indonesia and China. The journey makes him arrives at spaces, such as Bandung, Jakarta, Peking, Canton, Cengkareng, sanatoriums, and Cing Tao, and brings him meets with others, both people, places, and activities. In its journey, the dominant world is described subjectively, which then shows the author's agenda, namely and defends his ideology, namely individualism.
PENYAKIT KULIT SEBAGAI PEMBANGUN STRUKTUR NARATIF: TINJAUAN NARATOLOGIS HIKAYAT AGUNG SAKTI KARYA MUHAMMAD BAKIR Dewojati, Cahyaningrum; Winarti, Daru; Udu, Sumiman; Windayanto, Riqko Nur Ardi
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data were explained through dialectics and interreference. This research yielded several main results. First, skin diseases (itches, smallpox, scabs, and Tinea corporis) are attached to the elements of the fabula. These diseases change circumstances, shape events and time, infect the characters (the Gods), and change the locations (from heaven to earth). Skin diseases were found to be the building block of the narrative structure. In this role, skin diseases become a means of articulating Islamism. This narrative is linked to the development of Islam in Malay-speaking lands and political resistance to polytheistic Hinduism, which is placed in opposition to the monotheistic Islam which places Allah as the only deity. This ideology was articulated and written down as a literary work to be disseminated among local Straits-born Chinese. This is also contextually related to the issues of manuscript rental, diseases in Malay tradition, and spread of diseases in Batavia in the 19th century.
MISTISISME JAWA DALAM CERPEN ANJING-ANJING MENYERBU KUBURAN KARYA KUNTOWIJOYO: TINJAUAN REALISME MAGIS WENDY B. FARIZ Windayanto, Riqko Nur Ardi
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 1, No 3 (2020): October
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (245.463 KB) | DOI: 10.59562/neologia.v1i3.18902

Abstract

This study aims to describe aspects of Javanese mysticism in the “Anjing-Anjing Menyerbu Kuburan” short story by Kuntowijoyo. This research uses qualitative method and descriptive approach. These aspects of mysticism are described with the five characteristics of the magical realism of Wendy B. Fariz's perspective, such as irreducible element, the phenomenal world, unsettling doubt, merging realms, and the disruptions of time, space and identity. The results showed that Javanese mysticism’s manifested in the form of pesugihan as a shortcut to achieve the wealth; and various magical objects, characters, and events. The socio-cultural background of the Javanese people, especially regarding to economic condition, also causes this practice of pesugihan.
Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol 31, No 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

Abstract

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.
Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol. 31 No. 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab and Humaniora, Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

Abstract

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.
RISALAH TUNBIAT AL HAYAT: PENYAJIAN TEKS DISERTAI DENGAN DISKUSI PRELIMINER Windayanto, Riqko Nur Ardi
Tambo: Journal of Manuscript and Oral Tradition Vol. 2 No. 1 (2024): TAMBO
Publisher : Pusat Riset Manuskrip, Literatur, dan Tradisi Lisan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/tambo.2024.3440

Abstract

This research presents an edited text edition of the Risalah Tunbiat Al Hayat and interprets it with a preliminary discussion. The diplomatic method and literature study are used in this research. This text contains the effects and earthquakes according to the time they occurred, the time and place of house construction, the fate, dragons, magical rites, as well as tables and descriptions of the humans’ fate and character based on the seven stars. Based on the content of the text, the Malay people see the natural and social phenomena around them as powers that imply the division of God’s power. However, Allah and Islam remain the central associations of this Malay text. This can be understood as the Malay people’s way of explaining life patterns, including fate and character according to astrology as Islamic astrology’s influence. Thus, this research has presented the twin tasks of philology: presenting and interpreting text.
Narrating power: Hunting and state formation in Malay and Old Javanese texts—a comparative philological critique Windayanto, Riqko Nur Ardi; Buduroh, Mamlahatun
NOTION: Journal of Linguistics, Literature, and Culture Vol. 7 No. 2 (2025): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v7i2.13705

Abstract

This study aims to reveal the articulation of state formation as depicted in Hikayat Raja-Raja Pasai and Ādiparwa by examining the hunting events narrated in both texts. By employing the narratology to analyze the events comparatively, this study finds that in the Malay Hikayat, the hunting carried out by Raja Ahmad and Merah Silu (Sultan Maliku’l-Saleh) is incidental, as instead of encountering animal as the primary target, they encounter other objects, directly signifying the formation of a state—namely genealogy and the city/palaces founding as a form of territorialization. Meanwhile, in the Ādiparwa, the hunting is not incidental; the actors do encounter their game (deer), but it results in a curse and death. Nevertheless, hunting articulates genealogy and rituals demonstrating the grandeur of the state. The Malay text originates from the 14th century Sultanate of Samudera-Pasai and was written to justify the relocation of the capital to Pasai for security and defense. In contrast, the Old Javanese text was written in the 10th century under the patronage of Dharmawangśa Tĕguh, aiming to build a myth of descent as a form of political cultural capital. This study contributes to decolonial practice by challenging Geertz's notion that ignores the significance of manuscript. Otherwise, this study sheds light that hunting in the texts is not merely the relation between the king and the game, but discursively also Shapes the political symbol regarding the understanding the historiography of state formation in Southeast Asia. However, as both texts belong to court literature, they tend to reflect elite perspectives and may overlook subaltern voices. Therefore, cross-source analysis and corroboration are necessary to strengthen our understanding of state formation in Indonesia and Southeast Asia.