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Filmmaking and Critical Pedagogy Amongst Youth as Cultural Empowerment in Banyumas, Indonesia Tri Adi Sumbogo; Nina Mutmainnah
IKAT: The Indonesian Journal of Southeast Asian Studies Vol 5, No 2 (2022): January
Publisher : Center for Southeast Asian Social Studies (CESASS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/ikat.v5i2.71556

Abstract

The local film community run by cultural activists typically conducts several film practices, such as film production, distribution, and exhibition independently. In post-New Order Indonesia, the Banyumas subculture has become an alternative site of struggle for producing critical films against mainstream and commercial films. This study questions how Banyumas cultural activists develop critical learning and nurture an awareness-raising process for local students through filmmaking and how Banyumas’ local film production forms a new culture enacting social change. The authors adopt a qualitative approach with multiple case studies to investigate the phenomenon. The data was obtained by conducting in-depth interviews with cultural activists and the vocational/high school students as a filmmaker, observation, and documentation of the films they produced. This study implements Paulo Freire’s idea of critical pedagogy through collaborative filmmaking performed by Banyumas cultural activists and local young students within a specific cultural and outside-classroom setting. Through collaborative filmmaking, the local subjects interrogate the current sites of power and social roles by encouraging dialogue and problem-posing methods. Using visual media, the practice of empowering local cultural identities finds its embodiment in filmmaking as a process and result. As a living cultural expression, films preserve the local culture, redefine the value of humanism, and raise critical awareness about larger social, political, economic, gender, and cultural issues.
Branding the Police Institution on the Youth Santri through Traditional Music and Puppets Stories in Central Java Indonesia Ulani Yunus; Tri Adi Sumbogo; Bhernadetta Pravitta Wahyuningtyas; Mario N. Willyarto; Rubiyanto
Jurnal Spektrum Komunikasi Vol 11 No 2 (2023): Jurnal Spektrum Komunikasi : June 2023
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v11i2.418

Abstract

The purpose of this study is to illustrate how branding activities can do by the police institution through traditional music art performances and puppet stories can do on youth santri in Indonesia to coincide with National Santri Day in Indonesia. The research methods carried out are qualitative with data suber, in-depth interviews, direct observations, and literature studies. The results of the study mentioned problems with police imagery and puppet art imagery. Both of these issues actually become artistic creativity that becomes police branding activities and maintains traditional puppet art, which is also almost abandoned by Z Generation in Indonesia even though puppetry is also an ancestral heritage that received recognition from UNESCO. In conclusion, branding about the police through traditional art performances and puppet stories has been able to make the activity as entertainment and at the same time a disheartce in the hearts of youth students who are studied.
The Leading Ladies of Traditional Theatre: A Contemporary Performances of Female Traditional Storyteller Wahyuningtyas, Bhernadetta Pravita; Sumbogo, Tri Adi; Zulqarnain, Wajid
Communicare : Journal of Communication Studies Vol. 10 No. 2 (2023): Communicare: Journal of Communication Studies
Publisher : Institut Komunikasi dan Bisnis LSPR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37535/101010220235

Abstract

This study captured that female traditional performer possess inherent qualities that make them ideal for public relations roles in provide not only local but also national branding globally. Their ability to captivate people, communicate effectively, and adapt to different situations gives them an edge over traditional PR representative today. The phenomenon is considered in relation to the changing function of traditional performances from popular entertainment purposes only to cultural preservation during rapid modernization process world widely. This study used qualitative methods with constructivist paradigm approach, interview, and observation in gathered the data. Female traditional performer or storyteller are the public relations representative for the traditional culture of Indonesia. For the driven cannot only be happened without intervened of the government through education system. This study focuses on traditional storytelling performances, and the observation of concerts and rehearsals of it especially in Central Java, Indonesia. Through this fieldwork, several communication issues became relevant. By integrating performers into PR campaigns through collaborative events, social media campaigns, or as brand ambassadors, organizations can harness their unique talents to achieve remarkable results. Embracing performers as PR representatives is a forward-thinking approach that embraces creativity and enhances communication arena visibility in today's increasingly competitive landscape.
Faktor-Faktor yang Memengaruhi Komitmen Generasi Z terhadap Pancasila Primahendra, Riza; Sumbogo, Tri Adi; Lensun, Reney Aquino; Sugiyanto, Sugiyanto
Jurnal Ilmiah Pendidikan Pancasila dan Kewarganegaraan Vol 5, No 1 (2020): Juni 2020
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (789.701 KB) | DOI: 10.17977/um019v5i1p167-177

Abstract

This study intended to identify the influence of Generation Z’s perceptions on political parties and political education by mediating political leadership on the commitment to Pancasila. The study used a Partial Least Square Structural Equation Modeling (PLS-SEM) approach. The population was high school students in Jakarta. The sample was 82 students in XI grade. The results showed the perception of political parties influenced the views of political leadership (0.627). Perceptions of political parties influenced Pancasila’s commitment (0.357). The strongest influence was found to be in political education on the commitment of the Pancasila (0.722). Political education did not influence the views of political leadership (-0.009). The view of political leadership did not influence the commitment of the Pancasila (-0.194). The view of political leadership was not a factor influencing generation Z’s commitment to Pancasila. Generation Z’s commitment to Pancasila was influenced by two factors, namely political parties and political education. Political education was the highest factor influencing generation Z’s commitment to Pancasila.
CASCARA PRODUCTIONS AS A MODEL OF BRAND ACTIVISM FOR COFFEE FARMER GROUP IN MOUNT PUNTANG, WEST JAVA INDONESIA Siswantini, Siswantini; Sumbogo, Tri Adi; Dhamayanti, Meilani; Maryani, Maryani
SEEIJ (Social Economics and Ecology International Journal) Vol. 9 No. 1 (2025): March
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/seeij.v9i1.12722

Abstract

Cascara is considered a healthy drink and one way to encourage sustainable coffee production by-products. Cascara production activities by the Rumah Kopi Palalangon can be categorized as brand activism, namely a brand that uses activist strategies with the desire to improve the quality of life of the community. The essence of brand activism is action that involves all stakeholders to make changes in social, economic, political and environmental quality. This research aims to develop a basic training plan for empowering farmers who are members of the rumah Kopi Palalangon led by Ayi Suteja in Mount Puntang, Bandung Regency, West Java. This research focuses on creating messages on social media that have been used as promotional media for their activities. CBR approach usages to identify the partner’s need and follow the ABCD approach to capture the potential social capital that exists in the community. As activists, PKM partners are trying to spread their activities in producing coffee with a zero-waste concept. The study shows that partners lack the ability to provide a clear message of the movement that could motivate the audience to participate. Based on their social and material assets, a training plan of a psychology of message and brand activism strategies is developed and implemented.