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All Journal Ars: Jurnal Seni Rupa dan Desain Journal of Contemporary Indonesian Art Atrat: Jurnal Seni Rupa Jurnal Pendidikan Teknik dan Vokasional
Haidarsyah Dwi Albahi
Institut Seni Budaya Indonesia Bandung
Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Education Engineering Environmental Science Mechanical Engineering Social Sciences Transportation Other

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“Dinamika Merantau”: Perwujudan Kristalisasi Memori dalam Karya Lukis Haidarsyah Dwi Albahi
Journal of Contemporary Indonesian Art Vol 7, No 2 (2021)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v7i2.5861

Abstract

Penelitian ini bertujuan untuk mengetahui proses penciptaan karya lukis dan wujud visualisasi karya berdasarkan ekspresi personal terhadap dinamika kehidupan yang terjadi di perantauan. Pustaka ini mengandung nilai kesadaran dan motivasi untuk mengarungi hidup dari sudut pandang pencipta sebagai mahasiswa perantau. Pada bagian proses penciptaan karya terdapat beberapa tahapan antara lain; 1) pemanfaatan sumber data literasi, 2) riset media meliputi eksperimen bentuk visual, eksperimen teknik garap dan tahap perenungan. Visual tampilan wujud karya lukis bernuansa hitam putih menggunakan eskpresi simbolik personal. Penciptaan karya lukis dengan tema “dinamika merantau” menghasilkan tiga buah karya lukis yang berjudul “home sweet home”, kedua “dream in forest”, dan ketiga “belenggu kebebasan”.This research aims to find out the process of creating paintings and the visualization of works based on personal expressions of the dynamics of life that occur in the field. This library contains the value of awareness and motivation to wade through life from the creator's point of view as a nomad. In creating work, there are several stages, namely 1) the utilization of literacy data sources, 2) media research including visual form experiments, work engineering experiments and contemplation stages. Visual display of black and white paintings using personal symbolic expression. The creation of paintings with the theme "regional dynamics" resulted in three paintings entitled "home sweet home", both "dream in a forest", and third "shackles of freedom".
Estetika Motif Nyi Pohaci: Interpretasi Mitos Dewi Sri Dalam Desain Motif Kontemporer Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum; Kemala, Alya Bela
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3803

Abstract

This study aims to examine the Dewi Sri myth’s aesthetic value as a source of inspiration for digital creations featuring Nyi Pohaci motifs. The myth of Dewi Sri, the deity of fertility and rice in Indonesian agrarian culture, plays a significant role in illustrating the spiritual and cultural traditions of the society. This study employs a contemporary aesthetic methodology created by Prof. Dharsono. It is a multifaceted methodology that examines how form, colour, symbolism, emotions, and personal expression are all analyzed in this procedure of creating art. There are four stages to the study process for developing motif designs: 1) exploration, 2) experimentation, 3) contemplation, and 4) realization. This research also examines the socio-cultural context in which the myth of Dewi Sri was developed, resulting in an interaction between tradition and modernity in the creative process of labour. According to the research findings, Nyi Pohaci’s contemporary design has the potential to facilitate a dialogue between the past and the present, as well as to reflect aesthetic attractiveness. The design’s visual structure is intended to convey messages of harmony, balance, and fecundity about nature, which are pertinent to the current environmental and social issues.
Green Peafowl Sebagai Inspirasi Dalam Desain Busana Digital Evening Gown Putri, Syilvi Karisa; Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum
Journal of Contemporary Indonesian Art Vol 11, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v11i1.15072

Abstract

This study describes the creative process of digital fashion design, focusing on how to transform the idea inspired by the Green Peafowl into an evening gown using digital design techniques. The motivation behind this creative work is the need for digital fashion designs that showcase contemporary fashion concepts as well as represent the beauty of the endemic Green Peafowl, a species currently threatened with extinction. The objective of this research is to create a digital fashion design inspired by the Green Peafowl, exploring its visual elements and aesthetics artistically in the form of an evening gown. Through the application of artistic theory and design principles, symbols representing the characteristics of the Green Peafowl—derived from visual elements such as shape, colour, and texture—are transformed into the design of the evening gown. The research method employed is Dharsono's artistic creation method, which consists of the following stages: 1) Observation, 2) Experimentation, 3) Reflection, and 4) Formation. The observation stage includes literature and pictorial studies related to the theme. The experimentation stage involves exploring the visual elements of the Green Peafowl in the design. The reflection stage involves analyzing and reflecting on the aesthetic aspects and meaning of the resulting design. The formation stage results in harmonious and innovative work in accordance with the concept and idea. The outcome of this research is a collection of digital evening gown designs. Penelitian ini mendeskripsikan proses kreatif pengkaryaan desain busana digital dengan fokus utama yakni; bagaimana mentranformasikan ide inspirasi Green Peafowl pada evening gown dengan teknik digitalisasi desain. Pengkaryaan ini didasari oleh kebutuhan akan desain busana digital untuk menampilkan konsep busana terkini, serta merepresentasikan keindahan fauna endemik Green Peafowl yang saat ini mulai terancam keberadaanya. Tujuan penelitian ini adalah menciptakan desain busana digital yang terinspirasi dari burung Green Peafowl, dengan mengeksplorasi elemen rupa dan estetika secara artistik ke dalam wujud evening gown. Melalui pendekatan teori artistik dan prinsip desain, simbol-simbol yang merepresentasikan karakteristik Green Peafowl, bersumber dari elemen rupa seperti bentuk, warna, dan tekstur, ditransformasikan kedalam wujud evening gown. Metode penelitian yang digunakan adalah kreasi artistik Dharsono, dengan tahapan proses yakni; 1) Observasi, 2) eksperimen, 3) perenungan, dan 4) pembentukan. Tahap Observasi meliputi studi pustaka dan piktorial terkait tema yang diusung. Tahap eksperimen dilakukan dengan mengeksplorasi elemen rupa Green Peafowl ke dalam desain. Tahap perenungan melibatkan analisis dan refleksi terhadap aspek estetika dan makna dari desain yang dihasilkan. Tahap pembentukan menghasilkan karya yang harmonis dan inovatif sesuai konsep dan gagasan ide. Hasil penelitian ini berupa koleksi desain busana digital evening gown.
Desain Motif Kontemporer Inspirasi Candi Jiwa Kabupaten Karawang dalam Produk Aksesori Fashion Albahi, Haidarsyah Dwi
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4508

Abstract

Indonesian cultural heritage is an inexhaustible source of inspiration for the creative industries, including fashion. However, many potential historical sites haven’t been fully explored. One such example is the Batujaya Temple complex in Karawang, specifically Candi Jiwa. Candi Jiwa, believed to be a relic from the pre-Tarumanegara kingdom era, has unique architectural characteristics: a minimalist brick structure with a lotus flower-shaped layout, which sets it apart from other temples in Java that are typically made of andesite stone with intricate reliefs. This research on contemporary motif design aims to (1) Identify the visual and philosophical elements of Candi Jiwa’s architecture; (2) Stylize the architectural forms of Candi Jiwa into a motif design; and (3) Apply the resulting contemporary motifs to fashion accessory products. The design methods used include a literature study, visual observation, sketch exploration, form stylization, digitalization, and product mock-up creation. The result of this design process is a series of primary and derivative motifs inspired by the layout, structure, and texture of Candi Jiwa. These motifs were then digitally applied as mock-ups on accessory products such as scarves, vests, hijabs, and tote bags. This design project demonstrates that the simplicity and uniqueness of Candi Jiwa’s form have great potential to be translated into modern, ethnic motif designs with a strong narrative value.
Kajian Makna dan Konsep Estetik pada Ilustrasi Harimau Karya Bodilpunk Haidarsyah Dwi Albahi
Ars: Jurnal Seni Rupa dan Desain Vol 24, No 3 (2021): Desember 2021
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v24i3.4883

Abstract

Perkembangan seni ilustrasi di Indonesia begitu beragam dan sangat dipengaruhi oleh perkembangan art style pada era postmodern. Dalam era postmodern, para ilustrator cenderung mengedepankan kebebasan dalam mengekspresikan diri dalam visual karyanya, tidak ingin terpaku pada suatu kaidah visual dan standar yang berlaku dalam dunia seni gambar ilustrasi. Bodilpunk (Rahadil Hermana) merupakan seorang seniman ilustrator yang mempunyai kekhasan dalam ide pemikiran postmodern. Ilustrasi karya Bodilpunk selalu tampil dengan objek-objek fantasi melalui deformasi dan imajinasi bentuk. Gaya visual ilustrasi khas Bodilpunk cenderung menampilkan objek dengan wujud imajinatif dalam bentuk yang distorsi, dia adalah cerminan seorang postmodernis dengan metode berpikir intitutional. Ilustrasi ciptaan Bodilpunk bertema harimau merupakan karya yang sangat kental dengan nuansa postmodern. Pengaruh postmodern pada ilustrasi harimau, terlihat pada penggayaan-penggayaan yang diberikan pada unsur visualnya. Penelitian ini membantu menjelaskan permasalahan konsep, estetika dan makna ilustrasi harimau karya Bodilpunk sebagai sebuah karya seni berlatarbelakang postmodern. Fokus penelitian ini adalah memahami konsep, idiom estetik serta makna yang terdapat pada ilustrasi seri harimau. Makna yang muncul dari ilustrasi harimau, sebagai sebuah karya dengan penggambaran realita secara berlebihan (hiperealitas), antara lain: makna ekonomi, makna budaya dan makna ekspresi. 
Desain Ready To Wear Deluxe Inspirasi Ikan Betta Halfmoon Rosetail Berbasis Digital Maelinda Intan Cahya; Albahi, Haidarsyah Dwi; Tavip, M
Jurnal Pendidikan Teknik dan Vokasional Vol. 8 No. 2 (2025): Jurnal Pendidikan Teknik dan Vokasional
Publisher : LPPM, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPTV.8.2.155

Abstract

Abstrak: Perkembangan tren fashion yang dinamis mendorong lahirnya berbagai inovasi bentuk dalam rancangan busana. Inspirasi dalam proses desain kerap kali muncul dari keindahan alam dan fenomena sosial di sekitarnya. Penelitian ini berfokus pada penciptaan desain busana digital ready to wear deluxe yang terinspirasi dari bentuk dan keindahan ikan betta jenis halfmoon rosetail. Fenomena tren mengoleksi ikan hias, khususnya ikan betta, yang berkembang secara berlebihan mencerminkan dinamika selera masyarakat yang terus berubah. Merespons fenomena tersebut, ide perancangan desain busana ini diangkat sebagai upaya menambah koleksi kreatif dalam ranah fashion sekaligus sebagai bentuk refleksi sosial agar masyarakat lebih bijak dalam memilih hobi. Desain busana digital ini mengadopsi pola unik sirip ikan betta dengan eksplorasi lipatan artistik. Sebagai inovasi visual, desain busana digital dikembangkan melalui penerapan teknik surface seperti 3D payet dan flounce pleated. Metode penciptaan yang digunakan mengacu pada pendekatan three stage design process yang meliputi tahap definition & research, creative exploration, dan implementation. Hasil akhir dari penelitian ini adalah empat koleksi desain busana digital ready to wear deluxe. Abstract: The dynamic development of fashion trends has driven the emergence of various innovative forms in fashion design. Inspiration in the design process often arises from the beauty of nature and surrounding social phenomena. This study focuses on the creation of a digital ready-to- wear deluxe fashion design inspired by the form and beauty of the halfmoon rosetail betta fish. The phenomenon of ornamental fish collecting—particularly betta fish—which has grown excessively, reflects the ever-changing dynamics of public taste. In response to this phenomenon, the concept of this fashion design was developed as an effort to enrich creative collections in the fashion domain and as a form of social reflection, encouraging the public to be more mindful in choosing hobbies. This digital fashion design adopts the unique fin patterns of betta fish through the exploration of artistic pleats. As a visual innovation, the design is developed using surface techniques such as 3D sequins and flounce pleats. The creation method follows the three-stage design process approach, which includes the stages of definition & research, creative exploration, and implementation. The final outcome of this study consists of three digital ready-to-wear deluxe fashion design collections.
Pamor Sekar Kopi sebagai Inspirasi Motif Tekstil Cetak pada Busana Ready to Wear Deluxe Bergaya Cyberpunk Swara, Matahari Partita; Albahi, Haidarsyah Dwi; Kurniawan, Hadi
Jurnal Pendidikan Teknik dan Vokasional Vol. 8 No. 2 (2025): Jurnal Pendidikan Teknik dan Vokasional
Publisher : LPPM, Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPTV.8.2.143

Abstract

Abstrak: Penelitian ini dilatarbelakangi oleh minimnya desainer busana yang mengeksplorasi desain ready to wear deluxe bergaya cyberpunk melalui penerapan kain cetak yang terinspirasi dari pamor Sekar Kopi pada keris. Dalam lanskap mode kontemporer, nilai-nilai artistik, simbolik, dan filosofis yang terkandung dalam pamor tersebut semakin kurang dikenal oleh generasi muda. Akibatnya, warisan budaya tradisional berisiko terpinggirkan dalam budaya visual modern. Oleh karena itu, penelitian penciptaan ini bertujuan untuk memperkaya keberagaman karya fesyen kontemporer sekaligus memperkenalkan kembali makna estetika dan filosofis pamor Keris Sekar Kopi kepada masyarakat luas, khususnya generasi muda. Proses penciptaan karya menerapkan pendekatan practice-based research yang melalui tiga tahapan utama, yaitu eksplorasi, pengembangan desain, dan perwujudan. Tahap eksplorasi berfokus pada kajian visual, simbolik, dan konseptual pamor Sekar Kopi; tahap pengembangan desain menerjemahkan nilai-nilai tersebut ke dalam bentuk visual bergaya cyberpunk; sedangkan tahap perwujudan merealisasikan desain melalui teknik digital printing pada kain. Hasil dari penelitian penciptaan ini berupa enam karya busana ready to wear deluxe yang mengintegrasikan simbolisme budaya tradisional dengan estetika futuristik cyberpunk. Karya-karya tersebut ditampilkan dalam sebuah pergelaran busana pada Jogja Fashion Parade, yang menunjukkan potensi teknologi digital. Abstract: This research is motivated by the lack of fashion designers who explore ready-to-wear deluxe designs with a cyberpunk style through the application of printed fabrics inspired by the pamor Sekar Kopi of the keris. In the contemporary fashion landscape, the artistic, symbolic, and philosophical values embodied in this pamor are increasingly unfamiliar to the younger generation. As a result, traditional cultural heritage risks being marginalized within modern visual culture. Therefore, this creative research aims to expand the diversity of contemporary fashion works while reintroducing the aesthetic and philosophical significance of the Keris Sekar Kopi pamor to the general public, particularly young audiences. The creation process applies a practice-based approach using three main stages: exploration, design development, and realization. The exploration stage focuses on visual, symbolic, and conceptual studies of the Sekar Kopi pamor; the design stage translates these values into cyberpunk-inspired visual forms; and the realization stage materializes the designs through digital printing techniques on fabric. The outcome of this creative research consists of six ready-to-wear deluxe fashion pieces that integrate traditional cultural symbolism with futuristic cyberpunk aesthetics. These works were showcased in a fashion show at the Jogja Fashion Parade, demonstrating the potential of digital technology and contemporary fashion design as a medium for cultural reinterpretation and preservation.
Kreasi Motif Printing Ornamen Rumah Limas dan Kain Semi Songket Palembang pada Ready to Wear Deluxe Iftinan Dhia, Nisrina; Tavip, M; Albahi, Haidarsyah Dwi
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.3565

Abstract

The development of the fashion world, especially in ready to wear deluxe, is currently closely related to technology, one of them is digital printing technology. Based on that, the idea was born from the interior ornaments of "Limas" house (Palembang traditional house) to be used as fabric printing motif. This ready to wear deluxe idea will be combined with Palembang semi songkat fabric so that it fulfills the principle of creating ready to wear deluxe itself. This creation has several stages, such as exploration, design, and realization. The purposes of this work are; (1) as a form of appreciation for one of Palembang's cultures (2) as a reference for designers in creating a fashion collection. The result of this creative process is 3 (three) deluxe ready to wear looks presented at Jogja Fashion Parade 2024.
Aplikasi Motif Piring Enamel Menggunakan Teknik Shibori dan Ecoprint pada Ready To Wear Deluxe Seftiani, Audia; Albahi, Haidarsyah Dwi; Djuniwarti, Djuniwarti
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.3566

Abstract

The textile industry in Indonesia is increasing along with the demand for various textile products that follow fashion trends, and the processing process produces waste. One of them is liquid waste in the form of residual dyes/synthetic liquids from the fabric dyeing process. Reducing liquid waste in the form of textile dyes can be done by reusing natural materials as textile dyes and making motifs, such as using the Shibori and Ecoprint techniques. This technique can create various beautiful motifs, one of which is the enamel plate motif. Making enamel plates as the main motif, as a form of preserving antique/vintage items in line with the fashion style that will be made. The design takes inspiration from objects around it, namely from patterns found on enamel plates, which is an example of how designs from the household world are applied in the fashion world as unique and attractive display innovations. This method of creating fashion works has stages such as; 1) exploration, 2) design, and 3) realization. The results of this creative work process are 6 (six) ready to wear deluxe looks which were presented at the Jogja Fashion Parade 2024. Through the creation of this work, it is hoped that it can add to the collection of innovative fashion works in the fashion world.
Penciptaan Ready To Wear dengan Teknik Sulam Payet Inspirasi Burung Mambruk Victoria Salma, Saila Latifah; Albahi, Haidarsyah Dwi; Tavip, M
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4912

Abstract

The creation of this Ready to wear fashion was inspired by the Victorian Crowned Pigeon, a typical fauna of West Papua, which has blue feathers and a magnificent crown, as well as its status as a vulnerable and endangered species. The purpose of this creation is to reflect the beauty of the bird into the fashion world through the sequin embroidery technique. This research was raised based on deep concerns about the lack of application of Papuan natural aesthetics, especially the Victorian Crowned Pigeon, in a Ready to wear mode that can increase public awareness, as well as a serious threat to the decline in the bird population due to hunting and habitat destruction. Creation methods include pre-design, planning, and embodiment. The creation result is in the form of 4 Ready to wear fashions that are presented in the Bandung Fashion Runaway event on TVRI in Bandung city. This work is expected to be able to become a collection of new forms of fashion in the fashion realm as well as introduce the beauty of Indonesian fauna through Ready to wear clothing and make the Victorian Crowned Pigeon still maintain its sustainability.
Co-Authors Budiono, Nadia Rachmaya Ningrum Djuniwarti, Djuniwarti Hadi Kurniawan, Hadi Iftinan Dhia, Nisrina Kemala, Alya Bela Maelinda Intan Cahya Putri, Syilvi Karisa Salma, Saila Latifah Seftiani, Audia Swara, Matahari Partita Tavip, M