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THE WAYANG WONG ANAK-ANAK PERFORMANCE DEVELOPMENT Ni Made Ruastiti; I Wayan Rai S.; Gede Yoga Kharisma Pradana
Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Vol. 7 No. 2 (2023): JUNI
Publisher : LPPM Univ. Ibn Khaldun Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32832/abdidos.v7i2.1543

Abstract

So that the art of wayang wong in Bali can be maintained, the research team has created Wayang Wong Anak-Anak. As a vehicle for socializing cultural values, this model is very important to be developed. The development of this wayang Wong model intensively involves young Balinese people. The problems : 1) How is the process of fostering Wayang Wong Anak-Anak?; 2) What is the form of the Wayang Wong Anak-Anak?. As a result of applied research, a number of data collection have been carried out, including document studies, observations, exercises, and in-depth interviews with informants. The results : 1) The process of fostering Wayang Wong Anak-Anak has been carried out through : (a) applying the performance concepts; (b) conducting exercises to find a model of Wayang Wong Anak-Anak that suits the tastes and abilities of the youth, (c) a trial for a Wayang Wong Anak-Anak show, (d) finalizing a model for a Wayang Wong Anak-Anak; 2) the coaching in the development of wayang wong has succeeded in implementing the Wayang Wong Anak-Anak, namely : themes, variety of movements, and performances that are in accordance with the abilities and character of the youth.
“Muara” A Musical Composition | ”Muara” Sebuah Komposisi Karawitan Harys Arya Wibawa; I Wayan Rai S
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1231

Abstract

Abstract An estuary is a place where river and sea water meet. One example of an estuary that inspires creators is the estuary at Ketewel Beach, Sukawati, Gianyar, Bali. Based on the inspiration from the estuary of Ketewel Beach, the creator made an innovative musical work entitled "Estuary". In realizing this new work the creator uses the Panca Sthiti Ngawi Sani method which consists of the stages of Inspiration (Ngawirasa), Exploration (Ngawacak), Conception (Planning), Execution (Ngawangun), and Production (Ngebah). After going through cultivation with the above concept, an innovative musical work was created, entitled "Estuary". To realize this work, the creator used the expression media in the form of four gender puppets with slendro barrels, two Krumungan drums, a flute, one Ceng-Ceng Ricik, a Kajar and a pair of Gong Lanang and Wadon. This innovative musical work consists of three parts, namely: the first part describes the atmosphere of a spring from the mountains, the second part describes the atmosphere of a river flow with winding contours, then in the third part describes the meeting between river water and sea water in Ketewel’s estuary. Keywords: Estuary, Method, Works.
Sauk Ekendi : Analogi Tumbuhan Buah Merah Sebagai Inspirasi Penciptaan Busana Vintage Look Dewantari; I Wayan Rai S; Ratna Cora S., Tjok Istri
BHUMIDEVI: Journal of Fashion Design Vol. 1 No. 2 (2021): Bhumidevi
Publisher : Pusa Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/bhumidevi.v1i2.728

Abstract

Buah merah (Pandanus Conoideus) merupakan salah satu tumbuhan endemik Papua yang tumbuh di dataran rendah hingga dataran tinggi khususnya di Kabupaten Jayawijaya Provinsi Papua. Penduduk asli di lereng gunung Jayawijaya menyebutnya dengan istilah Sauk Ekendi yang berarti buah darah atau sering juga disebut buah keajaiban karena buah ini kaya manfaat misalnya untuk bahan obat tradisional, sebagai makanan, pewarna makanan, bahan kosmetik dan bahan sabun. Namun demikian, sampai saat ini buah merah belum pernah dijadikan sumber inspirasi dalam penciptaan karya seni fesyen. Oleh karena itu, penulis ingin menciptakan busana vintage look dengan sumber inspirasi dari buah merah dengan tujuan memperkenalkan tumbuhan buah merah kepada masyarakat luas agar tetap dibudidayakan. Dalam penciptaan busana vintage look ini dipergunakan teori FRANGIPANI yaitu terdiri dari 8 tahapan (1) ide pemantik, (2) riset dan sumber data, (3) pengembangan desain, (4) prototype, sampel dan konstruksi, (5) koleksi akhir, (6) promosi, merek dagang dan pemasaran, (7) produksi dan (8) bisnis fesyen. Data-data tentang buah merah ini didapatkan melalui sumber wawancara dan sumber kepustakaan. Selanjutnya digarap dengan teori FRANGIPANI. Hasil dari penggarapan ini adalah busana vintage look yang terdiri atas 3 jenis busana yaitu ready to wear yang artinya busana siap pakai yang diproduksi dalam skala besar dengan menggunakan mesin, ready to wear deluxe yang artinya busana siap pakai dengan kualitas dan desain yang lebih eksklusif serta pengerjaannya masih menggunakan mesin, dan ketiga haute couture yang artinya busana adiluhung dengan desain orisinil atas pesanan pelanggan, dibuat secara eksklusif, proses pengerjaan 80- 90% dengan tangan.
Co-Authors ., A. Rizal Zulmi ., Anto Suprayogi ., Deva Reynaldi Wira Adikusuma Pt. ., Dewa Kade Wahyu Sidirastu ., dr. Adnyana Putra, S.Ked., M.Kes. ., Gede Dedy Suardika Atmaja ., Gede Eka Prabawata ., I Gede Pica ., I Kadek Artayasa ., I Kadek Nuprianta Putra ., I Ketut Sumertajaya ., I Km Agus Martayana ., I Komang Gede Sura Mahendra Yasa ., I Made Irvan Wibisana ., I Made Megananda ., I Made Prasada Arya Widana ., I Putu Eka Yudantara ., I Putu Leo Cahya Primadana ., I Wayan Darma Astawa ., I Wayan Raka Saputra ., I Wyn Sunar Aditama ., Kadek Agus Juli Artawan ., Kadek Ryan Arbi Permana ., Kadek Satriawan ., Ketut Ita Purnama Dewi ., Komang Tri Mela Utami ., Made Agus Rumaket u ., Made Agus Suarnaya ., Made Suwarta Jaya ., Made Wahyu Widyatama ., MD. Septian Hardy Contana ., Ngakan Putu Wahyudi Arta ., Ni Kadek Ariani Pertiwi ., Ni Komang Ayu Devika Dewi ., Ni Putu Rose Puteri Suantatika ., NYOMAN PUJA ., Pande Kadek Surya Jaya Priadi ., SANDY CANDRA P ., Wayan Aditya Evandira Mulyama ., YENDI BAGUS SETYAWAN Ade Hindhu Prastya . Adnyana Putra Andi Pastika Putra Dewantari Gede Made Rama Pratama Gede Yoga Kharisma Pradana Harys Arya Wibawa I Gede Agus Redite Ariawan . I Gede Suwiwa I Gede Wardi Arta Putra . I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Ngurah Dwipayana Putra . I Kadek Darmika . I Komang Debi Purnomo . I Komang Sudirga I Made Satyawan I Putu Darmayasa I Putu Swaryandana Ichi Oka I Wayan Suharta, I Wayan I Wayan Suherta I Wayan Suparjana . I Wayan Wikantara . Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Kadek Angga Wahyu Pradana Kadek Suartaya Kadek Yogi Parta Lesmana Komang Agus Satria Jaya . M.Or S.Pd I Ketut Budaya Astra . M.Or. S.Pd. I Ketut Semarayasa . Made Agus Wijaya Made Bani Purwani . Made Kurnia Widiastuti Giri Muhammad Rivai Ni Luh Putu Spyanawati Ni Made Ayu Dwara Putri Ni Made Ruastiti Ni Putu Ari Sidiastini Ni Wayan Ardini, Ni Wayan Purnamaningsih, Ida Ayu Made Putu Erwan Prastyawan . Putu Gandadi Wijitatma . Ratna Cora Sudharsana, Tjok Istri S.Ked. dr. I Made Kusuma Wijaya . S.Ked. dr. Made Suadnyani Pasek . S.Ked. dr. Ni Made Sri Dewi Lestari . S.Ked. dr. Putu Adi Saputra . Sunartha, I Gusti Made Wahjoedi Yunus Wafom Yunus Wafom