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All Journal Jurnal Pendidikan Jasmani, Olahraga dan Kesehatan Jurnal Kajian Bali Humaniora Jurnal Penelitian Arkeologi Papua dan Papua Barat Randwick International of Social Science Journal Ghurnita: Jurnal Seni Karawitan Jurnal Pendidikan Jasmani, Olahraga dan Kesehatan Undiksha Journal of Aesthetics, Creativity and Art Management Bhumidevi : Journal Of Fashion Design
MS Prof. Dr. I Wayan Rai .
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Social Sciences Other

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“Muara” A Musical Composition | ”Muara” Sebuah Komposisi Karawitan Harys Arya Wibawa; I Wayan Rai S
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1231

Abstract

Abstract An estuary is a place where river and sea water meet. One example of an estuary that inspires creators is the estuary at Ketewel Beach, Sukawati, Gianyar, Bali. Based on the inspiration from the estuary of Ketewel Beach, the creator made an innovative musical work entitled "Estuary". In realizing this new work the creator uses the Panca Sthiti Ngawi Sani method which consists of the stages of Inspiration (Ngawirasa), Exploration (Ngawacak), Conception (Planning), Execution (Ngawangun), and Production (Ngebah). After going through cultivation with the above concept, an innovative musical work was created, entitled "Estuary". To realize this work, the creator used the expression media in the form of four gender puppets with slendro barrels, two Krumungan drums, a flute, one Ceng-Ceng Ricik, a Kajar and a pair of Gong Lanang and Wadon. This innovative musical work consists of three parts, namely: the first part describes the atmosphere of a spring from the mountains, the second part describes the atmosphere of a river flow with winding contours, then in the third part describes the meeting between river water and sea water in Ketewel’s estuary. Keywords: Estuary, Method, Works.
Sauk Ekendi : Analogi Tumbuhan Buah Merah Sebagai Inspirasi Penciptaan Busana Vintage Look Dewantari; I Wayan Rai S; Ratna Cora S., Tjok Istri
BHUMIDEVI: Journal of Fashion Design Vol. 1 No. 2 (2021): Bhumidevi
Publisher : Pusa Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/bhumidevi.v1i2.728

Abstract

Buah merah (Pandanus Conoideus) merupakan salah satu tumbuhan endemik Papua yang tumbuh di dataran rendah hingga dataran tinggi khususnya di Kabupaten Jayawijaya Provinsi Papua. Penduduk asli di lereng gunung Jayawijaya menyebutnya dengan istilah Sauk Ekendi yang berarti buah darah atau sering juga disebut buah keajaiban karena buah ini kaya manfaat misalnya untuk bahan obat tradisional, sebagai makanan, pewarna makanan, bahan kosmetik dan bahan sabun. Namun demikian, sampai saat ini buah merah belum pernah dijadikan sumber inspirasi dalam penciptaan karya seni fesyen. Oleh karena itu, penulis ingin menciptakan busana vintage look dengan sumber inspirasi dari buah merah dengan tujuan memperkenalkan tumbuhan buah merah kepada masyarakat luas agar tetap dibudidayakan. Dalam penciptaan busana vintage look ini dipergunakan teori FRANGIPANI yaitu terdiri dari 8 tahapan (1) ide pemantik, (2) riset dan sumber data, (3) pengembangan desain, (4) prototype, sampel dan konstruksi, (5) koleksi akhir, (6) promosi, merek dagang dan pemasaran, (7) produksi dan (8) bisnis fesyen. Data-data tentang buah merah ini didapatkan melalui sumber wawancara dan sumber kepustakaan. Selanjutnya digarap dengan teori FRANGIPANI. Hasil dari penggarapan ini adalah busana vintage look yang terdiri atas 3 jenis busana yaitu ready to wear yang artinya busana siap pakai yang diproduksi dalam skala besar dengan menggunakan mesin, ready to wear deluxe yang artinya busana siap pakai dengan kualitas dan desain yang lebih eksklusif serta pengerjaannya masih menggunakan mesin, dan ketiga haute couture yang artinya busana adiluhung dengan desain orisinil atas pesanan pelanggan, dibuat secara eksklusif, proses pengerjaan 80- 90% dengan tangan.
Bali Diaspora di Jayapura: Makna Pura Agung Surya Bhuvana dalam Membangun Kerukunan di Tanah Papua I Wayan Rai S; I Gusti Made Sunartha; Ida Ayu Made Purnamaningsih; Ni Made Ruastiti; Yunus Wafom
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 1 (2020): BALI DIASPORA
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i01.p01

Abstract

The purpose of this study is to look for the meanings of the Balinese temple Pura Agung Surya Bhuvana in Jayapura in building harmony in the land of Papua. The life of Jayapura people is identical with the frequent riots. It looks different from the life of the Balinese diaspora around the temple Surya Bhuvana which marked by inter-religious harmony. The study focused on two issues: Why do non-Hindus in Jayapura often visit the Pura Agung Surya Bhuvana? How do they understand the temple Surya Bhuvana in this global era? This is a qualitative research and data were collected through observation, interview, FGD, and document study techniques. Data were analyzed with religious theory, symbol theory, and structural-functional theory. The results showed that the hospitality of the Balinese diaspora who manages the temple makes non-Hindus community feel welcome to visit the temple. The Balinese diaspora community in Jayapura interpreted Pura Agung Surya Bhuvana as a place of worship, a meeting place for people of different faiths, a place of art, a place to strengthen multi-cultural life and as a medium to strengthen national integration.
Co-Authors ., A. Rizal Zulmi ., Anto Suprayogi ., Deva Reynaldi Wira Adikusuma Pt. ., Dewa Kade Wahyu Sidirastu ., dr. Adnyana Putra, S.Ked., M.Kes. ., Gede Dedy Suardika Atmaja ., Gede Eka Prabawata ., I Gede Pica ., I Kadek Artayasa ., I Kadek Nuprianta Putra ., I Ketut Sumertajaya ., I Km Agus Martayana ., I Komang Gede Sura Mahendra Yasa ., I Made Irvan Wibisana ., I Made Megananda ., I Made Prasada Arya Widana ., I Putu Eka Yudantara ., I Putu Leo Cahya Primadana ., I Wayan Darma Astawa ., I Wayan Raka Saputra ., I Wyn Sunar Aditama ., Kadek Agus Juli Artawan ., Kadek Ryan Arbi Permana ., Kadek Satriawan ., Ketut Ita Purnama Dewi ., Komang Tri Mela Utami ., Made Agus Rumaket u ., Made Agus Suarnaya ., Made Suwarta Jaya ., Made Wahyu Widyatama ., MD. Septian Hardy Contana ., Ngakan Putu Wahyudi Arta ., Ni Kadek Ariani Pertiwi ., Ni Komang Ayu Devika Dewi ., Ni Putu Rose Puteri Suantatika ., NYOMAN PUJA ., Pande Kadek Surya Jaya Priadi ., SANDY CANDRA P ., Wayan Aditya Evandira Mulyama ., YENDI BAGUS SETYAWAN Ade Hindhu Prastya . Adnyana Putra Andi Pastika Putra Dewantari Gede Made Rama Pratama Harys Arya Wibawa I Gede Agus Redite Ariawan . I Gede Suwiwa I Gede Wardi Arta Putra . I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Ngurah Dwipayana Putra . I Kadek Darmika . I Komang Debi Purnomo . I Komang Sudirga I Made Satyawan I Putu Darmayasa I Putu Swaryandana Ichi Oka I Wayan Suharta, I Wayan I Wayan Suherta I Wayan Suparjana . I Wayan Wikantara . Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Kadek Angga Wahyu Pradana Kadek Suartaya Kadek Yogi Parta Lesmana Komang Agus Satria Jaya . M.Or S.Pd I Ketut Budaya Astra . M.Or. S.Pd. I Ketut Semarayasa . Made Agus Wijaya Made Bani Purwani . Made Kurnia Widiastuti Giri Muhammad Rivai Ni Luh Putu Spyanawati Ni Made Ayu Dwara Putri Ni Made Ruastiti Ni Putu Ari Sidiastini Ni Wayan Ardini, Ni Wayan Purnamaningsih, Ida Ayu Made Putu Erwan Prastyawan . Putu Gandadi Wijitatma . Ratna Cora Sudharsana, Tjok Istri S.Ked. dr. I Made Kusuma Wijaya . S.Ked. dr. Made Suadnyani Pasek . S.Ked. dr. Ni Made Sri Dewi Lestari . S.Ked. dr. Putu Adi Saputra . Sunartha, I Gusti Made Wahjoedi Yunus Wafom Yunus Wafom