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All Journal Harmonia: Journal of Research and Education Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Sosial dan Teknologi Cermin Dunia Kedokteran Indonesian Journal of Multidisciplinary Science Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Kondra, I Wayan
Indonesian Institute Of The Arts Denpasar
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Banana Heart Sap Experiment Wirakesuma, I Nengah; Mudana, I Wayan; Kondra, I Wayan; Mustika, I Ketut; Sujana, I Wayan
Journal of Social Science Vol. 5 No. 5 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i5.930

Abstract

A unique and interesting creative process using banana blossom sap as a medium. Banana flower sap has specific characteristics compared to other synthetic colors. Banana flower sap tends to display typical milky white, gray, light brown, yellowish-green, red and dark brown colors. Painting using banana blossoms starts from picking the banana blossom. Exploration of the technique of cutting the stem of the banana flower until the sap oozes out and drips onto the canvas. Since then I have been practicing spontaneously using banana sap, involving movements of my fingers, pressing the banana flower gently, medium and hard. The effect of the pressure of the banana flower sap produces natural colors, according to the intensity of the movement of the fingers on the canvas. The method used is carried out spontaneously, following the stages of the art creation process (E4): Existence, Exploration, Experimentation and Evaluation. Realization (E4) represents the existence of my creative process. Utilization of fine art elements such as light, point, line, space, plane, color, texture and composition. The resulting works of art include the following titles: Banana Sap Color 1, Banana Sap Color 2, Banana Sap Color 3, and so on. The use of banana blossom sap is driven by the need to express the soul in order to produce new works of art of high quality and have high aesthetic values
Nature Trofis and Young Artist's Light Painting at Penestanan Ubud Bali Mudana, I Wayan; Wirakesuma, I Nengah; Adi Sucipta, I Wayan; Mustika, I Ketut; Kondra, I Wayan
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose and purpose of this research is to find out that tropical nature rich in light effects can be explored as an idea to create paintings. When he lived in Penestanan Ubud Bali in the 1957s, he taught light painting techniques that drove the birth of Young Artist-style painting. The people of Penestanan initially did not respect the painting activities offered by Arie Smit, but driven by the concern of seeing firsthand the condition of the residents of Penestanan village, who were very poor and underdeveloped, then he felt called to liberate the younger generation of the Penestanan community from poverty economically but very culturally rich. To analyze the nature of trophies and paintings of young artists in Penestanan carefully and accurately, a qualitative method is used, imperially using a participatory approach, namely analyzing the works of painters educated by Arie Smit, such as: Soki, Cakra, and Dewa Kaka using a motivational, behavioral, and interaction approach. To depict identity, aesthetic experience, creative process, until it is realized into a painting of young artists is analyzed participatory. The results and discussions in an impermatic manner describe about; (1) Tropical and Campuhan nature as inspiration for light painting, (2) Light Painters, and (3) painting forms produced by the Penestanan people of Ubud. Conclusion; The realm of trophism and light can be explored into paintings by young artists. The young artist's painting style reflects the play of colors, light, lines, and decorative. Meanwhile, perspective is used to obtain gradations and display the impression of far and near. Findings; Light painting in the West and in the East (Bali) has a very distinctive difference. The identity of Western light painting emphasizes the impression, the painter must face a direct object that gives birth to an impressionist style of painting. Meanwhile, in Young Artist's paintings, light capture displays color, decoration, and bold lines. It is arranged with a gradation game so that from perspective to get a far and close impression
CURATORIAL PAINTINGS BY I WAYAN BENDI AND IDA BAGUS INDRA COLLECTION OF THE RUDANA MUSEUM Ginting, Serevina Rikel Carroland; Kondra, I Wayan; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4498

Abstract

The internship at the Rudana Museum provided valuable experiences in the curatorial field, deepening the author's understanding of the curator's role in preserving and showcasing art collections. The author participated in exhibition projects, including background research on artworks and collection preparation. The works of artists like I Wayan Bendi and Ida Bagus Indra were analyzed to understand the philosophical, spiritual, and social meanings they embody. During the internship, the author evaluated the need for in-depth research, team coordination, and communication strategies for different audiences. The author also analyzed the stylistic differences between I Wayan Bendi's more experimental and contemporary works and Ida Bagus Indra's classical and detailed pieces. These differences reflect the variations in their experiences and approaches to Balinese fine art in the modern context. This internship provided insights into the challenges and opportunities in curatorial work, highlighting the importance of teamwork and dedication to cultural heritage preservation. The experience enriched the author's practical knowledge and expanded their understanding of the importance of collection accessibility through educational approaches and public programs.
TOYA CAMPUHAN: AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS Setem, I Wayan; Kondra, I Wayan; Gede Putra Jaya, I Made
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.4232

Abstract

TThe purpose of this research and art creation is to create and present artworks with “Toya Campuhan: Water and Human Civilization” as the source of inspiration. World civilization, especially in ancient Bali, has emerged and developed around water as its source of life. Water sources, such as river confluences, act as a pulse, supporting the joints that contribute significantly to various parts of physical and spiritual life. Due to this, water must be conserved, so that they always provide benefits for the journey of human life far into the future. However, the current condition of rivers in Bali is really worrying, as various pollutants pollute them. Slowly but surely, the water condition will worsen if we continue to let it be. This evokes my empathy, emotion, and hope about a healthy river confluence as a mission that I wanted to convey through the creation of this painting. This creation model becomes a cultural expression as a medium for increasing public appreciation to raise the spirit of ecological resilience over the problem of water pollution. This creation is based on research, where the method consists of two parts, namely the research method and the creation method. The research method uses an anthropological approach, especially related to ethnography. Meanwhile, the creation method passes through three stages: exploration, improvisation, and the embodiment of the work, which is preceded by a study of similar works of art and literature review.
Preserving I Gede Modara’s “Rotating the Mountain of Mandara Giri” Painting Mudana, I Wayan; Wirakesuma, I Nengah; Kondra, I Wayan; Sujana, I Wayan; Mustika, I Ketut
Indonesian Journal of Multidisciplinary Science Vol. 2 No. 12 (2023): Indonesian Journal of Multidisciplinary Science
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/ijoms.v2i12.649

Abstract

I Gede Modara (1770), nicknamed I Gede Mersadi, was a pioneer of the Kamasan wayang painting, which is now called classical balinese painting. Kamasan wayang paintings are very bound by standards and provisions that are binding and standard, used for offerings and enlightenment to the people. One of the works left by Modara enlightenment painting, entitled "Pemuteran Gunung Mandara Giri" is made in the form of parba on wood, using balinese colors, now in very poor condition, not taken care of properly, and has not received attention from the government so that it gives the impression of being very neglectful of the heritage history. In fact, this work is a work that has a high reputation as an art historical heritage which is very important when future generations want to trace the civilization and development of balinese classical painting. Departing from this phenomenon, it is interesting to be used as research "Preservation of I Gede Modara's Painting with the title Screening of Mount Mandara Giri". The analytical approach used the concept of theory and method of preservation. Preservation relates to preservation, development and empowerment to create new or renewable products. In the discussion, discussing: 1) conservation measures, 2) development of creative industries, 3) community empowerment and expanding employment opportunities.
Ekspresi Mental Illnes Sebagai Sumber Ide Penciptaan Seni Lukis Wahana, Karang Sweta; Gunawan, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1532

Abstract

Mental Illness is a mental disorder that affects thoughts, feelings, and behaviors that are contrary to social norms. Mental illness can be caused by various factors such as genetics, environmental influences and caused by the influence of drugs and illegal drugs. In this influence also causes various effects that can completely affect the character of the sufferer and cause different stimuli according to the mental illness suffered. The different expressions of these stimuli tend to have a dark impression and also give an atmosphere of sadness that surrounds them, these different expressions are chosen by the author as a source of ideas in the creation of painting, with the intention that later this work can also express visually from the sufferer's perspective. mental disorders so as to add insight to the general public. This creation is done through a literature review and aesthetic experience found after direct observation. In the process of creation, this is done by making a rough sketch as a design which will later be used as the initial basis for creation into a painting.
Visualisasi Tradisi Bedag-Bedagan Di Desa Adat Manukaya Let Tampaksiring Gianyar Bali Dalam Penciptaan Seni Lukis Dalem Ramadi, I Gusti Ngurah; Tirta Ray, D. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1533

Abstract

Bedag- Bedagan is a barong ket performance which the author adopted as the object of research in his final thesis entitled "Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring Gianyar Bali in the Creation of Painting." The aesthetic experience felt when watching the Bedag- Bedagan show was so impressive that the author felt, the barong ket performance with an interesting storyline, packed with unique character actions, using masks and classical dancer costumes reflecting local Balinese wisdom. In the process of pouring inspiration and creativity into the painting that the author creates, the author describes the Barong Ket object, which is combined with the objects of Bedag Bedagan as supporting objects according to the personal experience that the author feels while watching the Bedag Bedagan performance. There are several atmospheres that the author describes in the author's work regarding the Visualization of the Bedag- Bedagan Tradition in the Traditional Village of Manukaya Let Tampaksiring, Gianyar Bali in the Creation of this painting, which includes an emotional atmosphere, as well as a peaceful atmosphere at the end of the story. In the process of realizing the ideas in the six works, the author applies several stages including: the exploratory process, the experimental process, the manufacturing process, and the final stage is the completion process. The author includes elements of painting and aesthetic principles in the creation that the author visualizes into six works.
Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Yugus, A. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1841

Abstract

This Independent Project Report presents Chinese Baris Dance as a Reference for Painting Creation, departing from an interest in the visuals of Chinese Baris dance which is very unique and different from Baris dance in general. This sparked the impetus to present Chinese Baris dance visuals by combining certain references and techniques to achieve the desired meaning and purpose. The problem faced is how to visually process Baris Cina to represent the ideas and meanings that you want to realize to make it look attractive. The benefits and objectives of this report are to promote the existence of the Chinese Baris dance, and to increase the writer's understanding of the Chinese Baris dance. To answer the objectives of this work, the methods used are reflection or basic research, execution or forming, improvisation, and completion. With elements of art, and through the stages of reflection or basic research, execution or forming, improvisation, and completion, and combined with ideas and ideas to create 6 works entitled: 1) "Synergy", 2) "Bound" , 3) "authority", 4) "dexterity", 5) "taste", 6) "difference, blending, and balance". In the creation of the work, the author uses several techniques and references from several artists. By combining the object of smoke and the technique of using bamboo brushes and the tendency of romanticism, it is hoped that new works can be produced and can become the identity of the author. In the end, it can be concluded that the art of dance, especially the Chinese Baris dance, is very interesting to be promoted and gives a lot of inspiration that can be developed and will become a meaningful work. With the creation of this work, it is hoped that it can convey meaning or messages based on the aesthetic experience experienced by the author.
Tas Kanvas Lukis dengan Perca Endek Bali dan Kain Motif Khas Lombok yang Bernilai Seni dan Ekonomis Komalayakti, Diah; Mustika, I Ketut; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2335

Abstract

The process of creating something so that it can have added value in the economy is the notion of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of textile materials in the form of canvas, endek patchwork and typical Lombok fabrics into a product in the form of a painted bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of traditional fabrics such as Endek fabrics and typical Lombok fabrics in the midst of modern times that lead to modern culture as a fashion trend can be carried out by collaborating with current trends. Endek is a traditional Balinese cloth that has a variety of motifs. Many endek fabrics are also designed to be clothing, so there is a lot of patchwork left. Meanwhile, typical Lombok fabrics are generally only used for certain activities as traditional clothing, but with creativity the two types of traditional fabrics can become unique works in the form of painted bags in collaboration with canvas as the main material. Bags are a fashion item that cannot be separated from the daily lifestyle of teenagers. The creation of bag products is carried out on a self-manufactured basis. So, of course it has high artistic value. The chosen bag design is a consideration of the uniqueness and tastes of the general public
Interpretasi Dan Ekspresi Dwarapala dalam Penciptaan Seni Lukis Ja’far, Wanda Masyita; Kondra, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2342

Abstract

At first glance, in every building on the island of Bali, we will find two doorman statues, starting from the experience of seeing and observing - the doorman statue or the Dwarapala statue which if examined more deeply has high value and philosophy. Its very unique shape can inspire our imagination about current phenomena and the effect of modernity on the pattern of people's lives that affect the form and culture of our ancestors. that the meaning of the Dwarapala statue is something that needs to be raised so that it can become a lesson and reflection on oneself when entering a room or, especially a holy place. The benefits that are expected from this writing are that it can add to the public's insight about relics that are rich in philosophical meaning and can provide freedom of imagination in increasing creativity in the creation of painting.
Co-Authors Aprianta, I Putu Gede Ivan Ayestha Arnawa, I Komang Krisna Budiarta, I Dewa Putu Gede Dalem Ramadi, I Gusti Ngurah Divayana, I Putu Drs. I Wayan Mudana,M.Si. . Gede Putra Jaya, I Made Ginting, Serevina Rikel Carroland Gulendra, I Wayan I Ketut Adi Sugita I Ketut Muka I Made Bendi Yudha, I Made Bendi I Nengah Wirakesuma, I Nengah I Wayan Adnyana I Wayan Gunawan, I Wayan I Wayan Setem, I Wayan I Wayan Suardana I Wayan Sujana I Wayan Widyantara I WAYAN WIDYANTARA Ja’far, Wanda Masyita Kariana, I Nengah Kepakisan, Gede Agung Nugraha Arya Komalayakti, Diah Mustika, I Ketut Ninggrat, I Dewa Gede Wisnu Jaya Prayoga, I Made Adi Putra Puspayoga, Putu Gede Putra, I Gusti Putu Ngurah Cahyana Ady Remawa, Anak Agung Gede Rai Ruta, I Made Sucipta, I Wayan Adi Suryadinata T. Y., Anak Agung Gde Trisna Tirta Ray, D. A. Tjokropramono, I Gede Yosef Totton, Mary Louise Utama, Pande Komang Budhi Sastra Wahana, Karang Sweta Yana, I Wayan Wirta Yoga, I Wayan Swantara Yugus, A. A.