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“Suicide Gen” Komposisi Musik Progressive Metal Dalam Format Ansambel Campuran Berdasarkan Riwayat Hidup Kurt Cobain Nusa, Mada Panglima; Laksono, Kardi; Koapaha, Royke Bobby
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10366

Abstract

“Suicide Gen” adalah karya musik yang terinspirasi dari riwayat hidup Kurt Cobain dan menggunakan instrumen combo band serta ansambel gesek, yaitu string quartet. Sound effects juga digunakan untuk memperkuat suasana dan alur cerita pada setiap bagian. Penulis menemukan bahwa belum ada buku yang membahas tentang format ansambel campuran, namun buku tentang format bigband oleh William Russo dapat diterapkan dalam ansambel gesek. Penulis membahas tahapan dan penerapan teori dalam musik, seperti penggunaan teori thickened line dan voicing oleh William Russo dalam format bigband. Ide penciptaan setiap bagian cerita, penggabungan ansambel gesek dengan instrumen combo band, karakteristik progressive metal, dan penggunaan sound effects juga dibahas. Penulis menyatakan bahwa pembuatan karya musik genre progressive metal dengan format ansambel campuran dapat diterapkan dengan menggunakan teori dari bigband dan mempertimbangkan register pada instrumen gesek. Penggunaan sound effects juga perlu dianalisis sesuai dengan suasana dan kejadian yang diinginkan.Kata kunci: Ansambel Campuran, Progressive Metal, Sound Effects"Suicide Gen" is a musical work inspired by the life of Kurt Cobain and incorporates combo band instruments and a string quartet ensemble. Sound effects are also employed to enhance the atmosphere and storyline in each section. The author discovered that there are no books discussing the format of a mixed ensemble, but William Russo's book on the big band format can be applied to the string ensemble. The author discusses the stages and application of theory in music, such as the use of thickened line and voicing theory by William Russo in the big band format. The creation of each part of the story, the integration of the string ensemble with the combo band instruments, the characteristics of progressive metal, and the use of sound effects are also explored. The author states that creating a progressive metal music piece with a mixed ensemble format can be achieved by utilizing theories from the big band genre and considering the register of the string instruments. The use of sound effects should also be analyzed according to the desired atmosphere and events.Keywords: Mix Ensemble, Progressive Metal, Sound Effects 
KETERAMPILAN ANSAMBEL DALAM MUSIK KAMAR (STUDI KASUS MARSKANSKEY STRING QUARTET) Dewi, Arum Kusuma; Koapaha, Royke Bobby; Lono Lastoro Simatupang, Gabriel Roosmargo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 1 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3709

Abstract

String Quartet is the most popular form of Chamber Music. In a string quartet there are no conductors as leaders, directors and music coordinators, no wonder many quartets end up disbanding due to problems. Marskanskey String Quartet is a group from Jogja that has been around for a long time and has more achievements, although based on initial observations this group looks the same as other groups. This research was appointed to find out what aspects of ensemble skills, how to apply ensemble skills in the Marskanskey group. To explore how the application of ensemble skills in the Marskanskey group, the author discusses the case with Keller's theory of ensemble skills. The author's theory considers that he is able to describe the discourse thoroughly, comprehensively and deeply, namely skills from the rehearsal process to performances. This research is a qualitative research with a case study approach. The results showed that Marskanskey had applied ensemble skills both in rehearsal and concert. With strategies in practice, including self-preparation until perfomances can influencing and supporting the success of a group to achieve maximum sound production. Interestingly, the researchers found a shift in function in the use of cues, as well as limitations in Keller's theory, namely the online cog-motor ensemble skill that occurs automatically.
MENCIPTA LAGU DARI PUISI: LOKAKARYA KREATIF UNTUK MUSISI NONPROFESIONAL: CREATING SONG FROM POETRY: A CREATIVE WORKSHOP FOR NONPROFESSIONAL MUSICIANS Adi Wijaya; Jonathan Irene Sartika Dewi Max; Royke Bobby Koapaha
Jurnal Ruhui Rahayu: Jurnal Pengabdian Masyarakat Ilmu Humaniora Vol 5 No 1 (2026)
Publisher : Program Studi Sastra Indonesia Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/ruhuirahayu.v5i1.318

Abstract

Abstract: This community service activity aims to bridge the gap between the high appreciation of poetry and the technical ability of music composition among non-professional musicians and students. The method used was a music concert and workshop over three days in Cibenda Village, West Java. The target group included high school students without a formal music education background. The implementation stages included the presentation of basic material on songwriting, understanding the relationship between text and music, mentoring group work practices, and presentations of work. The results of the activity showed that the practical approach successfully synergized literary appreciation with technical musical skills. Participants were able to understand the structure of popular songs, chord progressions, and scales, and translate the emotional character of poetry into musical compositions. The tangible output of this workshop was the creation of complete musical works by each group, the building of self-confidence and motivation for music creation among participants, and the formation of the embryo of a sustainable music learning community as a medium for creative expression. Keywords: creative workshop; community service; music composition; musicalized poetry; nonprofessional musicians   Abstrak: Kegiatan pengabdian kepada masyarakat ini bertujuan untuk menjembatani kesenjangan antara tingginya apresiasi puisi dan keterbatasan keterampilan teknis komposisi musik pada musisi nonprofesional dan pelajar. Metode yang digunakan adalah pelaksanaan perkemahan musik dan lokakarya selama tiga hari di Desa Cibenda, Jawa Barat. Sasaran kegiatan meliputi pelajar tingkat atas tanpa latar belakang pendidikan musik formal. Tahapan pelaksanaan mencakup pemaparan materi dasar penciptaan lagu, pemahaman relasi teks dan musik, pendampingan praktik pengkaryaan kelompok, serta presentasi karya. Hasil kegiatan menunjukkan bahwa pendekatan praktis berhasil menyinergikan apresiasi sastra dengan keterampilan teknis musik. Peserta mampu memahami struktur lagu populer, progresi akor, dan tangga nada, serta menerjemahkan karakter emosional puisi ke dalam komposisi nada. Luaran nyata dari lokakarya ini adalah terciptanya karya musik utuh dari setiap kelompok, terbangunnya kepercayaan diri dan motivasi penciptaan musik para peserta, dan terbentuknya embrio komunitas belajar musik yang berkelanjutan sebagai medium ekspresi kreatif. Kata kunci: komposisi musik; lokakarya kreatif; musikalisasi puisi; musisi nonprofesional; pengabdian masyarakat