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Salim Salim
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SUNGGINGAN WAYANG KULIT MBAH NIMAN DESA CINYAWANG KABUPATEN CILACAP Salim Salim
Canthing Vol. 7 No. 1 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The main thing that is interesting to know about the form of wayang kulit, is the technique of making and carving leather puppets which are complex is the coloring. Coloring in wayang is the most important factor. Due to the color of the shadow puppets, there is a soul of the shadow puppet character, as was done by mbah Niman from Cinyawang village, Cilacap district. This research begins with the problem, how are the techniques and process of coloring the wayang kulit purwa by Mbah Niman and the second, how is the aesthetic aspect of the color of the puppet purwa by Mbah Niman. The purpose of this study was to describe and explain the techniques and aesthetic values contained in the shadow puppet colors by Mbah Niman
WAYANG UKUR KARYA SUKASMAN STUDI EKPLORASI BENTUK Salim Salim
Canthing Vol. 5 No. 1 (2019)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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RINGKASANNaskah ini berjudul “Studi Karya Tentang Eksplorasi Formasi Ukuran” pada bentuk wayang kulit itu sendiri. Tujuan penelitian ini adalah untuk mengetahui dan menjelaskan Masalah yang dirumuskan, mereka adalah bagaimana penampilan ide Sukasman dalam berkreasi Wayang Ukur, bagaimana sosok membentuk dan bentuk Sunggingan dari wayang Ukur dan bagaimana makna simbolis dari bentuk Wayang Ukur adalah dalam penciptaan Sukasman. Penelitian ini menggunakan metode penelitian kualitatif untuk memahami bentuk Wayang Ukur dari Sukasman. Pendekatan yang digunakan adalah estetika untuk menggambarkan karya-karya Wayang Ukur dari Ciptaan Sukasman. Data diperoleh melalui observasi, wawancara, studi kepustakaan dan dokumentasi. Analisis data yang digunakan adalah analisis interpretasi. Simbol teori Geerts di buku "The Interpretation Culture" digunakan secara struktural yang terdiri dari fase analisis tokoh, makna simbolik, dan fase kesimpulan. Selain melakukan analisis terhadap beberapa karya Wayang Ukur dari Penciptaan Sukasman. Akhirnya dapat dipahami bahwa hasil temuan dalam penelitian ini. Itulah keberadaan Wayang Ukur yang merupakan ciptaan baru wayang yang diciptakan oleh Sukasman sejak tahun 1974, dengan melakukan perubahan pada bentuk dan teknik kerajinan belajar yang menekankan pada bentuk yang jelas dari wayang kulit Purwa gagrag Yogyakarta dan Surakarta. Jika dilihat dari seni lukis dan sudut pandang pahatan, Sukasman mencari bentuk presentasi yang terus menerus baru untuk membangkitkan perasaan ketidakmungkinan untuk presentasi, ketidakmungkinan adalah estetika khusus baginya. Dalam menciptakan karya Wayang Ukur, Sukasman selalu peduli pada seni patung dan prinsip melukis, di antaranya adalah komposisi, warna, dan keseimbangan. Ia telah melakukan sekularisme wayang kulit pementasan wayang, karena Sukasman tidak hanya mendistorsi bentuk wayang kulit, tetapi juga mengubah pementasan wayang kulit. Sukasman telah menempatkan pesinden atau penyanyi yang menghadap penonton, panggung diatur dengan rasa seni melukis dan memahat, penempatan lampu dianggap oleh kilat, sehingga Kesan warna bisa diubah sesuai keinginan.  Kata Kunci : Wayang Ukur, creativity, changing.
RUPA WAYANG KULIT GAGRAK SURAKARTA TOKOH WERKUDARA Salim Salim
Canthing Vol. 4 No. 1 (2017)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Artikel ini membahas wanda tokoh Werkudara gagrag Surakarta. Wayang kulit merupakan kesenian tradisional rakyat Indonesia yang mampu bertahan dan  diakui eksistensinya melampaui lintas jaman dan benua. Kesenian wayang kulit meliputi seni pahat, seni lukis, seni sastra, seni tutur, seni perlambang, seni musik, seni suara, serta seni peran. wayang kulit sudah berkembang sejak abad ke-15 hingga saat ini masih banyak penggemarnya meskipun dari kalangan tertentu khusnya generasi tua.Wayang kulit gagrak Surakarta, yang memiliki ciri khas atau perbedaan mendasar yaitu antara lain memiliki ukuran lebih tinggi satu palemanan daripada ukuran wayang kulit gagrak lain, seperti wayang kulit gagrak Yogyakarta, Banyumas, Cirebon, Jawa Timur. Wayang kulit gagrak  Surakarta ini, memiliki proporsi fisik yang ramping dan panjang. 
KETOPRAK LESUNG “ CAHYO BUDOYO “ DI DUSUN SIDOWAYAH, HARGOWILIS, KOKAP, KULON PROGO ( SUATU TINJAUAN ASPEK SOSIAL BUDAYA ) Salim Salim
Canthing Vol. 2 No. 2 (2014): Pengkajian dan Penciptaan Desain
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Form of art has a function for society in accordance with the natural conditions and the state of social culture where art is born. Sidowayah village communities living in areas far from urban centers or entertainment, with the background of the people whose livelihood as farmers cocoa and palm tapper majority of senior high school education, have some traditional art forms, one of which is Ketoprak Dimples "Cahyo Budoyo".Ketoprak Dimples "Cahyo Budoyo" the hamlet community Sidowayah serve to foster the reciprocal relationship between the two. Ketoprak Dimples "Cahyo Budoyo" as a result of artistic expression Sidowayah village community as one of the traditional arts in the community Sidowayanh hamlet. Because Ketoprak Dimples "Cahyo Budoyo" is communally owned village Sidowayah of society, in which people actively participate directly involved to preserve what they have. Sidowayah village communities who live far away from the hustle of the city requires art or even entertainment that can provide useful information for them. Ketoprak Dimples "Cahyo Budoyo" is a reflection of the life of the village community. This art reveals the existence of communal solidarity, simplicity, and a democratic society in the spirit of his supporters.
PENCANTUMAN HARGA DALAM IKLAN PADA SURAT KABAR Salim Salim
Canthing Vol. 1 No. 1 (2012)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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In effect the company aims to satisfy consumers, in addition to gain or profit. Advertising as part of promotional activities in the promotion of media communication needs. One newspaper section of the print communications media. Thus the idea or ideas in advertising can be delivered through the medium of communication. Good advertising is advertising that can persuade consumers to buy products or use the services offered. Inclusion in the price of advertising can bring great benefits to the marketing of products and services. Psychological aspects of pricing could provide a powerful influence on consumers to make purchases.
WARNA SUNGGINGAN DAN KOMPOSISI WAYANG BEBER PACITAN Salim Salim
Canthing Vol. 1 No. 1 (2012)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The study entitled "COLOR AND COMPOSITION SUNGGINGAN PACITAN puppet Beber" sunggingan focus on color and composition. The purpose of this study to study, understand and know the colors or patterns sunggingan beber Pacitan puppet with a classification of character and their various attributes are used, as well as sunggingan color and composition. The results of this study are expected to contribute data and add to their repertoire of knowledge, particularly in the field of fine artsResearch using qualitative research methods, to understand color and composition beber Pacitan puppet. The approach used is to describe the aesthetics Fechner works beber Pacitan puppet. Data obtained through observation, interviews, library research, and documentation. Analysis using the analytical interpretation. Geerts theory of symbols used in the book "The Interprestation Culture", in a structured assessment phase involves sunggingan color and composition, the conclusion stage.Finally, it is understood that the findings in this study, namely the existence of actual puppet beber Pacitan can be further developed. Viewed from the standpoint of art, puppet beber Pacitan not be separated from the principles of art including the composition, color and balance. composition is not alarming. Visual elements such as line, color, texture, space and form organized into a unified harmony between the parts with the whole.Similarly, elements that help harmonize the tension, chaos, applied in Pacitan beber pasunggingan puppet. These elements are: contrast, rhythm, climax, balance, and proportion.
Co-Authors Abdul Wahid Rauf Agus Daryono Arvyaty Arvyaty Era Maryanti Kadir Kadir Kodirun Poppy S Nurisnaneny Racmat Racmat Ramlin Ramlin Soekarno Soekarno Sunanto Sunanto Tukiman Tukiman Waode Siti Hasrawati Waris Wibowo Yuspa Hanum Zamsir Zamsir