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All Journal Nirmana Ars: Jurnal Seni Rupa dan Desain DeKaVe Paramita: Historical Studies Journal Nadwa : Jurnal Pendidikan Islam Journal of Urban SocietyÂ´s Arts ANDHARUPA Jurnal IPTEK-KOM (Jurnal Ilmu Pengetahuan dan Teknologi Komunikasi) PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya Jurnal Desain Komunikasi Visual Nirmana

Baskoro Suryo Banindro

ISI Yogyakarta

Author-ID : 240690

Arts Humanities Computer Science & IT Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

Published : 24 Documents Claim Missing Document

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BOROBUDUR TEMPLE PRE AND POST COLONIAL ERA Baskoro Suryo Banindro
DeKaVe Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015
Publisher : Institut Seni Indonesia Yogyakarta

Borobudur temple is a heritage of Buddhism culture in Indonesia, which located at Magelang city, Central Java Province. The temple was built at the golden era of Syailendra dynasty, built among 800 AD or around 9th century. Beside known as one of Indonesia’s main tourism destination, it is also a central of Buddhism spiritual religion liturgies and rituals. Borobudur ever was in a tremendous golden era but also the darkness was covered its existence until hundred of years and it’s began to be revealed in the era of colonial. For decades, the rejuvenation and revitalization effort to rebuild the temple back to the original shape been accomplished. Through serious treatments, Borobudur becoming the inspiration source of cultural activities of various aspect that manifested, mainly history, arts, tourism, economy, research, science and also religion. The walls of Borobudur are full of reliefs that picture the Buddhism philosophy, and turn out to be a masterpiece with a high aesthetic in the accession of civilization in its era. Now, beside stated as one of the World Heritages by UNESCO, also 2 titles given to the temple; as the archeology site heritages, the biggest Buddhism temple in the world, and also recorded in Guinness World Records.

RESENSI BUKU "PLAGIARISME: PELANGGARAN HAK CIPTA DAN ETIKA” Baskoro Suryo Banindro
DeKaVe Vol 1, No 2 (2011): DeKaVe Vol. 1 No. 2 2011 Juli-Desember 2011
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v1i2.160

Jika kita melihat judul buku di atas, maka yang terlintas di benak kita, buku tersebut khusus diperuntukkan bagi para praktisi hukum, apalagi ditulis oleh seorang doktor bidang hukum, sehingga semakin melengkapi persepsi atau pandangan kita akan status buku tersebut . Namun demikian, jika kita baca dan kita lihat lebih dalam isi buku tersebut, maka pandangan tersebut sama sekali keliru. Henry selaku penulis mencoba memberikan penjelasan, deskripsi dan referensi plagiarisme tersebut tidak sekedar wawasan dari aspek hukum tindak plagiarisme, akan tetapi dimensi lain dari sisi moral, etika dan bagaimana plagiarisme itu sendiri “selayaknya dilakukan”. Mengingat buku ini membahas masalah plagiarisme atau lebih sangat dekat dengan padanan kata “jiplak” atau kata yang lebih halus “mirip”, Henry mencoba menjelaskan sebagai excuse dalam catatan pengantarnya bahwa diterbitkannya buku ini semata-mata murni untuk kebutuhan akademik! (dengan sengaja Henry melengkapi dengan atribut tanda seru), artinya tidak ada tendensi apapun dibalik penulisan buku tersebut dari delik pencemaran, mengingat kasus yang disampaikan merupakan contoh nyata kegiatan plagiarisme yang telah dilakukan oleh beberapa tokoh akademisi, peneliti bahkan pejabat publik.

Representasi Realitas Dunia Pop Art Warhol Sebuah Tinjauan Semiologi Baskoro Suryo Banindro
DeKaVe Vol 12, No 1 (2019): Jurnal DeKaVe Vol.12 No.1 2019
Publisher : Institut Seni Indonesia Yogyakarta

Abstract.This study is the result of a pre-discussion on the meaning of Andy Warhol's printmaking object material. The purpose of this study is to obtain an outline of the description of the reality and myths in Warhol's work. Data is obtained from visual objects in the field and relevant literature studies, then descriptively will be analyzed by Danesi, semiological approach. The results of this study concluded that through printmaking's pop art work, Warhol wanted to build an ideology perpetuated by the dominant forces in society.Keywords:Warhol, pop art graphic art, ideology

IKLAN MASA KOLONIAL 1930 - 1942 TINJAUAN SOSIOHISTORIS Baskoro Suryo Banindro
DeKaVe Vol 1, No 1: Januari 2011
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v1i1.150

Dutch colonial culture that come to enrich the culture of Indonesia, it joined the growing culture of modern Indonesia, it can be observed through the lifestyles of people and uptake of aesthetic value. Graphic design style developed in the colonial Indies Dutch East Indies and had peaks in the artistic developments of the 1930s. The design style developed by Dutch graphic designer is a blend of modern design style that flourished in Europe early 20th-century art with a product of local culture. The combination has created a style of indie that became a source of inspiration for creativity designer graphic design of the future. Advertising colonial period in Indonesia, developed along with the progress of knowledge, especially in the fields of economy and industry, idiom - idioms unsure that are tailored to its target audience. In the context of social phenomena and the idea of ??modern advertising in Indonesia now, of course, inseparable from the history of the Dutch East Indies colonialism itself.Keyword: Advertising colonial period, westernization, a zeitgeist

Kajian Ikonografis Bahasa Rupa Uang Kertas Indonesia Masa Revolusi Baskoro Suryo Banindro
DeKaVe Vol 1, No 3 (2012): DeKaVe Vol. 01 No. 03 Januari-Juni 2012
Publisher : Institut Seni Indonesia Yogyakarta

Bank note as a medium for visual communication, in it loaded with aesthetic values associatedwith beauty problems. Composed of letters, pictures, colors and unique printing techniques. Paper moneyas a sign of payment, in addition to having intrinsic value in the form of nominal value, has also thefunction of signification, that is a function where bookmarks (signifier), which is concrete as a medium ofexchange, laden with abstract concepts or meanings commonly referred to as marker (signified) in formof text and images. In the image of paper money, which is poured visual expression can reflect ideas,concepts or symbolic meanings related to hegemony, legitimacy, ideology, the existence, sovereignty ofboth states and rulers.Oeang Repoeblik Indonesia (ORI), is the first legitimate currency owned by the Republic ofIndonesia after independence. Since printed in December 1945 to December 1949, in addition topictorial inzet Sukarno, the Indonesian tradition of cultural objects more dominate and become the mainimage. Departure from this phenomenon, need to be studied in greater depth and comprehensive visualand symbolic aspects of paper money during the ORI physical revolution. By looking at the artifacts of theimages on paper money ORI 1945 - 1949, built on the revolutionary period, besides the symboliclanguage of art is a form of symbolic expression to foster community spirit of nationalism and patriotismof the newly independent Indonesia, as well as communicating, showing identity, reflecting the spirit andthe factual circumstances of his time.

RESENSI BUKU Komik. Dari Wayang Beber Sampai Komik Digital Baskoro Suryo Banindro
DeKaVe Vol 7, No 2 (2014): DeKaVe Vol. 7 No. 2 Juli-Desember 2014
Publisher : Institut Seni Indonesia Yogyakarta

Buku ini tersusun atas 6 (enam) bagian bahasan seputar komik, pada bagian kata pengantar,Maharsi menyampaikan pokok gagasan pemikiran tentang buku ini, dikatakannya bahwapengamatannya akan komik dari berbagai sudut pandang memberikan kesan yang amatmendalam, mengingat komik ternyata berbicara erat akan waktu sebagai bagian fragmen masalalu dan masa kini. Komik akan menjadi penonggak sejarah yang berulang dan menjadikannyasemakin bermakna mengingat komik dalam eksistensinya senantiasa memberikan gambaranutuh dunia visual naratif yang berkelanjutan, ada perubahan dari masa ke masa sehingga mampumenghiasi peradaban umat manusia. Hasil refleksi kontemplatifnya akan komik, diyakininyabahwa komik merupakan medium jejak sejarah yang sejak dulu sarat akan cerita dan ilmu yangluar biasa banyaknya. Menurutnya energi dari komik yang ada di dalamnya akan semakinbanyak tersebar luas kepada siapa saja yang bisa memahami sekaligus mencintai hasil budaya ini.Pada bagian pertama buku ini dipaparkan tentang pengertian komik menurut para maestro

Co-Authors Agave Teofilus Sunarto aldrin yoel kaawoan Alvin Febrian Yusuf Anastasia Safira Sugiharto Anastasia Safira Sugiharto Anastasia Vania Seputra ANDRE PRASTYA DHARMA Ardila, Rikhana Widya Arif Agung Suwasono Asnar Zacky Auliya, Nahij Auliya Baridah Mutmainah Bernadette Dian Arini Maer Bing Bedjo Tanudjaja Bing Bedjo Tanudjaja Brian Steven Susilo Brian Steven Susilo, Brian Steven Christie, Natalia David Budi Prasetyo David Victor Hariawan Dedy Tanjaya Dominicus Fredrikson Jacob Edwin Hendrawan Elim Elim Elim Elim Erny Ferniaty Anggara Ang Fransiscus Erryanto Jasi Gracia Monica Goeifanny hami, yoko galatia Hans Arya Sinatra Irene Ria Santoso Irene Ria Santoso, Irene Ria Jayadi, Lily Meliana Jennifer Budiono Sadono Jennifer Budiono Sadono Jeremy Adrian Sutanto Joshua Kevin Pari Matulessy kaawoan, aldrin yoel Kwang, Yong Lilian Angeline Soesanto Lilian Angeline Soesanto Lily Meliana Jayadi Lintang Andamari Hananto Soenarto Marcelino Michael Madjid Mario Bonaventura Sunyoto Melissa Puspita Melissa Puspita, Melissa Michelle Hartanto Mickael Elia Bong mickael elia bong, mickael elia Mochamad Faizal Rochman Natalia Christie Niko Halimsaputra Novita Condro Dewi Novita Condro Dewi Olivia Onggo Olivia Onggo Oshi Paulina Oshi Paulina Owen Wira Prayoga Prasetyo, David Budi Reyner Valiant Sanjaya Richard Karjohardjo Richard Karjohardjo, Richard Rikhana Widya Ardilla Rima Sukmawaty Tambunan Rima Sukmawaty Tambunan Robby Gunawan Samuel Adi Nugraha Selina Siswanto Selina Siswanto, Selina Sinatra, Hans Arya Stefanie Meilisa Wijanto Stefanie Meilisa Wijanto Stefanus Santoso Sunyoto, Mario Bonaventura Tivoli Yve Gozali Tivoli Yve Gozali Yohanes Yansen Saputro yoko galatia hami Yong Kwang Yusuf Hendra Yolianto Yusuf Hendra Yulianto Yusuf Hendra Yulianto Yusuf Hendra Yulianto Yusuf Hendra Yulianto Yusuf Hendra Yulianto Yusuf Hendra Yulianto

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