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All Journal Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Prosodi: Jurnal Ilmu Bahasa dan Sastra English and Literature Journal Language Literacy: Journal of Linguistics, Literature, and Language Teaching KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Paramasastra: Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Udayana Journal of Social Sciences and Humanities (UJoSSH) JILIN Surakarta English and Literature Journal ELite Journal: International Journal of Education, Language and Literature

Mamik Tri Wedawati

Universitas Negeri Surabaya

Author-ID : 2478179

Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

Published : 12 Documents Claim Missing Document

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Articles

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SELF-CONCEALMENT IN JEAN WEBSTER’S DADDY LONG LEGS Fania Hasri Fitranti; Mamik Tri Wedawati
Elite : English and Literature Journal Vol 8 No 1 (2021): June
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/10.24252/elite.v8i1a1

This research studied the self-concealment of the main character in Daddy Long Legs novel. It is aimed at identifying self-concealment through the main character’s Johari Windows. This research also described fear of self-disclosure. The method used is descriptive-qualitative research This analysis is collaborating the concept of self-concealment with Johari Window. The results showed, Judy Abbott, the main character does self-concealment which is identified by the most dominated hidden area in her Johari Window which is including fear of self-disclosure. By comparing with previous self-concealment analysis in some literary studies, it is found that self-concealment is connected with queerness, deception, and either repression or suppression defense mechanism.

Aggressions of Communism Through Indonesian’s Literary Works Mamik Tri Wedawati; Diana Budi Darma
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 12, No 1 (2018): Prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

This study focused on aggression that enriched literary texts in Indonesian Communism. Initially, analysis was triggered by a preliminary input from classes and tasks that were given in similar topics and were identified important information. There were three facts that were constructed, which were indirect, passive and harsh expressions in literary texts. They were evidencee of change in understanding Communism in millennium era. To elaborate them, two statement of the problems were chosen, which were manifestation and code communication in selected texts. Sorting raw data into a commounicative data was done through applying Intertextuality. The methodology required a qualitative procedure which data were taken from varied sources such as short stories, articles, journals, and text book , which were in a form of printed or softfile productions. The results encouraged researches to comprehend aggression as not only a form of actions but also mental attitude. Others that are interested in similar contemporary texts and aggressions in general should include this in other analysis under Communism.

HALF-CASTE’S STATE OF LIMBO IN KATHARINE SUSANNAH PRICHARD’S “MARLENE” AND “FLIGHT” (1967) Laily Ramadhani; Mamik Tri Wedawati
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 5 No 1 (2021): Klausa Vol 5 No 1 (2021)
Publisher : Ma Chung Press

Half-caste refers to the mixed-blood in Australia who suffer much in their lives. They are not a part of Aborigines nor the Whites. They are not accepted by everyone and being mistreated. They suffer from unfair treatment and are also incapable of making decisions to get a better life. The purpose of the study is to reveal the state of limbo of the half-caste in Katharine Susannah Prichard’s “Marlene” and “Flight” (1967). The method used is qualitative by applying Wilson Harris’ state of limbo theory on the post-colonialism approach. Limbo is a transition where a person or community belongs in two contexts. There are three characteristics of limbo that are needed to be analyzed in the chosen literary work; anxieties, questions, and conflicts that every person or community cannot embrace. As a result, “Marlene” and “Flight” each have three characters of limbo. “Marlene” demonstrates the half-caste’s disrespectful life by being locked in the camp and not able to decide on making their life better. “Flight” demonstrates the three half-caste children that are taken forcedly to the Aborigines Protection Board. These children are locked in the room of the carrier so that they will not run away. Stuck in the camp, locked in the room, and unable to do anything to make their life better defines the limbo state of the half-caste’s lives.

Suicidal Tendency in Martin Sharp’s Depression of Nick Hornby’s A Long Way Down Fahrurozy Ahmad Dientara; Mamik Tri Wedawati; Muhammad Dhika Arif Rizqan
Udayana Journal of Social Sciences and Humanities Vol 3 No 2 (2019): UJoSSH, September 2019
Publisher : Research and Community Services Institutes of Udayana University

Suicidal ideation, also known as suicidal thoughts or suicidal tendencies, concerns one thought about suicide. A Long Way Down tells about four characters that need to be done on New Year's Eve at the Topper's House building, London. The focus of this study on one of the main characters in this novel named Martin Sharp. There are two questions in this study: How is the tendency of self-murder to be described in A Long Way Down? and What is the socio-cultural influence on suicidal tendency of Martin Sharp? The study aims to reflect the desire to kill themselves in novel works and what socio-cultural things that causes of the desire to kill themselves. The core data from this study were taken from soliloquy and the thought narrative of Martin Sharp. Data were analyzed using Emile Durkheim’s theory of suicide types. The results of this study showed that there are those who prove themselves from Martin Sharp causing by three socio-cultural issues that surround it: his status as a man who is middle-aged in England, family relations, and social pressure. The thought of self-killing from Martin Sharp was categorized as egoistic self-murder.

Love and Belonging Needs in John Green’s The Fault in Our Stars Alvin Dwi Permana; Mamik Tri Wedawati; Muhammad Dhika Arif Rizqan
Udayana Journal of Social Sciences and Humanities Vol 5 No 1 (2021): UJoSSH, February 2021
Publisher : Research and Community Services Institutes of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/UJoSSH.2021.v05.i01.p03

The anxiety of being treated differently unlike others is one of the myriad uncomfortable feelings which may be understood by cancer sufferer. The present study aimed to expose the needs of two cancer sufferers who loved each other. They are the main characters of the Fault in Our Stars namely Hazel and Augustus. Therefore, the researchers addressed two questions: How are the love and belonging needs of Hazel and Augustus portrayed in John Green's The Fault in Our Stars? And what are the impacts of fulfilling love and belonging needs toward Hazel and Augustus as it is portrayed in John Green’s novel The Fault in Our Stars? This study applied a qualitative approach namely content analysis. The data were analyzed and interpreted by using the hierarchy of needs which focused on love and belonging needs. The result exposed that Hazel and Augustus yearn for fulfilling their love and belonging needs instead of the other needs such as physiology, safety, self-esteem, and self-actualization. It affected significantly to their life which changed them to be more optimistic.

Esther’s Psychopath Behavior In The Orphan Movie M. Irsyad Rasyid Rusyidi; Mamik Tri Wedawati
Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Vol 12, No 1 (2022)
Publisher : Fakultas Bahasa dan Budaya Asing (FBBA), Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26714/lensa.12.1.2022.33-45

A psychopathic condition is a psychological behavior that has long been regarded as destructive and bad for society. The purpose of this study is to identify the characteristics of Ester's psychopathic problem, as well as the reasons that cause Ester, the main character in the film The Orphan, to become a psychopath. The analysis data are derived from the film The Orphan, the script, and the cinematography. Using psychopathy theory, the evidence is interpreted. To answer the research problem, the writer employs psychological theory from Wellek and Warren (1956), which is combined with psychoanalysis theory from Sigmund Freud and James D. Page. The qualitative descriptive approach is used in this study. The research findings reveal two issues: Esther's psychopathic disorders and the factors that cause Esther to become a psychopath. According to the research findings, Esther's character is a psychopath. First, there are five psychopath behaviors: liar, lack of feeling guilty, lack of empathy, manipulative, and aggressive. Second, Esther becomes a psychopath due to two factors: biological and environmental.Keywords: Psychopath, Behaviour, Movie

MAGICAL REALISM IN ANDREA CREMER AND DAVID LEVITHAN’S NOVEL INVISIBILITY Nisa Asha Syahputra; Mamik Tri Wedawati
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 6, No 1: June 2022
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v6i1.5260

Andrea Cremer and David Levithan’s Invisibility is a contemporary novel with a twist of magical realism. Stephen and Elizabeth, the main characters, had made the story in the novel different colors. The study focused on how magical realism was presented in the novel through its five characteristics: irreducible element, the phenomenal world, unsettling doubts, merging realms, and disruptions of time, space, and identity. Applying Wendy B. Faris’ perspective, this study examined extraordinary things that happened within the ordinary to sort them into said characteristics of magical realism. The qualitative research method applied proved that in Cremer and Levithan’s Invisibility, there existed extraordinary events for each magical realism element, such as Stephen’s abrupt disappearance when Elizabeth blinked as the irreducible element; Stephen’s acceptance of being invisible and living in a accessible place like New York as the phenomenal world; Elizabeth’s doubts concerning Stephen’s form as the unsettling doubt; an ordinary-looking comic store being a magical office in disguise as the merging realm; and Elizabeth’s ability to enter into a different side of the regular universe as the disruption of space.

Ekranisasi Crazy Rich Asians dari Novel ke Film Auliyah Ayu Fitria; Mamik Tri Wedawati
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 8 No. 2 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v8i2.1836

Penelitian ini membahas tentang Ekranisasi Crazy Rich Asians dari novel ke film yang berdasarkan struktur naratif Seymour Chatman antara lain meliputi peristiwa, karakter, latar dan narator. Tujuan dalam penelitian ini : 1) Mendeskripsikan penciutan struktur naratif dari novel Crazy Rich Asians : Kaya Tujuh Turunan ke dalam film Crazy Rich Asians, 2) Mendeskripsikan penambahan struktur naratif dari novel Crazy Rich Asians : Kaya Tujuh Turunan ke dalam film Crazy Rich Asians, 3) Mendeskripsikan perubahan bervariasi struktur naratif dari novel Crazy Rich Asians : Kaya Tujuh Turunan ke dalam film Crazy Rich Asians. Penelitian ini merupakan penelitian kualitatif yang menggunakan pendekatan objektif. Teknik pengumpulan data dalam penelitian ini menggunakan teknik simak catat dan studi kepustakaan. Hasil penelitian ditemukan proses ekranisasi yaitu, penciutan, penambahan dan perubahan bervariasi yang terjadi pada struktur naratif novel dan film Crazy Rich Asians.

The Importance of Providing Chinese Cultural Arts Materials to Expand Student Learning Motivation in Department of Chinese Language and Literature at Unesa Cicik Arista; Miftachul Amri; Mamik Tri Wedawati
Journal International Lingua Mandarin (JILIN) Vol 2, No 2 (2022): Journal International Lingua Mandarin (JILIN)
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jilin.v2i2.60371

Bahasa merupakan alat komunikasi antar manusia, mempelajari sebuah Bahasa tentu tidak akan terlepas dari seni dan budaya. seperti halnya mempelajari Bahasa Mandarin, Tiongkok memiliki beragam seni budaya menarik yang dapat dijadikan sebagai alat untuk meningkatkan motivasi mahasiswa dalam belajarBahasa mandarin, misalnya seni gunting kertas (剪纸), seni tali simpul Tiongkok (中国结), menyanyi lagu Bahasa Mandarin, dll. Berkaitdengan hal tersebut,penelitianinibertujuan untukmengetahui proses pemberian materi seni budaya Tiongkok di kelas Bahasa Mandarin, peningkatan motivasi belajar mahasiswa, serta respon mahasiswa terhadap pemberian materi seni budaya tiongkok tersebut.Adapun metode yangdigunakandalampenelitianiniialahmetodepenelitiandeskriptifkualitatif. Berdasarkan hasil observasi, pemberian materi seni budaya Tiongkok ini dapat mengubah perilaku mahasiswa dari yang sebelumnya kurang aktif menjadi lebih aktif untuk bertanya, aktif untuk menjawab pertanyaan lisan dosen, aktif untuk berdiskusi, aktif untuk mengerjakan soal latihan, dan lain sebagainya. Dari perubahan perilaku mahasiswa tersebut, dapat disimpulkan bahwa mahasiswa mengalami peningkatan motivasi dalam belajar Bahasa Mandarin. Selain itu, dari hasil angket menunjukan bahwa, mahasiswa merasa senang dan antusias ketika diberikan materi seni budaya dan diajak untuk mempraktekkannya, serta, mahasiswa merasa terdorong untuk lebih aktif dalam kegiatan pembelajaran. Bahkan, banyak mahasiswa yang menginginkan pemberian materi seni budaya Tiongkok ini dapat dilanjutkan pada pertemuan-pertemuan berikutnya.

Bisexuality in Bohemian Rhapsody: A Queer Study Syabilla Maylya -; Mamik Tri Wedawati
Surakarta English and Literature Journal Vol 5 No 2 (2022): Volume 5 Number 2 August 2022
Publisher : Faculty of Language and Literature, University of Surakarta

This research was meant to describe the shape of sexuality in Bryan Singer's "Bohemian Rhapsody" (2018) by analyzing the main character from the Queer perspective. Bisexual is a term used to describe relationships of people both with the same sex and the opposite sex for a certain period, including being attracted to or having sexual activity. Bohemian Rhapsody discusses Queen's career journey by showcasing the lead singer as a highlight. Freddie struggles to live in a world of hedonism and stigma, preconceptions, and the erasure of Bisexuality as a social identity. It will answer how to construct binary desires and how society shapes them by applying theory from Butler's work "Gender Trouble." to fulfil this study; In this study, either textual or visual film analysis will be applied to the subsequent discussion. 1.) Determine forms of Bisexuality in Bohemian Rhapsody; 2.) Reveal Bisexuality towards the character interactions in Bohemian Rhapsody. Through this interpretation, bisexual visibility is frequently devalued and forced to join monosexism with similar terms such as gay and lesbian, resulting in the erasure of Bisexuality. This behaviour is predicated on the social and cultural stereotypes attached to "bisexual."

Co-Authors Alvin Dwi Permana Auliyah Ayu Fitria Cicik Arista Danar Pratanda Yudistira Diana Budi Darma Fahrurozy Ahmad Dientara Fania Hasri Fitranti Galih Wibisono Laily Ramadhani M. Irsyad Rasyid Rusyidi Miftachul Amri Muhammad Dhika Arif Rizqan Muhammad Dhika Arif Rizqan Muhammad Farhan Masrur Nisa Asha Syahputra Subandi Subandi Syabilla Maylya - Urip Zaenal Fanani

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