Claim Missing Document
Check
Articles

Found 13 Documents
Search

Conflict and Harmony between Islam and Local Culture in Reyog Ponorogo Art Preservation Riyadi, M. Irfan; Mujahidin, Anwar; Tasrif, Muh.
el Harakah: Jurnal Budaya Islam Vol 18, No 2 (2016): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v18i2.3498

Abstract

Reyog as performing art procession already existing in Ponorogo since pre-Islamic era still grows today even expanding outside the region of Ponorogo both regionally, nationally, and internationally. Reyog at the present time is generally acknowledged as cultural identity of Indonesian nation. The case is different with other Javanese traditions such as kentrung, ludruk, and ketoprak that has collapsed over time. This fact raises interesting questions of how Reyog could withstand against the onslaught of various cultures that come to attack it from time to time. This study used anthropological approach by utilizing the theory of Robert Redfield on the interaction of great tradition and little tradition. The results of this study indicate that although Reyog has interacted with various cultures, particularly Islam, it is able to reform and reformulate its tradition and find cultural attitudes flexible with various cultures that come with it. The cultural attitudes embody in stage-modernization, transformation of mythologies and reforms of the symbols of social values. Reyog sebagai seni pentas arak-arakan yang telah ada di Ponorogo semenjak pra-Islam masih berkembang hingga saat ini bahkan terus mengalami perkembangan ke luar daerah Ponorogo baik secara regional, nasional, dan internasional. Reyog pada masa sekarang secara umum diakui sebagai identitas budaya bangsa Indonesia. Kenyataan itu berbeda dengan tradisi Jawa lain yang telah runtuh dan tinggal dalam arkeologi sejarah budaya seperti kentrung, ludruk, dan ketoprak. Keadaan ini menimbulkan pertanyaan menarik tentang bagaimana Reyog bertahan dari gempuran berbagai budaya yang datang menyerangnya dari zaman ke zaman. Penelitian ini menggunakan pendekatan antropologi dengan memanfaatkan teori Robert Redfield tentang pertemuan tradisi besar (great tradition) dan budaya kecil (little tradition). Hasil penelitian ini menunjukkan bahwa meskipun Reyog bertemu dengan berbagai budaya, khususnya Islam, Reyog mampu mereformasi dan mereformulasi tradisinya sehingga ditemukan sikap budaya yang lentur dan cocok dengan berbagai budaya yang datang bersamanya. Sikap budaya itu berbentuk modernisasi pentas, transformasi mitologi, dan reformasi melalui simbol-simbol nilai sosial-kemasyarakatan.
Dimensi Spiritual Kebudayaan di Tengah Relasi yang Timpang antara Utara dan Selatan Tasrif, Muh.
el Harakah: Jurnal Budaya Islam Vol 10, No 2 (2008): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v10i2.4429

Abstract

Moslem society as a part of the population of the south world, culturally, is in the influence of the hegemony of non-moslem culture, mainly, European, American, and Australian as parts of the north world population. Until the mid twentieth century, the hegemony existed in the form of military imperialism. Meanwhile, in the post mid twentieth century the hegemony changed into cultural imperialism in many areas, such as social, economic, social and even art. The countries of the south world have really done some efforts to face the neo imperialism, but have not suceeded well. Therefore, more serious effort should be done to face the neo imperialism, that is the creativity to make the European and American cultural products as materials that can be creatively rearranged and matched with the local culture. In the creative process the spiritual dimension of culture should become the basis of cultural production process at present and in the future to create a fair relation. The use of spiritual dimension of culture can create new cultural products. In turn, the cultural products of the south world will exist, and finally they can be exchanged with the products of the north world. This is what China is doing with its developing economic power to balance out the domination of Europe and America. The same hopefully appears from the Islam world although it needs more serious cultural works. According to Faisal Ismail, the awakening of Islam and its culture depend on the moslem themselves and their cultural works. Masyarakat Muslim sebagai bagian dari populasi dunia selatan, secara kultural, berada dalam pengaruh hegemoni budaya non-muslim, terutama Eropa, Amerika, dan Australia sebagai bagian dari populasi dunia utara. Sampai pertengahan abad ke-20, hegemoni itu ada dalam bentuk imperialisme militer. Sementara itu, pada pertengahan abad ke-20 hegemoni berubah menjadi imperialisme budaya di banyak bidang, seperti sosial, ekonomi, sosial dan bahkan kesenian. Negara-negara di dunia selatan telah benar-benar melakukan beberapa upaya untuk menghadapi imperialisme neo, namun belum berhasil dengan baik. Karena itu, usaha yang lebih serius harus dilakukan untuk menghadapi neo imperialisme, yaitu kreativitas membuat produk budaya Eropa dan Amerika sebagai bahan yang bisa ditata ulang secara kreatif dan disesuaikan dengan budaya lokal. Dalam proses kreatif dimensi spiritual budaya harus menjadi dasar proses produksi budaya saat ini dan di masa depan untuk menciptakan hubungan yang adil. Penggunaan dimensi spiritual budaya bisa menciptakan produk budaya baru. Pada gilirannya, produk budaya dunia selatan akan ada, dan akhirnya mereka bisa dipertukarkan dengan produk-produk dari dunia utara. Inilah yang dilakukan China dengan kekuatan ekonomi yang berkembang untuk mengimbangi dominasi Eropa dan Amerika. Hal yang sama semoga muncul dari dunia Islam meski membutuhkan karya budaya yang lebih serius. Menurut Faisal Ismail, kebangkitan Islam dan budayanya bergantung pada umat Islam sendiri dan karya budaya mereka.
The Responses of Gen Z to the Qur`An-Based Jihad Propagation on the Internet Sites Wardani, Wardani; Bashori, Bashori; Tasrif, Muh.
Indonesian Journal of Islamic Jurisprudence, Economic and Legal Theory Vol. 3 No. 4 (2025)
Publisher : Sharia Journal and Education Center Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62976/ijijel.v3i4.1560

Abstract

The jihād as a war against non-muslim communities constitutes a global phenomenon. The people of radical thought have used various means to promote their ideas, including the Internet. This article aims to analyze the responses of Gen Z as university students toward interpreting some Qur’anic verses and using images to support the arguments for the necessity of jihād. Employing Wolfgang Iser’s theory of reception and Norman Holland’s theory of psychological reader-response, it concludes first, that although educated in the Quranic interpretation principles, the vast majority of them have accepted those radical interpretations of jihād-verses and have affirmed that war, based on perceived ideological interpretations, is a permanent duty upon Muslim communities; second, that their psychological expression, either happiness, sadness, being shocked, or angry, in various ways of expressed reasons, represent a single goal, e.g., the willingness of performing jihād; third, viewed from their theological motives, that the different faith, in their minds, could be regarded the sufficient reason for war; fourth, that, due to belonging to poor farmer families, one of the possible factors, among others, behind their minds of others as such is an economic factor because it contributes to inadequate education.