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TAMAN SEMPUR DAN RUANG PUBLIK: Analisis Geo-Semiotik dan Etnografi Justito Adiprasetio; Sandi Jaya Saputra
Jurnal Komunikasi Vol. 13 No. 1 (2018): VOLUME 13 NO 1 OKTOBER 2018
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol13.iss1.art2

Since 2016, Public Park in Indonesia, particularly in West Java has significantly been revitalized. Taman Sempur is one of public parks located in West Java that spent about Rp 2.2 billion for its revitalization process. That massive amount was poured out in order to develop public space for the community. Taman Sempur is a compound where Taman Kaulinan, Taman Skateboard, Taman Ekspresi, big pedestrian and few sports facilities with its own specific functions stand. This research, that applied the combination of geo-semiotic and ethnographic analysis, attempted to observe how meaningful Taman Sempur as urban public space for the community through public space and public sphere approaches. The existing modality indicates that the community have certain attention to participate in Taman Sempur as public space, with some of its flaws in material dimension aspect. At the same time, public sphere nuances still vaguely felt, considering the community’s awareness were not full and even due to habitus individual conflict while becoming part of the “public”.Keywords: Taman Sempur, Urban Public Space, Public Sphere, Geo-Semiotic

Magdalene.co Sebagai Media Advokasi Perempuan Eni Maryani; Justito Adiprasetio
Jurnal ILMU KOMUNIKASI Vol. 14 No. 1 (2017)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

The subordination of women intertwined with patriarchy culture in the society. Magdalene.co is one of online media to advocate women. The study tries to reveal Magdalane.co’s creative efforts in undertaking gender-sensitive journalism and advocacy journalism for women. Content analysis, interviews, and literature studies are conducted for collecting data. The results show that Magdalene. co offers new values and perspectives on women and raises range of issues including religion, beliefs, lifestyles, and social conditions. However, class bias is still evident in their articles, discussed issues are limited to public domain, and it is inconsistent in changing stereotype of women.

Literasi.co sebagai Media Alternatif dan Kooperasi Akar Rumput Eni Maryani; Justito Adiprasetio
Jurnal Kajian Komunikasi Vol 6, No 2 (2018): December 2018
Publisher : Universitas Padjadjaran

Pasca reformasi 1998 Literasi.co adalah salah satu media alternatif yang menjadi corong dan berusaha memberikan ruang pada isu-isu kalangan bawah atau suara akar rumput. Tujuan penelitian ini adalah mengungkap konteks dibentuknya Literasi.co dalam membangun dirinya sebagai media alternatif yang bersifat ko-operasi dan independen. Selain itu juga bertujuan untuk mengungkap upaya Literasi.co dalam membuka ruang alternative di media dan mengadvokasi beragam isu di masyarakat bawah akar rumput yang selama ini dimarjinalkan oleh agenda media arus utama. Penelitian ini menggunakan studi kasus dengan teknik pengumpulan data yang mencakup wawancara mendalam, observasi, analisis isi naratif dan studi literatur. Hasil penelitian menunjukkan bahwa Literasi.co melalui penggunaan model pengelolaan bersama secara kooperatif dan berbasis pada solidaritas sosial berhasil membangun kerja keredaksian yang independen dan bersinergi dengan semangat aktivisme sosial akar rumput. Literasi.co mengangkat berbagai isu, merentang dari isu agraria, tata ruang kota, kebudayaan, hingga sastra, dan berhasil menawarkan diskursus alternatif dari dan untuk masyarakat sipil, serta menyuarakan suara akar rumput pada publik yang lebih luas. Walaupun begitu, terdapat tantangan dalam praktik keredaksian Literasi.co, yaitu keterbatasan kuantitas tulisan sehingga terjadi inkonsistensi terbitnya tulisan. Sebagai sebuah gerakan sosial, Literasi.co tidak dapat bekerja sendiri. Untuk itu direkomendasikan agar Literasi.co dapat meningkatkan jaringan kerjasamanya.

Pandemic Crisis in Online Media: Quantitative Framing Analysis on detik.com’s Coverage of Covid-19 Justito Adiprasetio; Annissa Winda Larasati
Jurnal Ilmu Sosial dan Ilmu Politik Vol 24, No 2 (2020): November
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jsp.56457

This study shows how detik.com, a pioneer and one of the largest online media companies in Indonesia frames the Covid-19 pandemic crisis. From the 6713 news reports in January, February and March, the most dominant framing of the crisis that appeared in the coverage was attribution of responsibility, followed by frame of human interest, frame of morality, frame of conflict and the last is frame of economic consequences. The quantitative approach was used in this research to ensure that systematic analysis and non-arbitrary procedures can be carried out on large amounts of data. This study offered a better understanding on of how online media framed the crisis during the pandemic. The results of this study indicate that the frame of attribution of responsibility is not only the most widely used by detik.com, but also the most dominant when the government is the main source of the news. The form of attribution of responsibility in times of crisis tends to be stronger in the realm of government because crisis events are widespread, forming an experience felt at the national level. As a result, crisis events have the potential to become political symbols used in framing various debates regarding a policy in the long run. The average tone of news towards the government from January to March was positive, although it gradually became more negative.

Remediation and Counter-Hegemony of Gender Dichotomy in Indonesian Family: Multimodal Discourse Analysis of Two Kecap Advertisements Justito Adiprasetio; Annissa Winda Larasati
IKAT: The Indonesian Journal of Southeast Asian Studies Vol 3, No 1 (2019): July
Publisher : Center for Southeast Asian Social Studies (CESASS)

Until now hegemonic gender dichotomyin Indonesia has worked in various spheres of human life, in various social roles, even in the smallest unitof social organizations: family. The dichotomy was caused by the ideology of "State Ibuism" which was disciplined during the New Order era between 1965 and 1998, where women would play the role of mothers as a subject of private work, serving various domestic needs of the family, while men play the right role conversely. Discipline works through various media formalized through the Marriage Act 1974, which explains the role of men and women in a married relationshipand Panca Dharma Wanita principles, which lays the foundation of theideal women. These ideals remained entrenched even after the New Order regime’s fall. Kecap ABC advertisements attempt to counter the hegemony over gender dichotomy and patriarchal division of work roles. This article uses Kress and Van Leeuwen’s multimodal discourse analysis to show how an attempt to counter ideologies wasmadeto be remediated through the modalities contained in these advertisements. This research elaborates on how these advertisements represent women as superior in terms of dealing with exploitation that occurs in a family, and shows how the renegotiation of domestic work is possible. This research also elaborates how the male body as a mediator of masculinity is actively mediated through modalities such as speech, gestures and moving images, by showing how men can also do domestic work.

Broadcast Journalism of Private Radio in Cirebon, Indonesia, in the Convergence Era Afiaty Fajriyah Ningrum; Justito Adiprasetio
Asian Journal of Media and Communication Vol. 5 No. 1 (2021): Volume 5, Number 1, 2021
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol5.iss1.art2

. Convergence is a deep integration of knowledge, tools, and all relevant areas of human activities. As an inevitable condition, convergence has also changed a lot of aspects of mass media at the international, national, and local levels. This study elaborates how the local radios in Cirebon, namely Sindangkasih FM, Suara Gratia FM, and Cirebon Radio, are adapting to the convergence culture. This study seeks to demonstrate how the convergence culture can affect private broadcast media, which are not in the epicentrum of media in Indonesia. This study indicates that these three private radios in Cirebon have tried to adapt to the convergence culture in minimally three aspects, namely structural, information coverage, and news presentation or storytelling convergence. The structural convergence happened at the organizational structure of the radio, in which more direct and fluid coordination in the newsgathering and writing processes is applied. At the news coverage level, reporters and scriptwriters are responsible for managing news content for old radio broadcasts and new online media as well. At the news presentation level, the news is not only broadcasted but also reported on new online channels, such as websites and social media. These convergences have further created a more convergent newsroom, including integrating journalism workflows, applying multiskilled journalism and resource sharing, using various technological tools, creating interactivity with the audience, and expanding the audience reach.Keywords: journalism, convergence, broadcasting, interactivity, radio

The development of communication research in Indonesia in 2001-2020 Justito Adiprasetio
Jurnal Kajian Komunikasi Vol 10, No 1 (2022): June 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v10i1.35954

No systematic review and/or meta-analysis has attempted to map the macro and comprehensive landscape conditions, developments, and trends of communication research in Indonesia in the past few decades. Therefore, it is challenging to measure the progress that Indonesian communication scholars have achieved. This study analyzed 3108 articles distributed in reputable communication scientific publications in Indonesia, spanning two decades: January 2001 to March 2020. This study found many optimistic or skeptical justifications of Indonesian communication scholars about the development of communication epistemology in Indonesia. During the two decades, although there had been an increase in publications relying on quantitative approaches, it can be seen that the dominance of qualitative approaches was irreplaceable. The trend of increasing research using a quantitative approach was only a conversion from literature review articles widely published in the early 2000s. The Ministry of Communication and Information, Indonesia, in the second position, as the institution that contributes to the most authors of scientific articles after the Universitas Islam Bandung in the first place, and even surpassing Universitas Hasanuddin, Universitas Padjadjaran dan Universitas Diponegoro showing that the agency of state institutions is one of the active actors in communication knowledge production and reproduction in Indonesia. The increasing number of citations over the past two decades indicates that Indonesian scholars are experiencing enrichment of reference sources and interconnection with other scholars. However, based on keyword trends, Indonesian research’s deliberative and progressive vision has yet to appear dominant.

Riset aksi partisipatif: Festival kebudayaan menghadapi intoleransi Justito Adiprasetio; Andika Vinianto
Jurnal Kajian Komunikasi Vol 8, No 1 (2020): June 2020
Publisher : Universitas Padjadjaran

Indonesia saat ini mengalami ancaman gelombang intoleransi yang memprihatinkan, berbagai fakta lapangan seperti penyerangan tokoh agama, rumah ibadah dan berbagai persekusi, serta studi-studi pendahulu menunjukkan permasalahan tersebut. Mengacu pada strategi yang diterapkan oleh UNESCO, terdapat beberapa hal yang dapat dilakukan untuk melawan gejala intoleransi yaitu dengan meningkatkan pengetahuan melalui pendidikan berbasis multikulturalitas dan pluralisme, peningkatan kesadaran individu dan solusi lokal lain yang bersifat akar rumput. Ketiganya dapat dirangkum melalui pengadaan kegiatan kebudayaan: festival. Festival di berbagai negara, kerapkali digunakan untuk menanamkan nilai-nilai keberagaman: multikulturalisme dan pluralisme. Studi ini dengan menggunakan metodologi riset aksi partisipatif dan dikombinasikan dengan etnografi berupaya untuk menyusun pilot-project festival yang mempromosikan semangat toleransi. Partisipan dari penelitian ini adalah 600 mahasiswa yang berasal dari 5 program studi di Fakultas Ilmu Komunikasi (Fikom), Universitas Padjadjaran, yang sebelumnya telah mendapatkan mata kuliah Komunikasi Lintas Budaya. Hasil penelitian menunjukkan bahwa festival kebudayaan adalah sarana yang tepat untuk mengembangkan visi multikulturalisme dan pluralisme sekaligus menggeser narasi-narasi esensialisme kebudayaan. Riset ini membuktikan bahwa festival secara spesifik dapat ditargetkan untuk menyebarkan nilai-nilai toleransi, apabila memang partisipannya dilibatkan secara utuh dan berkesinambungan. Keberhasilan penyelenggaraan festival kebudayaan di Fikom menjadi jawaban dan pengejawantahan bahwa sangat mungkin festival-festival sejenis dapat diselenggarakan di tempat lain dengan tujuan yang sama, dan terutama menyasar generasi muda.

Broadcast Journalism of Private Radio in Cirebon, Indonesia, in the Convergence Era Afiaty Fajriyah Ningrum; Justito Adiprasetio
Asian Journal of Media and Communication Vol. 5 No. 1 (2021): Volume 5, Number 1, 2021
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol5.iss1.art2

. Convergence is a deep integration of knowledge, tools, and all relevant areas of human activities. As an inevitable condition, convergence has also changed a lot of aspects of mass media at the international, national, and local levels. This study elaborates how the local radios in Cirebon, namely Sindangkasih FM, Suara Gratia FM, and Cirebon Radio, are adapting to the convergence culture. This study seeks to demonstrate how the convergence culture can affect private broadcast media, which are not in the epicentrum of media in Indonesia. This study indicates that these three private radios in Cirebon have tried to adapt to the convergence culture in minimally three aspects, namely structural, information coverage, and news presentation or storytelling convergence. The structural convergence happened at the organizational structure of the radio, in which more direct and fluid coordination in the newsgathering and writing processes is applied. At the news coverage level, reporters and scriptwriters are responsible for managing news content for old radio broadcasts and new online media as well. At the news presentation level, the news is not only broadcasted but also reported on new online channels, such as websites and social media. These convergences have further created a more convergent newsroom, including integrating journalism workflows, applying multiskilled journalism and resource sharing, using various technological tools, creating interactivity with the audience, and expanding the audience reach.Keywords: journalism, convergence, broadcasting, interactivity, radio

Ketimpangan representasi hantu perempuan pada film horor Indonesia periode 1970-2019 Larasati Winda Annissa; Justito Adiprasetio
ProTVF Vol 6, No 1 (2022): March 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v6i1.36296

Sejak Lisa (1971) mengisi bentangan layar sinema Indonesia sebagai film horor pertama yang tayang pada periode Indonesia modern, hantu perempuan secara dominan muncul dalam film horor Indonesia pada setiap periode. Hantu perempuan mengalahkan representasi hantu laki-laki dalam hal jumlah, dan secara timpang menempatkan perempuan seolah-olah sebagai entitas yang lebih menakutkan dan layak menghantui dibandingkan laki-laki. Studi ini dengan memeriksa korpus film horor Indonesia terlengkap yang tersedia yaitu: Katalog Film Indonesia 1926-2007 (2007), situs Film Indonesia (filmindonesia.or.id), dan laman Wikipedia “Kategori: Film Indonesia”, mencoba menunjukkan bagaimana ketimpangan representasi hantu perempuan dan laki-laki terdapat dalam historiografi film horor Indonesia pada periode 1970 hingga 2019. Studi ini terlebih dahulu memetakan secara keseluruhan film horor Indonesia dilanjutkan dengan mengurai tiga kriteria yaitu gender tokoh protagonis utama, gender hantu utama, dan gender sutradara dalam film horor. Selain itu studi ini juga memeriksa bagaimana konfigurasi genre dalam ketimpangan representasi hantu perempuan dan laki-laki pada periode 1970 hingga 2019. Hasil dari studi ini menunjukkan bahwa perempuan hampir selalu menjadi tokoh sentral dalam film horor yang direpresentasikan sebagai hantu atau monster. Film-film horor Indonesia dengan representasi hantu perempuan didominasi oleh genre horor paranormal. Serta, sekalipun jumlah sutradara perempuan yang menyutradarai film horor meningkat pada periode pasca 2010, di mana tercatat 34 film disutradarai perempuan, namun tidak semua sutradara perempuan benar-benar dapat lepas dari visi misoginisme.

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