Article Per Year (5 Year)
p-Index From 2021 - 2026
1.383
P-Index
This Author published in this journals
All Journal Jurnal Komunikasi Jurnal Ilmu Komunikasi Jurnal Kajian Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik ProTVF IKAT : The Indonesian Journal of Southeast Asian Studies AJMC (Asian Journal of Media and Communication) Kajian Jurnalisme Calathu: Jurnal Ilmu Komunikasi AJMC (Asian Journal of Media and Communication)
Justito Adiprasetio
Fakultas Ilmu Komunikasi Universitas Padjadjaran
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

Published : 15 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 15 Documents
Search

 1   2 
Broadcast Journalism of Private Radio in Cirebon, Indonesia, in the Convergence Era Afiaty Fajriyah Ningrum; Justito Adiprasetio
Asian Journal of Media and Communication Vol. 5 No. 1 (2021): Volume 5, Number 1, 2021
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol5.iss1.art2

Abstract

. Convergence is a deep integration of knowledge, tools, and all relevant areas of human activities. As an inevitable condition, convergence has also changed a lot of aspects of mass media at the international, national, and local levels. This study elaborates how the local radios in Cirebon, namely Sindangkasih FM, Suara Gratia FM, and Cirebon Radio, are adapting to the convergence culture. This study seeks to demonstrate how the convergence culture can affect private broadcast media, which are not in the epicentrum of media in Indonesia. This study indicates that these three private radios in Cirebon have tried to adapt to the convergence culture in minimally three aspects, namely structural, information coverage, and news presentation or storytelling convergence. The structural convergence happened at the organizational structure of the radio, in which more direct and fluid coordination in the newsgathering and writing processes is applied. At the news coverage level, reporters and scriptwriters are responsible for managing news content for old radio broadcasts and new online media as well. At the news presentation level, the news is not only broadcasted but also reported on new online channels, such as websites and social media. These convergences have further created a more convergent newsroom, including integrating journalism workflows, applying multiskilled journalism and resource sharing, using various technological tools, creating interactivity with the audience, and expanding the audience reach.Keywords: journalism, convergence, broadcasting, interactivity, radio
Blurring Context and One-Sided: Kompas.com in Framing the West Papua Crisis Justito Adiprasetio; Almas Taqiyya
Jurnal Kajian Jurnalisme Vol 7, No 1 (2023): KAJIAN JURNALISME
Publisher : School of Journalism, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkj.v7i1.46688

Abstract

In September 2021, the conflict between West Papuan separatist groups and the Indonesian National Army (TNI) heated up. Kompas.com, one of Indonesia's media with the most extensive readership, contributes significantly to public understanding and perception of the West Papua crisis. This study aims to examine how Kompas.com frames the West Papua crisis on 7-30 September 2021. Framing analysis examines three important aspects of news framing: crisis frames, thematic and episodic frames, and news sources. The news regarding the West Papua crisis on 7-30 September 2020 was only filled with three frames: conflict, attribution of responsibility, and human interest. Kompas.com has tried to provide space for parties with a moderate position in the conflict, such as the Indonesian Medical Association (IDI), Komnas HAM (National Commission on Human Rights), and Kontras (The Commission for Disappeared and Victims of Violence). However, in general, the news is still very much dominated by news sources from the Indonesian government and the military and not using enough thematic frames. Kompas.com needs to be more comprehensive to report on the crisis in West Papua during the reporting period of 7-30 September 2020. Kompas.com also does not elaborate that the Free Papua movement is plural and fragmentary, with a spectrum of violent movements to peace movements. The conclusion of this study, Kompas.com tends to blur the context of the West Papua crisis, which risks limiting and directing public understanding of the West Papua crisis to exist within the government's frame.
Ketimpangan representasi hantu perempuan pada film horor Indonesia periode 1970-2019 Larasati Winda Annissa; Justito Adiprasetio
ProTVF Vol 6, No 1 (2022): March 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v6i1.36296

Abstract

Sejak Lisa (1971) mengisi bentangan layar sinema Indonesia sebagai film horor pertama yang tayang pada periode Indonesia modern, hantu perempuan secara dominan muncul dalam film horor Indonesia pada setiap periode. Hantu perempuan mengalahkan representasi hantu laki-laki dalam hal jumlah, dan secara timpang menempatkan perempuan seolah-olah sebagai entitas yang lebih menakutkan dan layak menghantui dibandingkan laki-laki. Studi ini dengan memeriksa korpus film horor Indonesia terlengkap yang tersedia yaitu: Katalog Film Indonesia 1926-2007 (2007), situs Film Indonesia (filmindonesia.or.id), dan laman Wikipedia “Kategori: Film Indonesia”, mencoba menunjukkan bagaimana ketimpangan representasi hantu perempuan dan laki-laki terdapat dalam historiografi film horor Indonesia pada periode 1970 hingga 2019. Studi ini terlebih dahulu memetakan secara keseluruhan film horor Indonesia dilanjutkan dengan mengurai tiga kriteria yaitu gender tokoh protagonis utama, gender hantu utama, dan gender sutradara dalam film horor. Selain itu studi ini juga memeriksa bagaimana konfigurasi genre dalam ketimpangan representasi hantu perempuan dan laki-laki pada periode 1970 hingga 2019. Hasil dari studi ini menunjukkan bahwa perempuan hampir selalu menjadi tokoh sentral dalam film horor yang direpresentasikan sebagai hantu atau monster. Film-film horor Indonesia dengan representasi hantu perempuan didominasi oleh genre horor paranormal. Serta, sekalipun jumlah sutradara perempuan yang menyutradarai film horor meningkat pada periode pasca 2010, di mana tercatat 34 film disutradarai perempuan, namun tidak semua sutradara perempuan benar-benar dapat lepas dari visi misoginisme.
Skena “Teras Kolektif”: Dinamika Kolektiva dan Resistensi Musik Mahasiswa Justito Adiprasetio; Annisa Winda Larasati
Calathu: Jurnal Ilmu Komunikasi Vol. 2 No. 1 (2020): Calathu: Jurnal Ilmu Komunikasi
Publisher : School of Communication Science and Media Business

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/calathu.v2i1.2089

Abstract

Teras Kolektif is a music collective that is active in Jatinangor, carrying the spirit of punk and the culture of Do It Yourself. But unlike other punk scenes, Teras Kolektif does not carry the essentialist burden which is always obedient to the puritanism of music and other identity standards. Teras Kolektif scene arises from the anxiety of students who want a space where a frame of “old-fashioned” morality does not tie them up. This study relies on participatory ethnography as a methodology, with the aim of capturing the dynamics and various behavioral pattern of the Teras Kolektif. Data collection techniques were also strengthened by in depth interviews with 18 subjects consisting of actors as well as those who intersected directly with Teras Kolektif activities. The findings of this study are that the Teras Kolektif is a student public sphere, where not only music is mixed, but also where political discussion and education take place. Teras Kolektif also succeeded in becoming a space for discourse exchange between students on various campuses. There are things that need to be evaluated by Teras Kolektif as a progressive collective: the hyper-masculine character that is at risk of damaging the spirit that they carry, also related to the regeneration of the Teras Kolektif to maintain its existence and consistency going forward.
Perkembangan, Dinamika, dan Tren Penelitian Jurnalisme di Indonesia Periode 2001-2020 Justito Adiprasetio
Calathu: Jurnal Ilmu Komunikasi Vol. 4 No. 2 (2022): Calathu: Jurnal Ilmu Komunikasi
Publisher : School of Communication Science and Media Business

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/calathu.v4i2.3176

Abstract

After the authoritarian New Order regime collapsed, the study of journalism as a part of communication studies is projected will develop and helps rehabilitating the ecosystem of Indonesian media. However, there is no meta-analysis study that can prove how the development and dynamics of journalism research in Indonesia, especially after more than two decades of the collapse of the New Order. This study, by analyzing 641 journalism studies articles scattered in authoritative scientific publications on communication in Indonesia, in the span of two decades from January 2001 to December 2020, found that Indonesian journalism scholars were enriching literature reference, and were increasingly connected with other scholars. The findings obtained by this study directly refute many accusations that communication studies, especially in the scope of journalism studies in Indonesia, is dominated by positivistic paradigm. During the 2001- 2020 period, although there was an increase in publications that relied on a quantitative approach, it can be seen the dominance of the qualitative approach has not been deterred. The Ministry of Communication and Information Technology of Indonesia in the second position, as the institution with the highest number of scientific article writers after the Universitas Islam Bandung in first place, even surpassing Universitas Padjadjaran and Universitas Diponegoro shows that researchers from government institutions are one of the agents of production and reproduction of journalism knowledge and discourse in Indonesia. Based on keyword trends, the deliberative vision of journalistic research in Indonesia tends not to develop progressively. Keywords: Indonesia, journalism studies, meta-analysis, journalism researc
Co-Authors Afiaty Fajriyah Ningrum Afiaty Fajriyah Ningrum Almas Taqiyya Andika Vinianto Annisa Winda Larasati Annissa Winda Larasati Annissa Winda Larasati Eni Maryani Larasati Winda Annissa Maimon Herawati Muhammad Refi Sandi Sandi Jaya Saputra