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All Journal Padma Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnal Pengabdian Masyarakat Bidang Sosial dan Humaniora JISOSEPOL : Jurnal Ilmu Sosial Ekonomi dan Politik
Eko Wahyuni Rahayu
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BEDAYA SEBAGAI PRODUK TARI ISTANA JAWA (TELAAH HISTORIS DAN SIMBOLIS) Eko Wahyuni Rahayu,
Padma Vol 6, No 2 (2012)
Publisher : Padma

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tari Bedaya dikenal umum sebagai salah satu produk tari istana (keraton) Jawa yakni Keraton Kasunanan Surakarta, Keraton Mangkunegaran Surakarta, Keraton Kasultanan Yogyakarta, dan Keraton Paku Alaman Yogyakarta. Keempat keraton tersebut semuanya berada di Jawa Tengah, dan merupakan perpecahan atau kelanjutan dari Keraton Mataran (Mataram Islam) yang didirikan oleh Panembahan Senopati. Tari Bedaya merupakan jenis tari puteri dalam bentuk koreografi kelompok, biasanya dibawakan oleh sembilan penari, dengan tema percintaan, perjuangan, peperangan. Wujud tarinya lemah gemulai dengan tata rias busana yang semuanya seragam, serba gemerlapan penuh keelokan dan keagungan. Rias dan busana Tari Bedaya dibuat seragam tanpa ada perbedaan antara penari satu dengan lainnya memiliki maksud supaya ”samun” (samar), karena pada dasarnya kehidupan manusia berasal dari samar. Selain itu secara lahiriah supaya tidak menimbulkan kecemburuan/watak iri (Brongtodiningrat, 1982:17). Tari Bedaya diiringi dengan ensambel musik gamelan, dan tempat pementasannya di pendapa.
Pelatihan Manajemen Pementasan pada Siswa Sekolah Indonesia Kuala Lumpur untuk Meningkatkan Kemampuan Penciptaan Pagelaran Pementasan Seni Pertunjukan Indar Sabri; Trisakti, Trisakti; Eko Wahyuni Rahayu; Karoso, Subiyanto; Syaiful Qadar Basri
ABDISOSHUM: Jurnal Pengabdian Masyarakat Bidang Sosial dan Humaniora Vol. 3 No. 4 (2024): Desember 2024
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/abdisoshum.v3i4.4518

Abstract

The main role of education for the younger generation abroad is to promote and preserve the nation's cultural heritage in the context of Malaysian society. The Performance Management Training Activity for Indonesian School Kuala Lumpur (SIKL) Students aims to improve students' ability to create performing arts performances, as a solution to the less than optimal management of performing arts at the school. This PKM activity is expected to be able to bridge the needs of traditional arts in Malaysia as a means of introducing traditional arts to be promoted in Malaysia. The main objectives of this activity include training in performance management, designing performances with participants as a production team, and implementing art performances with students as a production team. The training was conducted through workshop, mentoring, project, and empowerment methods with a micro approach, which emphasized structured tasks and grouping of students for performance preparation. As a result, students were able to form a production team, work together according to their respective tasks and functions, and successfully organize the performance. However, similar activities with more interesting and effective packaging are still needed to improve the ability of SIKL students in the future.
EKSPLORASI ETNOMATEMATIKA DALAM DESAIN MOTIF BATIK BOJONEGOROAN Tegar, Emil; Sabri, Indar; Juwariyah, Anik; Eko Wahyuni Rahayu; Khoiriyah, Siti
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 10 No. 02 (2025): Volume 10, Nomor 02 Juni 2025 publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v10i02.27103

Abstract

This study aims to explore the ethnomathematical concept of geometric transformation in Bojonegoroan batik motifs. Bojonegoroan batik is the result of a batik motif design competition organized by the Bojonegoro Regency Culture and Tourism Office in 2024. There are ten batik motifs each of which raises a theme including the theme of culture, tourism, history, and natural resources of the region. This study uses a qualitative approach of content analysis, with data in the form of visual documents and texts from official sources of local government. The results of the study show that batik motifs contain elements of geometric transformation such as translation, rotation, reflection, and dilatation. The ethnomathematical approach has proven to be effective in bridging abstract mathematical concepts through local cultural media. Bojonegoroan batik motifs are not only a visual representation of local wisdom, but can also be used as interdisciplinary teaching materials in mathematics and cultural arts learning. This study recommends the integration of batik motifs in the development of contextual learning media in schools, as well as a follow-up reference in ethnomathematical studies in other regions.
FORM OF PERFORMANCE OF THE FINAL SCENE IN THE BARONGAN DRAMATARY IN BLORA DISTRICT Fifi Ester Galuh Cahyani; Eko Wahyuni Rahayu
JISOSEPOL: Jurnal Ilmu Sosial Ekonomi dan Politik Vol. 2 No. 2 (2024): JISOSEPOL : Jurnal Ilmu Sosial Ekonomi dan Politik, Edisi Juli-Desember 2024
Publisher : Samudra Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61787/6ryv4p87

Abstract

This research aims to describe the form of performance the Pentulan scene in the Barongan dance drama in Blora Regency. The form theory use by Schechner (2002)  dance drama theory used by Soedarsono and Narwati (2014) and Rusliana (2014) and function theory by Soedarsono (2001). The research method used is descriptive qualitative. Research data sources were obtained from person, place and paper data sources. Personal data: Adi Wibowo, Jaka Adi Kartika, Sofyan Said Maulana and Subur Widodo. Place data sources were obtained from observations at Sanggar Risang Guntur Seto (RGS) and performances in the Tempurejo village field. The paper data source was obtained from documentation in the form of photos and videos of performances. Data collection techniques use observation, interviews, documentation studies and literature studies. Data analysis techniques use data reduction, data presentation and drawing conclusions. Data validity uses method triangulation, source triangulation and method triangulation. The results of this research show that the performance form of the Pentulan scene consists of three parts, namely beginning, middle and end, whereas in the Barongan dance drama the Pentulan scene is in the middle part which uses the masked dance drama genre with a protagonist character.
PRESENTATION FORM OF MAYANG RONTEK DANCE BY SETU AS A GUEST WELCOMING DANCE (CEREMONIAL) IN MOJOKERTO DISTRICT Kinanti Dwi Safitri; Eko Wahyuni Rahayu
JISOSEPOL: Jurnal Ilmu Sosial Ekonomi dan Politik Vol. 3 No. 1 (2025): JISOSEPOL : Jurnal Ilmu Sosial Ekonomi dan Politik, Edisi Januari-Juni 2025
Publisher : Samudra Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61787/zcmtcf07

Abstract

Penelitian ini berfokus pada bagaimana bentuk penyajian dan fungsi Tari Mayang Rontek sebagai tari penyambutan tamu (Seremonial) di Kabupaten Mojokerto. Tujuan penelitian ini untuk mengkaji bentuk penyajian dan fungsi Tari Mayang Rontek sebagai tari penyambutan tamu yang difokuskan pada rangkaian Upacara Penyambutan Kapolres Baru Kabupaten Mojokerto Tahun 2024. Pengkajian penelitian ini dilakukan menggunakan landasan teori bentuk tari yang diungkap oleh Sumandiyo Hadi (2012untuk mengkaji rumusan masalah tentang bentuk penyajian Tari Mayang Rontek sebagai tari penyambutan Kapolres baru tahun 2024. Sumber data pada penelitian ini dibagi menjadi tiga yaitu place (tempat), person (narasumber), paper (data tertulis), dan dokumentasi. Penelitian ini menggunakan teknik triangulasi untuk memastikan data yang diperloeh adalah data yang benar dan akurat. Prosess analisis menggunakan reduksi data, penyajian data, dan penarikan kesimpulan dan verifikasi. Berdasarkan hasil yang diperoleh di lapangan, peneliti mendapatkan data yagn berkaitan dengan bentuk penyajian dan fungsi Tari Mayang Rontek sebagai tari penyambutan tamu (Seremonial) di Kabupaten Mojokerto.
Co-Authors Anik Juwariyah Fifi Ester Galuh Cahyani INDAR SABRI Karoso, Subiyanto Kinanti Dwi Safitri Siti Khoiriyah Syaiful Qadar Basri Tegar, Emil Trisakti Trisakti