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<![CDATA[PENERAPAN RESTORATIVE JUSTICE DALAM TINDAK PIDANA PERZINAAN PADA MASYARAKAT KUTAI ADAT LAWAS ]]>
<![CDATA[Rosdiana Rosdiana]]>;
<![CDATA[Ulum Janah]]>
<![CDATA[ Jurnal Bina Mulia Hukum Vol. 5 No. 1 (2020): Jurnal Bina Mulia Hukum Volume 5 Nomor 1 September 2020 ]]>
Publisher : <![CDATA[Faculty of Law Universitas Padjadjaran ]]>
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DOI: 10.23920/jbmh.v5i1.14
<![CDATA[ABSTRAKKesadaran akan penyelesaian melalui peradilan formal umumnya masih dirasakan kurang memberikan keadilan bagi korban, seringkali masih menyimpan ketidakpuasan korban atas sanksi pidana yang dijatuhkan kepada pelaku oleh pengadilan. Oleh karenanya, penerapan keadilan restoratif dalam penyelesaian delik adat secara musyawarah mufakat dalam bentuk perdamaian adat masih menjadi primadona dalam menyelesaikan delik adat. Penyelesaian antara pelaku dan korban secara kekeluargaan ataupun melalui peradilan adat merupakan penyelesaian dengan mencari keadilan hakiki. Penelitian ini dilakukan dengan metode sosiologis. yaitu penelitian studi empiris, penelitian yang berorientasi pada aspek hukum dan aspek non hukum yakni mengkaji dan menganalisis bekerjanya hukum dalam masyarakat dengan penerapan restorative justice dalam tindak pidana perzinaan pada Masyarakat Kutai Adat Lawas. Hasil penelitian menunjukan bahwa penyelesaian tindak pidana perzinahan pada Masyarakat Kutai Adat Lawas menerapkan konsep restorative justice, yang model penyelesaiannya ditentukan oleh ketua adat, atau melalui peradilan adat. Keadilan restoratif ini diterapkan dalam penyelesaian tindak pidana perzinahan sebagai upaya untuk memulihkan penderitaan yang dialami korban dan untuk memperbaiki keseimbangan masyarakat. Sanksi bagi pelaku zina bukan sanksi fisik tetapi sanksi berupa pengganti kerugian atau denda yang dikenakan atas perbuatan yang dilakukan. Jika kejadian perselingkuhan terjadi selama 3 (tiga) kali dan yang melakukan orang yang sama maka menggunakan hukum positif yaitu hukum pidana.Kata kunci: adat; perzinahan; restorative justice. ABSTRACTThe awareness of settlement with formal justice mostly does not offer satisfactory towards the victim, often times the victim still holds grudge and does not satisfied with the punishment given to the perperator. Therefore, the settlement of offense consetuede with restorative justice is the pre-eminent choice to solve the problem. The settlement between the perperator and the victim with kinship or customary court is really essential. This research is using sociology methods, that is an empirical study oriented towards legal & non legal aspects which is examine & analyze the work of law within the society with the application of restorative justice in criminal act of adultery in the Society of Kutai Adat Lawas. The result of the the research is to show that settlement of criminact act of adultery in Society of Kutai Adat Lawas apply the restorative justice, that the solving model is determined by the chief of the society, or customary justice. This restorative justice applied to solve the criminal act of adultery in attempt to console the victim and the harmony of the society. The penalty for the adultery perparator is not a physical punishment but with a fine worth of the criminal that has been done. If the same person did an affair 3 times, then the y use the positive punishment which is the criminal law.Keywords: adultery; customary; restorative justice.]]>
<![CDATA[Makna Simbolik Kehidupan Penyair dalam Puisi “Capungku” Karya Zawawi Imron ]]>
<![CDATA[Ulum Janah]]>;
<![CDATA[Anna Anganita Theresia Latumeten]]>
<![CDATA[ Prologue: Journal on Language and Literature Vol. 9 No. 1 (2023): Prologue: Journal on Language and Literature ]]>
Publisher : <![CDATA[Faculty of Letters Universitas Balikpapan ]]>
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DOI: 10.36277/jurnalprologue.v9i1.102
<![CDATA[Poetry is a form of literature that is not only in the form of beautiful words, but also has a deeper meaning for the poet himself (the poet). Poetry becomes an expression of the contents of the heart that describes the poet's life and experiences. Through a qualitative method with a semiotic approach, this study tries to reveal the poet's life by determining the syntagmatic and paradigmatic of the Poetry "Capungku" by Zawawi Imron. The results of this study can be seen from the side of happiness that goes hand in hand with jealousy in the poet's social life. One side of the poet has a desire to be happy, but sometimes this contrasts with the other side which has jealousy and the social environment which often has an influence on the poet himself. This is a problem in human life whoever it is. Both are mirrors of a human life that will always be contradictory.]]>
<![CDATA[Pengaruh Superego Perempuan terhadap Ego Pria dalam Memutuskan Pilihannya pada Cerpen “Dolar” Karya Tommy F. Awuy ]]>
<![CDATA[Ulum Janah]]>;
<![CDATA[Anna Anganita Theresia Latumeten]]>
<![CDATA[ Prologue: Journal on Language and Literature Vol. 9 No. 2 (2023): Prologue: Journal on Language and Literature ]]>
Publisher : <![CDATA[Faculty of Letters Universitas Balikpapan ]]>
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DOI: 10.36277/jurnalprologue.v9i2.133
<![CDATA[Penelitian ini mengkaji pengaruh dominasi superego tokoh-tokoh perempuan terhadap ego tokoh pria dalam memutuskan pilihannya dalam cerpen "Dolar" karya Tommy F. Awuy. Studi ini merupakan studi deskriptif kualitatif. Obyek studi yang digunakan adalah cerpen “Dolar”, karya Tommy F. Awuy. Dalam cerpen ini, terdapat tiga tokoh perempuan yang mempengaruhi tokoh pria, Toyip, dalam mengambil keputusan, yaitu istri Toyip, pelanggan setia bajaj Toyip, Nora, dan penumpang bule, Merry Cohen. Penelitian ini menggunakan pendekatan psikoanalisis Freud untuk memahami interaksi antara id, ego, dan superego dalam diri tokoh pria saat dihadapkan pada tuntutan moral, dilema, dan pengaruh eksternal dari tokoh-tokoh perempuan tersebut. Hasil penelitian menunjukkan bahwa dominasi superego tokoh-tokoh perempuan memengaruhi perubahan dalam perilaku dan keputusan Toyip.]]>
<![CDATA[INDIGENOUS KNOWLEDGE AND DISASTER RESILIENCE FOR CHILDREN: READING SMONG IN SELECTED LITERACY CLOUD SHORT STORIES ]]>
<![CDATA[Anna Anganita Theresia Latumeten]]>;
<![CDATA[Ulum Janah]]>
<![CDATA[ Prologue: Journal on Language and Literature Vol. 10 No. 1 (2024): Prologue: Journal on Language and Literature ]]>
Publisher : <![CDATA[Faculty of Letters Universitas Balikpapan ]]>
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DOI: 10.36277/jurnalprologue.v10i1.168
<![CDATA[This study explores the integration of indigenous knowledge into children’s literature as a means of promoting disaster resilience among young readers. Through the lens of ecocriticism and descriptive qualitative research methodology, the study investigates the portrayal of smong, a form of indigenous knowledge from the Simeulue region of Indonesia, in two selected Literacy Cloud short stories: “Tsunami” by Yovita Siswanti and “Smong, the Dragon” by Maya Lestari. The analysis reveals how these stories effectively incorporate smong as a repository of local wisdom and resilience lessons in the face of natural disasters. Encouraging initiatives to incorporate more themes of indigenous knowledge into children's literature is crucial for promoting cultural preservation. In addition, integrating indigenous knowledge—particularly those with content related to disaster resilience—is valuable to empower children in disaster-prone areas. Overall, the study highlights the potential of children’s literature and digital platforms for education in fostering a harmonious relationship between humanity and the natural world amidst the challenges of environmental sustainability and possibilities of natural disasters.]]>
<![CDATA[PENGEMBANGAN WISATA LOKAL DI PESISIR MANGGAR KOTA BALIKPAPAN UNTUK PENINGKATAN PEREKONOMIAN MASYARAKAT SEKITAR ]]>
<![CDATA[Hadiyatno, Didik]]>;
<![CDATA[Indriastuty, Nina]]>;
<![CDATA[Janah, Ulum]]>
<![CDATA[ Jurnal Terapan Abdimas Vol 3, No 2 (2018) ]]>
Publisher : <![CDATA[UNIVERSITAS PGRI MADIUN ]]>
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DOI: 10.25273/jta.v3i2.2802
<![CDATA[Abstract. The eastern region of Balikpapan is dominated by fishing communities in Manggar. In this region, there are attractions Manggar Beach. The government and the surrounding community have used both elements in their daily activities. However, the utilization is still not maximal. Although the government has improved the coastal infrastructure, it is still necessary to develop human resources in order for the economy through tourism to materialize. Through strategic stages, namely (1) data collection; (2) analyzing data; (3) presentation of the result of data analysis, expected to get data to become picture and consideration of government and society around in improving economy area especially tourism with community profession partly as a fisherman. The findings in the tourism sector have yet to show results for the economy in Manggar. This is because the creativity and innovation of human resources have not been optimized by the community and local government. The potential of the community actually exists to be developed in the tourism sector. This can be done through training the management of fishery products by following the global development so as to attract domestic and foreign tourists, making the coastal area as a tourist destination of choice.Keywords: Development Of Tourism, Economy, Society Abstrak. Wilayah timur Balikpapan didominasi oleh masyarakat nelayan di Manggar. Di wilayah ini terdapat objek wisata Pantai Manggar. Pemerintah maupun masyarakat sekitar telah memanfaatkan kedua unsur tersebut dalam aktivitas keseharian. Namun, pemanfaatan tersebut masih belum maksimal. Walaupun pemerintah telah memperbaiki infrastruktur di pantai tersebut, masih perlu pengembangan SDM agar perekonomian melalui pariwisata dapat terwujud. Melalui tahapan strategis, yaitu (1) pengumpulan data; (2) penganalisisan data; (3) penyajian hasil analisis data, diharapkan diperoleh data-data untuk menjadi gambaran dan pertimbangan pemerintah serta masyarakat sekitar dalam meningkatkan perekonomian daerah khususnya pariwisata dengan profesi masyarakat sebagian sebagai nelayan. Hasil temuan di sektor pariwisata belum menampakkan hasil bagi perekonomian di Manggar. Hal tersebut dikarenakan kreatifitas dan inovasi SDM belum dioptimalkan oleh masyarakat dan pemerintah setempat. Potensi yang dimiliki masyarakat sebenarnya telah ada untuk dikembangkan di sektor pariwisata. Hal tersebut dapat dilakukan melalui pelatihan pengelolaan hasil perikanan dengan mengikuti perkembangan global sehingga menarik wisatawan dalam negeri maupun mancanegara, menjadikan wilayah pesisir sebagai tempat wisata pilihan.Kata Kunci: Pengembangan Wisata, Perekonomian, Masyarakat ]]>
<![CDATA[POLA KETAHANAN NASIONAL DALAM PERAYAAN ERAU PEMBENTUK KARAKTER BANGSA ]]>
<![CDATA[Ulum Janah]]>;
<![CDATA[Rosdiana]]>
<![CDATA[ Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2019 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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<![CDATA[Simbol Ketahanan Nasional dalam perayaan Erau merupakan bagian dari nilai-nilai yang terkandung dalam undang-undang di Kesultanan Kutai yaitu Panji Selaten dan Braja Niti. Dalam undang-undang tersebut, falsafah pancasila banyak termuat dan menjadi pedoman keberlangsungan hidup masyarakat di Tanah Kutai. Perayaan Erau salah satu aktivitas budaya yang banyak memperlihatkan bagaimana nilai-nilai pancasila sebagai ketahanan nasional dipertahankan. Melalui kajian Semiotika Peirce dan tambahan kajian Ketahanan Nasional, penelitian ini bertujuan untuk menelaah pola- pola ketahanan nasional dalam perayaan Erau. Semiotika Peirce digunakan untuk melihat simbol-simbol ketahanan nasional dalam beberapa rangkaian adat dalam perayaan Erau. Sementara itu, Ketahanan Nasional untuk melihat pola-pola atau bentuk-bentuk kegiatan yang menjadi aplikasi ketahanan nasional itu sendiri. Metodologi yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan pendekatan Semiotika Peirce serta Hakekat Ketahanan nasional itu sendiri. Penelitian dilakukan langsung ke lapangan saat Erau. hasil yang didapat dalam perayaan Erau terdapat pola ketahanan nasional baik dari sosial budaya maupun pendidikan. Pola-pola tersebut menjadi bagian dari kehidupan masyarakat sekitar dalam memotivasi terpeliharanya kebudayaan sebagai identitas serta bentuk filter bagi keberlanjutan suatu kelompok serta menjadi kesadaran penuh bagi keutuhan suatu bangsa.]]>
<![CDATA[THE VALUE OF UNITY IN NUTUK BEHAM CEREMONY IN KUTAI ADAT LAWAS COMMUNITY AT KEDANG IPIL VILLAGE ]]>
<![CDATA[Janah, Ulum]]>;
<![CDATA[Adam, Muhammad]]>
<![CDATA[ Proceedings of English Linguistics and Literature Vol. 2 (2020): Seminar on Post-Truth in Cultural Construction through Literature, Linguistics, and C ]]>
Publisher : <![CDATA[Universitas Negeri Semarang ]]>
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<![CDATA[Culture is one form of stabilization of a society. This is because culture brings noble values that continuously give knowledge to society in maintaining relationshipetween human with God, human with fellow human, human with nature, and human with the era development. Culture becomes functional in bringing society in unity. One of the cultures that have the function to lift the value of unity is the Nutuk Beham ceremony performed by Adat Lawas society at Kedang Ipil village, Kota Bangun. This research employs ideational pproach, where Nutuk Beham has patterns to act and to result a form of public action which is unity in its tribal society. This aspect is inseparable from the systems of knowledge and symbols that are commonly shared by Kedang Ipil village society. Qualitative methodology is used in this research with ideational pproach by employing the systems of knowledge of Kedang Ipil society and the interpretation of the symbols appear in the ceremony. The result of the interpretation is manifested in the form of value of unity and the function of Nutuk Beham ceremony]]>
<![CDATA[MAKNA SIMBOL NILAI KEBANGSAAN DALAM PERAYAAN ERAU ]]>
<![CDATA[Janah, Ulum]]>;
<![CDATA[Rosdiana, Rosdiana]]>;
<![CDATA[Indriastuty, Nina]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i2.1692
<![CDATA[In local wisdom that has a fair value, the local community has an identity for the nationality of the country. These national values are the basis for national resilience because in these symbols there are patterns in supporting things and as a form of filtering for globalization and support for national resilience. This research aims to find out the national values through symbolic symbols in Erau traditional celebrations in Tenggarong as supporters of national resilience. Descriptive qualitative analysis with Peirce's semiotic approach to interpreting symbols in Erau celebrations that have national values. Its superiority is able to interpret symbols in the Erau context in various other fields. Erau as one of the cultural forms created by the people of Kutai Kartanegara has a symbol of nationality in every ritual in it. Overall, the indigenous people, in this case, the Kutai Kartanegara Sultanate in carrying out Erau is inseparable from the mythology they use based on the Salasilah of the Kutai Kartanegara Sultanate and also the Panji Selaten and Braja Niti books. Mythology is a cultural root that has been passed down from generation to generation as the identity of the Kutai Kartanegara Sultanate and also the patterns of life of its people. In addition, some of the rituals in Erau were designed by the Kutai Sultanate, as well as those that had rules, as a sultanate, they also had separate rules.]]>
<![CDATA[Identitas Kesultanan Kutai Kartanegara Melalui Simbol Ukiran Tambak Karang ]]>
<![CDATA[Janah, Ulum]]>;
<![CDATA[Latumeten, Anna Anganita Theresia]]>
<![CDATA[ Kompetensi : Jurnal Pendidikan dan Humaniora Fakultas Keguruan dan Ilmu Pendidikan UNIBA Vol 18 No 1 (2025): Kompetensi ]]>
Publisher : <![CDATA[Fakultas Keguruan dan Ilmu Pendidikan, Universitas Balikpapan ]]>
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DOI: 10.36277/kompetensi.v18i1.373
<![CDATA[Tambak karang adalah sebuah seni ukir milik masyarakat Kutai, khususnya Kesultanan Kutai Kartanegara Ing Martadipura. Seni ukir ini memiliki keunikan tersendiri karena mengambil kisah kelahiran Putri Karang Melenu, sosok ibu yang melahirkan Raja-Raja Kutai berikutnya. Tambak karang menjadi objek kajian semiotik pada penelitian ini dengan memanfaatkan semiotika Charles Sander Pierce. Melalui metode kualitatif, penelitian ini bertujuan untuk menunjukkan simbol dalam tambak karang sebagai salah satu simbol identitas Kesultanan Kutai Kartanegara. Penelitian dilakukan dengan menggunakan prosedur penelitian lapangan di mana peneliti langsung datang mengamati pada saat acara Erau Tenggarong berlangsung, khususnya pada saat ritual beluluh sultan dan ritual pelas. Hal itu dikarenakan tambak karang banyak dibuat pada saat ritual-ritual tersebut. Peneliti mengumpulkan data-data berkenaan tambak karang serta melakukan wawancara kepada pemangku adat sakral kesultanan yang mengetahui tentang makna pembuatan tambak karang, selain itu dokumentasi berupa gambar-gambar tambak karang dibuat melalui foto-foto untuk memperjelas proses analisis serta dokumentasi literatur tentang silsilah Kutai juga menjadi tambahan data dalam penelitian ini. Hasilnya pertama menunjukkan bentuk-bentuk ukiran yang terdapat di dalam tambak karang dan kedua menunjukkan makna simbol yang dapat mengungkap identitas Kesultanan Kutai. Kartanegara.]]>
<![CDATA[CULTURAL COLLISION AND COLONIAL POWER: A POSTCOLONIAL READING OF CHINUA ACHEBE’S THINGS FALL APART ]]>
<![CDATA[Nofansyah]]>;
<![CDATA[Latumeten, Anna Anganita Theresia]]>;
<![CDATA[Janah, Ulum]]>
<![CDATA[ Prologue: Journal on Language and Literature Vol. 11 No. 1 (2025): Prologue: Journal on Language and Literature ]]>
Publisher : <![CDATA[Faculty of Letters Universitas Balikpapan ]]>
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DOI: 10.36277/jurnalprologue.v11i1.235
<![CDATA[This study explores Chinua Achebe’s Things Fall Apart through the lens of postcolonial literary theory, focusing on the cultural, ideological, and psychological impacts of colonialism on indigenous Igbo society. The novel, often regarded as a foundational postcolonial text, reveals the complexities of cultural identity, resistance, and displacement in the face of European imperial domination. Through close textual analysis, the research highlights how Achebe deconstructs colonial narratives and reclaims African voice and agency. This paper also investigates the nuanced portrayal of hybrid identities, the clash between tradition and modernity, and the broader implications of colonial disruption. Ultimately, the study affirms Things Fall Apart as a powerful literary act of resistance against the hegemonic structures of Western imperialism]]>
