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All Journal Buletin Al-Turas LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam ISLAMICA: Jurnal Studi Keislaman Abjadia, International Journal of Education Adabiyyat: Jurnal Bahasa dan Sastra TSAQAFAH 'A Jamiy: Jurnal Bahasa dan Sastra Arab Journal of Arabic Literature (Jali) LANGUAGE: Jurnal Inovasi Pendidikan Bahasa dan Sastra TRILOGI: Jurnal Ilmu Teknologi, Kesehatan, dan Humaniora FENOMENA: Journal of Social Science

M. Faisol

Universitas Islam Negeri Maulana Malik Ibrahim Malang

Author-ID : 263059

Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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PENGARUH PEMIKIRAN IBNU MADHAâ€™ TENTANG USHUL AL-NAHWI AL-â€˜ARABI DALAM MEMAHAMI TEKS KEAGAMAAN Faisol, M.
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 4, No 1 (2009): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

â€Nahwuâ€ or sintax is a science born in the era of codification (Ashr al-Tadwin). In this field, there are many schools: Kufa, Bashrah, Baghdad, Egypt and Andalus. Each school has its own method and thought or what is called ushul al-nahwi (qiyas, taâ€™lil, taâ€™wil and amil). This research in included in the study of thought. The public figure of this research object is Ibnu Madhaâ€™, that is his ideas on ushul al-nahwi al-arabi and the implication in understanding divine texts. Ibnu Madhaâ€™ refused the concept of ushul al-nahwi al-arabi: qiyas, amil, taâ€™lil dan taâ€™wil, that have beeen made as the concept of mental interpretatif (al-Shurah al-Zhihniyyah al-Taâ€™wiliyyah) in lying the foundation of Arabic language. Ibnu Madhaâ€™ refusal to the ushul al-nahwi opens up the space of freedom for reason to express in order to obtain the meaning that is not stated literally in the text.

Interpretasi Kisah Nabi Musa Perspektif Naratologi al-Qur'ân M. Faisol
Islamica: Jurnal Studi Keislaman Vol. 11 No. 2 (2017): Maret
Publisher : Postgraduate Studies of Universitas Islam Negeri Sunan Ampel Surabaya, Indonesia

The narrative structure of the story of Musa in the Qur'ân is constructed by a plausible and rapid plot. Furthermore, this story has a constant narrative structure that is narrator-creator-sender (Allah) as the one who sends the message, the first receiver (the Prophet Muhammad) as the messenger of God's message to be transmitted to mankind, and the second receiver is all mankind. Other than that, the narrative structure of the story of Musa in the Qur'ân has an ethical function. It brings spiritual-eschatological vision to mankind. Through interpersonal relation structure and the representation concept of time and place, the story of Musa gives theological and moral values. The one that distinguishes the narrative function of the story of Musa in the Qur'ân from the other stories created by people is the rhetoric clarity (al-bu'd al-bayānī). The Qur'ân always uses simple and meaningful rhetoric. Thus, in presenting the story of Musa, the Qur'ân only exposes important events that conform to religious purposes (al-ghard al-dīnī).

Struktur Nalar Arab-Islam Menurut Abid al-Jabiri M. Faisol
TSAQAFAH Vol 6, No 2 (2010)
Publisher : Universitas Darussalam Gontor

Al-Jabiri’s thought renewal project focuses on epistemological critics on scientific traditional framework of Arab-Islam. This is done by analyzing sociopolitical background of the formulation process and structure of Arab-Islam’s logical reasoning, and the entire structural working mechanism of Arab’s logical reasoning. According to Al-Jabiri, Arab’s logical reasoning can be classified into three, i.e. bayani, Irfani and burhani. Bayani is a pure Arab’s logical reasoning as it is motivated by cognitive factor to interpret religious texts. Irfani becomes an alternative epistemology for bayani in providing convincing conclusions. While Burhani, is logical reasoning based on rationality. However, even though the Arab’s logical reasoning could be distinguished into those three, Al-Jabiri observes the domination of bayani on others, thus, the text and traditional authorities are always dominating Arab-Islam civilization. Consequently, Arabic Civilization is not creative-productive or poor in concepts and theories. The solution AlJabiri proposes is to apply critism spirit that have been developed in AndalusiaMaghrib, i.e. empirical rationale presented by Ibn Hazm and Al-Syatibi in Fiqh, Ibnu Ruysd in Philosophy, Ibnu Khaldun in sociology, and Ibn Madha alQurthubi in Arabic grammatical renewal.

STRUKTUR NARATIF CERITA NABI KHIDIR DALAM AL-QUR’AN M. Faisol
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 2 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

This article aims at studying narrative structure of the story of Saint Khidir (Nabi Khidir) in the Koran by questioning its meaning, its structure and fuction. The narrative approach is used in examining the story. It turns out that like any other stories in the Koran, the story of saint Khidir has a simple structure of narrative (ijaz). The narrative structure of the story aims at strengthening the faith to Alloh through its thematic values. The story also informs us the social context of the given time and prophet Mohammad’s psychological realm in his preaching. The story gives tremendous moral value to Arabic society in giving meaning to their selves and their surroundings.

PEMBEBASAN PEREMPUAN DALAM NOVEL BANĀT AL-RIYĀḌ KARYA RAJA’ ABD ALLĀH AL-ṢĀNI’ M. Faisol; Ahmad Kholil
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 2, No 1 (2018)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

In the midst of dominant patriarchal culture ini Saudi Arabia, Banāt al-Riyāḍ novel by Raja’ ‘Abd Allāh al-Ṣāni’ is present as an effort to liberate women from the dominant patriarchal confines. As woman author, Raja’ ‘Abd Allāh al-Ṣāni’ made criticism and resistance in her work as an effort to liberate women. Through women as writer approach, this paper aims to reveal efforts to fight for women’s rights and liberation from the dominance of tyrannical hegemonic masculinity in the Saudi Arabian setting. The results of the analysis show that female leaders emerged in the movement of awareness when their rights were taken. They made efforts to free themselves by suing the confines of tradition and patriarchal religious construction. Liberating women from the oppressive male domination by the leaders is the attempt to free women, both in the domestic and public shpheres. Novel Banāt al-Riyāḍ is an author’s strategy in its efforts to fight for the rights of Saudi Arabian women and to free them from patriarchal confines.

LAAMIYAT AL-ARAB: A GENETIC STRUCTURAL ANALYSIS Iffat Maimunah; Wildana Wargadinata; M. Faisol; Ribut Wahyudi; Miftahul Huda
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 17, No 1 (2022): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v17i1.15290

Laamiyat al-Arab is a great literary work that was written during the Jahili Arabs, and received great attention from writers and linguists. However, the aspects of the values it contains and its relation to the social context that underlies Laamiyat al-Arabs’ work are not well-documented. Through Goldmann's genetic structuralism approach, the authors reveal the values, characters, and the internal and external factors generating the Laamiyat al-Arab literature. The results show that the lower class of Jahili Arab community, despite their life’s hardship and distress, could deliver noble values and characters of the marginalized people of its time. Further studies are of great necessity to investigate the contents of literary works other than Laamiyat al-Arab to get an actual picture of Jahili Arabs’ literature.

Tajalliyah Ash-Shira' fi Al-Adab Al-'Arabi Al-Mu'ashir wa Atsarihi fi Harb Al-'Arab Halimi Halimi; M. Faisol; Muhammad Majed Al-Dakhiel
el Harakah: Jurnal Budaya Islam Vol 20, No 2 (2018): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

لقد عبر شعر الصراع (المقاومة والثورة والحرب) في بلاد الجزيرة العربية مفردات متنوعة طوال تاريخها من خلال البعدين، منهما البعد المكاني متمثلا في الأرض التي حملها الشعر دلالات ومعان تتجاوز ملامحها المادية لتكتسب بعدا روحيا وقيما عليا. والبعد الثاني يتمثل في البعد التراثي والتاريخي. فشعر الصراعات لا ينفصل من الواقع الاجتماعي، وليس هو الشعر الانعزالي، بل هو الشعر الاجتماعي الذي له علاقة متينة بواقعه، والذي يحمل رموزا تاريخية كثيرة نتيجة لامتداد العمر الزمني لهذا المجتمع من العصور القديمة، وكان المجتمع والأرض تصنع تقاليد تتطور إلى رموز، فهناك رمز للكرام وللمروءة ولمعاناة المجتمع وللصراع، وفي الرمز أسلوب فيه تلميح ومداره.Throughout the history of the Arab world, the poetry of the struggle (the resistance, the revolution and the war) has been a varied vocabulary throughout its history through the two dimensions, including the spatial dimension, in the land where poetry carries meanings and meanings that transcend its physical texture to acquire a spiritual dimension and supreme value. It is the social poetry that has a strong relationship to its reality, which carries many historical symbols as a result of the extension of the temporal age of this society from antiquity. The society and the land made traditions that evolve into symbols. And the suffering of society and the conflict and the virus, and in the code style in which the tip and orbit.

Azmat al-Insaniyah fi Syi’ri “Fi Intidzar al-mawt” li Samar Yazbik Ni'ma Rofidah; Baihaqi Mubarok; M. Faisol
Journal of Arabic Literature (JaLi) Vol 4, No 1 (2022): Journal of Arabic Literature (JaLi)
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jali.v4i1.18034

The Arab Spring is a prominent example of the spread of cross-national regime contention. It is widely accepted that succesfull for regime contention triggered protest in Tunisia and Egypt and other countries. And Syria was one of the countries affected by it revolution. This study aims to examine the poem by Samar Yazbik entitled “Fi Intidzar al-Mawt” which describes the humanitarian crisis that occurred in Syria during the post-Arab Spring when the civil war caused the conflict between the opposition and the government to be a bloodshed. Researchers try to study using Abraham's theory of multilevel needs. The method used in this research is descriptive qualitative analysis with reading and note-taking techniques. And the result of this study is to know clearly that the conflict between the opposition and the Assad regime that broke the peace made Syrians lose their rights as whole human beings. So the conclusion of this study is that this poem shows its expertise in describing the tense conditions of Syria due to the post-Arab Spring conflict.

Language of Resistance: Linguistic Landscape in the Protest of Kanjuruan Tragedy, Indonesia Muassomah, Muassomah; Billah, Baedt Giri Mukhoddam; Faisol, M.; Halimi, Halimi
Buletin Al-Turas Vol 30, No 2 (2024): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v30i2.38786

PurposeLinguistics landscape (LL) is not only a means of showing the identity of a language but also a constructive effort to fight for justice for society. Landscape in this study is a form of protest against security forces for the loss of life of 135 Aremania fans after watching a soccer match between Arema and Persebaya at the Kanjuruan stadium. This research aims, apart from mapping all signs from aspects of language use patterns, also to conduct a critical analysis of the language used. MethodThis study uses quantitative and qualitative methods based on documentation in the form of billboards, boards, and banners installed in various parts of Malang, Indonesia. Content analysis and critical analysis are used to analyze this research. Results/findingsThe findings of this study show that the language used in the landscape has two forms, monolingual and bilingual. In addition, it indicates that four languages are used in the sign. Indonesian has a higher quantity than English, Javanese, and Arabic. ConclusionThe language pattern used in the landscape tends to reflect sarcasm, cynicism, and rhetoric. This research suggests conducting a follow-up study that examines the same sign in the broader area, including Malang district and East Java region, to obtain varied data and various sign patterns. Thus the data information obtained is more comprehensive.

TOXIC MASCULINITY TOKOH RAMA DALAM FILM PENYALIN CAHAYA; PERSPEKTIF TERRY A KUPERS Faisol, M.; Ahmadi, Anas
LANGUAGE : Jurnal Inovasi Pendidikan Bahasa dan Sastra Vol. 4 No. 3 (2024)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/language.v4i3.5154

ABSTRACT This study aims to examine the representation of toxic masculinity in the character Rama in the film Penyalin Cahaya (Photocopier, 2021) directed by Wregas Bhanuteja, using a literary psychology approach through the theory of Terry A. Kupers. The film presents various social issues, including sexual violence, power manipulation, and emotional repression within a university setting. This research employs a descriptive qualitative method with content analysis and literature study techniques, focusing on scenes, dialogues, and social relations involving the character Rama as the main object. The findings reveal that Rama embodies multiple aspects of toxic masculinity, such as emotional armoring, fragile self-esteem, competitive masculine culture, objectification of women, displaced aggression, fear of intimacy, and failure to redefine power. Through Kupers’ framework, it is evident that Rama’s behavior is not merely individual, but a reflection of patriarchal structures that demand men suppress emotions and assert dominance. This study concludes that Penyalin Cahaya not only critiques sexual violence but also invites critical reflection on how patriarchal culture shapes men into both agents of domination and victims of toxic constructions of masculinity. ABSTRAK Penelitian ini bertujuan untuk mengkaji representasi toxic masculinity pada tokoh Rama dalam film Penyalin Cahaya (2021) karya Wregas Bhanuteja, dengan menggunakan pendekatan psikologi sastra melalui teori Terry A. Kupers. Film ini menampilkan berbagai isu sosial, termasuk kekerasan seksual, manipulasi kekuasaan, dan represi emosional dalam lingkungan kampus. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik analisis isi dan studi pustaka, yang difokuskan pada adegan, dialog, dan relasi sosial tokoh Rama sebagai objek utama. Hasil penelitian menunjukkan bahwa Rama merepresentasikan berbagai aspek maskulinitas toksik seperti emotional armoring, harga diri rapuh, budaya kompetisi, objektifikasi perempuan, pengalihan kekerasan, ketakutan akan intimasi, serta kegagalan dalam melakukan redefinisi kekuasaan. Melalui teori Kupers, ditemukan bahwa perilaku Rama bukanlah sekadar tindakan individual, melainkan cerminan dari struktur patriarkal yang menuntut laki-laki untuk menekan emosi dan mempertahankan dominasi. Kesimpulan dari penelitian ini menegaskan bahwa Penyalin Cahaya tidak hanya menyajikan kritik atas kekerasan seksual, tetapi juga membuka ruang refleksi tentang bagaimana budaya patriarkal membentuk laki-laki menjadi pelaku dominasi sekaligus korban dari konstruksi maskulinitas yang toksik.

Co-Authors Ahmad Kholil Al Faruqi, Mhd Ibnu Hanan Anas Ahmadi Ayuni, Rizka Qurrota Baihaqi Mubarok Billah, Baedt Giri Mukhoddam Bin Agil, Idrus Muchsin Halimi Halimi Halimi, Halimi Hidayat, Surya Iffat Maimunah Miftahul Huda Muassomah Muassomah Mubarok, Baihaqi Muchsin bin Agil, Idrus Muhammad Majed Al-Dakhiel Ni'ma Rofidah Ribut Wahyudi Rofidah, Ni'ma Wildana Wargadinata

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