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All Journal JOGED Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Journal of Urban Society´s Arts Nuansa Journal of Arts and Design Gondang: Jurnal Seni dan Budaya Sorai: Jurnal Pengkajian dan Penciptaan Musik Acintya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni International Journal of Visual and Performing Arts Jantra Melayu Arts and Performance Journal Jurnal Kajian Seni Paradigma: Jurnal Kajian Budaya VISI SAKTI: Jurnal Industri Kreatif dan Inovatif Jurnal Kawistara
Rr. Paramitha Dyah Fitriasari
Universitas Gadjah Mada
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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NURTURE DAN NATURE PADA IRINGAN MUSIK NGINGGUT DALAM RITUAL SEMEGAH ERAU PELAS BENUA DI GUNTUNG KALIMANTAN TIMUR N.C, Yusuf Rizky; Fitriasari, Paramitha Dyah; Irawati, Eli
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 14 No. 2 (2021)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.3910

Abstract

Nginggut music tradition in the Semegah ritual is one of the cultures that has been maintained until now. Nginggut and Belian musicians are important elements of bonding, harmony, magical and sacred atmosphere in the implementation of rituals. The ritual implementer must be a person who is considered capable of carrying out the ritual and has physical, psychological, and reasoning endurance. This view forms the social construction of the paradigm that men are people who deserve to carry out rituals, both as leaders and musicians. Meanwhile, women are the people who support the ritual, because they are considered naturally unable to fulfill the requirements as ritual implementers. The theory of nurture and nature states that the emergence of a construction as well as a social paradigm is determined through the biological type of human that is obtained from birth. Based on this theoretical statement, the author examines the relationship between Ngiggut music which places men as performers of rituals, as well as the relationship between nurture and nature that forms the structure of society so that it has an influence in the aspect of Ngiggut music on Semegah rituals.Keywords: Nginggut music, Semegah ritual, Male
Pentahelix Model of Cultural Transmission in Wayang On The Street Performances in Semarang’s Old Town Yullastuti, Dwi; Fitriasari, Paramitha Dyah; Sushartami, Wiwik
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.68463

Abstract

The sustainability of traditional performing arts in the modern era requires innovative strategies to ensure cultural relevance and intergenerational transmission. This study investigates the cultural transmission process within the Wayang On The Street (WOTS) performance, held in the Old Town area of Semarang in 2024, as a collaborative model integrating traditional values into contemporary public spaces. Employing a descriptive qualitative case study, data were collected through participant observation, in-depth interviews with artists, cultural officials, and community members, and documentation of the Pandawa Pitu performance during the Semarang Old Town Festival. The analysis focuses on the interaction among actors within the pentahelix framework—academics, government, business, media, and community—in sustaining traditional performing arts in urban contexts. Findings reveal that WOTS serves not only as a platform for artistic expression but also as a medium for cultural education, public participation, and community empowerment. The synergy among stakeholders strengthens the adaptive capacity of traditional arts and fosters sustainable cultural ecosystems. This study contributes to the theoretical development of cultural transmission by emphasizing the role of multi-stakeholder collaboration as a foundation for innovative cultural preservation in contemporary society.
Co-Authors Asriningsih, Rani Danugroho, Agus Dianto, Elan Fitra Eli Irawati Fery Setyaningrum Fitriana, Rifa Galih Prakasiwi Hamsyah, M. Ismail Hares Kaeksi, Maharani Heni Siswantari Kaeksi, Maharani Hares Lono Lastoro Simatupang Murtinigsih, Siti N.C, Yusuf Rizky Rahmatika Luthfiana Sholikhah Rifa Fitriana Sal Murgiyanto Sal Murgiyanto, Sal Sindung Tjahyadi Sumiyana Sumiyana Taufiqur'anam, Ach. Saidika Wening Udasmoro Wiwik Sushartami Wiwik Sushartami Yullastuti, Dwi