Claim Missing Document
Check
Articles

Found 25 Documents
Search

Diffusion Of Innovation in Digital Transformation of Kotakmedia Indonesia Hanugrah Nur Muharrani Putri; Filosa Gita Sukmono
LONTAR: Jurnal Ilmu Komunikasi Vol. 13 No. 1 (2025): Lontar : Jurnal Ilmu Komunikasi
Publisher : Program Studi Ilmu Komunikasi Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30656/lontar.v13.i1.10243

Abstract

This research analyzes the theory of diffusion of innovation in the digital transformation carried out by Kotakmedia Indonesia. With the rapid development of digital today, innovation is a demand for companies to survive. Diffusion of innovation is a concept that studies the spread of innovation in a social system.  The case study method with a qualitative approach is used to emphasize the question of how the transformation process in depth at Kotakmedia Indonesia will be collected, interpreted and analyzed the results of the data. The results show that the digital transformation of Kotakmedia Indonesia is influenced by relative advantage, compatibility, and effective communication in the social system. the factors that form the innovation diffusion process at Kotakmedia Indonesia, which include knowledge of innovation and reinvention factors, external accountability factors, and organizational structure factors also play an important role in supporting the digital transformation carried out by the company. This transformation process has successfully increased branding, audience reach, and website traffic.
Discourse Production of #KaburAjaDulu on TikTok: A Critical Discourse Analysis of Awbimax Content Sitti Amar Azizyah Puthe Taliu; Filosa Gita Sukmono
Jurnal Komunikasi dan Bisnis Vol. 13 No. 2 (2025): November 2025 - April 2026
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Institut Bisnis dan Informatika Kwik Kian Gie

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46806/jkb.v13i2.1863

Abstract

The #KaburAjaDulu hashtag on TikTok reflects a form of digital social criticism expressed by Indonesian youth toward socio-economic and political conditions in Indonesia. This discourse represents disappointment with economic inequality, public services, and declining trust in state institutions, while positioning migration as a rational response to uncertainty. This study aims to analyze how the #KaburAjaDulu discourse is constructed through Awbimax’s TikTok content using Fairclough’s CDA approach. This research employs a qualitative method by examining five purposively selected TikTok videos uploaded between October 2023 and February 2025. Data were collected through non-participant observation of video narration, captions, hashtags, visual elements, and audience comments. The analysis was conducted through three dimensions of CDA: textual analysis, discursive practice, and sociocultural practice. The findings show that the discourse is constructed through confrontational yet relatable language, casual visual representation, and repetitive narratives that normalize escapism as a rational individual choice. Socioculturally, the discourse reflects a shift from collective nationalism toward pragmatic individualism and reveals a growing crisis of trust between citizens and the state in the digital era.
Production Management in the Short Film Menunggu Dijemput: Collaboration Between BM Production and Phylosopicture Syahida Fatma Afifi; Filosa Gita Sukmono; Dhimas Aryo Vipha Ananda
Jogjakarta Communication Conference (JCC) Vol. 4 No. 1 (2026): The 7th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Production management is an important aspect in the making of short films, which requires efficiency in terms of time, resources, and structured work coordination. Cross-production house collaboration also requires effective work management so that the production process can run optimally. This study analyzes the application of production management in the collaborative work process across production houses in the short film Menunggu Dijemput by BM Production and Phylosopicture. The method used is qualitative with a descriptive approach through case studies. Data collection was conducted through in-depth interviews with producers and directors as well as documentation studies related to the film production process. The analysis focused on the pre-production, production, and post-production stages using a production management framework and POAC theory (Planning, Organizing, Actuating, and Controlling). The results of the study indicate that the application of production management in cross-production house collaboration plays a role in regulating work coordination, task distribution, and resource management during the short film production process, while also requiring flexibility in addressing challenges such as differences in team locations, communication systems, and limited resources.
Exploring film dynamics in the age of artificial intelligence: bibliometric visualization Filosa Gita Sukmono; Nastiti Dyah Lestari; Helmy Muhammad
Mediator: Jurnal Komunikasi Vol. 18 No. 2 (2025): Mediator: Jurnal Komunikasi (Sinta 2)
Publisher : UPT Publikasi Ilmiah UNISBA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v18i2.8225

Abstract

This research aims to map trends, main themes, and scientific contributions in film studies in the era of artificial intelligence (AI) through a bibliometric approach. This study uses the PRISMA approach to compile a systematic literature selection, with Scopus data-based bibliometric analysis. Data were analyzed using VOSviewer to map thematic clusters and publication trends. Bibliometric analysis of 253 publications from the Scopus database revealed a significant increase in the trend of film research in the context of artificial intelligence since 2016, with a sharp spike in 2024. Eight main thematic clusters were successfully identified, including posthumanism, gender representation, machine learning-based film production, immersive cinema, deepfake ethics, AI literacy, and distribution through social media. The study also highlights the most influential scientific contributions, also examine the ethical, cultural, and social dimensions in depth. These findings suggest that cinema in the AI era is evolving as a discursive space that reflects technological transformation while opening up complex ethical and cultural debates. The results of this study show that artificial intelligence has significantly influenced the landscape of film research, both in terms of production and representation, as well as driving academic attention to ethical, cultural, and technological aspects of contemporary cinema.
Base Account as Safe Spaces: A Virtual Ethnographic Study of Boys Love Fans Interactions on the X Account @fessthaii Kanaya Mulia Putri; Filosa Gita Sukmono
CHANNEL: Jurnal Komunikasi Vol. 14 No. 1 (2026): CHANNEL: Jurnal Komunikasi 28th Edition
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/channel.v14i1.2064

Abstract

This study examines how the Twitter/X base account @fessthaii functions as a safe space for Thai Boys Love (BL) fans in Indonesia, where BL consumption often encounters stigma within a heteronormative social context. While anonymity on digital platforms is commonly assumed to create safe spaces, limited research has explored how safety is socially constructed within anonymous fandom communities. This research adopts a constructivist paradigm and employs virtual ethnography. Data were collected through participant observation, online interviews with five active followers, and documentation of menfess posts, comment threads, and moderation practices. Data were analyzed using Analisis Media Siber (AMS) across four levels: media space, media document, media object, and media experience. The findings show that @fessthaii operates as a safe space not merely through anonymity but through continuous social negotiation involving moderation practices, community rules, peer support, and affective labour from administrators. Safety is therefore produced relationally through interaction, shared norms, and power relations rather than as a technical feature of the platform. This study contributes to digital media and fandom studies by demonstrating that safe spaces in stigmatized online communities are actively constructed through governance and collective participation.