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All Journal Jurnal Penelitian Humaniora Ilmu dan Budaya PUJANGGA: Jurnal Bahasa dan Sastra KREDO : Jurnal Ilmiah Bahasa dan Sastra Pena Literasi Jurnal Onoma: Pendidikan, Bahasa, dan Sastra INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Perspektif SENTRI: Jurnal Riset Ilmiah Jurnal Bastra (Bahasa dan Sastra)
Kurnia Rachmawati
Universitas Nasional
Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Konflik Sosial dalam Novel Pukul Setengah Lima Karya Rintik Sedu Pendekatan Sosiologi Sastra Chika Marsella; Arju Susanto; Kurnia Rachmawati
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 1 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i1.5380

Abstract

Penelitian ini berfokus pada konflik sosial dan penyelesaian terhadap konflik novel Rintik Sedu berjudul Pukul Setengah Lima, adapun tujuan pada penelitian ini yaitu untuk menganalisis bentuk konflik sosial dan penyelesaian terhadap konflik pada novel. Metode yang peneliti gunakan pada penelitian ini yaitu deskriptif kualitatif, dalam menggunakan metode deskriptif kualitatif tentunya penelitian ini akan mengamati, menganalisis, dan mendeskripsikan secara terperinci. Teknik simak catat diterapkan sebagai pengumpulan data, adapun data yang digunakan yaitu kalimat pada novel, paragraf, serta kutipan-kutipan pada novel. Penelitian ini juga termasuk ke dalam penelitian karya sastra dengan pendekatan sosiologi sastra. Teori konflik sosial Georg Simmel digunakan untuk menganalisis data pada penelitian ini. Hasil penelitian ini menujukan terdapat empat konflik sosial pada novel Pukul Setengah Lima karya Rintik Sedu yaitu: 1) konflik antagonik, 2) konflik hukum, 3) konflik kepentingan, dan 4) konflik hubungan intim atau akrab. Temuan penelitian ini juga terdapat penyelesaian konflik seperti yang dikemukakan oleh George Simmel, yakni: (1) penyelesaian masalah dengan penghapusan dasar konflik; (2) penyelesaian masalah dengan kemenangan satu pihak; (3) dan penyelesaian masalah dengan kompromi.
OPRESI DALAM NOVEL JANGAN PULANG JIKA KAMU PEREMPUAN KARYA RIYANA RIZKI Doranel Agates Kleunike Huwae; Kurnia Rachmawati; Arju Susanto
Jurnal Bastra (Bahasa dan Sastra) Vol. 7 No. 2 (2022): JURNAL BASTRA EDISI APRIL-JUNI 2022
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.329 KB) | DOI: 10.36709/bastra.v7i2.105

Abstract

Budaya patriarki sejak dulu menjadi faktor terjadinya opresi terhadap perempuan. Nyatanya, seiring berjalan waktu budaya ini menimbulkan opresi tidak hanya terhadap perempuan namun juga bisa terhadap laki-laki. Penelitian ini bertujuan untuk mendeskripsikan bentuk opresi yang ada di novel Jangan Pulang Jika Kamu Perempuan karya Riyana Rizki. Penelitian ini menggunakan metode deskriptif kualitatif. Sumber data dalam penelitian ini berupa novel Jangan Pulang Jika Kamu Perempuan yang diterbitkan oleh Buku Mojok pada Agustus 2021. Teknik pengumpulan data yang digunakan berupa studi pustaka. Analisis data dalam penelitian ini menggunakan pendekatan feminisme. Hasil penelitian menunjukkan adanya lima bentuk opresi dalam novel Jangan Pulang Jika Kamu Perempuan yaitu eksploitasi, marginalisasi, ketidakberdayaan, imperialisme budaya dan kekerasan.
KEPRIBADIAN TOKOH UTAMA DALAM NOVEL AWAN-AWAN DI ATAS KEPALA KITA KARYA MIRANDA MALONKA Mutia Rahmawati; Dicky Rachmat Pauji; Kurnia Rachmawati
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 4 Number 3 October 2023
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v4i3.48133

Abstract

This study aims to describe and analyze the main character's personality structure, namely the id, ego, and superego. This study uses a descriptive-qualitative approach to produce data in the form of words and sentences that can be described structurally according to the theory of literary psychology. The source of the data used is the novel Awan-Awan di Atas Kepala Kita using library techniques, notes, and documents. The results of the research show that the id, ego, and superego are the main characters personality components, Ben and Kay. In the two main characters, aspects of Ben's ego personality appear due to the urge of the id trying to control himself, and aspects of Ben's superego are controlled by conscience. Meanwhile, aspects of Kay's ego personality emerged because of the id drive, which overshadowed realistic principles, and Kay's superego aspects were controlled by the existence of ego drives. The strongest aspect of Ben's personality, is the controlling ego, and in Kay's personality, the id aspect dominates.
KRITIK SASTRA FEMINISME RADIKAL DALAM NOVEL PEREMPUAN YANG MENUNGGU DI LORONG MENUJU LAUT KARYA DIAN PURNOMO Tharisa Desiana Fitri; Wahyu Wibowo; Kurnia Rachmawati
INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Volume 6 Number 1 February 2025
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/indonesia.v6i1.69914

Abstract

This study aims to describe the forms of resistance of female characters in the novel Perempuan yang Menunggu di Lorong Menuju Laut by Dian Purnomo using the framework of feminism literary criticism the women as a reader with Kate Millet's radical feminism analysis theory. The researcher used a case study strategy and note-taking technique in data collection. Data analysis used descriptive qualitative techniques. The results showed that there are seven forms of resistance of female characters from Kate Millet's eight perspectives of radical feminism which include, ideological perspective, biological perspective, sociological perspective, educational and economic perspective, and psychological perspective.
Yovi Birawanto's Creative Process and Social Life in the Creation of Musical Works Putri Nesha Ryuko; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 1 (2026): SENTRI : Jurnal Riset Ilmiah, Januari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i1.5609

Abstract

This study examines the creative process and social background of Indonesian independent musician Yovi Birawanto in producing his musical works. Music, particularly song lyrics, is not merely an aesthetic expression but also a medium that reflects the artist’s interaction with social realities. This research aims to describe how Yovi’s social experiences influence his creative process, to explain the stages of creativity involved, and to identify the dominant social themes represented in his songwriting. Employing a qualitative approach, the study utilizes in-depth interviews, lyric analysis, and live performance observation. The findings reveal that Yovi’s creative works emerge from collective and contextual experiences rather than personal sentimentalism. His songwriting is strongly influenced by shared emotional realities, such as human vulnerability, existential anxiety, and the need for emotional space within contemporary social life. These themes are articulated through reflective and metaphorical language that resonates with broader public experiences. Furthermore, the creative process follows four integrated stages: preparation through idea collection based on social observation, incubation within moments of reflective silence, illumination marked by the sudden emergence of musical or lyrical ideas, and verification through collaborative refinement with the band. Performance observation confirms that live performance functions as the final phase of verification, enabling emotional dialogue between the artist and the audience. In conclusion, Yovi Birawanto’s musical works operate as a form of social discourse in which creativity becomes a dialogic interaction between the artist, social environment, and listeners, positioning independent music as a meaningful medium of popular literary expression.
Ketidakadilan Gender dan Bentuk Perlawanan Tokoh Perempuan dalam Novel Malam Seribu Jahanam: Kajian Feminisme Khofifah Rahmah; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5632

Abstract

This study examines gender injustice and forms of resistance in Malam Seribu Jahanam by Intan Paramaditha using feminist literary criticism and Mansour Fakih’s framework of gender injustice. The research is motivated by the persistence of gender inequality in Indonesian society as reflected in literary works. It aims to identify forms of gender injustice and analyze how female characters respond to patriarchal domination. Unlike previous studies that primarily focus on women’s oppression, this research highlights the representation of gender minorities beyond the male–female binary, particularly trans women, who are marginalized through moral stigma, social exclusion, and rejection from religious and social spaces. This perspective broadens feminist literary analysis by incorporating a more inclusive understanding of gender injustice. The study employs a qualitative descriptive method through close reading and thematic categorization of data. The findings reveal that gender injustice appears in interconnected forms, including marginalization, subordination, stereotyping, violence, and unequal workloads. However, female characters are portrayed not merely as victims but as agents who negotiate identity, assert autonomy, and resist patriarchal control.
Beban Sosial dan Tekanan Peran Tokoh Kaluna dalam Novel Home Sweet Loan Helennisa Febrya; Kurnia Rachmawati; Dicky Rachmat Pauji
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 2 (2026): SENTRI : Jurnal Riset Ilmiah, Februari 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i2.5847

Abstract

This study examines the social burden and role pressure experienced by the character Kaluna in Almira Bastari's work entitled Home Sweet Loan. The problems that arise are caused by an imbalance in the social roles that Kaluna must perform as a member of the sandwich generation, who has responsibilities not only for her personal needs but also for the demands of her family and social environment. The gap between social reality and cultural expectations reflects the structural pressures that influence the character's actions and decisions. The purpose of this study is to describe the social burdens and gender role pressures experienced by the character, as well as to interpret their social meaning from a literary sociology perspective. The method used in this study is descriptive qualitative with observation and recording techniques to collect data in the form of relevant quotations from the novel text. The findings of this study show that Kaluna faces pressures related to economics, family demands, and gender expectations that require her to perform roles in both the domestic and public spheres simultaneously. Gender role pressure arises through the demand to appear as an ideal woman, while social burdens arise from financial responsibilities and expectations of an unbalanced role. In conclusion, the novel Home Sweet Loan depicts the complexity of the lives of young women from the urban middle class who are trapped in demanding social structures, providing a realistic picture of social burdens and role pressures in modern society.
RESEPSI PEMBACA TERHADAP SERI KECIL-KECIL PUNYA KARYA DALAM MENUMBUHKAN MINAT BACA DAN TULIS Miranda Putri Madina Lubis; Kurnia Rachmawati; Dicky Rachmat Pauji
Pena Literasi : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 9 No. 1 (2026): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.9.1.146-155

Abstract

Penelitian ini bertujuan untuk mendeskripsikan resepsi pembaca terhadap seri Kecil-Kecil Punya Karya (KKPK) serta peranannya dalam menumbuhkan minat baca dan tulis. Latar belakang penelitian ini berangkat dari rendahnya budaya literasi di Indonesia serta fenomena KKPK sebagai bacaan anak yang populer dan dekat dengan pengalaman pembacanya. Penelitian ini menggunakan teori Resepsi Sastra dan Kritik Sastra Pragmatik untuk menganalisis bagaimana pembaca memaknai teks dan dampaknya terhadap motivasi literasi. Metode yang digunakan adalah metode campuran dengan desain konvergen melalui kuesioner daring berbentuk pertanyaan terbuka dan skala Likert. Hasil penelitian menunjukkan bahwa pembaca memberikan resepsi positif terhadap KKPK, terutama karena kedekatan cerita dengan kehidupan sehari-hari. Selain itu, KKPK terbukti berkontribusi dalam meningkatkan minat membaca sekaligus memotivasi sebagian pembaca untuk menulis.
Woman’s Voice and The Author’s Social Background in The Book Bukan Salahmu Menjadi Perempuan Aenun Azizah; Kurnia Rachmawati; Dicky Rachmat Pauji
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 2 (2026): JURNAL KREDO VOL 9 NO 2 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i2.16550

Abstract

This study examines the representation of women’s voices in Bukan Salahmu Menjadi Perempuan by Fajar Sulaiman by focusing on the relationship between the author’s social background and the construction of female experiences in the text. The research is motivated by the persistence of gender inequality and the emergence of literary works that articulate women’s emotional wounds, silence, and resilience. Employing a descriptive qualitative method, the study analyzes textual data through close reading and thematic categorization using Alan Swingewood’s sociology of the author as the main theoretical framework. The findings reveal that women’s voices are represented through themes of emotional suffering, social pressure, silencing, vulnerability, strength, and self-recovery. These representations are closely related to the author’s empathetic engagement with women’s lived experiences and his critical reflection on patriarchal social structures. The study concludes that the book functions not merely as a literary work but as a form of social testimony that reflects the dialectical relationship between the author and society, while simultaneously advocating gender awareness and empathy toward women’s experiences.
Co-Authors Abdul Hafiizh A. Aenun Azizah Arju Susanto Aulia Anisa Lathifah Chika Marsella Dicky Rachmat Pauji Doranel Agates Kleunike Huwae Helennisa Febrya Iskandarsyah Siregar Khofifah Rahmah Kinanti Afflaha Nissa Miranda Putri Madina Lubis Mutia Rahmawati Nurbayti Nurul Huda Hamzah Nurul Lathifah Puspa Agustin Putri Nesha Ryuko Sri Suci Wahyuni Tharisa Desiana Fitri Triananda Bunga Lestari Wahyu Wibowo Wahyu Wibowo Winda Farahsati