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POLA INTERAKSI GENG “KLITIH” DI YOGYAKARTA Muhammad Reza Achsanu Dwitama; Siany Indria liestyasari; Sigit Pranawa
SOSIO EDUKASI Jurnal Studi Masyarakat dan Pendidikan Vol 5, No 1 (2021): SOSIO EDUKASI Jurnal Studi Masyarakat dan Pendidikan
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sosedu.v5i1.1651

Abstract

Klitih/Nglitih comes from the Javanese language, which means looking for activities in your spare time. Meanwhile, "Klitih/Nglitih" in the context of juvenile delinquency means travelling around using a motorcycle that a group of students has carried out. This study aims to explain the background of the "Klitih" that often occurs in Yogyakarta and the pattern of interaction in the "Klitih" group. This qualitative research uses a case study in the "Klitih" group in Yogyakarta. Based on the research that has been done, it is found that revenge and showing off are the backgrounds for "Klitih", which often occurs in Yogyakarta. The recruitment process from members to former members becomes a pattern of interaction repeatedly appearing in the "Klitih" group.
Differrences in The Meaning Dolalak Dance in PurworejoDistrick, Central Java Province Adeliana Galih Nurbaidhah; Nurhadi Nurhadi; Sigit Pranawa
Jurnal Ilmu Sosial Mamangan Vol 9, No 1 (2020): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 30E/KPT/201
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (499.615 KB) | DOI: 10.22202/mamangan.v9i1.3347

Abstract

Dolalak dance is a folk dance whose movements and costumes adopted the Dutch soldiers war training and dancing movements and costumes. The exsistention of the traditional art become degradation in a year. Dolalak dance is also influenced by the cultural change from modernity, and then the meaning of Dolalak will be gone.This enable people interprete the ideal value of Dolalak dance in daily life that different from Dolalak dance in the past that was full of life regulation values.This qualitative research uses a case study method to answer the different interprete the meaning of Dolalak dance.It uses interview, observation and documentation techniques to collect data. Theory in thisresearch using interpretative culture from Clifford Geertz.This research reveals that Dolalak experienced a cultural creativity by combining with other arts, i.e dangdut and Campursari.It also experienced changes in players, movements, makeup, costumes, and time performanes. As a folk dance play a role in unity and guide the social life. Dolalak dance is interpreted as a religious symbols, varlour, faith and social conditions. Nowdays, it has a new interpretation as a equality, effectivity, efficiency and specialization lead to individualization in the group.