Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

2.386

P-Index

This Author published in this journals

All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra JURNAL SOSIAL HUMANIORA (JSH) KEMBARA Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Humaniora Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Akademika : Jurnal Pemikiran Islam Sawerigading

Dwi Susanto

Universitas Sebelas Maret

Author-ID : 2875194

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 14 Documents Claim Missing Document

Claim Missing Document

Articles

1 2

Reproduksi Kultural Komunitas Sastra “Pawon Sastra” Di Surakarta, Jawa Tengah Dwi Susanto; Susanto Susanto; Bagus Kurniawan
JURNAL SOSIAL HUMANIORA (JSH) Vol 12, No 2 (2019)
Publisher : Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j24433527.v12i2.4467

Pawon Sastra's literary community in Surakarta has conducted cultural and social practices. It brings impacts and responses from society. The main topic of this research is social and cultural practices carried out by the Pawon Sastra community as a form of reciprocal relations with the structure surrounding it, which similar to the interaction between the structure and agent. We used a sociological point of view, especially agents, construction, and actions. The problems of this research are (1) how the agent responds to the social structure and (2) what kind of cultural practices are manifested by the agent, and (3) what impact arises as to the result of the cultural practices by the agent. The research was carried out using the qualitative method. The data used were the activities of the literary community, the results of their work, and the subjects involved in the city. The results of this study indicated that social practices were carried out in various ways such as publishing, the reinterpretation of traditions, or publications as a form of interaction among similar communities. Moreover, the impact on social structures was the increase in the formation of the same populations and the emergence of new individuals who follow the footsteps of Pawon Sastra. This is also enhanced by various interactions occurring in the social environment of the newly established community.

WACANA ROMANTISME DALAM SEJARAH SASTRA INDONESIA PERIODE KOLONIAL BELANDA (1900-1942) Dwi Susanto; Rianna Wati
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 5 No. 1 (2019): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v5i1.6376

Sejarah sastra Indonesia didominasi oleh wacana estetik romantik atau materialisme. Hal ini memengaruhi cara pandang terhadap kesastaraan Indonesia. Tulisan ini bertujuan untuk melihat pembentukan dan persebaran wacana estetika romantik dalam sejarah sastra Indonesia. Teori yang digunakan adalah wacana dan kuasa dari Foucault. Objek kajian yang digunakan adalah wacana dan kuasa dalam sejarah sastra Indonesia, terutama wacana estetika romantisme. Hasil yang diperoleh adalah bahwa wacana estetika romantisme dan sejarah sastra Indonesia dibentuk dan digunakan oleh kuasa kolonialisme Belanda. Hal ini ditujukan untuk membentuk masyarakat terjajah sesuai citra dirinya. Sebagai akibatnya, wacana estetika yang lain disingkirkan dan dianggap bukan sebagai kesastaraan sehingga tidak masuk dalam sejarah sastra. Hal ini berlanjut hingga pada masa sesudahnya dan Orde Baru yang menggunakan cara dan strategi yang serupa dengan periode kolonial.

Eksotisme dan pencitraan perempuan pribumi dalam novel Tjerita Njai Dasima Dias Esaliana; Nathasha Cinthya; Dwi Susanto
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 49, No 2 (2021)
Publisher : Fakultas Sastra Universitas Negeri Malang

Exoticism and self-image of Indonesian women in Tjerita Njai Dasima novelThis study intends to show the self-image of Indonesian women who are considered ‘exotic’ in Gijsbert Francis’ novel Tjerita Njai Dasima. The term exotic refers to alienation and othering Europeans raised towards the eastern world, especially Indonesia. The author discusses the image of Indonesian women featured in the novel Tjerita Njai Dasima through the point of view of postcolonial feminists using a qualitative descriptive method by displaying the result based on subject relations and imagery built in the novel. The data in the discussion focuses on the contents of literary works dealing with postcolonial discourse, which brings out the construction of identity towards women based on the reality that women are often seen as symbolic images and objects of male invaders. Keywords: exotic, other, image, feminist, postcolonialEksotisme dan pencitraan perempuan pribumi dalam novel Tjerita Njai Dasima Penelitian ini bertujuan untuk menunjukkan citra diri perempuan Indonesia yang digambarkan sebagai sesuatu yang dianggap ‘eksotik’ dalam novel Tjerita Njai Dasima karya Gijsbert Francis. Eksotik yang dimaksudkan merupakan suatu keasingan dan keliyanan yang dimunculkan oleh bangsa Barat terhadap dunia Timur, khususnya Indonesia. Penulis membahas citra perempuan Indonesia yang ditampilkan dalam novel Tjerita Njai Dasima melalui sudut pandang feminis pascakolonial menggunakan metode deskriptif kualitatif yakni dengan menampilkan hasil berdasarkan relasi-relasi subjek dan pencitraan yang dibangun dalam novel Tjerita Njai Dasima versi Gijsbert Francis. Data pada pembahasan difokuskan pada isi karya sastra yang mengandung wacana pascakolonial yang memunculkan konstruksi identitas terhadap perempuan. Perempuan sering dianggap sebagai gambaran simbolis dan objek dari pria yang menjajah.Kata kunci: eksotik, liyan, citra, feminis, pascakolonial

Dunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad Abdurahman Dwi Susanto; Miftah Nugroho; Rianna Wati
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 49, No 1 (2021)
Publisher : Fakultas Sastra Universitas Negeri Malang

The world of Saudi Arabia and Islam in the perspectives of Indonesians: The narrative of migrant workers in Pelukis Gurun Pasir (2018) by Fuad AbdurahmanThe world of Saudi Arabia in the diaspora experiences of Fuad Abdurahman is written in a novel entitled Pelukis Gurun Pasir (2018). The problems discussed in this study are: (1) the position of subject or author in the narrative structure of the text, (2) the author's relationship with the country of origin, and (3) the voices that appear within the migrant subject in dealing with Saudi Arabian tradition. The theory used is diaspora poetics, which emphasizes the concept of language expression as part of the subject's identity. The object of the research is Pelukis Gurun Pasir (2018) and the author's response to traditions in Saudi Arabia. The data include the narrative structure of the novel’s text, the ideas in the text, the author's biography, and diaspora discourse or social situations. The results show that the image of Saudi Arabian society tends to be evaluated negatively by emphasizing on the chaotic sexuality description of Arabic men, making Saudi Arabia a masculine country. In addition, the author finds tolerant Islamic values in Indonesia, which causes his longing to return to Indonesia.Keywords: diaspora, atuhor, Saudi Arabia, narrative structureDunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad AbdurahmanDunia Arab Saudi dalam pengalaman diaspora Fuad Abdurahman dituliskan dalam Pelukis Gurun Pasir (2018). Masalah yang dikaji dalam penelitian ini adalah (1) posisi subjek atau pengarang dalam tata naratif teks (2) hubungan pengarang dengan negeri asal, dan (3) suara-suara yang muncul dalam diri subjek migran dalam menghadapi tradisi Arab Saudi. Teori yang digunakan adalah puitika diaspora yang menekan pada konsep ekpresi bahasa sebagai bagian dari identitas subjek. Objek kajian penelitian adalah novel Pelukis Gurun Pasir (2018) dan tanggapan pengarang terhadap tradisi di Arab Saudi. Data yang digunakan adalah tata naratif teks novel, gagasan yang muncul dalam teks, riwayat pengarang, dan wacana diaspora atau situasi sosial. Hasil penelitian ini adalah bahwa citra masyarakat Arab Saudi cenderung dinilai secara negatif dengan menekankan pada deskripsi seksualitas yang kacau dari laki-laki Arab sehingga Arab Saudi adalah negeri maskulin. Selain itu, pengarang justru menemukan nilai-nilai keislaman yang toleran berada di Indonesia sehingga pengarang merindukan pulang ke Indonesia.Kata Kunci: diaspora, pengarang, Arab Saudi, tata naratif

Social Control of Women’s Body as Cultural-Political Legitimation in “Putri Cina” Novel Resa Sartika; Dwi Susanto; Prasetyo Wibowo
Humaniora Vol. 12 No. 2 (2021): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v12i2.6972

The research aimed to describe the depiction of the female body’s domination as a form of political-cultural legitimacy raised in Sindhunata’s work entitled Putri Cina. Michel Foucault’s theory of discourse was applied as the approach to reveal how sexuality was closely related to power practices. The discourse presented in the novel was dissected by qualitative methods, descriptive qualitative, and interpretative data analysis techniques. The results show that the two main characters of this novel are Chinese women who experienced oppression in Java. The existence of a cultural identity crisis, abjection, passivity, and not subversion represents the figure of alienated women. This perspective is intertwined with how indigenous men perceive Chinese women figures. Sindhunata describes the unequal construction of sexuality between men and women and the discrimination of the Chinese race as repeated during the kingdom era, pre-independence, to the New Order era.

ANALISIS PEREMPUAN SUBALTERN DALAM CERPEN INEM KARYA PRAMOEDYA ANANTA TOER (KAJIAN SUBALTERN GAYATRI SPIVAK) Inge Hilya Lentera Pradani; Ika Naviri Anitasari; Dwi Susanto
Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Vol 5, No 2 (2021): JURNAL LITERASI OKTOBER 2021
Publisher : Universitas Galuh

Penelitian ini bertujuan untuk mendeskripsikan adanya bentuk dominasi penjajah terhadap perempuan subaltern, terutama di bidang pernikahan dini. Jenis penelitian ini ialah kualitatif deskriptif dengan data yang bersumber dari uraian dan dialog yang berkaitan dengan masalah penelitian. Objek yang digunakan adalah objek material dan objek formal. Objek materialnya berupa cerpen Inem karya Pramoedya Ananta Toer dan untuk objek formalnya adalah bentuk penindasan kaum perempuan subaltern. Metode studi pustaka digunakan dalam melakukan pengumpulan data dengan teknik simak catat.Hasil penelitian menunjukan adanya dominasi penjajah dalam bentuk penindasan dari peninggalan sistem imperialisme yang memisahkan kelas atas dan kelas bawah serta budaya patriarki. Bentuk penindasannya sendiri berupa permaginalan, pemaksaan pernikahan dini, pelecehan seksual, dan kekerasan fisik. Sementara itu, bentuk perlawanan dari kaum perempuan subaltern terdiri dari pencegahan pernikahan dini melalui pendapat dan perceraian.

GHOST MIGRATION IN PLAYSTORE: MYSTERY REPRODUCTION AND AESTHETIC RESISTANCE Dwi Susanto
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 2, No 3 (2020)
Publisher : ppjbsip

Mystery story genre, such as ghost story, have migrated in virtual media or digital media, exspecially Playstore. The migration caused many modifications and adptation, that convert with digital media. This paper aims to show ghost story in Playstore aplication, the response reader, and the ghost story as aesthetic discourse pratical. The data of this paper are ghost stories in Playstore, response readers,and narartion which is related with aesthetic discourse. The interpretation data use sosiological perspective. This paper result that the ghost story migration in virtual media have changed image and representation ghost stories became metropolit. It changes the oppsite between tradition versus modern. The response reader appears that this genre is habitual and popular in thier horizon expecation as information and entertaiment. The simbolic reproduction show that the mystery world create pleasure, entertaiment, and other mystery. It is resistance toward canonical aesthetic and mystery genre itself, which eliminated by dominan aesthetic.AbstrakGenre cerita misteri, seperti cerita hantu, telah bermigrasi di media virtual atau media digital, khususnya Playstore. Migrasi tersebut menyebabkan banyak modifikasi dan adptasi, yang dikonversi dengan media digital. Makalah ini bertujuan untuk menunjukkan cerita hantu dalam aplikasi Playstore, respons pembaca, dan cerita hantu sebagai wacana estetika yang praktis. Data dari makalah ini adalah cerita hantu di Playstore, respons pembaca, dan narartion yang terkait dengan wacana estetika. Data interpretasi menggunakan perspektif sosiologis. Makalah ini menghasilkan bahwa migrasi cerita hantu di media virtual telah mengubah gambar dan representasi cerita hantu menjadi metropolitan. Ini mengubah oppsite antara tradisi versus modern. Melalui respons pembaca terlihat bahwa genre ini adalah kebiasaan dan populer dalam harapan cakrawala mereka sebagai informasi dan hiburan. Reproduksi simbolik menunjukkan bahwa dunia misteri menciptakan kesenangan, hiburan, dan misteri lainnya. Ini adalah perlawanan terhadap estetika kanonik dan genre misteri itu sendir, yang dihilangkan oleh estetika dominan.

Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi Dwi Susanto; Rianna Wati; Afnan Arummi
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 4 (2021)
Publisher : Universitas Mulawarman

Representations of women, Islam, and colonial discourses appear in the Ratu yang Bersujud (2013). The novel is a counter discourse towards the representation of women and Islam in global discourse. The main problem of this research is the representation of Islam and women towards the Western world within the perspective of the author's subject. The purpose is to show the representation of Islam and women according to the author's subject view. This research uses a post-colonial perspective, especially the way colonized subjects present re-representation or overwriting. The objects are the Ratu yang Bersujud (2013) and the views of colonized subjects on the representation of Islamic identity (women and Islam). This research data consists of text narrative structure, thematic ideas of the text, social context of the author or colonized society, and discourse of modern colonialism. The result of the research is that the author's subject carries out a deconstruction that leads to the defense or resistance to the image or representation of Islam and women in the global discourse. However, it is trapped in ambiguity, which is trapped in colonial discourse and does not voice women in Islam but Islamic identity in the perspective of the patriarchal subject. It is proven as a representation of women as objects of misfortune.

INDONESIAN ISLAMIC POETS' AMBIVALENCE UNDER THE DUTCH COLONIALISM IN THE 1930S Dwi Susanto
Akademika : Jurnal Pemikiran Islam Vol 27 No 1 (2022)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Metro

Islamic poets' poetical themes expressed their spiritual experience in Indonesian literature during the 1930s. These themes had opposed to the Islamic movement at the time, which was fighting against colonial ideology. The objectives of this study are to look at why poets advocated oppositional views in the face of colonial discourse, as well as the poets' position within the Dutch colonial system in the 1930s. Thematic notions of Indonesian literary poets in the 1930s, biographical histories of poets, and colonial discourses in Indonesia in the 1930s were among the data sources used in this study. The result revealed that the poets adopted a romantic aesthetic mimicking strategy to portray the idea of their spiritual experience. In most colonial literature, the mimicry between the colonizer and the colonized nation heightens the ambivalence of the Indonesian human personality. Because of ethical adjustments and unacceptable ideal categories, this ambiguous attitude develops. Syncretism emerges as a result of the clash of Western and Eastern civilizations. The author's aesthetic mimicry strategy has implications for the poet's ambivalence: on the one hand, the poet follows Balai Pustaka's aesthetic pattern with an understanding of individualism, while on the other hand, the poet ignites the concept of Islamic symbolic memory as part of the construction of Indonesian cultural identity, as in the Indonesian Cultural Polemics from 1930 to 1942.

Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia Dwi Susanto
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 4 (2022)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v5i4.526

This paper looks at the views or constructions of Chinese peranakan authors towards women in that era. Issues discussed: (1) how Peranakan authors narrate women in their works; (2) the reasons for the Chinese Peranakan authors in the 1950s-1960s to narrate women. This study uses the point of view of feminist literary criticism. The object of this research is the 1950-1960s short stories and the author's perspective on women. The data of this research is the narrative of short stories that describe the image of women, the author's social construction, and the idea of androcentrism. The data interpretation technique follows the way of feminist literary criticism. The results of the study: (1) women are presented and controlled by men and are controlled by social construction; (2) the idea of morality and the economic context becomes a construction that the author interprets through androcentrism; (3) morality is misinterpreted by male authors and women as victims who are silenced in the name of morality. It has resulted in women being unable to speak up and follow androcentrism in the name of tradition and the sacred concept of morality. Morality is misinterpreted as sexuality and borne by women.

Co-Authors Afnan Arummi Aprilia Ciptaning Maharani Bagus Kurniawan Dias Esaliana Ika Naviri Anitasari Inge Hilya Lentera Pradani Joko Sujarwo Miftah Nugroho Nathasha Cinthya Nur Fatul Aini Prasetyo Wibowo Resa Sartika Rianna Wati Susanto Susanto

Title

Found 14 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 14 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 14 Documents
Search