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All Journal STUDIA ISLAMIKA Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya OKARA: Jurnal Bahasa dan Sastra Insaniyat: Journal of Islam and Humanities ISLAM NUSANTARA: Journal for the Study of Islamic History and Culture Jurnal Lektur Keagamaan Indonesian Journal of Islamic Literature and Muslim Society MANUSKRIPTA Studia Islamika
M. Adib Misbachul Islam
Universitas Islam Negeri Syarif Hidayatullah Jakarta
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Etika Politik Kesultanan Melayu-Bima Adib Misbachul Islam
Manuskripta Vol 1 No 1 (2011): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The presence of scientific publications on ancient manuscripts can indeed provide important information regarding various events that occurred in the past. Therefore, the publication of the text edition of Jawharat al-Ma'arif by Haji Nur Hidayatullah al-Manshur Muhammad Syuja'uddin, a descendant of the Bima nobility, edited by Oman Fathurahman—and published together with Bo' Bumi Luma Rasanae (edited by Henri Chambert-Loir and Massir Q. Abdullah) and Ten Letters of Sultan Bima Abdul Hamid Muhammad Syah (edited by Suryadi)—is nothing less than the rediscovery of fragments of social, intellectual, and political history from the historical structure of the Bima Sultanate specifically and the Malay-Nusantara Sultanate in general.
Muslim Women, Tradition, and Patriarchy: A Critical Study of the Manuscript Daf' al-Turrahāt 'an Wājibāt al-Ummahāt Andhika Tiara; M. Adib Misbachul Islam; Safurotun Ziah
Indonesian Journal of Islamic Literature and Muslim Society Vol. 10 No. 1 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v10i1.12450

Abstract

This study aims to present a critical edition of the text Dafʿ al-Turrahāt ʿan Wājibāt al-Ummahāt (MDTWU) authored by Habib Salim bin Jindan and to analyze his views on Muslim women. MDTWU was written as a response to Qasim Amin’s work, Taḥrīr al-Marʾah. This qualitative study employs a philological approach and intertextual theory. The philological method is applied to produce a readable and comprehensible text, while the intertextual approach is used to trace the interrelations between texts.The findings reveal that MDTWU is a codex unicus—the only known manuscript—preserved in a private collection at the Al-Fachriyah Foundation Library in Tangerang, Banten. Despite its limited circulation and the absence of printed editions, MDTWU provides an important contribution to the discourse on Muslim women in the 20th century. The analysis demonstrates that Habib Salim bin Jindan’s views are largely shaped by patriarchal constructions, emphasizing the preservation of traditional values amid modernization so that women may maintain their rights without losing their identity and dignity. The study further highlights the contrast with Qasim Amin’s perspective, which rejects the traditional confinement of women to the domestic sphere and interprets oppressive values as cultural constructs rather than authentic Islamic teachings. This study supports the findings of Tohari (2021) and Bachtiar (2023), which argue that women’s freedom should remain grounded in Islamic values as a source of legitimacy. Moreover, it suggests that Western-based concepts of women’s emancipation should be critically assessed to ensure their compatibility with Islamic ethical principles. Keywords: Philology, Muslim Women, Manuscript Daf’ al-Turrahāt ‘an Wājibāt al-Ummahāt, Habib Salim, Qasim Amin.
The Representation of Kiai Ahmad Arrifai Kalisalak in Repen Ripangi M. Adib Misbachul Islam; Elve Oktafiyani
Insaniyat: Journal of Islam and Humanities Vol. 4 No. 2 (2020): Insaniyat: Journal of Islam and Humanities
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University (UIN) Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/insaniyat.v4i2.15128

Abstract

This study aims to discuss the meaning of Repen Ripangi as a literary narrative manuscript of Adipati Panji Suryakusuma, Regent of Semarang which was then composed in the form of macapat song by Panji Jayasubrata. By placing it in the context of social and political history in Java in the nineteenth century, the text reveals the tension between the two social elites during the colonial period in a form of narrative poetry. This research used qualitative method with representation theory. The results show that the writing of Repen Ripangi in the form of narrative poetry was not merely an aesthetic expression of the author Javanese priayi, but also a means of representation which goal is the stigmatization of Kiai Ahmad Arrifai as a kiai who brings apprehension in society. In addition, another goal of the representation in Repen Ripangi was to strengthen of the penghulu as one of religious authorities in Java during the colonial period and the defense of priyai interests and their political patrons, namely the colonial government in Java.
Co-Authors Abdullah Abdullah Abror, Muhamad Andhika Tiara Elve Oktafiyani Lufaefi Mugy Nugraha Muhamad Abror Muhammad Nida Fadlan Muhammad Nuril Fauzan Muhammad Wildan Khoir Safurotun Ziah Titi Farhanah Yasrul Huda