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All Journal Humaniora HUMANIS E-Journal of Linguistics Linguistika Jurnal Pendidikan Bahasa Inggris Aksara Adabiyyat: Jurnal Bahasa dan Sastra Pustaka : Jurnal Ilmu-Ilmu Budaya JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Stilistika: Journal of Indonesian Language and Literature International Journal of Education and Literature (IJEL) Yavana Bhasha: Journal of English Language Education Jurnal Intelek Insan Cendikia Ulil Albab Aksara

I Ketut Sudewa

Jurusan Sastra Indonesia, Fakultas Sastra, Universitas Udayana, Denpasar

Author-ID : 2895016

Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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TRANSFORMASI SASTRA LISAN KE DALAM SENI PERTUNJUKAN DI BALI: PERSPEKTIF PENDIDIKAN I Ketut Sudewa
Humaniora Vol 26, No 1 (2014)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Folklore is part of Balinese life. Although the existence of folklore in Bali has undergone some fluctuation, attempts have been made by the local government and society in Bali to preserve this cultural form. The aim is prevent folklore from extinction, especially because of the wave of globalization with its capitalistic force in order for the future generation of Balinese not to forget about their own culture. One of the efforts made by the Balinese government and society to preserve the existence of folklore in Bali is a competition called “Mesatue Bali”, run in the Bali arts festivals and other activities, and the publication of books. In the various competitions and performances of folklore, some form of transformation occurs from folklore to performance art. From an educational perspective, this transformation, especially for the young generation, means love and preservation, creativity, understanding of performance art, and character education. Performance art allows the young generation to understand more deeply and enact the characters, both good and bad, in folklore. Thus, they can follow the example of the good characters but not the bad characters.

Social Criticism in Indonesian Literary Works during the New Order Era I Ketut Sudewa
Humaniora Vol 28, No 2 (2016)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The literary works written and published during the New Order era were used as the data in this article. During this era there were many literary works which contained social criticisms towards the New Order government. The study focuses on the literary work in the form of poems, and employed the qualitative research method. The theory of literary sociology was used as the main theory while the structural theory and semiotic theory were used as the supporting theories. The social criticisms and meaning which were transmitted by the poets through their poems could be optimally revealed using these theories. The result of the study shows that the poems written by the poets during the New Order era, especially those written by Taufiq Ismail contained a lot of social criticisms; he criticized the law, human rights, politics, education and economy implemented by the New Order government. Such social criticisms were shown through different poetic elements such as the diction, language style, and rhetoric. The social criticisms expressed by Taufic Ismail reflected that Indonesia (the readers) should refer back to the nation’s identity and character as stated in the Five Principles ‘Pancasila’ and the 1945 Constitution.

Novel Suara Samudra Karya Maria Matildis Banda: Kajian Psikologi Ni Made Meri Apridayanti; I Wayan Cika; I Ketut Sudewa
Humanis Vol 24 No 2 (2020)
Publisher : Udayana University

This research is titled "Novel Suara Samudra by Maria Matildis Banda Psychology Psychology Study". The following research aims to find out the structure and relationship between psychology figures contained in the novel. There are three theories used for this research, namely structural theory based on Stanton's opinion, the theory of literary psychology by Sigmund Freud, the theory of love from Sternberg. The method used in data collection is a literature study method with advanced techniques in the form of note and write techniques. Then proceed with using the formal method and descriptive analysis method for analyzing data. Furthermore, in presenting the results of the analysis using the description method. Based on the analysis that has been done on the novel Suara Samudra, several things were discovered. First, in the analysis of the structure which included the characterizations, plot and setting depicted in the novel Suara Samudra. Second, the psychological relationship that is seen in terms of conflicts that occur between characters in the novel Suara Samudra.

Sindrom Stockholm Tokoh Cerita Dalam Roman Anak Perawan Di Sarang Penyamun: Analisis Psikologi Sastra Taufik Akhsan; I Ketut Sudewa; I G.A.A. Mas Triadnyani
Humanis Volume 16. No. 1. Juli 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (243.067 KB)

The main presumption that used as basis of this research was the stockholm syndrome on Sayu. Concerning stockholm syndrome was a psychological phenomenon, therefore this research used two theories, which is structural theory and psychology litterature theory. The result of this reasearch concluded that Sayu’s behavior shows the individual dan situational characteristics of stockholm syndrome. The existence of stockholm syndrome in this work extraordinarily harmonize the entire plot element of Anak Perawan di Sarang Penyamun as one solid litterature work.

Kritik Politik Dalam Antologi Puisi Manusia Istana Karya Radhar Panca Dahana: Analisis Dan Bentuk Isi A. A. Istri Dian Anastasia P.M.; I Ketut Sudewa; I G.A.A. Mas Triadnyani
Humanis Volume 17. No. 2. Nopember 2016
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.848 KB)

Undergraduate thesis entitled "Political Criticism in Poetry Anthology of Manusia Istana by Radhar Panca Dahana: Analysis of Form and Content" was motivated by theme selection of political criticism that contains aspects of the form and content of the poem. The theme was related to Radhar Panca Dahana’s background as a lecturer of Sociology at Indonesia University. There were two problems formulated, namely: the form and contents of the 15 poems of poetry anthology Manusia Istana by Radhar Panca Dahana. The purpose of this study was to determine the form and contents of the 15 poems of poetry anthology Manusia Istana. This study carried out literature and descriptive analytic method. The technique used was collecting, recording, interpreting and sampling techniques. The analysis was done by conducting several steps. First, analyzing the creative process of Radhar Panca Dahana’s work. Second, analyzing of the form and content of the poetry anthology Manusia Istana. Aspect of form consists of diction, sound, imagery and figurative language. Aspect of content consists of themes and messages. Both aspects were applied in analyzing all 15 poems by Radhar Panca Dahana. Analysis of the 15 poems of poetry anthology Manusia Istana by Radhar Panca Dahana shows that the form and content of poem are important in expressing political critique. The use of diction, sound, imagery and figurative language to convey the poet is able to make the reader imagine and contemplate about the political situation in Indonesia.

Konflik Batin Tokoh Utama dalam Novel Perempuan Di Titik Nol Karya El-Saadewi Ni Kadek Enny Muliandayani; I Ketut Sudewa; I Ketut Nama
Humanis Vol 17 No 3 (2016)
Publisher : Udayana University

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This thesis entitled "The Inner Conflict Main Figures in the Novel Women at Work Zero Point El-Saadewi". Novel Woman at Zero Point has a strong psychological picture of the main character. The problems discussed there are two, namely: analysis of the structure and inner conflict. The purpose of this study to determine the structure and the inner conflict of the main character. The methods and techniques used in the study, there are three, namely: (1) methods and techniques of data collection, used qualitative methods and techniques read, see, and note; (2) Methods and techniques of data analysis used descriptive analytic method followed by techniques see, and note; (3) Methods and techniques of presentation of the results of data analysis using the description and presentation of the results of data analysis techniques presented in the format of preparation of the thesis. Structural elements are analyzed in a novel Women in Ground Zero, namely: characterization, plot, and setting. The third analysis used functional structure, because the elements support each other to establish the integrity of the story. Inner conflict such as physical violence and sexual abuse from childhood to adulthood. Solutions done to resolve inner conflict, namely: sublimation, projection, and rationalization.

SOCIAL CRITICISM IN THE POEMS AND DRAMAS CREATED BY W.S. RENDRA FROM NINETEEN SEVENTIES TO NINETEEN NINETIES I Ketut Sudewa; I Nyoman Darma Putra; I Nyoman Kutha Ratna
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (28.484 KB)

This study analyzed the poems and dramas created by W.S. Rendra which were published from nineteen seventies to nineteen nineties. Such an era was a period of time during which Rendra creatively created his literary works. Politically, the decade from nineteen seventies to nineteen nineties was an era during which the Authoritative New Order held the power and did not hesitate to take action against those, including artists, who bravely expressed their criticisms. It was in that repressive period of time that Rendra appeared as a poet who so bravely used the poems and dramas he created to articularize his social criticisms. This study aims at revealing the themes and consistency of the social criticisms expressed by Rendra in the poems and dramas he created. This study was importantly conducted as the social criticisms the literary works Rendra created were not only strong but are still currently factual as well. Many researchers have analyzed the social criticisms the poems and dramas created by Rendra contained but none had analyzed such a topic comprehensively and consistently. This present study attempted to complete the studies previously conducted so that the ideas, thoughts and concepts expressed by him through his literary works can be more comprehensively understood and exceed the era when they were created. The theory of sociology of literature and the theory of semiotics were used to analyze the social criticisms expressed by Rendra through his literary works. The theory of literature was used to analyze the social criticisms by contextualizing the themes and era when he created his poems and dramas, and the theory of semiotics was used to analyze the meanings of the sign systems the two genres contained. These two theories were used at the same time and were supported by the other relevant theories such as the theory of politics, the theory of capitalism, and the theory of feminism. His dramas were analyzed before his poems so that the consistency of the social criticisms he expressed in the two genres could be described. The result showed that the social criticisms expressed by Rendra in his poems included four great themes; they were values of feminism, education, capitalism and poverty, politics and law. His dramas also contained such social criticisms, as exemplified by the poems “Sajak Sebotol Bir” and “Sajak Pulau Bali” and the drama “Kisah Perjuangan Naga”, which contained the theme of how vicious capitalism was. The language styles used to articulate his social criticisms were also identical, indicated by the use of metaphors, repetitions, paradoxes, rhetorical questions, ironies, and cynicisms. His consistency in expressing social criticisms through his poems and dramas made him successful in becoming the most talkative man of letters during the Indonesia’s history of literature.

Gama Tirtha Ideology in Ancient Myth of Ratu Gede Tengahing Sagara I Made Nurjaya Putra Mahardika; I Wayan Cika; I Ketut Sudewa
e-Journal of Linguistics Vol 14 No 2 (2020): e-jl July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2020.v14.i02.p05

The Balinese can not be separated from their ancestral beliefs. The ancestral or idiological beliefs in Balinese society are conveyed through myths. One of the most well-known myths in Bali is the Ratu Gede myth. The myth of Ratu Gede is very trusted and believed in constructing worship rituals. The worship ritual that is routinely performed is the Nangluk Marana ritual. Nangluk Marana is a ritual handed down by the myth of Ratu Gede Nusa Penida. The myth of Ratu Gede is not limited to the figure of Ratu Gede Nusa Penida, but in Bali it also found a similar myth called the myth of Ratu Gede Tengahing Sagara. The name sagara which means the sea has shown its identity as the ruler of the ocean. The myth of Ratu Gede Tengahing Sagara as the ruler of the ocean is not only being told on the coast, but also spread out to the highlands. The idiological influence of Ratu Gede Tengahing Sagara's myth to the highlands cannot be separated from the intertwining of stories handed down from generation to generation. The intertwining that can be seen in the form of Ratu Gede Tengahing Sagara's sacred route is always related to water civilization.

REPRESENTASI KEKERASAN SIMBOLIK DALAM KOMIK BOKU DAKE GA INAI MACHI I Gusti Agung Ayu Made Dianti Putri; I Wayan Cika; I Ketut Sudewa
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 2 (2018): September
Publisher : Program Magister Linguistik Universitas Udayana

Komik sebagai salah satu karya sastra menggunakan teks dan gambar sebagai senjata untuk menampilkan konflik cerita secara nyata. Salah satu komik yang menampilkan kekerasan di setiap ceritanya adalah komik Boku dake ga Inai Machi karya Kei Sanbe. Komik yang terdiri atas delapan volume ini menceritakan kekerasan fisik serta kekerasan simbolik yang terjadi pada tokoh-tokoh di dalam komik. Kekerasan fisik merupakan kekerasan yang langsung mengenai raga, sedangkan kekerasan simbolik merupakan kekerasan yang melukai psikis korbannya. Pada penelitian ini, analisis difokuskan pada kekerasan simbolik. Teori yang digunakan pada penelitian ini adalah teori semiotika oleh Ferdinand de Saussure mengenai penanda dan petanda serta teori semiotika oleh Marcel Danesi. Kekerasan simbolik yang ditemukan adalah kekerasan simbolik berdasarkan tindak tutur, kekerasan simbolik berdasarkan media perantara, dan kekerasan simbolik berdasarkan gestur

Dinamika Idiologi Perempuan dalam Kumpulan Cerpen Luh-Luh Karya I Made Suarsa I Ketut Sudewa; I Made Suarsa
Journal Social and Humaniora Vol 18 No 2 (2018)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Various ideologies are expressed by the author in the literary works he created. One of the modern Balinese literary authors, I Made Suarsa in his short story entitled Luh-Luh reveals the dynamics of female ideology. The dynamics of women's ideology reflect the ideology of Indonesian women from various professions and are expressed by authors in various styles of language. The problems discussed in this research are: (1) how the dynamics of women's ideology in the story of Luh-Luh short story by I Made Suarsa; and (2) how the author discloses the woman's ideology in her story collection. Theories used to answer the above problems are feminist theory, ideology, and sociology of literature. The research method used is qualitative method through literature study, descriptive analytics, and descriptive. Techniques used are techniques of referring, notes, and tafseer. The results show that women's ideology is seen from three professions, namely: politician (legislative), artist, and state official (executive). The dynamics of women's ideology are expressed by the author through the style of metaphorical language, pleonasm, and comparison. In addition, the author also uses sound games to reinforce the image the author wishes to convey.

Co-Authors A. A. Istri Dian Anastasia P.M. Bagus Dewadharu Megawayah Putra Besdirma Saragih Cristiana, Olga Hanri Prasetyo I Gusti Agung Ayu Made Dianti Putri I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Agung Mas Triadyani I Ketut Nama I Made Nurjaya Putra Mahardika I Made Suarsa I Nyoman Darma Putra I Nyoman Kutha Ratna I Nyoman Suarka I Nyoman Weda Kusuma I Wayan Cika Igaa Mas Triadnyani Luh Putu Laksminy Maria Matildis Banda Monita Br Sinaga Ni Kadek Enny Muliandayani Ni Luh Gede Meilantari Ni Luh Widia Pradina Sari Ni Made Meri Apridayanti Ni Wayan Iciari Kori Nyoman Yulia Pratiwi Pradna Indra Iswaea Pradna Indra Iswaea Pungki Novita Damayanti Sri Jumadiah Tansia, Tan Ayu Felia Taufik Akhsan

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