Article Per Year (5 Year)
p-Index From 2020 - 2025
2.862
P-Index
This Author published in this journals
All Journal Imaji: Jurnal Seni dan Pendidikan Seni Corak : Jurnal Seni Kriya SURYA SENI MUDRA Jurnal Seni Budaya Panggung Share : Journal of Service Learning Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Besaung : Jurnal Seni Desain dan Budaya Ideas: Jurnal Pendidikan, Sosial dan Budaya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Jurnal Sibermas (Sinergi Pemberdayaan Masyarakat) Widyadari : Jurnal Pendidikan Proceeding of International Conference on Science, Education, and Technology Jurnal Seni dan Desain Panggung
I Wayan Sudana
Universitas Negeri Gorontalo
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
ERIODISASI SENI UKIR KARYA I MADE SUTHEDJA I Wayan Sudana
SURYA SENI Vol 4, No 2: September 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/pasca.v4i2.94

Abstract

Period of I Made Suthedja’s Craft Art. Suthedja’s style changes can be categorized into three main parts, which are: the fi rst period (1960–1970), his  styles were mainly togog-shaped three-dimensional fi gures made of ebben wood.The second period (1971-1989), at this time the moment his style changed into two-dimensional classical-modern reliefs made of teak or sometimes  exhibited in frames. The third period (1990–2004) his works are two-dimensional freereliefs using second-hand wood and are exhibited without any frames.   Suthedja’s style changes is infl uenced by several factors. These factors are crisis and material condition, his formal and non-formal education, fi ne arts growth modern Bali, his person experience, cultural social environment, and motivation or personal ambitions, Keywords : changes, art works, and Artisan.
EKSISTENSI RERAJAHAN SEBAGAI MANIFESTASI MANUNGGALNYA SENI DENGAN RELIGI I Wayan Sudana
Imaji Vol 7, No 2 (2009): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (319.455 KB) | DOI: 10.21831/imaji.v7i2.6631

Abstract

Rerajahan is one of Bali culture product that was axist since prahindu period, but until today still exist and eternal. The existence and conservation rerajahan in Bali because of support from several culture institute that was good not only private institute (traditional) but also goverment institutes. The commitment of that institutes to keep the existence of rerajahan, because the meaning and the function still relate with social community life. Rerajahan formed a picture and written and has symbolic meaning, that believed have spiritual power or magical power and have a great effect. In the other hand, visually, the figurs and motives in rerajahan is very expressive, inspirative, and has aesthetics quality. Therefore, rerajahan have two values. There are religious value and aesthetics value, that believe as one of manifestation the singleness of art and religion. Keywords: rerajahan, art and religion
Karakteristik Seni Kerajinan Eceng Gondok Gorontalo I Wayan - Sudana; Isnawati Mohamad
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 1 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i1.3171

Abstract

Upaya pengembangan kerajinan eceng gondok di Gorontalo sebagai sektor unggulan harus dilandasi oleh karakteristik yang meliputi potensi dan permasalahan. Namun, data tentang karakteristik kerajinan belum tersedia secara komprehensif. Penelitian ini bertujuan untuk menggali unsur-unsur kerajinan eceng gondok Gorontalo untuk mengungkap potensi dan permasalahan yang ada. Penelitian menggunakan metode kualitatif model studi kasus. Pengumpulan data dilakukan melalui observasi, wawancara, tes, dan studi pustaka. Data dianalisis secara interaktif melalui seleksi dan pengkodean, kategorisasi, penyajian data dan diskusi, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa kerajinan eceng gondok Gorontalo memiliki karakteristik aspek: pengrajin, teknologi produksi, produk, dan distribusi yang mencerminkan potensi dan permasalahan yang ada. Karakteristik pengrajin adalah ahli dalam keterampilan produksi tetapi lemah dalam inovasi desain. Ciri khas teknologi produksi adalah potensi ketersediaan bahan baku dan cara kerja yang sistematis. Tetap saja, ini bermasalah dalam modernisasi peralatan produksi dan pembagian kerja. Karakteristik dari segi produk adalah potensinya dalam keragaman produk tetapi masalah dalam standarisasi ukuran dan ergonomis. Ciri-ciri dari aspek distribusi meliputi potensi dalam memasarkan produk dengan berbagai cara tetapi terdapat masalah dalam promosi dan peningkatan citra sosial produk. Temuan ini bisa dijadikan acuan untuk merumuskan konsep pengembangan kerajinan eceng gondok Gorontalo secara tepat atau sejenisnya. Characteristics of Gorontalo Water Hyacinth Craft Art  Abstract: Efforts to develop water hyacinth craft in Gorontalo as a leading sector must be based on characteristics that include potential and problems. However, data on the characteristics of crafts are not yet available comprehensively. This study aims to explore the characteristics of Gorontalo water hyacinth craft to uncover the potential and problems. The study used qualitative methods of case study models. The data were collected through observation, interviews, testing, and literature study. Data were analyzed interactively through selection and coding, categorization, data display and discussion, and conclusions. The results showed that Gorontalo water hyacinth craft has characteristics in aspects: crafters, production technology, products, and distribution that reflect the potential and problems. The characteristics of the crafters are experts in production skills but weak in design innovation. The characteristic of production technology is the potential in the availability of raw materials and systematic work methods. However, it is problematic in the modernization of production equipment and the division of labor. A characteristic in terms of products is its potential in product diversity but problems in standardizing size and ergonomics. The characteristics of the distribution aspect include the potential in marketing products in various ways but problems in the promotion and improvement of the social image of the product. This finding can be used as a reference to formulating the concept of developing Gorontalo water hyacinth craft appropriately or other similar crafts.
Dinamika Perkembangan Seni Karawo Gorontalo I Wayan Sudana
Gelar : Jurnal Seni Budaya Vol 17, No 1 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3282.004 KB) | DOI: 10.33153/glr.v17i1.2599

Abstract

ABSTRAK Seni Karawo merupakan seni ornamen tekstil tradisional yang unik dan berkembang dinamis. Dinamika perkembangan seni Karawo diduga terjadi melalui fase-fase tertentu dan dipengaruhi oleh berbagai faktor. Penelitian ini bertujuan mengungkap fase-fase perkembangan seni karawo serta faktor-faktor yang memengaruhi. Penelitian menggunakan metode kualitatif. Data dikumpulkan melalui wawancara, observasi, telaah dokumen, dan studi pustaka. Data dianalisis secara interaktif melalui tahap reduksi data, display data serta pembahasan, dan penarikan kesimpulan. Hasil penelitian menunjukkan, dinamika perkembangan seni karawo dengan berbagai faktor yang memengaruhi terjadi melalui lima fase, yaitu: 1) seni karawo sebagai aktivitas berkesenian dipengaruhi oleh daya kreativitas kreator, kebutuhan keindahan, dan sulam kristik; 2) seni karawo sebagai kegiatan adat dipengaruhi oleh kerumitan seni karawo, kehormatan keluarga dan legitimasi adat; 3) seni karawo sebagai komoditas dipengaruhi oleh keunikan dan keindahan seni karawo, desainer motif, dan kepentingan ekonomi; 4) seni karawo sebagai identitas budaya dipengaruhi oleh keunikan seni karawo dan rasa kesukuan; dan 5) seni karawo sebagai budaya massa (budaya populer) dipengaruhi oleh keunikan dan keindahan seni karawo, kebutuhan ekonomi, media massa, dan popularitas daerah. Kata kunci: seni karawo, faktor internal dan eksternal, dinamika perkembangan. ABSTRACT Karawo Art is a unique and dynamic traditional textile ornament art. The dynamics of the development of Karawo’s art are thought of occurred through certain phases and were influenced by various factors. This study aims to reveal the phases of the development of karawo art and the factors that influence it. The research uses qualitative methods. Data is collected through interviews, observation, document review, and literary study. The data are analyzed interactively through the stages of data reduction, data display and discussion, and drawing conclusions. The results show that the dynamics of karawo art development with the various influencing factors occurred through five phases, namely: 1) karawo art as an artistic activity is influenced by creator’s creativity, the beauty needs, and cross stitching; 2) karawo arts as customary activities are influenced by the complexity of karawo art, family honor and customary legitimacy; 3) karawo art as a commodity is influenced by the uniqueness and beauty of karawo art, motives designer, and economic interests; 4) karawo art as a cultural identity is influenced by the uniqueness of karawo art and ethnicity; and 5) karawo art as a mass culture (popular culture) is influenced by the uniqueness and beauty of karawo art, economic needs, mass media, and regional popularity. Keywords: karawo art, internal and external factors, development dynamics
Konsep Pengembangan Seni Kerajinan Eceng Gondok Gorontalo I Wayan Sudana; Isnawati Mohamad
PANGGUNG Vol 31, No 2 (2021): Estetika Dalam Keberagaman Fungsi, Makna, dan Nilai Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1114.984 KB) | DOI: 10.26742/panggung.v31i2.1577

Abstract

Seni kerajinan eceng gondok Gorontalo berpeluang besar untuk dikembangkan, tetapi upayaupayapengembangannya kurang berhasil maksimal karena dilakukan secara spekulatif tanpadidasari karakteristiknya. Penelitian ini bertujuan merumuskan konsep pengembangan senikerajinan eceng gondok Gorontalo berdasarkan karakteristiknya. Penelitian menggunakanmetode kualitatif model studi kasus dengan grounded theory. Data dikumpulkan melaluiwawancara, observasi, pengujian, dan studi pustaka. Data dianalisis secara interaktif melalui:seleksi dan pengkodean, kategorisasi data, display data serta pembahasan, dan penarikankesimpulan. Hasil penelitian menjelaskan, bahwa konsep pengembangan seni kerajinan ecenggondok Gorontalo berdasarkan karakteristiknya dilakukan melalui diversifikasi dan inovasiteknologi produksi, produk, dan distribusi, sesuai kemajuan teknologi dan dinamika pasar.Daya prediksi konsep tersebut dirumuskan dalam bentuk pernyataan kausal dan peluangpenerapannya disajikan dalam bentuk langkah-langkah kerja sistematis. Konsep pengembangantersebut dapat digunakan sebagai penuntun dalam pengembangan seni kerajinan eceng gondokGorontalo di masa depan atau seni kerajinan lainnya yang sejenis.Kata Kunci: Kerajinan Eceng Gondok, Karakteristik, Konsep Pengembangan, Diversifikasi, Inovasi.
Fungsi Seni Karawo dalam Kehidupan Sosial Budaya Masyarakat Gorontalo I Wayan Sudana
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 8 No 2 (2022): Ideas: Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v8i2.797

Abstract

Penelitian ini bertujuan untuk mengungkap fungsi-fungsi seni karawo bagi masyarakat Gorontalo. Penelitian menggunakan metode kualitatif dengan format studi kasus. Data dikumpulkan melalui wawancara, observasi, dan studi pustaka. Data dianalisis secara interaktif melalui seleksi data, display data, pembahasan, dan kesimpulan. Hasil penelitian menunjukkan, bahwa seni karawo memiliki beragam fungsi bagi masyarakat Gorontalo, yaitu: 1) sarana interaksi sosial; 2) sarana eksistensi diri, 3) media ekspresi seni; 4) media pendidikan; 5) penggerak ekonomi; 6) identitas budaya. Disimpulkan, bahwa keberadaan seni karawo berperan penting dalam kehidupan sosial budaya masyarakat Gorontalo, sehingga perlu terus dilestarikan. This study aims to reveal the functions of karawo art for the Gorontalo community. The study employs a qualitative method with a case study format. Data were collected through interviews, observation, and literature review. They were analyzed interactively through data selection, data display, discussion, and conclusion. The results showed that the art of karawo has various functions for the Gorontalo community, namely: 1) a means of social interaction; 2) means of self-existence, 3) media of artistic expression; 4) educative media; 5) economic drivers; 6) cultural identity. The study concludes that the existence of karawo art plays an important role in the socio-cultural life of the Gorontalo people, thus it needs to be preserved.
Pembentukan Desa Kreatif Rintisan Berbasis Seni Kerajinan Lokal I Wayan Sudana; Hasdiana Hasdiana; Isnawati Mohamad
Jurnal Sibermas (Sinergi Pemberdayaan Masyarakat) Vol 11, No 3 (2022): Jurnal Sibermas (Sinergi Bersama Masyarakat)
Publisher : Univeristas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/sibermas.v11i3.14448

Abstract

The formation of creative villages is one of the instruments in improving the economy of rural communities in the creative economy sector. Creative villages can be formed in stages with a certain basis as superior according to the potential of the village. This activity aims to form a pioneering creative village based on local crafts as superior. The implementation of activities using participatory methods and workshops goes through: program socialization, formation of crafter groups, provision of knowledge related to crafts, manufacture of local crafts products, and planning follow-up activities. The results are: 1) increasing public interest in developing local crafts; 2) the formation of a crafter group in the village; 3) increasing community knowledge and skills in making local craft products according to village potential; 4) agreed on a program for continued activities in the development of local crafts in a sustainable manner. The results achieved are an indicator of the formation of a pioneering creative village based on crafts as a superior, which has the opportunity to improve the economy of rural communities in the creative economy sector.
STRATEGI PENGOLAHAN LIMBAH BATANG POHON AREN (ARENGA PINNATA) MENJADI PRODUK MEBEL I Wayan Sudana
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The existence of wood as raw material for furniture increasingly scarce and expensive, so it needs to be an effort to find new types of furniture materials. On the other hand, waste palm trees (Arenga Pinnata) potentially used as material quality and unique furniture, but not taken so discarded as trash. This study aims to analyze the characteristics of the palm tree and find a strategy processing into furniture products. This study uses a qualitative method. Data were collected through observation, testing, and literature. Data were analyzed interactively through data reduction, data display, and conclusion. The results of the identification and analysis of the characteristics of palm tree found processing strategy palm trees into furniture with some systematic steps, namely: 1) the creation of design basic shape with the application of theconcept of “tubes” (cylinders) and creation of ornament design by applying the concept of “ukir tatah”; 2) the preparation of materials such as palm trees and wooden boards; 3) provision of means of production is complete; 4) the creation of a basic form of furniture; 5) creation of ornaments as decoration; 6) The assembly of the ornaments on the basic form of the collage technique; 7) finishing (natural, staining, or antique); 8) the evaluation of the product. If this strategy is applied, then the palm trees can be utilized as a furniture products are unique and good quality.
The Creation Of Furniture Products Design From Stem Waste Of Sugar Palm Tree (Arenga Pinnata) I Wayan Seriyoga Parta; I Wayan Sudana; - Hasdiana
Mudra Jurnal Seni Budaya Vol 32 No 3 (2017): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v32i3.205

Abstract

Sugar Palm tree (Arenga Pinnata) is one of potential natural resources that can be used as a based material of furniture products. But, this sugar palm tree potential hasn’t exploited maximally and only throws away as a waste that contaminates the environment. On the other side, woods that have been used as based material of furniture products are getting rare and expensive. Based on that problem, this research is aimed to design new furniture products models that exploite the stem waste as a prominent based material.  This research uses experiment method with steps: 1) finding and formulating concepts of furniture products design creation based on analysis towards the stem waste of sugar palm tree characteristics; 2) implementing of finding concepts to become furniture products models from stem waste of sugar palm tree. As a result of the research, it is found “tube” concept and tatah carved concept as a right concept to be applied in creation of furniture products from stem waste of sugar palm tree. Implementing of “tube” concept and tatah carved concept is made successfully in shape of some furniture products design such as:  table model, chair model and wardrobe model. Realization of these designs has concerned with the use of sugar palm tree as a prominent based material. According to the result of evaluation, all of these designs are deserved to be made. So, it is concluded that to anticipate the qualified wood as a based material of furniture products, we can use stem waste of sugar palm tree as alternative based material.Pohon aren (Arenga Pinnata) merupakan salah satu sumber daya alam yang potensial digunakan sebagai bahan baku produk mebel. Akan tetapi, potensi batang pohon aren itu belum dimanfaatkan secara maksimal dan hanya terbuang menjadi limbah yang mengotori lingkungan. Di sisi lain, kayu yang selama ini dimanfaatkan sebagai bahan baku produk mebel keberadaannya makin langka dan mahal. Bertolak dari permasalahan itu, penelitian ini bertujuan untuk merancang model-model produk mebel baru dengan memanfaatkan limbah batang pohon sebagai bahan baku utama. Penelitian menggunakan metode eksperimen dengan langkah-langkah: 1) menemukan dan merumuskan konsep-konsep penciptaan desain produk mebel berdasarkan analisis terhadap karakteristik limbah batang pohon aren; 2) mengimplementasikan konsep-konsep yang ditemukan ke dalam bentuk model-model desain produk mebel dari limbah batang pohon aren. Dari hasil penelitian ditemukan konsep “tabung” dan konsep ukir tatah sebagai konsep yang tepat untuk diterapkan dalam penciptaan produk-produk mebel dari limbah batang pohon aren. Implementasi dari konsep “tabung” dan konsep ukir tatah berhasil dibuat beberapa model desain produk mebel yaitu model meja, model kursi, dan model lemari. Perwujudan desain-desain tersebut telah mempertimbangkan penggunaan limbah batang pohon aren sebagai bahan baku utama. Berdasarkan hasil evaluasi, semua desain tersebut dinyatakan layak untuk diproduksi. Oleh karena itu disimpulkan, bahwa untuk mengantisipasi makin langkanya jenis kayu yang berkualitas sebagai bahan baku produk mebel, dapat digunakan limbah batang-batang pohon aren sebagai bahan baku alternatif.
Product Innovation Traditional Pottery Crafts Gorontalo I Wayan Sudana; Hasmah Hasmah
Corak Vol 11, No 2 (2022): NOVEMBER 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i2.7027

Abstract

Gorontalo’s traditional pottery crafts had stagnation and were nearly extinct because it is deserted by its users. Presumed it happened because the final products are less innovative. Thus they are unable to fulfill the dynamics of market demand. This study aims to innovate Gorontalo’s traditional pottery products to be able to regain interest in the market. Studies use the method of art creation that is done through several stages: 1) exploration to discover the concept of design creation; 2) Designing to visualize the concept into visual design; 3) realizing of the design into the product prototype; 4) evaluation in order to envision market prospects. Throughout the process of research, six innovative pottery prototypes were made. The innovative value of these prototypes appears to the uniqueness of forms and finishing’s color variation. The distinctiveness of each prototype is reflected on the cultural art image of Gorontalo and forms of endemic animal of Sulawesi, which became the origin of the creation idea. Based on the evaluation, these all prototypes are said to have promising market prospects and worthy of production. Therefore, traditional Gorontalo pottery craftmens are advised to produce such prototypes to fulfill the dynamic demand of the market so that traditional pottery products do not lose consumers.
Co-Authors Hasdiana Hasmah Hasmah I Wayan Seriyoga Parta Ine sintiya Sanuhung Ismail Palilati Isnawati Mohamad Karuni, Ni Kadek Masayuki Sakakibara Megawaty Hinelo Rahmatiah Rahmatiah Sasmita Miradj