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All Journal Gorga : Jurnal Seni Rupa SCHOOL EDUCATION JOURNAL PGSD FIP UNIMED Gondang: Jurnal Seni dan Budaya Journal of Education, Humaniora and Social Sciences (JEHSS) Visual Heritage: Jurnal Kreasi Seni dan Budaya

Azmi Azmi

Universitas Negeri Medan

Author-ID : 3022388

Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences

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Ornamen Flora Teknik Kolase pada Toples Makanan Berbahan Stiker Berdasarkan Prinsip-Prinsip Seni Rupa Rahmita Ilmi; Azmi Azmi
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 4, No 2 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

This study aims to see the ability of students to apply decorative styles with the collage technique made from stickers in class VII SMP Negeri 1 Perbaungan based on the principles of fine arts, namely unity, balance, and rhythm. The theme used is flora with food jars as media. Based on the researchers 'initial observations, the students' decorative works using paint on paper media were still not optimal. As well as the lack of student knowledge in applying the principles of fine arts is a factor driving student work to be less than optimal. The population in this study was all class VII students of SMP Negeri 1 Perbaungan with 277 students. The sample was 21 students of class VII-1 (superior) using the purposive sampling technique. This study used the descriptive qualitative method. The findings of this study indicate that, in total, the application of the ornamental variety of class VII-1 collage techniques based on the principles of unity, balance, and rhythm has an average value of = 79.5 with a reasonably good category. In detail, the average value is based on the following three aspects: unity = 79.7 (good enough), balance = 79.5 (good enough), and rhythm = 79.3 (good enough) with performance indicators: unity, balance, and rhythm.

Upaya Meningkatkan Hasil Belajar Menggambar Bentuk Buah Teknik Krayon Nurul Cindy Paramita; Azmi Azmi; Adek Cerah Kurnia Azis
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 3, No 1 (2020): Journal of Education, Humaniora and Social Sciences (JEHSS) Agustus
Publisher : Mahesa Research Center

The purpose of this study was to improve the quality of images of children from those who did not know to understand the basic image of the fruit shape drawing by applying the drill method in coloring crayon media activities in class VI-A of SD Negeri No. 081232 Sibolga. Training Method is a method that can be used to convey subject matter or information through repeated forms of exercises so that students have dexterity or skills higher than what is learned. The research subjects totaled 29 students. This training method uses the Pre Test action, Cycle I, Cycle II, to improve student learning outcomes. Gradually in the pre-test action, researchers found the average value of learning percentage is still 52% followed by the first cycle found an average student learning is good at 86.7% and quite good at 13.3% in the sense that it has started well. Then further improved in the second cycle researchers found 89.66% very good and 10.34% good, it can be said that the improvement in student learning outcomes for the better and improved. Then the researchers decided not to continue the action on the activity of coloring pictures of fruit shapes. The application of the training method (drill) has been successfully carried out and can be a reference and a strategy for learning fine arts, especially drawing.

Local Waste Management as an Effort Increasing the Productivity of Fine Art Works Osberth Sinaga; Azmi Azmi; Dionisius Sihombing
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.40911

This research wants to examine how the management of the creation of works of art made from organic waste (wood and marine biota) in Jaring Halus Village, North Sumatra. The method used in this study was the method of creation with an experimental model by utilizing waste as a model for creating works of art. The research was conducted in Jaring Halus Village, Langkat, North Sumatra. The stages in this research begin with identifying internal and external potentials. The internal potential is the location and organic waste such as waste wood and marine biota and the like. Furthermore, the external potential was the community's ability to explore the aesthetic power of waste to become an expression of works of art; in this case, presentations and design workshops are held through design simulations and references. The next step was selecting the quality of the waste wood, which includes elements of shape, structure, texture, and size. Based on the results of the research conducted, it can be concluded that some of the research findings are as follows: 1) the steps taken include: Planning, Mapping of waste locations, Mapping types of waste in categories, Understanding design as a material for creating works of art, Process of assembling forms works of art, the process of refining, the Process of presenting works of art. 2). In managing the creation of works of art by utilizing organic waste (wood and marine biota), we have produced several new prototypes of works of art made from organic waste. 3) Using creative methods based on adaptive and connotative patterns greatly encourages the creation of more significant and productive works of art.

SUMATRAN HORNBILL AS AN IDEA FOR CREATING PAINTINGS Lalang Cakra Buana; Muslim Muslim; Azmi Azmi; Khaerul Saleh; Nelson Tarigan; Tifan Muhammad Amirulloh; Sugito Sugito
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

The creation of this work is driven by the author’s profound interest in hornbills, particularly given the alarming rate of their extinction. The author’s objective is to convey the aesthetic significance of this animal to the broader community. The Sumatran hornbill, with its distinctive and striking characteristics, including its large beak, robust claws, and vibrant plumage, serves as the subject matter for this study. Through the meticulous application of acrylic paint on canvas, the author has crafted twelve paintings that meticulously capture the physical attributes of the bird and its natural habitat. Furthermore, these paintings depict the hornbill’s omnivorous lifestyle. The author employs a combination of three distinct techniques: plaque, chiaroscuro, and bravura. These techniques work synergistically to create a dynamic, contrasting, and vivacious portrayal of the hornbill within the paintings. The resulting twelve paintings, each bearing a unique title that reflects the author’s interpretation of the hornbill, provide an in-depth understanding of its physical characteristics, habitat, and behavior. Additionally, these works contribute to the advancement of the art form through the author’s unique perspective and creative expression.

Co-Authors Adek Cerah Kurnia Azis Amir Ambiya Wijaya Anam Ibrahim Crosby Sitepu Dailami Tanjung Dionisius Sihombing Dwi Budiwiwaramulja Fitri Puspita Sari Khaerul Saleh Lalang Cakra Buana muslim muslim Nasution, Annio Indah Lestari Nelson Tarigan Nurul Cindy Paramita Osberth Sinaga Pinte Ara Putri Pebi Rezika Raden Burhan Rahmita Ilmi Sarinah Sarinah Sugito Sugito Tetty Mirwa Theoria Lamrose Tifan Muhammad Amirulloh Triyanto Triyanto Yusuf Efendi Lubis

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