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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Syntax Literate: Jurnal Ilmiah Indonesia Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Hibualamo : Seri ilmu-ilmu Alam dan Kesehatan Journal of Music Science, Technology, and Industry (JOMSTI) Danum Pambelum: Jurnal Teologi dan Musik Gereja International Journal of Educational Research Excellence (IJERE)
Agastya Rama Listya
Universitas Kristen Satya Wacana
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Earth & Planetary Sciences Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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“Newborn”: Komposisi Musik Programatik Bernuansa Jawa Dalam Kajian Practice-Based Research Yota Hupekoos Ismono; Agastya Rama Listya
Journal of Music Science, Technology, and Industry Vol. 9 No. 1 (2026)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: Yotaland is a programmatic composition with an ethnic nuance in a Western music format, consists of four movements that incorporate musical idioms from various Indonesian ethnicities. i.e., Javanese, Maluku, Balinese, and Batak. The purpose of this research is to analyze the first movement, which adopts Javanese ethnic elements. Method: This research employs a descriptive qualitative method with a practice-based research approach. Data collection is carried out through two types of sources, namely primary data and secondary data. Result and Discussion: The first movement, which is analyzed in depth, represents Javanese idiom through the Sinom song form, characterized by theme, repetition, improvisation, and transformation of various orchestration techniques, as well as changes in time signature. Implication: This research emphasizes that the exploration of local cultural identity can be achieved through contemporary musical media without losing its original aesthetic values and cultural meaning.
Peran Music Box terhadap Spiritualitas Jemaat di HKBP Tapian Nauli Resort Simpang Padang Duri dari Perspektif Gary Thomas Heri Rikidi Siburian; Agastya Rama Listya; Sony Kristiantoro
Danum Pambelum: Jurnal Teologi dan Musik Gereja Vol 5 No 2 (2025): DPJTMG: November
Publisher : Institut Agama Kristen Negeri Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54170/3k10nr68

Abstract

HKBP Tapian Nauli mulai menggunakan music box dalam peribadahan umum, kebaktian lingkungan dan ibadah sekolah minggu semenjak tahun 2021. Sebelumnya ibadah diiringi dengan menggunakan instrumen organ, namun karena terjadi beberapa permasalahan yang mengganggu konsistensi jalannya peribadahan, seperti organis yang sering berhalangan hadir karena bekerja sebagai karyawan di sebuah pusat perbelanjaan, atau organis lainnya yang sering hadir terlambat, maka akhirnya diputuskan untuk menggunakan music box. Tujuan utama penggunaan music box tidak hanya sebagai medium alternatif untuk mengatasi hambatan dalam pelayanan musik, tetapi juga membangkitkan spiritualitas dan semangat jemaat dalam memahami dan menguasai melodi lagu yang akan dinyanyikannya, sehingga pada gilirannya membantu jemaat merasakan kehadiran Tuhan dalam hidupnya. Penelitian ini menggunakan metode kualitatif dengan pengumpulan data dilakukan melalui wawancara dan observasi langsung di lapangan. Tulisan ini terdiri atas tiga bagian besar, yaitu: 1)  pandangan jemaat terhadap music box menurut Gary Thomas; 2) fungsi dan pengaruh music box terhadap spiritualitas jemaat HKBP Tapian Nauli; dan 3) analisis dan pembahasan peran music box terhadap spiritualitas jemaat HKBP Tapian Nauli.
Songs as Transformative Ideology: An Ethnomusicological Approach to the Song Hai Tanahku Papua at GKI in Papua Land Oskar Ayub Wompere; Yusak Setyawan; Izak Y.M. Lattu; Agastya Rama Listya
International Journal of Educational Research Excellence (IJERE) Vol. 3 No. 2 (2024): July-December
Publisher : PT Inovasi Pratama Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55299/ijere.v3i2.1198

Abstract

The purpose of this research is to analyze nyayian as a transformative ideology that focuses on the ideas of the song Hai Tanahku Papua. The song can be an ideological song that can lead listeners to experience life as Papuan people. The research method used in this study is qualitative research with descriptive analysis usingEthnomusicological Approachwith data collection techniques using observation, interview and documentation methods on Papuan people who live in the GKI Tanah Papua church. From the results of the study, the author found that singing is one of the transformative ideologies of Papuan people in living life as a society.The ideology conveyed through songs with theological nuances for Papuans is a warning and message in the form of loyalty, obedience and listening to God which can determine success in the land of Papua. Ethnomusicology must enter to be able to provide the right answer through cultural and musical solutions from different perspectives while bridging renewal for social justice for all Indonesian people on the land of Papua.
Co-Authors Bale, Abraham Malubaya Elyakim Rohim Ramandey Ester - Gosal, Clifford Israel Heri Rikidi Siburian Imanuela Indahmevia Putri Moniung Inggrid Anastasia Noya Izak Yohan Matriks Lattu Komalig, Yudi Novrian Oskar Ayub Wompere Rachel Mediana Untung Rachel Mediana Untung Siahaya, Presli Glovrig Sony Kristiantoro Tan, Arwin Quiñones Wompere, Oskar Ayub Yota Hupekoos Ismono Yusak Budi Setyawan