Asri, Zietha Arlamanda
Universitas Islam Negeri Sunan Gunung Djati Bandung

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Otentisitas di Era Platform: Kajian Multimodal dan Glokalisasi Promosi UMKM Batik Pekalongan-Lasem Istiningdias, Dini Sri; Ningtyas, Sulistya; Asri, Zietha Arlamanda
Sabda: Jurnal Kajian Kebudayaan Vol 20, No 2 (2025): Sabda: Jurnal Kajian Kebudayaan Vol. 20 No. 2
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.20.2.161-177

Abstract

This study investigates how micro-entrepreneurs of Pekalongan–Lasem batik negotiate heritage and trendiness in digital promotional language. A corpus of 240 Instagram captions and 80 product visuals posted in 2025 is analyzed through multimodal discourse analysis, appraisal/stance modeling, and corpus-assisted techniques (frequency and collocation) to map lexis, hashtags, and visual framing. The analysis identifies two dominant constellations: a Heritage package foregrounding technique, provenance, and process credibility, and a Glam-Global package emphasizing exclusivity, scarcity, and release tempo. Hybrid glocal forms appear effective yet risk compressing cultural depth into cosmetic signifiers. The article contributes a culturally anchored account of enregisterment within commercial discourse and offers practical guidance for ethical, informative promotion by UMKM and cultural agencies. Implications include protecting indications of origin, strengthening buyer literacy, and encouraging responsible branding within creative economies and sustainability agendas, while offering a reproducible framework for evaluating identity work in small-enterprise marketing across heritage-rich sectors.
OPPENHEIMER (2023) BIOPIC: PERFORMING ACTING OUT, SEEKING WORKING THROUGH Nanda, Sevtia; Kholidah, Uci Elly; Asri, Zietha Arlamanda
PARADIGM: Journal of Language and Literary Studies Vol 9, No 1 (2026): Paradigm: Journal of Language and Literary Studies
Publisher : Department of English Literature, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v9i1.41381

Abstract

Mental health and trauma now dominate social discourse as well as contemporary cinema, reflecting a growing collective awareness of post-war historical wounds. This study examines the representation of J. Robert Oppenheimer’s traumatic experiences in the film Oppenheimer (2023) and assesses how that cinematic narrative aligns with selected biographical records. The analysis draws on Cathy Caruth’s concepts of belatedness and repetition compulsion and is complemented by Dominick LaCapra’s distinction between acting out and working through. Using a biographical approach, trauma-related moments identified in the film script are juxtaposed with historical documents in Robert Oppenheimer, Letters and Recollections. The findings identify 59 trauma-related instances: 32 cases (54%) reflect acting out, while 27 cases (46%) reflect working through. In the film, trauma is primarily conveyed through psychological disturbances and the intrusion of subconscious memories. In contrast, the biographical documents portray a more structured and sustained pattern of reconciliation, in which working through appears more dominant.