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All Journal Poetika: Jurnal Ilmu Sastra MUDRA Jurnal Seni Budaya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Telaga Bahasa : Jurnal Ilmiah Kebahasaan dan Kesastraan BUANA GENDER : Jurnal Studi Gender dan Anak Muslim English Literature SPACEPRO
Mira Utami
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE SCENT OF SAKE: A FAILURE IN THE EMBODIMENT OF JAPANESE WOMAN IDENTITY TO BE AN AUTHENTIC SUBJECT Zietha Arlamanda Asri; Mira Utami; Sulistya Ningtyas
POETIKA Vol 7, No 2 (2019): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v7i2.51610

Abstract

 Identity is seen as something important to humans in society, as it shows the origin of the self. Sometimes, someone cannot accept the identity that is attached to them, which will lead to the process of forming a new identity. This case also happens to the main character of The Scent of Sake, a novel by Joyce Lebra published in 2009. Rie Omura is not allowed to interfere in the sake making business, so that she tries to change that identity. Thus, this study aims to examine the process of identity formation that occurs in the character of a Japanese woman, represented by Rie. To answer the research problem, this study uses a textual analysis as the research methods. The theory used to assist the analysis is a perspective proposed by Žižek regarding the formation of subject’s identity to achieve the stage of authentic subject. The results show that in her efforts to unbind herself from the symbolic order, she makes attempts to rule the brewer house. However, her action cannot be categorized as a radical action since it cannot bring her out of the Symbolic. It confirms that Rie is failed to be an authentic subject. Keywords: Japanese Woman, Authentic Subject, Žižek, The Scent of Sake Identitas dipandang sebagai sesuatu yang penting bagi manusia yang hidup bermasyarakat karena menunjukkan asal-usul. Terkadang, seseorang tidak dapat menerima identitas yang melekat padanya, yang akan memantik tindakannya menuju pembentukan identitas baru. Hal ini juga terjadi pada karakter utama dalam novel "The Scent of Sake" karya Joyce Lebra yang terbit pada tahun 2009. Rie Omura tidak diizinkan ikut campur dalam bisnis pembuatan sake, sehingga dia mencoba mengubah identitas dan pelabelan tersebut. Dengan demikian, penelitian ini bertujuan untuk mengetahui proses pembentukan identitas dalam karakter wanita Jepang, yang direpresentasikan oleh Rie. Untuk menjawab permasalahan penelitian, analisis tekstual digunakan sebagai metode penelitian. Teori yang digunakan untuk membantu analisis adalah perspektif Žižek mengenai pembentukan identitas subjek untuk mencapai tahap subjek autentik. Hasil penelitian menunjukkan bahwa dalam upayanya untuk melepaskan ikatan dari tatanan simbolis, Rie berupaya untuk berperan penting di perusahaan produksi sake milik keluarganya. Namun, tindakannya tidak dapat dikategorikan sebagai tindakan radikal karena tidak dapat membawanya keluar dari Yang Simbolik. Hal ini mengkonfirmasi bahwa Rie gagal menjadi subjek autentik. Kata Kunci: Perempuan Jepang, Subjek Autentik, Žižek, The Scent of Sake 
JEJAK SEJARAH DALAM SASTRA LISAN DI NUSANTARA Muhammad Fadli Muslimin; Mira Utami
TELAGA BAHASA Vol 8, No 1 (2020): TELAGA BAHASA VOL.8 NO.1 TAHUN 2020
Publisher : Kantor Bahasa Provinsi Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36843/tb.v8i1.124

Abstract

The oral literature had a close relation to history, where oral literature which is part of oral tradition become the main container in the delivery of historical facts. Therefore, tracking historical facts in oral literature in the archipelago. The purpose of this study is to reveal the historical traces that exist in oral traditions in Indonesia, especially those found in Bugis, Minangkabau, Sundanese, Banjar, Kerinci, and Sentani oral literature. The method used is the descriptive analysis utilizing the theory of Jan M. Vansina about oral tradition as history. The results of the research show that the historical content in oral literature tells about the origins of humans, the lives of the past kings, and their narrative tends to be personified. 
STATE OF EXCEPTION THROUGH RASISME IN GO SET A WATCHMAN IN AGAMBEN’S POLITICAL PHILOSOPHY Damay Rahmawati; Ramadhani Ardianto Karsa Sunaryono; Mira Utami
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol 20 No 2 (2021): Bahtera: Jurnal Pendidikan Bahasa dan Sastra, Volume 20 Nomor 2 Juli 2021
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.202.01

Abstract

This study aims to see racism in the novel Go Set a Watchman by Harper Lee as state of exception; a political philosophy of Agamben. Agamben's idea of ​​state of exception is used in this study as the theoretical framework. This research specifically reveals how racism becomes part of state of exception in American society around 1960s when the novel was written. The analysis focuses on issues of racism in American society as depicted in the novel. The issue of racism is taken with the aim of analyzing state of exception in USA, in dealing with racial discrimination. After analyzing the issues of racism and state of exception in the novel, this study reveals that racism in American society is politically structured. The finding of this study is the discrimination experienced by lower class citizens who are dominated by black people, as the impact of state of exception which affects their citizenship rights.
INTERSECTIONALITY OF RACE AND GENDER IN “HARRY POTTER: THE DEATHLY HALLOWS” Mira Utami
BUANA GENDER : Jurnal Studi Gender dan Anak Vol. 6 No. 2 (2021)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/bg.v6i2.4701

Abstract

The term “intersectionality” appears back in the day of oppressing still incurred upon black women, the condition that has been spoken up for hundreds of year but never come to an end. Kimberlé Crenshaw as an advocate of American civil right for black women is voicing her thought regarding the intersection of race and gender from the clashes in treatment upon black women among the society. The theory of intersectionality questions the power of black women that is in bare minimum, likely none, in opposite to the power of white men as the highest in the society. Thus, the theory is used to analyze the intersections of human being in the term of race, gender, and sex as well.This research found the intersectionality of race and gender from the perspective of Crenshaw over the characters in the novel “Harry Potter and The Deathly Hallows” written by J.K. Rowling. The findings show the intersections of human and non-human creatures appeared in the novel along the terms of wizarding world of Harry Potter.
Rendo Bangku Craft of Koto Gadang West Sumatra on Fashion Products Ranelis Ranelis; Rahmad Washinton; Kendall Malik; Mira Utami
Mudra Jurnal Seni Budaya Vol 38 No 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i2.2291

Abstract

This article entitled “Rendo Bangku Craft of Koto Gadang West Sumatra on Fashion Products” aims to raise the potential of Koto Gadang’s rendo bangku patterns, as one of the excellent products of the Koto Gadang village community. Rendo bangku craft which was originally used to decorate the edges of women's shawls in Koto Gadang is now being innovated by placing Koto Gadang’s rendo (embroidery) on fashion products. The method used is experimental, by the means of exploration, design, manifestation, and evaluation. Exploration was carried out to find ideas or concepts related to the product of Koto Gadang local embroidery which was carried out using observation, literature study, and interviews. Designing is the step of an embodiment of ideas and concepts from exploration into the design of women’s wear, men’s wear, and accessories. Embodiment is the step to manifest the result of the pattern design of fashion products in a real form into working drawings, as well as into finished products including men's clothing.
Deconstruction of the Main Protagonists in Ausma Zehanat Khan’s The Unquiet Dead Luthfialdi Nouval; Mira Utami
Muslim English Literature Vol 3, No 1 (2024): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v3i1.39451

Abstract

Jacques Derrida coined two Deconstruction concepts: Binary Opposition and Logocentrism used to analyze the protagonist characters: Esa Khattak and his junior, Rachel Getty, in Ausma Zehanat Khan’s The Unquiet Dead (2013). The binary opposition analysis is used to reveal the binary of the character and its opposition. The results of the analysis show that Khattak as the main protagonist has Good Superior and Resolute traits as his dominant binaries; while Rachel Getty’s central binaries are Forthright and Independent. The concept of logocentrism is decentralizing the dominant binary to create a new center by putting it under erasure. Khattak is symbolized as Justice because his main binary represents the characteristics of justice which is associated with real-world, such as courts. Rachel Getty is symbolized as Feminism because the leading binary represents the characteristics of Feminism which is associated with examples of feminist such as Kartini as the independent women. Thus, Kahn’s novel reconstructs the protagonist characters to question our binary perspectives, such as good/bad, justice/injustice, and feminist/masculine.
Pemahaman Desain Produk dengan Pendekatan Sejarah Desain dan Peran Desain Malik, Kendall; Fernando, Ferry; Gani, Maulid Hariri; Fajrina, Rahma Melisha; Utami, Mira
SPACEPRO: Product Design Jurnal Volume 1 Nomor 2, November 2023
Publisher : INSTITUT SENI INDONESIA PADANGPANJANG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/spacepro.v1i2.4046

Abstract

History says that design is actually rooted in artistic activities that have grown towards one sphere of culture in its essence to another: the means of everyday human life. When historical descriptions state that the primitive people make cangulals as a tool that is a transformation of the extension of the hand: often questions about design, art or technology. Design is challenged to have to engage in a variety of cultural weather.  As with technology, design is required to immediately formulate the situation in line with the development of other cultural sectors. The construction of the Bauhus in Germany, with the prophecy of Walter Gropius, is considered a milestone in the development of modern design history. The basic philosophy of the Bauhaus departs from the idea that the methods of industrial production of the 19th century have led to the disregard of the relationship between the process of design and handicraft or the ability of the hand, the unity between the creator and the product is broken. In fact, the influence, the Bauhaus principles that later evolved into an International style, were not the product of experiments produced by the instructors (Meister) and his students, but the methodology of visual arts education and the design methodology that he taught. The fundamental role of a designer will never change, but what will change is his commercial situation. Technology, research, and manufacturing techniques of different products drive manufacturers to produce similar items. Keywords: History; Product Design; Design Role
Co-Authors Asri, Zietha Arlamanda Damay Rahmawati Fajrina, Rahma Melisha Ferry Fernando, Ferry Kendall Malik Luthfialdi Nouval Malik, Kendall Maulid Hariri Gani Muhammad Fadli Muslimin Rahmad Washinton Ramadhani Ardianto Karsa Sunaryono Ranelis Ranelis Sulistya Ningtyas