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A GENDER PERSPECTIVE IN LANGUAGE USE OF MIDDLE EASTERN FREEDOM ACTIVISTS’ SPEECHES -, SULISTYANINGTYAS
Jurnal Ilmiah Mahasiswa FIB Vol 1, No 2 (2015)
Publisher : Fakultas Ilmu Budaya Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (441.637 KB)

Abstract

Keywords: gender perspective, language use, speech, freedom activist, MiddleEast. This research aims to examine the language use of the Middle Eastern freedom activists’ speeches through gender perspective. This research investigates (1) what gender differences in language use showed by male and female Middle Eastern freedom activists’ speeches, and (2) how the language for speech used by male and female speakers influences the audience of the Middle Eastern freedom activists’ speeches.Qualitative approach is used in this research. The data source are from male and female Middle Eastern freedom activists’ speech videos. Then, the data are the speeches of freedom activist which are transcribed into written texts as the primarydata and respondents’ opinion as the secondary data. Three transcriptions from eachgender are considered proper to answer the problems in this research. In analysingthe data, the theories employed are about male and female spoken language differences by Haas (1979) and the language for speech by Jones and Peccei (2004).In answering the second problem of the research, it is also required 10 respondentswith certain criteria.The result reveals that there are sets of spoken language differences between male and female speakers. Male speakers’ language can be characterised as: 1) Form: coarse, direct, using pun, using pronominal apposition, 2) Topic: politics, human relation, 3) Content: using male adjectives, 4) Use: lecture, assert, command. In spite of that, female speakers’ language can be characterised as: 1) Form: polite, 2) Topic: social problem, 3) Content: using hyperbole, using adverb of intensity, 4) Use: non-assertive, tentative. In using the language for speech, both male and female speakers produce metaphor, euphemism, the ‘rule of three’, parallelism, and pronouns in random frequency of production, which cannot be separated by genders. Moreover, it cannot be concluded that one gender is more potential than the other to influence the audience in delivering speech. There are also other factors, particularly non-verbal factors, exist to give impacts on how a speech can influence the audience.The next researchers are suggested to conduct a similar research with different objects or to explore gender differences in language use by applying other approach. The next researchers might look into the gender differences in language use from literary works as well.
THE SCENT OF SAKE: A FAILURE IN THE EMBODIMENT OF JAPANESE WOMAN IDENTITY TO BE AN AUTHENTIC SUBJECT Zietha Arlamanda Asri; Mira Utami; Sulistya Ningtyas
POETIKA Vol 7, No 2 (2019): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v7i2.51610

Abstract

 Identity is seen as something important to humans in society, as it shows the origin of the self. Sometimes, someone cannot accept the identity that is attached to them, which will lead to the process of forming a new identity. This case also happens to the main character of The Scent of Sake, a novel by Joyce Lebra published in 2009. Rie Omura is not allowed to interfere in the sake making business, so that she tries to change that identity. Thus, this study aims to examine the process of identity formation that occurs in the character of a Japanese woman, represented by Rie. To answer the research problem, this study uses a textual analysis as the research methods. The theory used to assist the analysis is a perspective proposed by Žižek regarding the formation of subject’s identity to achieve the stage of authentic subject. The results show that in her efforts to unbind herself from the symbolic order, she makes attempts to rule the brewer house. However, her action cannot be categorized as a radical action since it cannot bring her out of the Symbolic. It confirms that Rie is failed to be an authentic subject. Keywords: Japanese Woman, Authentic Subject, Žižek, The Scent of Sake Identitas dipandang sebagai sesuatu yang penting bagi manusia yang hidup bermasyarakat karena menunjukkan asal-usul. Terkadang, seseorang tidak dapat menerima identitas yang melekat padanya, yang akan memantik tindakannya menuju pembentukan identitas baru. Hal ini juga terjadi pada karakter utama dalam novel "The Scent of Sake" karya Joyce Lebra yang terbit pada tahun 2009. Rie Omura tidak diizinkan ikut campur dalam bisnis pembuatan sake, sehingga dia mencoba mengubah identitas dan pelabelan tersebut. Dengan demikian, penelitian ini bertujuan untuk mengetahui proses pembentukan identitas dalam karakter wanita Jepang, yang direpresentasikan oleh Rie. Untuk menjawab permasalahan penelitian, analisis tekstual digunakan sebagai metode penelitian. Teori yang digunakan untuk membantu analisis adalah perspektif Žižek mengenai pembentukan identitas subjek untuk mencapai tahap subjek autentik. Hasil penelitian menunjukkan bahwa dalam upayanya untuk melepaskan ikatan dari tatanan simbolis, Rie berupaya untuk berperan penting di perusahaan produksi sake milik keluarganya. Namun, tindakannya tidak dapat dikategorikan sebagai tindakan radikal karena tidak dapat membawanya keluar dari Yang Simbolik. Hal ini mengkonfirmasi bahwa Rie gagal menjadi subjek autentik. Kata Kunci: Perempuan Jepang, Subjek Autentik, Žižek, The Scent of Sake 
POWER RELATIONS ON FEMALE BODY IN SENO GUMIRA AJIDARMA’S SHORT STORY Sulistya Ningtyas
POETIKA Vol 9, No 1 (2021): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v9i1.56477

Abstract

This study explored the practice of power relations and the panopticon as a disciplinary mechanism in Seno Gumira Ajidarma’s Istana Tembok Bolong short story. ‘Istana tembok bolong’ in this literary work refers to a place near a train station that is separated from the outside area by a perforated wall, which turns to be a palace for the lower class of society occupying the space. By using Foucauldian analysis, this study examined the case of ‘selling matches’ as the central issue of the story being discussed. This phenomenon that occurred in Yogyakarta in the 1970s became the media of the manifestation of power over street prostitutes. The results showed that power relations operate as a means to control the body, particularly female bodies. This is because female bodies become commodities as a result of capitalism. However, in a certain situation, these street prostitutes can also hold power in a way how their bodies are enjoyed. Besides, social norms outside the palace function as a panopticon that makes the inhabitants have self-awareness as they feel constantly monitored. Penelitian ini mengeksplorasi praktik relasi kuasa dan panoptikon sebagai mekanisme pendisiplinan dalam cerita pendek Istana Tembok Bolong karya Seno Gumira Ajidarma. ‘Istana tembok bolong’ dalam karya sastra ini merujuk pada sebuah tempat di dekat stasiun kereta api yang terpisahkan dari area luarnya oleh dinding yang berlubang, yang dianggap sebagai istana oleh masyarakat kelas bawah yang menempati ruang tersebut. Dengan menggunakan analisis Foucauldian, penelitian ini melihat fenomena ‘jual korek api’, yang merupakan isu utama dari cerita yang dibahas di sini. Fenomena yang terjadi di Yogyakarta pada tahun 1970-an tersebut menjadi media perwujudan kuasa terhadap pekerja seks jalanan. Hasil penelitian menunjukkan bahwa relasi kuasa beroperasi sebagai alat untuk mengendalikan tubuh, terutama tubuh perempuan. Hal ini karena tubuh perempuan menjadi komoditas sebagai akibat dari kapitalisme. Namun, dalam situasi tertentu, pekerja seks jalanan tersebut juga dapat memegang kekuasaan terkait bagaimana tubuh mereka dinikmati. Selain itu, norma-norma sosial di luar istana berfungsi sebagai panoptikon yang membuat penghuninya memiliki kesadaran diri karena mereka merasa terus-menerus diawasi.
Seeking Power from Two Different Voices: A Gendered Approach to Freedom Activists’ Speeches Sulistya Ningtyas
Alphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Vol 4, No 2 (2021)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.alphabet.2021.04.02.05

Abstract

Gender basically gives distinction to males and females, where our public domain is inseparable from this social construction. This study aimed to identify the language use of the Middle Eastern freedom activists’ speeches based on gender perspective. The data source was from male and female Middle Eastern freedom activists’ speech videos. A number of participants were also involved to measure the powerful voice in the speech. The results showed that male and female speakers produced a set of spoken language differences, which differed by form, topic, content, and purpose. In using the language for speech, both male and female speakers produced some elements in random frequency. To conclude, one gender could not be considered more potential than the other to influence the audience when delivering the speech. Other factors, particularly non-verbal ones, exist to give impacts on the speech performance so that it has a certain degree to influence the audience.
Radical Act and Political Withdrawal in Han Kang’s The Vegetarian Sulistya Ningtyas
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 6, No 3 (2022): Culturalistics: Journal of Cultural, Literary, and Linguistics Studies (October
Publisher : Department of Linguistics, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/culturalistics.v6i3.16081

Abstract

The multi-interpreted narrative of Han Kang’s novel The Vegetarian is developed on an allegory. In this study, the allegory is seen as the meaning of freedom where the subject chooses to resist social intervention through the radical Act and political withdrawal — two main practices of action in the Žižek study. This study aims to examine the practices of action demonstrated by the protagonist that resulted from her childhood trauma. By applying Žižek’s theory of radical politics, the results of the study revealed the radical Act of being a vegetarian taken by the main character as her criticism of the violent environment. Further, the subject’s political withdrawal from living as a normal human indicates that she has gone beyond the radical Act. Even though the subject collapses in her effort to transform to become a tree, her courage to start taking this action in the first place confirms that she has value as an authentic subject.Keywords: vegetarian; trauma; Žižek study; radical Act; political withdrawal; The Vegetarian 
The Girl on the Train: Analisis Habitus dan Selera Penonton dalam Film Psychological Thriller: The Girl on the Train: Questioning Habitus and Taste of the Audience on Psychological Thriller Film Sulistyaningtyas Sulistyaningtyas
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (204.457 KB) | DOI: 10.26499/kc.v16i2.225

Abstract

The taste of film is a reflection of the social, economic, and political circumstances in a certain period in history. Taste, as subjective preferences towards symbolic objects, is strongly determined by the habitus of the audience. This study is motivated by the audience’s interest to psychological thriller film, which is questionable given that this genre drives them to experience a set of negative emotions. To examine the research problems, this study adopts a Bourdieu perspective related to habitus and taste. The objective of this study is to find out the interrelation of habitus and taste of the audience in affecting their attraction towards the psychological thriller film. To give a specific context in the analysis process, The Girl on the Train film is chosen as the material object of this study. By using qualitative research methods, the results show that the habitus of the present conditions is engaged in a confrontation of social conflicts. It drives the audience to construct their taste of psychological thriller film as an escape from reality. Though this genre gives a set of detrimental feelings to the audience, they gain satisfaction as they play an important role in solving the problems of the film.
The Failure of Bartleby Politics in Orwell’s 1984 Ningtyas, Sulistya
Vivid: Journal of Language and Literature Vol. 13 No. 2 (2024)
Publisher : English Department, Faculty of Humanities, Andalas University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/vj.13.2.177-183.2024

Abstract

This study aims to provide a contemporary interpretation of Orwell’s masterpiece, 1984, through the lens of Žižek’s radical violent Act and political withdrawal. Using textual analysis with a psychoanalytic approach, the research examines the failure of Bartleby politics within the protagonist’s journey living in a totalitarian society. Initially, the protagonist commits a radical Act by seeking to rebel against the Party. However, due to the overwhelming power and control exerted by the Party, the protagonist ultimately practices a political withdrawal. Yet, his political withdrawal, commonly referred to as Bartleby politics, is not a mere act of retreat. Rather, it is a strategic decision aimed at preserving his physical existence in the face of imminent destruction. The findings of this study contribute to a deeper understanding of the complexities surrounding political resistance and survival in Orwell’s dystopian world
Semarang College Students’ Views on Beauty Standards & Diversity in Indonesian Skincare & Bodycare Advertisements Priskila, Cristyvilda; Ningtyas, Sulistya
Sabda: Jurnal Kajian Kebudayaan Vol 16, No 1: 2021
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.16.1.%p

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Beauty standards that spread widely in society make people treat some different from the other. It also influence how people see a person in a formal context, like in recruiting job or school. Unfortunately, this perennial bias also appear in how Indonesian skincare and body care brands make their advertisements. The advertisements usually only show model with particular beauty standards and left diversity behind, forgetting that beauty cannot be defined as simple as that. This research take a depth look about it through the interviews with selected Semarang college students. The research explores about those advertisements and its impact of how people define beauty. Aiming to understand college students’ point of view of mentioned issue, this research wants to become a starting step in changing the prevailing beauty standards.
Change of Beauty Standards in Indonesian Society Through Beauty Product That Improve Lately Saraharah, Zona Dyota; Ningtyas, Sulistya
Sabda: Jurnal Kajian Kebudayaan Vol 18, No 1: 2023
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.18.1.54-67

Abstract

Beauty products that continue to use the words whitening or brightening when selling their products to Indonesians even though most Indonesians have a variety of colors, not just white or bright. This research aims to explore people's views regarding beauty standards which are now starting to change in people's views, reflected in local beauty products promoted by brands that continue to improvise. The method used in the research is a constructive paradigm by interviewing several participants. The results of this research are the opening of the view that beauty cannot be made or set to a standard, especially as many local beauty products make products to suit Indonesian people's skin color. Awareness and openness of people's minds, especially young people, who know that social media is a means to be open to the uniqueness of each individual's beauty.
PENAMBAHAN EKSTAK BAYAM HIJAU (Amaranthus Hybridus L.) TERHADAP SIFAT ORGANOLEPTIK SOSIS DAGING AYAM Supranoto, Supranoto; Alfiyan, Riski; Sulistyaningtyas, Sulistyaningtyas; Sukmaningsih, Tri; Viastika, Yanita Mutiaraning
Jurnal Peternakan (Jurnal of Animal Science) Vol 8, No 1 (2023): JURNAL PETERNAKAN (JURNAL OF ANIMAL SCIENCE)
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jac.v8i1.15342

Abstract

The research aims to evaluate the effect of adding green spinach extract to broiler chicken sausages in terms of organoleptic properties, namely color and taste. The research used an experimental method with a completely randomized design (CRD) with a 4 x 5 unidirectional pattern. The treatments given bijau spinach extract were: P0: 750 g meat without green spinach extract + 200 g flour; P1: 750 grams of meat + 35 ml green spinach extract + 200 g flour; P2: 750 grams of meat + 45 ml green spinach extract + 200 g flour; and P3: 750 grams of meat + 55 ml green spinach extract + 200 g flour. The results showed that the addition of green spinach extract significantly affected the color and taste of broiler meat sausages. The more green spinach extract was added, the more intense the green color of the sausage, and the panelists preferred the color and taste of the sausage with the addition of green spinach extract. The color and taste of broiler meat sausage were highest at P3. The addition of green spinach extract can improve the organoleptic quality of broiler chicken sausage and is preferred.Â