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All Journal MUDRA Jurnal Seni Budaya Panggung Syntax Idea Pantun: Jurnal Ilmiah Seni Budaya Buana Ilmu Studies in Learning and Teaching Journal of Innovation in Educational and Cultural Research PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Panggung
Suhendi Afryanto, Suhendi
Institut Seni Budaya Indonesia (ISBI) Bandung
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Gong Rénténg Transformation From Sacral to Profan Suhendi Afryanto; Arthur Supardan Nalan; Gustiyan Rachmadi
Mudra Jurnal Seni Budaya Vol 39 No 1 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i1.2520

Abstract

One type of gamelan art that is developing in West Java is Gong Rénténg which used to be often used in sacred ceremonial activities. The sacredness built into the art is inseparable from the belief system adopted by the community as its supporting community. Gong Rénténg's whereabouts then and now are experiencing dynamics of change which are quite important to study, especially his journey which was stopped for various reasons. Stagnant regeneration factors, changes in people's perspectives due to changes in belief systems, as well as the influx of imported arts that continue to intrude on traditional art life, are some of the main reasons this art has experienced ups and downs in its life. The research carried out has the style of cultural research involving key informants as triggers to explore the depth of the material. There are three models of cultural research as approaches taken by researchers, including; Life Story models, Grounded Theory, and Personal Narrative. While the research method used still uses qualitative research by taking locations in two different areas, namely: (1) Ciwaru Village, Cimalaka District, Sumedang Regency, and (2) Kedungsana Village, Plumbon District, Cirebon Regency. In Ciwaru village, the object of research is the art of Gong Rénténg Pusaka Langgeng, while in the village of Kedungsana it is the art of Gong Rénténg Ki Muntili. The results of the research conducted obtained the following information: (1) The Gong Rénténg Pusaka Langgeng art still adheres to adat in a standard way even though the next generation continues to decrease, and (2) The Gong Rénténg Ki Muntili art does two ways to keep it alive, namely ritual ceremonies as part of ancestral traditions are carried out as well as the process of inheritance with new interpretations.
Internalisasi Nilai Kebersamaan melalui Pembelajaran Seni Gamelan (Pendidikan Karakter bagi Mahasiswa) Suhendi Afryanto
PANGGUNG Vol 23 No 1 (2013): Strategi dan Transformasi Tradisi Kreatif: Pembacaan, Pemaknaan, dan Pembelajara
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i1.85

Abstract

ABSTRACT The research is motivated by imbalance behaviors among the younger generation as the responsible generation for continuing the national aspiration which has been in very alarming point. These im­ balance behaviors are (1) integrity crisis and promiscuity among students, (2) gang fight between students who are intellectually should set a good example to the society (3) distortion of togetherness value, and (4) widespread loss of national character or identity that caused multi dimension crisis which leads to disintegration process. Consequently, it is necessary to provide an alternative solution to restore peaceful life and uphold togetherness value as a part of distinctive Indonesian national character through formal educational dimension. Keywords: Togetherness Value­Gamelan­Character Education  ABSTRAK Penelitian ini termotivasi oleh ketidakseimbangan perilaku di kalangan generasi muda se- bagai generasi yang bertanggung jawab untuk melanjutkan aspirasi nasional yang telah berada pada titik yang sangat mengkhawatirkan. Ketidakseimbangan perilaku itu ialah (1) krisis integritas dan pergaulan bebas di kalangan mahasiswa, (2) tawuran antara ma- hasiswa yang secara intelektual seharusnya memberikan contoh yang baik kepada ma- syarakat (3) distorsi nilai kebersamaan, dan (4) hilangnya karakter atau identitas nasional secara luas yang menyebabkan krisis multi dimensi yang mengarah pada proses disinte- grasi. Oleh karena itu, perlu memberikan solusi alternatif untuk memulihkan kehidupan yang damai dan menjunjung tinggi nilai kebersamaan sebagai bagian dari karakter nasio- nal khas Indonesia melalui dimensi pendidikan formal. Kata kunci: nilai kebersamaan, Pembelajaran Seni Gamelan, pendidikan karakter  
Konvensi Tradisi Garap Seni Dugjring Sebagai Dasar Penciptaan Karya Seni Lokal Wihendar Wihendar; Suhendi Afryanto; Mohamad Rudiana
Syntax Idea 3764-3771
Publisher : Ridwan Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/syntax-idea.v6i8.4406

Abstract

Penelitian ini membahas tentang pola tabuh seni dugjring yang mempunyai nilai konvensi tradisi yang kuat ketika dilihat dari pola tabuh dan bentuk pertunjukannya bersifat helaran yang dijadikan landasan dasar proses penciptaan karya. Dalam penelitian metode yang digunakan yakni metode Kualitatif yakni etnografi karena menyangkut suatu wilayah dan observasi auditif karena bersangkutan dengan aspek musikal dan pengalaman empiris. Pandangan masyarakat banyak aturan-aturan yang harus difahami dan ditanamkan meskipun aturan tersebut tidak tertulis. Oleh sebab itu, konvensi tradisi ini sangat penting untuk difahami. Tujuan dari artikel yakni untuk memperkenalkan konvensi tradisi pola tabuh seni dugjring yang memiliki nilai dan karakter diwujudkan menjadi karya Nyanyian Kunti. Sehingga perlunya pelestarian dan pengenalan terhadap khalayak muda untuk tetap melestarikannya
Therapy Melalui Seni Gamelan Sunda S.Kar., M.M., Suhendi Afryanto,
Paraguna Vol 7 No 1 (2020): DINAMIKA KHAZANAH KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v7i1.1851

Abstract

ABSTRAK Seni apapun bentuknya memiliki fungsi tersendiri, di samping sebagai sarana hiburan, sering jugadimanfaatkan sebagai sarana terapi. Sepeerti halnya dengan seni gamelan Sunda, berdasarkan hasil penelitian yang dilakukan melalui metode narative personal, dengan teknik wawancara terhadap 50 orang mahasiswa yang pernah belajar mempraktikkan gamelan (Sunda) dan 10 orang ahli gamelan (Sunda), diperolah suatu kesimpulan bahwa seni gamelan dapat dijadikan salah satunya sebagai sarana terapi.Melihat fenomena seperti itu, bukan suatu keniscayaan dalam banyak hal seni juga dapat dijadikan sebagai value education dalam membentuk karakteristik bagi para pelakunya. Dari penelitian yang dilakukan, sekurang-kurangnya dapat diketahui bahwa mengapa seni musik diciptakan, karena memang terkait dengan kebutuhan manusia. Sepanjang kehidupan ada, maka seni akan memberi warna tersendiri sebagai dinamika yang setiap saat terus berjalan.   ABSTRACAny form of art has its own function, apart from being a means of entertainment, it is also often used as a means of therapy. Likewise with Sundanese Gamelan Art, based on the results of research conducted through personal narrative methods, by interviewing 50 students who have learned to practice gamelan (Sundanese) and 10 gamelan experts (Sundanese), a conclusion is obtained that gamelan art can be used as one of them. as a means of therapy.Seeing such a phenomenon, it is not a necessity in many ways art can also be used as an educational value in shaping the characteristics of the actors. From the research conducted, at least it can be seen that why the art of music was created, because it is related to human needs. As long as life exists, art will give its own color as a dynamic that is constantly running. 
Analysis of the Effect of DJ Transition Techniques on Discotheque Visitor Behavior: A Case Study of Entrainment at Panic Paradise Club Rizal, Samsul; Suhendi Afryanto; Hinhin Agung Daryana
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3626

Abstract

The phenomenon of trance that occurs when watching music performances, especially traditional music in Indonesia, is common and is often associated with the supernatural, beliefs, and other mystical aspects. However, scientific research has provided an explanation for this phenomenon. Entrainment, a condition in which the body of a living being is synchronized with the music’s emitting source (oscillator), is the scientific explanation for the phenomenon. This research focuses on how music in nightspots (discos) can make listeners reach the entrainment phase. The entrainment phase can be achieved if the beat of the music is stable when perceived by the listener. The researcher hypothesized that music transition techniques are very influential to achieve the entrainment phase. In addition, the individual and collective behavior of participants can influence other discotheque visitors. This research uses a qualitative method with a grounded theory approach. Data were collected through field observations with a number of participants in two trials. The first test (pre-test) was conducted with music from a disc jockey who was less proficient in transition techniques, while the second test (post-test) was conducted under the opposite conditions. The results showed that the participants were able to achieve the third phase of entrainment and affect other visitors collectively, which was not the case in the pre-test. This shows that entrainment can be achieved with effective music transition techniques from a disc jockey, and an individual’s entrainment state can influence other discotheque patrons both individually and collectively. The successfully achieved entrainment phenomenon is also able to explain the phenomenon of trance influenced by music.
Co-Authors Andes Safarandes Asmara, Andes Safarandes Anggy Giri Prawiyogi Arif Saefudin Arthur S Nalan Arthur Supardan Nalan Asep Wadi Asep Wadi Endang Caturwati Gustiyan Rachmadi Heri Herdini Hinhin Agung Daryana Imran, Muh Erwinto Jayawarsa, A.A. Ketut Mohamad Rudiana R. Muhammad Luthfi Ferrari Retno Dwimarwati Retno Dwimarwati Rini Nur Mega Wihendar Wihendar Yulistina Nur DS