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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Filsafat Jurnal Ilmu Sosial dan Ilmu Politik JURNAL SOSIOLOGI JSW (Jurnal Sosiologi Walisongo) Jurnal Universitas Paramadina Reformasi : Jurnal Ilmiah Ilmu Sosial dan Ilmu Politik Jurnal Sosiologi Andalas Masyarakat: Jurnal Sosiologi Jurnal Sosiologi USK (Media Pemikiran & Aplikasi)
Oki Rahadianto Sutopo
Universitas Gadjah Mada
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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MEMAHAMI TRANSISI PEMUDA PERBATASAN Oki Rahadianto Sutopo
REFORMASI Vol 6, No 2 (2016)
Publisher : Universitas Tribhuwana Tunggadewi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (83.45 KB) | DOI: 10.33366/rfr.v6i2.685

Abstract

Abstract: This article presents an analysis of youth transition that lives in the borderland area. By using qualitative methods, the research found that during the process of transition, borderland youth had to negotiate with the structural obstacles especially the lack of basic facilities, such as electricity supply, road, education, and health. Furthermore, those structural obstacles as well as rapid social change had an impact for the pathways of borderland youth transition. There were three pathways from school to work transition: fast track transition, stay in the village and become a peasant or move to other area to work as a labor. However, the transitions of borderland youth were still facing the uncertainty in the future. The State had to give supports for borderland youth to eliminate structural obstacles by building some of the basic facilities in the village. Key words: transition; borderland youth; structural obstacles Abstrak: Artikel ini menjelaskan mengenai transisi pemuda dari daerah perbatasan. Dengan menggunakan metode kualitatif ditemukan bahwa dalam proses transisi, pemuda perbatasan mengalami hambatan-hambatan struktural terutama minimnya fasilitas dasar seperti listrik, jalan, pendidikan dan kesehatan. Hambatan struktural ini berdampak pada tiga rute transisi pemuda perbatasan menuju dunia kerja terutama paksaan untuk menempuh jalur cepat, menetap sebagai petani atau berpindah ke daerah lain sebagai buruh. Ketiga rute ini sama- sama menghadapkan pemuda perbatasan pada kondisi ketidakpastian mengenai masa depan. Sebagai solusi, Negara perlu hadir untuk mereduksi hambatan-hambatan struktural yang harus dijalani oleh pemuda perbatasan dengan membangun fasilitas-fasilitas dasar. Kata Kunci: transisi; pemuda perbatasan; hambatan struktural
FAKTOR STRUKTURAL DAN KULTURAL PENYEBAB KESENJANGAN SOSIAL: KASUS INDUSTRI BATIK PAMEKASAN MADURA Sutopo, Oki Rahadianto
Komunitas Vol 5, No 2 (2013): September 2013
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v5i2.2741

Abstract

AbstrakSecara teoretis, pembangunan ekonomi diandaikan akan menghasilkan pemerataan kesejahteraan bagi masyarakatnya. Pasca ditetapkan sebagai sentra batik, yang terjadi di Kecamatan Proppo Pamekasan Madura justru sebaliknya, tingkat prasejahtera warga berdasarkan alasan ekonomi justru tertinggi di antara kecamatan yang lain. Dengan menggunakan metode kualitatif secara spesifik dengan teknik wawancara mendalam dan observasi, sebagai studi awal analisis dalam artikel ini akan menjelaskan mengenai faktor struktural, kultural serta proses reproduksi sosial yang menyebabkan kesenjangan sosial tersebut. Reproduksi struktur sosial yang timpang menyebabkan distribusi kuasa juga tidak merata, menciptakan relasi dominasi subordinasi dan pada prosesnya akses juga tidak merata. Struktur sosial yang timpang ini diperkuat dengan kultur patriarkhis yang semakin meneguhkan kesenjangan sosial. AbstractTheoretically, economic development will create equality of wealth distribution to  people. This is not the case in Proppo disctrict Pamekasan Madura after being declared as one of Batik centre, Proppo has the highest rate of disadvantaged people compared to other districts. Using qualitative method, specifically in-depth interview and observation, this article  explains the structural, cultural factors as well as the process of social reproduction that resulted in social inequality in Proppo district. This article concludes that the reproduction of unequal social structure results in unequal power distribution, dominant-subordinant relation and also unequality of access.This unequal social structure is also reinforced by patriarchalculture which later strengthened social inequality.© 2013 Universitas Negeri Semarang
Young Jazz Musicians and Negotiation of Public Space in Yogyakarta Indonesia Sutopo, Oki Rahadianto
Komunitas Vol 9, No 2 (2017): September 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i2.10060

Abstract

Using Bourdieusian approach, this article explores the reflexive strategies of young jazz musicians in order to develop their musical practices in a contemporary urban context of Yogyakarta, a city of culture and activism in Indonesia. In detail, the reflexive strategy (Sweetman 2003; Threadgold Nilan 2009) will be explained as the manifestation of struggle in the field of cultural production (Bourdieu 1993). As an implication, young jazz musicians have to negotiate their musical practices with the reproduction of doxa and the representation of dominant agents in the jazz music field including the availability of public spaces in contemporary Yogyakarta. The resistance towards doxa will be explained based on the local narratives of the Yogyakarta jazz community as a mixture of the local and the trans-local scene (Bennett Peterson 2004). Furthermore, the reflexive strategy will be analysed through the lens of the youth culture perspective specifically as a manifestation of a mixture between post-subculture (Bennett 1999) and subculture (Blackman 2005). In their everyday musical practices, young jazz musicians produce their musical practices fluidly and flexibly as a lifestyle distinction as well as a form of everyday life resistance. In summary, this article shows the complexity of the musical processes of young jazz musicians in contemporary urban space of Yogyakarta, Indonesia.
Pengetahuan dan Relasi Kuasa Global Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 16, No. 2
Publisher : UI Scholars Hub

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Abstract

Transformasi Jazz Yogyakarta: Dari Hibriditas menjadi Komoditas Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 17, No. 1
Publisher : UI Scholars Hub

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Abstract

This article tries to show the transformation of jazz music as a cultural product in Yogyakarta. This transformation is, according to Baumann, fluid, contradictory, and ambivalent. In the origin, this music became a symbol of resistance by the lower class, whereas in Indonesia jazz became the upper middle class consumption. However, in its development, some jazz musicians try to restore the original meaning by combining local elements and bring a hybrid genre of jazz, although this was not last long. The traditional elements can not survive to bring the spirit of resistance because this new genre of jazz eventually entered the music industry as a pop culture. Local elements in the end are commodified. The impact is then the reduction of the meaning of jazz and locality itself.
Beragam Islam, Beragam Ekspresi: Islam Indonesia dalam Praktik Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

Hidup adalah Perjuangan: Strategi Pemuda Yogyakarta dalam Transisi dari Dunia Pendidikan ke Dunia Kerja Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 18, No. 2
Publisher : UI Scholars Hub

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Abstract

This article shows the experiences of six young people from Yogyakarta who struggle in the process of school to work transition. These young people creatively implemented long term strategy both inside and outside the field of education They accumulate various kind of capitals so that it can be converted in the future. All of the informants are from middle class background. The result shows they still get benefits from strategies and capital that they had previously created. As a young people from middle class background, they are optimist that they can reach their dream jobs in the future as long as they work hard, creative and struggle hard. The finding of this research supports the qualitative aspect to previous study made by Nilan (2012) Theoretically, it shows the compatibility between concept of long term strategy by Jones (2009), economic, social and cultural capital by Bourdieu (1998) and zigzag journeys by Nilan, Julian, and Germov (2007) as analytical concepts to understand youth transition in Indonesia.
Menjembatani Perspektif Budaya dan Perspektif Transisi dalam Kajian Kepemudaan Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 22, No. 1
Publisher : UI Scholars Hub

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Abstract

Rasisme dan Marginalisasi dalam Sejarah Sosiologi Amerika Sutopo, Oki Rahadianto
Masyarakat: Jurnal Sosiologi Vol. 21, No. 2
Publisher : UI Scholars Hub

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Praktik Pertunjukan Musik Mandiri dalam Skena Metal Ekstrem Sutopo, Oki Rahadianto; Lukisworo, Agustinus Aryo
Resital: Jurnal Seni Pertunjukan Vol 24, No 2 (2023): Agustus 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v24i2.8328

Abstract

Independent Performance Practice in Extreme Metal Scene. Music performance, including extreme metal, is an integral part of music-based youth groups’ socio-cultural practices. The practice and meaning construction of music performance could not be considered as stagnant, but dynamic in its relationship with surrounding objective structure. In order to understand the meaning construction upon music performance, specifically within the extreme metal scene, this research focuses on the dynamics of independent music performance practice in Yogyakarta in the contemporary neoliberal era. This research was based on re-interpretation of ethnographic qualitative data. Yet, several challenges upon research data re-interpretation had been overcome by the insider status of the second author, and also triangulation interview with previously involved-informant. According to the re-interpretation of qualitative data, it can be argued that independent music performance is the reflection of the youth’s culture-based negotiations against the dominant discourse of commercial space by mainstream cultural industries as well as limited space of expression in the urban landscapes. This kind social networks-based of music performance, ranging from local to trans-local scene and constant experimentations of the scene habitus, show the manifestation of symbolic resistance. In this case, the symbolic resistance is not only based on social class, but also as a manifestation of spatial marginality. Thus, the independent music performance in this research can be a good example in order to keep the values of music idealism in the present and in the future.Pertunjukan musik merupakan bagian yang tidak terpisahkan dari praktik sosio-kultural kelompok budaya kaum muda berbasis musik, termasuk metal ekstrem. Adapun praktik dan pemaknaan terhadap pertunjukan musik bukan merupakan suatu hal yang stagnan, namun senantiasa bergulir secara dinamis dalam relasi dengan struktur objektif yang melingkupinya. Guna membangun pemahaman atas praktik dan pemaknaan terhadap pertunjukan musik, khususnya dalam skena metal ekstrem, artikel ini membahas dinamika praktik pertunjukan musik mandiri di Yogyakarta pada era neoliberal kontemporer. Artikel ini disusun melalui proses re-interpretasi atas data yang diperoleh dengan metode kualitatif etnografi. Beberapa tantangan atas re-interpretasi data penelitian dapat teratasi dengan posisi salah satu penulis sebagai insider dalam skena metal ekstrem serta melalui triangulasi dengan salah satu informan yang sudah terlibat dalam wawancara sebelumnya. Berdasarkan hasil re-interpretasi tersebut, dinamika pertunjukan musik mandiri merefleksikan bagaimana praktik negosiasi berbasis budaya kaum muda terhadap dominasi pewacanaan ruang komersial oleh industri budaya mainstream sekaligus keterbatasan ruang berekspresi dalam landscape perkotaan. Praktik pertunjukan musik mandiri yang mendasarkan pada jaringan sosial dari level lokal hingga trans-lokal dan eksperimentasi atas habitus skena secara berkelanjutan ini merupakan manifestasi perlawanan simbolik. Dalam hal ini, perlawanan tersebut tidak hanya berbasis kelas sosial namun juga merupakan manifestasi peminggiran berbasis ruang. Praktik pertunjukan musik mandiri ini dapat menjadi exemplar yang baik guna menjaga nilai-nilai idealisme bermusik tetap hidup di masa sekarang maupun di masa depan.
Co-Authors DwiPrakoso, Anindityo Eka Zuni Lusi Astuti Kuslarassakti, Magdalena Putri Lukisworo, Agustinus Aryo Meiji, Nanda Harda Pratama Nurrizky, Arya Malik Satriani, Rina Sintawati, Tjok Istri Utomo, Hartmantyo Pradigto