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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Filsafat Jurnal Ilmu Sosial dan Ilmu Politik JURNAL SOSIOLOGI JSW (Jurnal Sosiologi Walisongo) Jurnal Universitas Paramadina Reformasi : Jurnal Ilmiah Ilmu Sosial dan Ilmu Politik Jurnal Sosiologi Andalas Masyarakat: Jurnal Sosiologi Jurnal Sosiologi USK (Media Pemikiran & Aplikasi)
Oki Rahadianto Sutopo
Universitas Gadjah Mada
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Problematika Regenerasi dalam Praktik Budaya Tenun Lokal di Sejatidesa Yogyakarta Sutopo, Oki Rahadianto; Astuti, Eka Zuni Lusi; Kuslarassakti, Magdalena Putri; Nurrizky, Arya Malik; Satriani, Rina; DwiPrakoso, Anindityo
Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) Vol 17, No 2 (2023)
Publisher : Sociology Department Of Syiah Kuala University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jsu.v17i2.33490

Abstract

Sejatidesa merupakan salah satu sentra usaha budaya tenun lokal ATBM di Yogyakarta yang dihadapkan pada berbagai tantangan menghadapi perubahan sosial dan generasi. Salah satu tantangan tersebut adalah regenerasi penenun muda. Perbedaan sejarah, pengalaman, maupun akses terhadap pekerjaan dan informasi serta infiltrasi teknologi digital merubah pemaknaan subjektif dan aktualisasi generasi muda terhadap budaya tenun warisan generasi pendahulu. Artikel ini berupaya mengelaborasi realitas regenerasi penenun di Sejatidesa dan bagaimana diskursus generasi sosial hadir padapraktik budayatenun dalam dinamika sosial kehidupan di era kontemporer. Perspektif generasi digunakan sebagai alat analisa untuk menginterpretasikan konteks yang dihadapi dan pemaknaan subjektif oleh generasi penenun dan generasi muda di Sejatidesa. Metode kualitatif digunakan dalam penelitian ini dan secara spesifikdata dikumpulkan melalui observasi, FGD serta wawancara mendalam dengan penenun, pemuda dan warga sekitar. Hasil penelitian menyimpulkan bahwa konteks sosial budaya tenun di Sejatidesa berhubungan erat dengan perubahan sosial dan perkembangan teknologi digital. Aktualitas pada masing-masing generasi penenun dan generasi muda bertemu menjadi jembatan antar generasi dan antara aspek tradisional dengan modern yang relevan untuk survive dalam era kontemporer. Dengan kata lain, untuk melestarikan praktik budaya tenun dengan cara yang baru. .
Identitas Kaum Muda dalam Live Performance Musik Punk di Bali Sintawati, Tjok Istri; Sutopo, Oki Rahadianto
Jurnal Sosiologi Andalas Vol. 12 No. 1 (2026)
Publisher : Department of Sociology, Faculty of Social and Political Sciences, Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jsa.12.1.57-70.2026

Abstract

This article explores how youth in Bali construct and negotiate subcultural identities through their experiences as concert-goers at punk live performances. Drawing on post-subcultural perspectives and theories of late modernity particularly Maffesoli’s concept of neo-tribes and Giddens’ notion of reflexive individualization, the study positions punk live performances as affective arenas where identity work unfolds beyond rigid scene-based participation. The study adopts a multi-sited ethnographic approach, combining participant observation at two punk live performance events in Bali, in-depth interviews with four young male concert-goers, and documentation through fieldnotes, photographs, and videos. Data were thematically coded and analyzed using frameworks from youth culture studies, neo-tribal sociality, and reflexive identity formation. The findings demonstrate that punk live performances generate distinctive affective dimensions, including collective energy, embodied expressivity, and a sense of belonging. Practices such as moshing, shared gestures, and symbolic dress enable temporary social bonds among concert-goers, including those not actively involved in local punk scenes. These affective encounters facilitate symbolic exchange and experiential intensity that differentiate punk live performances from other cultural spaces. The discussion argues that such temporary yet intense experiences serve as resources for reflexive self-narration and the projection of subcultural identities in late modernity. Punk identities in contemporary Bali are increasingly shaped through fluid, consumption-based participation rather than stable subcultural membership.
Co-Authors DwiPrakoso, Anindityo Eka Zuni Lusi Astuti Kuslarassakti, Magdalena Putri Lukisworo, Agustinus Aryo Meiji, Nanda Harda Pratama Nurrizky, Arya Malik Satriani, Rina Sintawati, Tjok Istri Utomo, Hartmantyo Pradigto