Heru S.P. Saputra
Fakultas Ilmu Budaya Universitas Jember

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Journal : Semiotika

REPRESENTASI KEARIFAN LOKAL DARI NOVEL KE FILM RAKSASA DARI JOGJA: KAJIAN EKRANISASI Ajeng Yuditya Siswara; Heru S.P. Saputra; Titik Maslikatin
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 2 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i2.17464

Abstract

This article analyzes the ecranization pattern between the novel Raksasa Dari Yogya and the adapted film. Filmize novel usually changes the story text's content because not all novel story text content can be moved on the screen. This study aims to get the changes that occur in the novel's adaptation pattern to the form of a film medium, and the shape of representations existed in the two works. This study uses an ecranization perspective. The methodology used in this study is qualitative because the data are in the form of narrative text in novels and visual texts which are the results of the film captured Raksasa Dari Yogya. The data collection method was collected by reading, taking notes, watching, recording film source data, and processing it. Data analysis is in the form of interpretation of data obtained from novel texts and films. The study results show that there are changes: reducing, adding, or varying modifications in terms of the content of the story text. It is caused by the difference between the media used between novels and films. Books and movies reveal Yogyakarta local wisdom representations in the form of arts and tourism. The local wisdom depicted in novels and movies reflects Yogyakarta culture's richness, strengthening a region's identity. The changes can make the film more attractive without changing the substance of the novel as a whole.
MODERNISASI PENDIDIKAN: POTRET DINAMIKA SOSIAL PENDIDIKAN PESANTREN DALAM NOVEL NEGERI 5 MENARA KARYA AHMAD FUADI Naeli Wardani; Heru S.P. Saputra; Sunarti Mustamar
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 2 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i2.16719

Abstract

This research discusses the pesantren (Islamic boarding school) education system's reflection in the novel entitled Negeri 5 Menara. The research method used is qualitative in the sociology of literature approach. It is used to cover up the author's social context, literature as a reflection of society, and literature's social function. The study results in the author's social context show that author creativity is motivated by the author's experience and social construction of the author's ideology. In literature as a reflection of society, it described some similarities are found between Pondok Madani and Pondok Modern Darussalam Gontor (PMDG) in implementing a modern education system. It shows that the novel is a representation of social conditions. Modernity in the education system at the pesantren includes jasus [spy], the strict of time discipline, discipline in dress, mudhaharah (speech in three languages), memorization of Arabic vocabulary, use of foreign languages (Arabic and English), a system of admission with selection, and extracurricular activities. In the social function of literature, there are several responses from readers in assessing the novel Negeri 5 Menara's benefits. The author's contribution in giving a message to readers is focused on the function of socio-educationalism.
REPRESENTASI PEREMPUAN SEBAGAI SIMBOL PERLAWANAN PADA NOVEL JALAN PANJANG MENUJU PULANG KARYA PIPIET SENJA: KAJIAN FEMINISME RADIKAL Suci Annisa Caroline; Novi Anoegrajekti; Heru S.P. Saputra
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 2 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v20i2.13298

Abstract

In a dominant patriarchal culture, women are considered lower than men in many aspects such as education, politics, workplace, and the sexuality discourse. This article shows the representation of women who symbolize her resistance which is reflected in the novel entitled Jalan Panjang Menuju Pulang by Pipiet Senja. It is used qualitative method supported by descriptive analysis on the basis of theoretical of radical feminism. The results of the study show that woman (Fatin) is subjugated by men. There are physical violence, psychological violence, and also domestic violence which happened to Fatin. Hans did Sexual harassment, while sexual violence done by Frankie. Meanwhile her husband ,Rimbong, threat her and hit her. Fatin suffers psychic and also physical violence. This spouse fought for the custody right. This research discuss about how Fatin showing her resistance to the domestic violence and sexual violence. In her apartment, Fatin dares to scuffles then reports Frankie to the police. She also reveals her resistance by hiding away her child when her husband will take her child.
NOVEL SIRKUS POHON KARYA ANDREA HIRATA: KAJIAN STILISTIKA Ayu Kristiana; Heru S.P. Saputra; Sri Mariati
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 2 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v20i2.11888

Abstract

The goal of this study is revealing the stylistic elements found in the novel entitled Sirkus Pohon by Andrea Hirata, preceding by describing the relationship between structural elements. The research method is a qualitative method with descriptive analysis based on structural theoretical concepts and stylistics. The results of the study shows that the structural elements in the novel Sirkus Pohon have a relationship between one to other element namely title, theme, character, conflict, and setting. All these five elements form the wholeness of the story. In the field of stylistics, the aesthetics of the story can be obtained from the language potentiality namely diction, sentence style and figurative language. The figurative language created by the writer are metaphor, sentence style, and personification. The potential language used by Andrea Hirata cannot be separated from the sociocultural context and also the sleight of the writer. The writer presents an intellectual figure, whereas the contextual society is a traditional and poor. It twitters people of Malay in the inland Belitung who still innocence but full of intrigue. In this novel, the appearance of pomegranates is related to the problems of love, traditional beliefs, the revival of the traveling circus, and political issues. The author expresses the traditional beliefs contradicting to the author's logic or intellect.