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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Patra Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun Viswa Design : Journal of Design Abdi Widya: Jurnal Pengabdian Masyarakat Journal of Aesthetics, Design, and Art Management Global Art Creativity Conference
Putu Ari Darmastuti
ISI Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Global Art Creativity Conference

 1 
UTILIZATION OF HINDU RELIGIOUS CEREMONIAL GARBAGE IN BALI AS FABRIC DYE Ni Made Santi Udiyani; Ni Kadek Yuni Diantari; Putu Ari Darmastuti
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to determine the ceremonial waste of the Hindu community in Bali which can be used as an environmentally friendly textile dye. In carrying out religious ceremonies, the Hindu community in Bali makes offerings such as offerings that cannot be utilized optimally after the ceremony takes place so most of it becomes organic waste. In this study, the waste of Hindu ceremonies in Bali in the form of organic waste will be tested to produce a solution of natural dyes using a pre-experimental method. The pre-experimental method explores the extraction technique of several samples of organic waste with water as a solvent on textile materials, namely cotton cloth. The process of making this natural dye solution goes through three main processes, namely pre-mordant, extraction of dye raw materials, and fixation. Some samples of organic waste found in Hindu religious ceremonies in Bali have plant color pigments such as balsamina purple, red, hydrangea, marigold, pandan leaves, shallot skin, turmeric, and areca nut was extracted to produce a natural color solution. The extraction of the color solution is able to bring out several color tones on textile materials, namely cotton fabrics. Through this research, it is hoped that it can be one of the people’s choices in producing natural color as textile materials that can be produced simply as well as an effort to reduce organic waste produced in Hindu community ceremonies in Bali.
Architecture and Interior Design as a Reflection of Identity and Social Class: A Case Study of Nyai Ontosoroh’s House in Bumi Manusia Ari Darmastuti, Putu; Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.621

Abstract

Architecture and interior design not only represent aesthetic and functional aspects, but also act as tools for constructing identity, power, and social class. This study analyzes Nyai Ontosoroh's house in Pramoedya Ananta Toer's novel Bumi Manusia as a representation of social class ambiguity and spatial symbolism in the colonial context of the Dutch East Indies. Through an interdisciplinary approach between literary studies, architecture, and postcolonial theory, this paper explores how the physical form of the house, the division of space, and interior elements become a means of resistance against colonial and patriarchal social structures. Nyai's Indisch-style house, complete with a garden, a carpeted attic, a spacious living room, and a luxurious bathroom, not only reflects high social status, but also becomes an arena for negotiating gender and racial identities. The results of the analysis show that the domestic space in this novel is a "narrative architecture" that contains political and cultural meanings, and reflects a complex and ambivalent colonial reality. This study contributes to the discourse on decolonizing architecture and the importance of reading space as a social text.
Silenced Sovereignty: Reclaiming Dedes’ Agency in a Patriarchal Narrative Udiyana Wasista, I Putu; Surja Triwibowo, Adi; Ari Darmastuti, Putu; Kadek Resi Kerdiati, Ni Luh; Ardanari Adipurwa, A.A. Trisna
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.628

Abstract

This study examines the representation of patriarchy in 13th-century Javanese feudal society through an analysis of Arok Dedes by Pramoedya Ananta Toer. The research centers on the character of Dedes, symbolizing gender oppression. Although Dedes holds the high position of queen, she remains constrained by the patriarchal system, positioning her as a tool of male authority. This dynamic is evident in her forced marriage to Tunggul Ametung and her political involvement with Arok. Utilizing both sociological and historical perspectives, the research reveals the ways in which the patriarchal structure, understood within its historical context, shapes the social and political positioning of women. Additionally, the study incorporates hypergamy theory, demonstrating that Dedes' marriage was not merely a personal decision but a strategic political maneuver reinforcing male dominance. The findings offer valuable insights into the continued influence of patriarchy in modern society, encouraging discussions on women's empowerment and the pursuit of gender equality. Ultimately, this study contributes significantly to feminist theory and power studies, offering a fresh perspective on the portrayal of women in Indonesian history and literature.
The Representation of Nyai Ontosoroh's Character in "Bumi Manusia" within Contemporary Ethnic Fashion Design Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu; Ari Darmastuti, Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.632

Abstract

This study represents literary characters in contemporary ethnic fashion design, emphasizing the character of Nyai Ontosoroh from Pramoedya Ananta Toer's novel Bumi Manusia. Nyai Ontosoroh was chosen to represent a strong, intelligent indigenous woman who resists colonialism and patriarchy. The purpose of this research is to interpret Nyai's character values into visual clothing forms through a descriptive qualitative approach with textual narrative analysis. Values such as assertiveness, independence, and courage are translated into clothing design silhouettes, the selection of sekar jagad batik motifs, and symbolic color combinations. The influence of 19th-century European fashion is implemented through the distinctive silhouette of the kebaya kutubaru, reflecting Nyai's character as a traditional woman with progressive ideas. This research also applies the principles of narrative fashion, which uses clothing as a medium for conveying stories and cultural values. This paper reveals that clothing design can serve as an effective visual medium for expressing literary narratives and cultural identity. The representation of Nyai Ontosoroh's character through design not only produces aesthetic works but also expands reflective, contextual design practices rooted in local values. This research contributes to the development of an interdisciplinary approach between fashion, literature, and cultural studies in Indonesia's creative sector.
Co-Authors Adipurwa, Anak Agung Trisna Ardanari Anak Agung Gde Ngurah Krisna Yadnya Anak Agung Ngurah Kicko Indrawan Ardanari Adipurwa, A.A. Trisna Artadi, I Made Pande Cahyo Satriojati Diantari, Ni Kadek Yuni Ericha Karomatulchan Dewi Hannah Brigitta I Gede Mugi Raharja I Gede Richi Rizki I Made Jayadi Waisnawa I Nyoman Adi Tiaga I Putu Udayana Wasista Ida Bagus Gede Wismaya Utama Ida Bagus Yamara Bawana Sidemen Ika, I Wayan Balika Indah Pradnya Pramesti Kadek Aldi Agustino Salahin Kerdiati, Ni Luh Kadek Resi Made Ida Mulyati, Made Ida Ni Kadek Risda Amelia Ni Kadek Yuni Diantari Nike Wijaya Noorwatha, I Kadek Dwi Olivia Salma Kurnia Padmanaba, Cok Gde Rai Paramitha, Kadek Dinda Maharani Putri Patricia Yuriqe Richella Pedor Putu Dipta Astradinata Rachimatus Shadya Raharja, I Gede Mugi Remawa, Anak Agung Gede Rai Rudi Hartono Sidemen, Ida Bagus Yamara Bawana Surja Triwibowo, Adi Toddy Hendrawan Yupardhi, Toddy Hendrawan Udiyani, Ni Made Santi Vallent Monica Wasista, I Putu Udiyana Yuni Diantari, Ni Kadek