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All Journal Journal of Humanities and Social Studies Media Bahasa, Sastra, dan Budaya Wahana Journal Albion : Journal of English Literature, Language, and Culture Journal Albion : Journal of English Literature, Language, and Culture

Shita Dewi Ratih Permatasari

Universitas Pakuan

Author-ID : 3448764

Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Breaking The Spell: Hilangnya Superioritas Laki-laki dalam Dua Film Produksi Walt Disney Pictures Frozen (2013) dan Maleficent (2014) Widisanti S, Ni Made; Ratih, Shita Dewi
Media Bahasa, Sastra, dan Budaya Wahana Vol 24, No 2 (2018): Vol 24, No 2 (2018)
Publisher : Media Bahasa, Sastra, dan Budaya Wahana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (658.261 KB)

Abstract Female figures in the WDP films are mostly portrayed visually as women who live and are in the order of patriarchal society. The image of women and their relationship with social interaction in the WDP films are reviewed using visual methodology related to visual culture as a form of concern for how images, in this case, scene images, in the WDP films in the past and present context, can visualize social differences. The findings obtained through this study are the link between the periodization of Walt Disney Studios’ development with the production and the context of the films. The films, Frozen and Maleficent, as primary objects of this research are studied in order to answer the problem of social interaction between men and women and what discourse is built through the realtionship of social interaction. It was concluded that the relationship of social interaction displayed in the films Frozen and Maleficent was the interaction between women and women as a form of social relations that can be constructed. This also shows that social construction is dynamic because it can experience change over time, which in this research, is shown by the periodization of Walt Disney Studio’s development and its relationship with the context in the films. The character of the socially constructed superordinate and subordinate nature is proven to be interchangeable through visual culture. Therefore, based on these findings, it can be said that the discourse of these two films is the effort of women to free themselves from the oprression of male power despite the life of the patriarchal society. Key Words: Film, image, women, superordinate-subordinate, social interactions

THE ALTRUISTIC SIDE OF ARTHUR FLECK AS THE MAIN CHARACTER IN TODD PHILLIPS’ JOKER (2019) Shita Dewi Ratih Permatasari
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol 4, No 1 (2020): Journal of Humanities and Social Studies
Publisher : UNIVERSITAS PAKUAN

As a movie character Arthur Fleck, also known as Joker, is represented as a supervillain as well as the archenemy of Batman. He is depicted as a cruel murderer, with a clown-like appearance suffering from mental-illness, who spread the fear and terror in the Gotham city. Using descriptive analysis, characterization and Stephen G. Post’s Altruism and Altruistic Love theory by focusing on Fleck as the main character in this film, this paper is trying to see how he develops his characteristics and reveals his altruistic side. Based on the analysis it is revealed that Fleck has a dynamic character. Even though he is represented as a heartless murderer, his altruistic side is specifically disclosed in some certain aspects

Communication Strategy Of Posyandu (Family Empowerment And Welfare) In Conveying Health Message To Community (A Case Study of Immunization Benefit Messages by Posyandu (Integrated Service Post) In Katulampa Village) Shita Dewi Ratih P; Ratih Siti Aminah
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol 1, No 1 (2017): Journal of Humanities and Social Studies
Publisher : UNIVERSITAS PAKUAN

This research is located in Katulampa, East Bogor District, Bogor City, West Java Province and has an area of 491 Ha. Regency of Cimahpar in the north, Regency of Tajur in the south, Regency of Baranangsiang in the west and Sukaraja Village in the east, Bogor Regency.Katulampa urban altitude is located at 500 meters above sea level and has a temperature and an average of 36 degrees Celsius (Katulampa Urban: 2011). The distribution of Katulampa Urban Village consists of 20 Rukun Warga (RW) (hamlets) and 107 Rukun Tetangga (RT). Posyandu is a program of the Ministry of Health which in its implementation cooperate with Posyandu. Before a program is socialized to the community, careful planning is made. In the planning of culture and social life and local wisdom in a region becomes important capital in the successful implementation of the program. The message to be conveyed should be able to reach as many people as possible (communicant). Communities targeted by messages are heterogeneous. After considering and discussing and reaching an agreement, the message from the center will be rolled into the ranks below, in this case to the provincial, municipality, district, administrative Village, RW and RT levels. The message was then restored in a more conical way by involving the Provincial Health Office and the community consisting of Posyandu Chairman, Posyandu Cadre and health workers. Mothers who have been informed about the benefits of immunization deliver it to the husband, who will usually decide whether the child should be immunized or not. Most husbands are already aware of the benefits of immunization for the health of infants and toddlers ages 0 months to five years. Posyandu cadres adapt to targeted community conditions. The prevailing culture in society is an important consideration in the persuasive of parents who have babies and toddlers.The communication strategy includes macro strategy (planned multi media strategy) and micro (single communication medium strategy).

NEGATIVE LABELS AGAINST WOMEN IN REI KIMURA'S BUTTERFLY IN THE WIND: A DECONSTRUCTION ANALYSIS ON THE CHARACTER OF “TOJIN” OKICHI Shita Dewi Ratih Permatasari
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol 5, No 1 (2021): Journal of Humanities and Social Studies
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jhss.v5i1.3200

Women have often been the ideal target to be culturally and socially constructed within a patriarchal society. This serves as a form of gender inequality that mostly brings harm to them. In this analysis, through men’s domination and power over women, these negative social attributes were intentionally as well as politically constructed to put women as ‘deviant’. Applying Derrida’s deconstruction theory, the negative labels could be deconstructed into positive social attributes through a critical analysis on the main character, Okichi in the novel Butterfly in the Wind written by Rei Kimura. The finding posits that Okichi labeled as a “comfort woman” or “mistress” by the Shimoda’s society can be re-interpreted or given a new positive meaning as heroic action which was taken to save her family and country’s dignity

Hantu Perempuan sebagai “Produk Gagal” dalam dua Film Horor Indonesia: Pengabdi Setan (2017) dan Asih (2018) Shita Dewi Ratih Permatasari; Ni Made Widisanti
Media Bahasa, Sastra, dan Budaya Wahana Vol 25, No 1 (2019): Volume 25 Nomor 1 Tahun 2019
Publisher : Universitas Pakuan

AbstractAs a product of popular culture, films are mostly utilized as propaganda to convey certain ideologies. Therefore, the cultural phenomena and reality portrayed in films cannot be separated from the dominant ideology. “Pengabdi Setan” 2017 (Satan’s Slave) and “Asih” 2018 are two Indonesian horror films serving as media to represent the cultural phenomena through female ghost characters. In many Indonesian horror movies, women are mostly represented as ghosts associated with negative social attributes. The purpose of this research is to dismantle the hidden ideologies behind the representation of female ghosts in these two films. The qualitative method and cultural studies perspective are utilized to reveal and unearth the dominant ideology inserted in a film as a cultural text. The research findings posit that the characters of female ghosts are represented as a ‘failed product” excluded from the constructions of “ideal” female in patriarchal sense. The image of mother as a ghost in Pengabdi Setan implies that to become ‘ideal”, women must be able to give birth and raise children, while in Asih a woman is claimed to keep their virginity until she officially gets married. In this context, marriage and procreative sexuality are acknowledged by the state. Both female characters in these films have failed to meet these qualifications. Through these two Indonesian horror films, patriarchy as a dominant view in Indonesia is again conformed and exercised in the society to define the female ‘ideal’ construction.Keywords: horror films, representation, female ghost, patriarchy.

Breaking The Spell: Hilangnya Superioritas Laki-laki dalam Dua Film Produksi Walt Disney Pictures Frozen (2013) dan Maleficent (2014) Ni Made Widisanti S; Shita Dewi Ratih
Media Bahasa, Sastra, dan Budaya Wahana Vol 24, No 2 (2018): Vol 24, No 2 (2018)
Publisher : Universitas Pakuan

AbstractFemale figures in the WDP films are mostly portrayed visually as women who live and are in the order of patriarchal society. The image of women and their relationship with social interaction in the WDP films are reviewed using visual methodology related to visual culture as a form of concern for how images, in this case, scene images, in the WDP films in the past and present context, can visualize social differences. The findings obtained through this study are the link between the periodization of Walt Disney Studios development with the production and the context of the films. The films, Frozen and Maleficent, as primary objects of this research are studied in order to answer the problem of social interaction between men and women and what discourse is built through the realtionship of social interaction. It was concluded that the relationship of social interaction displayed in the films Frozen and Maleficent was the interaction between women and women as a form of social relations that can be constructed. This also shows that social construction is dynamic because it can experience change over time, which in this research, is shown by the periodization of Walt Disney Studios development and its relationship with the context in the films. The character of the socially constructed superordinate and subordinate nature is proven to be interchangeable through visual culture. Therefore, based on these findings, it can be said that the discourse of these two films is the effort of women to free themselves from the oprression of male power despite the life of the patriarchal society. Key Words: Film, image, women, superordinate-subordinate, social interactions

PERAN FILM ANAK-ANAK DALAM MEMBENTUK MASKULINITAS-FEMINITAS SEBAGAI NORMATIVITAS: KAJIAN TERHADAP DUA FILM TV SERI ANAK-ANAK NELLA THE PRINCESS KNIGHT dan SOFIA THE FIRST Ni Made Widisanti S; Shita Dewi Ratih P.
Media Bahasa, Sastra, dan Budaya Wahana Vol 26, No 1 (2020): Volume 26 Nomor 1 Tahun 2020
Publisher : Universitas Pakuan

ABSTRAKMaskulinitas dan feminitas adalah dua karakter yang terus-menerus disalahpahami sebagai sesuatu yang alami, yaitu "maskulin untuk laki-laki" dan "feminin untuk perempuan". Konsep seks dan gender harus dibedakan karena pemahaman seperti itu menghasilkan pembenaran dari dua karakter yang dibangun sebagai normativitas yang berlaku di masyarakat. Film anak-anak, dalam hal ini, memainkan peran penting dalam membangun pemahaman tentang maskulinitas-feminitas sebagai "atribut personal" laki-laki dan perempuan, tetapi dalam konteks kekinian hanya perempuan yang menerima justifikasi untuk "memiliki" keanekaragaman karakter maskulin dan feminin, sementara tidak demikian halnya bagi laki-laki. Hal ini menimbulkan masalah yang menyoroti bagaimana justifikasi keragaman karakter pada perempuan dapat dibentuk sebagai normativitas melalui film anak-anak. Analisis secara spesifik dilakukan pada dua tokoh sentral yang ditampilkan dalam serial televisi anak-anak Nella the Princess Knight dan Sofia the First dengan menggunakan perspektif cultural studies. Hasilnya menunjukkan bahwa media TV, melalui tayangan-tayangannya, turut berpartisipasi dalam memberikan pembenaran pembentukan karakter pada perempuan yang secara otomatis mengarah pada pembentukan karakter pada laki-laki. Pembenaran semacam itu disebabkan oleh hegemoni maskulinitas dan budaya patriarki yang memunculkan androsentrisme. Melalui praktik androsentris, pria menjadi pusat kontrol dalam mengevaluasi perempuan sesuai dengan pandangan mereka, sementara hegemoni maskulinitas memastikan maskulinisasi progresif anak laki-laki, sehingga tidak ada pembenaran bagi laki-laki untuk bertukar karakter menjadi feminin. Penelitian ini juga menunjukkan bahwa dominasi patriarki sebagai sistem struktur sosial yang berperan dalam arena pendidikan dan media masih merupakan aspek dominan dalam membentuk pemahaman maskulinitas-feminitas yang menjadi normativitas di masyarakat. Kata kunci: Maskulinitas-feminitas, karakter, justifikasi, normativitas

THE IMPACT OF PSYCHOLOGICAL TRAUMA ON THE LIFE OF THE MAIN CHARACTER IN THE NOVEL ELEANOR OLIPHANT IS COMPLETELY FINE BY GAIL HONEYMAN Regina Nova Tiansyah; Henny Suharyati; Shita Dewi Ratih P
Journal Albion : Journal of English Literature, Language, and Culture Vol 3, No 1 (2021): Volume 3 Number 1 2021
Publisher : Universitas Pakuan

This article is entitled “The Impact of Psychological Trauma on The Life of The Main Character in The Novel Eleanor Oliphant is Completely Fine by Gail Honeyman”. This study aims to determine the factors and impacts of psychological trauma on the life of the main character (Eleanor). The method used in this research is descriptive method and uses library research data analysis techniques by describing the intrinsic and extrinsic elements that are contained in the novel. The theory used is Sigmund Freud's psychoanalysis. Psychoanalytic theory is used with the aim of knowing the personality state of the main character by looking at her past history. The results of this study show that the house fire that was deliberately carried out by her biological mother had an effect on Eleanor's personality and life.Keywords : trauma; impact of trauma; main character; psychoanalysis.

ACTS OF TERROR COMMITTED BY THE ANTAGONIST IN NICHOLAS SPARKS’S SEE ME Batmani Batmani; Shita Dewi Ratih P; Ni Made Widisanti S
Journal Albion : Journal of English Literature, Language, and Culture Vol 2, No 2 (2020): Volume 2 Number 2 2020
Publisher : Universitas Pakuan

This study aims to analyze the antagonist in order to show the form of terror through acts of terror committed by the antagonist in Nicholas Sparks’ See Me. Processing data in this analysis uses descriptive-analytical methods and literature studies that are based on intrinsic and extrinsic elements as well as previous research on psychoanalytic terror. Based on the results of the analysis, the antagonist committed to acts of terror to Maria and this is expressed through every act of terror that he does. In addition, the antagonist does not have a mental disorder and this action is purely carried out on the basic of the hatred he holds, then turns into a desire to take revenge by committing acts of terror over his daughter’s death. The three acts of terror carried out by Avery were first, manipulating people, second, sending threatening message, and third by carrying out acts of violence which are part of the acts of terror.Keywords: antagonist; characterization; revenge; terror.

THE PSYCHOPATHIC BEHAVIOR OF THE ANTAGONIST IN THE NOVEL THE CUCKOO’S CALLING BY ROBERT GALBRAITH Hamzah Rabbani; Agnes Setyowati H; Shita Dewi Ratih P
Journal Albion : Journal of English Literature, Language, and Culture Vol 1, No 1 (2019): Volume 1 nomor 1 Januari Tahun 2019
Publisher : Universitas Pakuan

AbstractThis research discusses the psychopathic behaviour of the antagonist, John Bristow, in the novel The Cuckoo`s Calling by Robert Galbraith. This research aims at identifying the characteristics and causes of psychopathic behavior of the antagonist and the impact on others and himself. The research was conducted using descriptive analysis method and psychoanalysis approach. John, who has hurt others without remorse, is not afraid of repeating his crime. He is able to deceive and manipulate others, not to mention coldhearted, and has a lack of emphaty. Strong id and weak superego originating from John's lack of attention and affection from his parents and closest people are the causes of John`s psychophatic behaviour. John`s psychopathic behaviour in turn causes others to suffer and causes himself to lose his family.Keywords : The Cuckoo`s Calling, Psychopathic Behaviour, Superego, Id, Family.

Co-Authors Ade S. Natawiria Adinia Wirasti Agnes Setyowati Ai Asmanah Amalia Putri, Meitha Charissa Aristi, Sri Nida Batmani Batmani Claudia Anwar Danar Arief Amarullah Fikih Pramudana Gentry Regina Hamzah Rabbani Hariningsih, Agnes Setyowati Henny Suharyati Jawas, Azizah Komalasari Kusuma Wardhani Matius Mandey, Philif Meitha Charissa Amalia Putri Monica Argitha Sakthiyani Mutiara Putri, Mutiara Ni Made Widisanti Ni Made Widisanti Ni Made Widisanti S Ni Made Widisanti Swetasurya Nur Utami Sari’at Kurniati Ratih Siti Aminah Regina Nova Tiansyah Saskya Rohima Anggraeni Shifa Fauziah Taufik, Maulana Widisanti S, Ni Made Widisanti, Ni Made

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