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All Journal Catharsis Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology
Hartono Hartono
Universitas Negeri Semarang, Indonesia
Arts Humanities Education Environmental Science

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Journal : catharsis

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The Performance Form of Dzikir Saman, Banjarsari Lebak Banten Teguh Hartomi; Restu Lanjari; Hartono Hartono
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.67712

Abstract

Arts is always considered to be related to culture, which becomes a feature. One of the performing arts that continues to exist and develop in Banten is Dzikir Saman. The Dzikir Saman performance is closely related to religious overtones, and thanksgiving is given with aesthetic wrapping. Therefore this research aims to examine the form of Dzikir Saman performances in Banjar Sari, Lebak Banten. This research used qualitative approach and data collection techniques, with observation, interviews, and documentation. From the results of data collection and data analysis, it can be seen that the Dzikir Saman art is divided into three performance structures, the first being tawasul, asyrokol, and saman, which contain elements of performance, such as performers, costumes, music, make-up, property of place and time. Keywords: Form of performance, arts, Dzikir Saman,
The Existence of Wayang Orang Art Studio in Tembbelang Gunung Village, Lebakbarang District, Pekalongan Regency in Facing the Development of the Age Lelyana Lely Aryani; Hartono Hartono; Malarsih Malarsih
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.70899

Abstract

The existence of the WAYANG Orang Art Studio is infuenced by people who tend to like things that are done continuously and for generations, so that eventually it becomes a habit that is still often carried out by the people of Tembbelang Village, Pekalongan Regency namely that the traditions or habits that are held in the village are still strong. Tembbelang in this modern era is to maintain the existence of the Wayang Orang art studio. The purpose of this study is to reveal the reasons for the Wayang Orang Art Studio to exist. This study uses a qualitative method that is a description of the object of research directly. Data collection techniques namely, observation, interviews, literature study, and documentation. The results of this study are to reveal the reasons for the continued existence of the Wayang Orang Art Studio today. The reasons in question are first, because of the holding of Wayang Orang art training amidst the influence of globalization. The training is believed to be a cornerstone for the continued existence of the studio, an awareness that the impact of existence is as a means of expression and channeling the hobbies of the supporterners of the arts themselves. Second, the have one common goals, which is to preserve the art of Wayang Orang in Tembbelang. Not only to preserve but to become a vessel for the survival of the Wayang Orang art. Nevertheless, this is a strong reason behind the existence of Wayang Orang art.
Co-Authors Bambang Subali Hartono & Wahyu Lestari Hasan Al Asy’ari Ida Ayu Putu Sri Widnyani Kurotul Aeni Lelyana Lely Aryani Malarsih Malarsih Masturi Masturi Muhammad Jazuli Muhammad Miftakhul Falah Restu Lanjari Riskana Br Sitepu Rofiatun Rofiatun Rully Rochayati Saiful Ridlo Sunyoto Eko Nugroho, Sunyoto Eko Supriyadi Supriyadi Teguh Hartomi