Abimardha Kurniawan, Abimardha
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Mencapai Keselamatan Kurniawan, Abimardha
Jurnal Sejarah Vol 1 No 1 (2017): ISLAM DI INDONESIA: PERKEMBANGAN GLOBAL, NASIONAL, DAN LOKAL
Publisher : Masyarakat Sejarawan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (503.218 KB) | DOI: 10.26639/js.v1i1.50

Abstract

The conveyence of a collection of palm-leaf manuscripts , from Mt. Merbabu to Batavia in the middle of 19th century, must be seen in the context of the colonial government’s response to Islam after the Java War of 1825—1830. The Dutch authorities assumed that the manuscripts, which mostly use Buda script, came from a very old period, before Islam entered and spread throughtout Java. However, a few years after the manuscripts had been held in the Bataviaasch Genootschap library, it was realised that the manuscripts were produced at a time when Islam had become considerably entrenched in Java, around the 16th to 17th century. Nevertheless, although Islamic influence is clearly present, older cultural elements have still been preserved. Taking a Javanese text named Nabi Aparas as an example, it can be shown that the Islamic texts in this collection (as well as the other pre-Islamic texts in this collection), are concerned with the salvation of life.
PENOKOHAN RANGDA DALAM NOVEL GALAU PUTRI CALON ARANG DAN JANDA DARI JIRAH Abimardha Kurniawan
CARAKA Vol 7 No 1 (2020)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v7i1.8891

Abstract

In the middle of 2000iest, there are two novels published that transformed from the famous Calon Arang narrative. They are Galau Putri Calon Arang (Syahrani and Yulyana, 2005) and Janda dari Jirah (Sawitri, 2007). Each work present the characterization of Rangda in different ways. The characterization aspects took as focuses in this article are (1) the character name of Rangda and (2) her genealogy. Through the comparative approach, also using the intertextuality principle, there are known that GPCA has still following the main tradition on its characterization, even it emphasizes that Rangda has a maternal relationship with Airlangga. On the contrary, JDJ gives a fresh interpretation. It stands for the massive tradition antithesis.                 
Metaphor of Transformation: Symbolic Representation of Tragedy in Loro Jonggrang Folklore and Pyramus-Thisbe Afriansyah, Teddy; Kurniawan, Abimardha; Afdholy, Nadya
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 11, No 2 (2025): CaLLs, December 2025
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i2.20953

Abstract

As in the Greek story of Pyramus-Thisbe and the Javanese folklore of Loro Jonggrang which symbolize a physical transformation as the concept of love tragedy. By using comparative literature studies, this research aims to 1) Analyze and describe the symbol of physical transformation in the stories Loro Jonggrang and Pyramus-Thisbe representing the concept of tragedy and 2) Analyzing and describing the cultural values underlying the symbols of tragedy that appear in Loro Jonggrang and Pyramus-Thisbe. The method used in this research is qualitative with a text analysis approach and refers to Clifford Geertz's symbolic anthropology theory. The results of the study found that, 1) There are several elements analyzed using several aspects of form comparison consisting of aspects of literary genre, narrative structure, language style, poetic form, theme & motif, and adaptation and intertextuality in the stories Loro Jonggrang and Pyramus-Thisbe. Then, 2) there is a cultural meaning behind the physical transformation of the two stories. In the Greek story Pyramus-Thisbe represent the concept of tragedy symbolized by the fruit of the mulberry tree. Meanwhile, the folk tales of Loro Jonggrang represent the concept of tragedy symbolized by the statue of Prambanan Temple.
Reflecting on the past: The cultural potential of East Javanese society based on Hindu-Buddhist archaeological objects Basundoro, Purnawan; Kurniawan, Abimardha; Indarto, Ervan Kus; Nugroho, Andri Setyo; Rinawati, Herrukmi Septa; Sasongko, Widodo Djati
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 10 No. 1 (2026): April (On Progress)
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v10i1.43224

Abstract

Every five years, the East Java Provincial Government endeavors to document local cultural potential into a Regional Cultural Strategy document, known as Pokok Pikiran Kebudayaan Daerah (PPKD). Nevertheless, several obstacles persist due to weak procedures and a lack of established categories. Consequently, certain cultural elements remain uninventoried because they have either become extinct or were simply overlooked. This article attempts to address these issues through a historical perspective by reviewing the cultural heritage of East Javanese society from the Hindu-Buddhist kingdom period. The methods employed include heuristic (source collection), criticism, and interpretation. Research findings indicate that while some cultural practices can still be found today, many others have vanished. The preservation of culture occurs through intergenerational transmission involving adaptation and interpretation, as well as protection via legal instruments and regulations from the central to the regional levels. The inventorying of regional culture is formally conducted through the drafting of the PPKD. However, field findings also reveal that cultural elements originating from the Hindu-Buddhist era which persist in contemporary East Javanese society have not been fully recorded in the PPKD documents. These findings underscore the importance of more meticulous cultural mapping to prevent the loss of cultural potential with deep historical roots. Furthermore, this study suggests the necessity of revitalizing various cultural elements so they may be passed down to future generations.   Setiap lima tahun sekali Pemerintah Provinsi Jawa Timur berupaya mendokumentasikan potensi kebudayaan lokal ke dalam sebuah dokumen Pokok Pikiran Kebudayaan Daerah (PPKD). Meskipun demikian, ada sejumlah kendala yang terjadi akibat lemahnya prosedur dan belum adanya kategori. Dampaknya, ada unsur-unsur kebudayaan yang tidak terinventaris akibat telah punah atau justru luput dari perhatian. Artikel ini berupaya menjawab permasalahan tersebut melalui perspektif historis dengan cara meninjau potensi kebudayaan warisan masyarakat Jawa Timur periode kerajaan Hindu-Buddha. Metode yang digunakan meliputi pengumpulan sumber, kritik, dan interpretasi. Hasil penelitian menunjukkan sebagian kebudayaan masih dapat dijumpai hingga saat ini, namun tidak sedikit pula yang telah punah. Pemertahanan kebudayaan terjadi karena pewarisan antar generasi melalui adaptasi dan interpretasi, serta perlindungan dengan instrumen hukum dan regulasi di tingkat pusat sampai daerah. Inventarisasi kebudayaan daerah dilakukan dengan penyusunan Pokok Pikiran Kebudayaan Daerah  (PPKD). Temuan lapangan juga menunjukkan bahwa anasir-anasir kebudayaan yang masih berlanjut dan diwarisi masyarakat Jawa Timur pada periode kontemporer belum seluruhnya diinventaris melalui dokumen PPKD. Temuan ini menegaskan pentingnya pemetaan kultural yang lebih cermat untuk menghindari keluputan potensi kebudayaan yang memiliki akar historis panjang. Selain itu, kajian ini menunjukkan perlunya revitalisasi sejumlah unsur kebudayaan agar dapat diwariskan bagi generasi yang akan datang.