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Mencapai Keselamatan Kurniawan, Abimardha
Jurnal Sejarah Vol 1 No 1 (2017): ISLAM DI INDONESIA: PERKEMBANGAN GLOBAL, NASIONAL, DAN LOKAL
Publisher : Masyarakat Sejarawan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (503.218 KB) | DOI: 10.26639/js.v1i1.50

Abstract

The conveyence of a collection of palm-leaf manuscripts , from Mt. Merbabu to Batavia in the middle of 19th century, must be seen in the context of the colonial government’s response to Islam after the Java War of 1825—1830. The Dutch authorities assumed that the manuscripts, which mostly use Buda script, came from a very old period, before Islam entered and spread throughtout Java. However, a few years after the manuscripts had been held in the Bataviaasch Genootschap library, it was realised that the manuscripts were produced at a time when Islam had become considerably entrenched in Java, around the 16th to 17th century. Nevertheless, although Islamic influence is clearly present, older cultural elements have still been preserved. Taking a Javanese text named Nabi Aparas as an example, it can be shown that the Islamic texts in this collection (as well as the other pre-Islamic texts in this collection), are concerned with the salvation of life.
PENOKOHAN RANGDA DALAM NOVEL GALAU PUTRI CALON ARANG DAN JANDA DARI JIRAH Abimardha Kurniawan
CARAKA Vol 7 No 1 (2020)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/caraka.v7i1.8891

Abstract

In the middle of 2000iest, there are two novels published that transformed from the famous Calon Arang narrative. They are Galau Putri Calon Arang (Syahrani and Yulyana, 2005) and Janda dari Jirah (Sawitri, 2007). Each work present the characterization of Rangda in different ways. The characterization aspects took as focuses in this article are (1) the character name of Rangda and (2) her genealogy. Through the comparative approach, also using the intertextuality principle, there are known that GPCA has still following the main tradition on its characterization, even it emphasizes that Rangda has a maternal relationship with Airlangga. On the contrary, JDJ gives a fresh interpretation. It stands for the massive tradition antithesis.                 
Samadhining Anglayarakěn Anak Mitra: Antara Lautan dan Pegunungan Abimardha Kurniawan
Manuskripta Vol 6 No 1 (2016): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara (The Indonesian Association for Nusantara Manuscripts, Manassa)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (813.493 KB) | DOI: 10.33656/manuskripta.v6i1.65

Abstract

This article describes a manuscript entitled Samadhining Anglayarakěn Anak Mitra (SAAM) that became a part of a compendium manuscript of National Library of Indonesia’s collection with call number L 109 peti 9. This Buda’s manuscript has been included as a part of a Merapi-Merbabu collection. This text also includes some text which came from two traditions that ever had a great influence in Java: Islamic and pre-Islamic traditions. SAAM is a unique text because it was written in the community who live far away from the sea even agrarian, but this text presents an overview about some religious activities related to maritime world. This indicates that the maritime life has affected the structure of their experiences. This article is a preliminary study using philology, codicology, and the interpretation of textual and cultural codes. Through that various approaches, this article explains several things, namely (1) the origin of the text and its materials; (2) the relationship between mountains and maritime religious communities; and (3) the understanding of the text producers community on the maritime world. --- Artikel ini membahas naskah Samadhining Anglayarakěn Anak Mitra (SAAM) yang termuat dalam naskah compendium koleksi Perpustakaan Nasional Republik Indonesia dengan nomor koleksi L 109 peti 9. Naskah beraksara Buda tersebut termasuk dalam koleksi Merapi-Merbabu. Naskah ini juga memuat beberapa teks yang berasal dari dua tradisi yang memiliki pengaruh besar di Jawa: tradisi Islam dan pra-Islam. Teks SAAM cukup unik karena berada dalam lingkup komunitas yang tinggal jauh dari laut dan bercorak agraris, namun menyajikan gambaran aktivitas religus yang berkaitan dengan dunia perarian (bahari). Ini berarti bahwa kehidupan bahari telah masuk ke dalam struktur pengalaman mereka. Artikel ini merupakan kajian pendahuluan yang menggunakan pendekatan filologi, kodikologi, disertai upaya interpretasi kode-kode tekstual dan kultural. Melalui berbagai pendekatan itu, artikel ini menjelaskan beberapa hal, yaitu (1) seluk-beluk teks serta objek material yang memuatnya; (2) hubungan antara komunitas religius di pegunungan dengan dunia bahari; serta (3) pandangan komunitas produsen teks terhadap dunia bahari.
Samadhining Anglayarakěn Anak Mitra: Antara Lautan dan Pegunungan Kurniawan, Abimardha
Manuskripta Vol 6 No 1 (2016): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v6i1.56

Abstract

This article describes a manuscript entitled Samadhining Anglayarakěn Anak Mitra (SAAM) that became a part of a compendium manuscript of National Library of Indonesia’s collection with call number L 109 peti 9. This Buda’s manuscript has been included as a part of a Merapi-Merbabu collection. This text also includes some text which came from two traditions that ever had a great influence in Java: Islamic and pre-Islamic traditions. SAAM is a unique text because it was written in the community who live far away from the sea even agrarian, but this text presents an overview about some religious activities related to maritime world. This indicates that the maritime life has affected the structure of their experiences. This article is a preliminary study using philology, codicology, and the interpretation of textual and cultural codes. Through that various approaches, this article explains several things, namely (1) the origin of the text and its materials; (2) the relationship between mountains and maritime religious communities; and (3) the understanding of the text producers community on the maritime world. === Artikel ini membahas naskah Samadhining Anglayarakěn Anak Mitra (SAAM) yang termuat dalam naskah compendium koleksi Perpustakaan Nasional Republik Indonesia dengan nomor koleksi L 109 peti 9. Naskah beraksara Buda tersebut termasuk dalam koleksi Merapi-Merbabu. Naskah ini juga memuat beberapa teks yang berasal dari dua tradisi yang memiliki pengaruh besar di Jawa: tradisi Islam dan pra-Islam. Teks SAAM cukup unik karena berada dalam lingkup komunitas yang tinggal jauh dari laut dan bercorak agraris, namun menyajikan gambaran aktivitas religus yang berkaitan dengan dunia perarian (bahari). Ini berarti bahwa kehidupan bahari telah masuk ke dalam struktur pengalaman mereka. Artikel ini merupakan kajian pendahuluan yang menggunakan pendekatan filologi, kodikologi, disertai upaya interpretasi kode-kode tekstual dan kultural. Melalui berbagai pendekatan itu, artikel ini menjelaskan beberapa hal, yaitu (1) seluk-beluk teks serta objek material yang memuatnya; (2) hubungan antara komunitas religius di pegunungan dengan dunia bahari; serta (3) pandangan komunitas produsen teks terhadap dunia bahari.
Metaphor of Transformation: Symbolic Representation of Tragedy in Loro Jonggrang Folklore and Pyramus-Thisbe Afriansyah, Teddy; Kurniawan, Abimardha; Afdholy, Nadya
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 11, No 2 (2025): CaLLs, December 2025
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i2.20953

Abstract

As in the Greek story of Pyramus-Thisbe and the Javanese folklore of Loro Jonggrang which symbolize a physical transformation as the concept of love tragedy. By using comparative literature studies, this research aims to 1) Analyze and describe the symbol of physical transformation in the stories Loro Jonggrang and Pyramus-Thisbe representing the concept of tragedy and 2) Analyzing and describing the cultural values underlying the symbols of tragedy that appear in Loro Jonggrang and Pyramus-Thisbe. The method used in this research is qualitative with a text analysis approach and refers to Clifford Geertz's symbolic anthropology theory. The results of the study found that, 1) There are several elements analyzed using several aspects of form comparison consisting of aspects of literary genre, narrative structure, language style, poetic form, theme & motif, and adaptation and intertextuality in the stories Loro Jonggrang and Pyramus-Thisbe. Then, 2) there is a cultural meaning behind the physical transformation of the two stories. In the Greek story Pyramus-Thisbe represent the concept of tragedy symbolized by the fruit of the mulberry tree. Meanwhile, the folk tales of Loro Jonggrang represent the concept of tragedy symbolized by the statue of Prambanan Temple.
Reflecting on the past: The cultural potential of East Javanese society based on Hindu-Buddhist archaeological objects Basundoro, Purnawan; Kurniawan, Abimardha; Indarto, Ervan Kus; Nugroho, Andri Setyo; Rinawati, Herrukmi Septa; Sasongko, Widodo Djati
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 10 No. 1 (2026): April (On Progress)
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v10i1.43224

Abstract

Every five years, the East Java Provincial Government endeavors to document local cultural potential into a Regional Cultural Strategy document, known as Pokok Pikiran Kebudayaan Daerah (PPKD). Nevertheless, several obstacles persist due to weak procedures and a lack of established categories. Consequently, certain cultural elements remain uninventoried because they have either become extinct or were simply overlooked. This article attempts to address these issues through a historical perspective by reviewing the cultural heritage of East Javanese society from the Hindu-Buddhist kingdom period. The methods employed include heuristic (source collection), criticism, and interpretation. Research findings indicate that while some cultural practices can still be found today, many others have vanished. The preservation of culture occurs through intergenerational transmission involving adaptation and interpretation, as well as protection via legal instruments and regulations from the central to the regional levels. The inventorying of regional culture is formally conducted through the drafting of the PPKD. However, field findings also reveal that cultural elements originating from the Hindu-Buddhist era which persist in contemporary East Javanese society have not been fully recorded in the PPKD documents. These findings underscore the importance of more meticulous cultural mapping to prevent the loss of cultural potential with deep historical roots. Furthermore, this study suggests the necessity of revitalizing various cultural elements so they may be passed down to future generations.   Setiap lima tahun sekali Pemerintah Provinsi Jawa Timur berupaya mendokumentasikan potensi kebudayaan lokal ke dalam sebuah dokumen Pokok Pikiran Kebudayaan Daerah (PPKD). Meskipun demikian, ada sejumlah kendala yang terjadi akibat lemahnya prosedur dan belum adanya kategori. Dampaknya, ada unsur-unsur kebudayaan yang tidak terinventaris akibat telah punah atau justru luput dari perhatian. Artikel ini berupaya menjawab permasalahan tersebut melalui perspektif historis dengan cara meninjau potensi kebudayaan warisan masyarakat Jawa Timur periode kerajaan Hindu-Buddha. Metode yang digunakan meliputi pengumpulan sumber, kritik, dan interpretasi. Hasil penelitian menunjukkan sebagian kebudayaan masih dapat dijumpai hingga saat ini, namun tidak sedikit pula yang telah punah. Pemertahanan kebudayaan terjadi karena pewarisan antar generasi melalui adaptasi dan interpretasi, serta perlindungan dengan instrumen hukum dan regulasi di tingkat pusat sampai daerah. Inventarisasi kebudayaan daerah dilakukan dengan penyusunan Pokok Pikiran Kebudayaan Daerah  (PPKD). Temuan lapangan juga menunjukkan bahwa anasir-anasir kebudayaan yang masih berlanjut dan diwarisi masyarakat Jawa Timur pada periode kontemporer belum seluruhnya diinventaris melalui dokumen PPKD. Temuan ini menegaskan pentingnya pemetaan kultural yang lebih cermat untuk menghindari keluputan potensi kebudayaan yang memiliki akar historis panjang. Selain itu, kajian ini menunjukkan perlunya revitalisasi sejumlah unsur kebudayaan agar dapat diwariskan bagi generasi yang akan datang.