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All Journal Corak : Jurnal Seni Kriya Texture : Art and Culture Journal Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Abdimas Bina Bangsa Suluh: Jurnal Seni Desain Budaya
Aan Sudarwanto
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Bermain dengan Batik sebagai Media Pembelajaran Mulok pada Siswa Sekolah Dasar Aan Sudarwanto; Bagus Indrayana; Kuntadi Wasi Darmojo
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4410

Abstract

This article summarizes the community service (PKM) thematic activities by a group from ISI Surakarta. The activities aim to increase children’s knowledge about batik which is then used as a medium for Mulok (local content curriculum) learning. The rationale for this activity is the importance of providing local content material rooted in cultures and traditions in the students’ area, to defend their national identity from the huge influence of foreign cultural developments or new cultures existing in their environment. Providing local content material as part of character education, the activities helps students to understand batik as a product of Indonesian culture. Batik learning needs to be introduced to elementary school children, especially in batik center areas such as in Surakarta city, which has to do with continuity and preservation. The focus of this PkM activity is more directed to aspects of improving the quality of learning with a character education model. The results of this thematic community service or PkM show that after training and assistance, the students are more knowledgeable about batik. In addition, there created teaching media for batik knowledge based on works of art. Furthermore, a local content learning strategy emerged as a knowledge base developed by SBK (Culture and Art) subject teachers at Tugu Jebres Elementary Public School, Surakarta. 
DEWI SARASWATI DALAM GAUN MALAM Wahyu Nur Hidayat; Aan Sudarwanto
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3906

Abstract

Dewi Saraswati in this evening gown visualizes the shapes, forms and symbols attached to the figure of Dewi Saraswati into a batik motif which is formed into an evening gown. Dewi Saraswati is the goddes of knowledge or veda. The idea of creation will be focused on (1) how to explore, make sketches, draw designs that come from the shapes, forms and symbols attached to Dewi Saraswati into the new creation batik motifs for evening gown designs? (2) How to create written batik based on a design that has been designed with the motif created by Dewi Saraswati? (3) How are the results of the new batik-patterned fabrics being formed into evening gown? The method used in this approach is to use the creation method which includes the exploration stage, the design stage and the work creation stage. Execution of the process of creating the work The final project is carried out in two stages, namely the batik making process and the evening gown making process. The creation of this work aims to explore the concept of form, appearance, decorative motifs, colors and symbols attached to Dewi Saraswati which is formed into written batik which is then applied to evening gown. The color used for the creation of this final project refers to the color of the Surakarta style batik tradition. The finished batik work is then applied to the evening gown. Evening Gown is a gown worn at night parties with a glamorous look, has sparkling details and is elegantly cut.   
Pengembangan Batik Surtanan Desa Serenan Kecamatan Juwiring Kabupaten Klaten Aan Sudarwanto; Rahayu Adi Prabowo
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.164

Abstract

In the village of Serenan, in Surtanan, there is a group of batik that has the activity of nyerat (writing) cloth using batik wax. This activity is carried out according to orders from batik entrepreneurs from several regions in Solo and Yogyakarta. The order is in the form of a pattern (writing/image) that has been determined by the batik entrepreneur. Based on initial observations, it is known that there are several problems that become obstacles for these craftsmen. These obstacles, among others, the Surtanan batik group, chaired by Sri Suyamti, was originally a regional community development program under the guidance of batik entrepreneurs and the district government. However, as the development of batik production in each batik producer is different, this group tends to wait and does not have the motivation to develop their creativity. In addition, there are other problems, namely the lack of production and marketing strategies. Based on these problems, the author wants to carry out training and mentoring activities, targeting the Surtanan batik group. The focus of this activity is more directed at aspects of improving production techniques and production quality. By doing several approaches such as assistance in making batik based on product development through technical colet. Then the strengthening of human resources is carried out through the introduction of design development, which is expected to increase the variety of batik production so that it can increase market and business competitiveness.
The process of making batik wayang beber using digital canting with sungging painting coloring technique Aan Sudarwanto; Danang Priyanto
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.718

Abstract

This article carries the application of creating wayang beber patterns with sinjang batik techniques. This research aims to answer the endless question regarding the variation of batik patterns. Batik patterns are not only used in clothing but also as decoration. In this case, batik is used as decoration with wayang beber patterns using batik painting techniques.  The research was carried out by making an example of a model, starting with looking for possible utilization by using a design from a computer graphics program. The research scope is limited by the creation of the wayang beber patterns and their application. The steps of designing are to create a prototype model, starting with conducting emic and ethical research. The next step is contemplating the whole pattern development design using digital technology. This is done by looking for suitability based on aesthetic principles and followed by pencantingan using the SGL-4332 series digital batik canting machine.  For the final step, colouring is carried out using the batik painting technique, which is done manually using the rules of sungging gradation.  This research produced a prototype model of wayang beber creation with batik techniques, which can be used by batik craftsmen to bring out new innovations in their work
PENCIPTAAN BUSANA CARNIVAL CAKRAPALAH SERTA PELATIHAN KOREOGRAFI DAN MAKEUP KECAMATAN KESAMBEN BLITAR Syarifah Nur Hajja; M. Arif Jati Purnomo; Aan Sudarwanto
Jurnal Abdimas Bina Bangsa Vol. 4 No. 2 (2023): Jurnal Abdimas Bina Bangsa
Publisher : LPPM Universitas Bina Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46306/jabb.v4i2.751

Abstract

The community service activity entitled Creation of Busana Carnival Cakrapalah Choreography and Makeup Training in Kecamatan Kesamben, Kabupaten Blitar, was completed for 2 (two) days, namely on Saturday and Sunday, 29 and 30 July 2023 at the Kantor Kecamatan Kesamben, Kabupaten Blitar, Jawa Timur. This training activity has resulted in a Busana Carnival with the theme "The Power of Cakapalah". The theme of the Busana "The Power of Cakrapalah" has innovative and creative new ideas, so that the people of the masyarakt desa Kesamben, Kabupaten Blitar. Have new competencies as busana carnival creators. Busana Carnival production training will be carried out in stages: include designing busana, designing headwear, designing accessories for chest necklaces, sleeves and legs. The output targets of this activity are the design results of carnival dress designs from Cakrapalah motifs, products made by design, fantasy makeup training, and choreography
FILOSOFI “TRIASIH” PADA PENCIPTAAN DESAIN MOTIF BATIK YANG BERMAKNA HARAPAN Ramadhani, Silvia; Aan Sudarwanto
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 4 No. 2 (2024): Juni : ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v4i2.10392

Abstract

Budaya Indonesia adalah budaya yang erat kaitannya dengan kesenian tradisional dengan khas yang unik dan berbeda-beda, meliputi wayang kulit, angklung, batik, pencak silat, dan lainnya. Semua budaya Indonesia ini telah diakui oleh UNESCO, salah satunya adalah batik. Batik merupakan identitas yang dapat dinikmati keindahan visualnya baik dari motif maupun warna yang digunakan. Batik sendiri memiliki makna yang berbeda-beda disetiap daerah. Dalam penelitian ini menggunakan metode yang melibatkan tiga tahap penciptaan karya seni yaitu eksplorasi, perencanaan, dan perwujudan. Motif batik yang dihasilkan dalam penelitian ini bernama "Triasih" yang memiliki makna Harapan. Motif dalam batik ini berkaitan dengan 3 budaya Indonesia yang menjadi motif utama yaitu wayang, keris, canting, dan beberapa motif pendukung, seperti tali penghubung, motif daun waru, motif ikat, motif tumpal, dan gunungan, serta isen-isen ceceg yang masing-masing motif memiliki makna filosofis yang beragam dan memiliki makna Harapan untuk kebudayaan yang ada di Indonesia.
Co-Authors Ari Supriyanto Bagus Indrayana Danang Priyanto Idzah Risa Merita Patras Kuntadi Wasi Darmojo Kuntadi Wasi Darmojo Kuntadi Wasi Darmojo Kuntadi Wasi Darmojo M. Arif Jati Purnomo Prabowo, Rahayu Adi Rahayu Adi Prabowo Ramadhani, Silvia Syarifah Nur Hajja Wahyu Nur Hidayat