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All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies Jurnal Pendidikan Seni Rupa Jurnal Penelitian dan Pengembangan Sains dan Humaniora (JPPSH) Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan WIDYA LAKSANA DHARMASMRTI: Jurnal Pascasarjana UNHI Jurnal Bisnis dan Kewirausahaan Indonesian Journal of Religion and Society
I Ketut Supir
Universitas Pendidikan Ganesha
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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PELATIHAN PEMBUATAN ASAP CAIR DENGAN TUNGKU PIROLISIS SEDERHANA BAGI KELOMPOK PETANI KELAPA DI DESA YEH EMBANG, KECAMATAN MENDOYO, JEMBRANA BALI Tika, I Nyoman; I Ketut Supir; I Gusti Ayu Tri Agustiana
JURNAL WIDYA LAKSANA Vol 12 No 1 (2023)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jwl.v12i1.38452

Abstract

Tujuan pengabdian ini adalah untuk mentransfer teknologi pembuatan asap cair dengan tungku pirolisis sederhana bagi petani kelapa di Desa Yeh Embang, kecamatan Mendoyo, Jembrana Bali. Metode yang digunakan adalah pelatihan dan pendampingan. Pelatihan dilakukan 3 hari, setelah itu dilakukan pendampingan selama 3 bulan. Adapun pelatihan yang dilakukan adalah pembuatan asap cair dengan tungku pirolisis sederhana. Evaluasi kegiatan ini dilakukan terhadap respon, aktivitas, produk yang dihasilkan. Hasil kegiatan menunjukkan bahwa petani kelapa dapat menghasilkan asap cair dengan rendemen 1,5% dan arang batok kelapa dengan rendemen 73,2%, dan efisiensi keuntungan meningkat dari 45% menjadi 85,93%. Analisis terhadap hasil produksi petani dilakukan dengan GC-Ms, dihasilkan 7 macam komponen yang dominan yaitu fenol, 3-metil-1.2- siklo pentadion, 2-metoksi fenol, 2-metoksi-4- metilfenol, 4-etil-2-metoksifenol, 2.6-dimetoksi fenol dan 2.5-dimetoksi benzil alkohol. Respon peserta menunjukkan memberikan respon positif. Kegiatan P2M ini perlu lebih sering dilakukan agar petani dapat meningkatkan pengetahuan dan keterampilannya.
Marjinalisasi Seni Prasi: Genealogi Seni Lukis Wayang Bali di Daun Lontar Supir, I Ketut; Pageh, I Made
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 3 (2025): September
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i3.28878

Abstract

The marginalization of prasi art as a fine art and craft art on palm leaves which is one of Bali's world cultural heritages is fading and losing its taksu, is very interesting to study. Prasi generally contains a narrative puppet theme that contains a moral message in Hinduism teachings. Traces of prasi art have developed since the ancient Balinese era and as a genealogy of Balinese puppet painting. In accordance with the development of the era in this universal era, its existence is marginalized, it is important to understand several causal factors. The study is packaged in the concept of power relation theory (Foucaultian) and postmodern aesthetic theory, as an eclectic analysis tool to answer the problem that there is a power relation at play behind the marginalization of prasi art. The results obtained are that behind the marginalization of prasi art: there is a power relation and ideology of modern art that plays behind the fading taksu prasi and the ideology of pemrasi. Fabrication of prasi artwork (capitalist ideology) to follow consumers in the pemrasi, as a result the theme of the moral message of the puppet in the form of a puppet narrative is changed into a single figure actor in everyday life, so that there is a stripping of the character and charm of the prasi art. Added to the condition of the transfer of generations of prasi art does not occur, ideologically, the formal education policy of the Balinese government does not accommodate it in the local curriculum at all levels of education, as a result of the appreciation of the community and government, the art of prasi is not known to the community and the younger generation has no interest in studying the art of prasi. In fact, foreign visitors are very impressed with the art of prasi which is very unique and the subtle way of working on palm leaves. Some pemrasi in tourism centers (Tenganan Pegringsingan) for example, to meet consumer tastes, there is commodification and fabrication by the prasi craftsman so that the art of prasi loses its identity. As a result of changing the theme of the puppet (narrative) into a single figure by presenting objects of everyday life, becoming calendar souvenirs, and interpreting the needs of tourists themselves, even though schooler tourists are looking for authentic prasi. The ideology of moneytheism, the government and society's neglect of the art of prasi has resulted in the world heritage of prasi art losing its charm, prestige, and the function and meaning of its authenticity, as a character builder of the Balinese people.
Co-Authors ., Dewa Agung Mandala Utama ., I Komang Wikrama ., I Made Suastika Yasa ., Mirza Prastyo ., Putu Ari Widana ., Rido Amriadi Agus Sudarmawan Ana Sabilillah, Putri Bronto Sutrisno, Langen Dewa Agung Mandala Utama . Dr. I Nyoman Tika,M.Si . Drs.Jajang S,M.Sn . Gede Eka Harsana Koriawan I Gede Hendra Putrawan . I Gede Mudana I Gusti Ayu Tri Agustiana I Gusti Made Budiarta I Ketut Sudita I Komang Tandingada . I Komang Wikrama . I Made Pageh I Made Suastika Yasa . I Nyoman Sila I Putu Herman Indrayana . I Wayan Arinata . I Wayan Arinata ., I Wayan Arinata I Wayan Muderawan I Wayan Sadia I Wayan Sudiarta IDA AYU MADE ISTRI UTAMI . Kadek Rossinta Dewi Luh Suartini . Made Ayu Wiranti Maria Goreti Rini Kristiantari Mirza Prastyo . Nengah Bawa Atmadja Ni Komang Arie Suwastini Ni Komang Arie Suwastini Norman Efendi . Putu Ari Widana . Putu Warta Riadi . Ratmawati, Ni Luh Ery Rido Amriadi .