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All Journal JURNAL EDUCATION AND DEVELOPMENT Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JSM (Jurnal Seni Musik) DESKOVI : Art and Design Journal Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik CandraRupa: Journal of Art, Design, and Media
I Nengah Mariasa
Universitas Negeri Surabaya
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Other

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KONSEP PENDIDIKAN MELALUI SENI MUSIK OLEH KIAIKANJENG PADA FORUM MAIYAH Luthfi Ardiansyah; I Nengah Mariasa; Warih Handayaningrum
Jurnal Education and Development Vol 9 No 3 (2021): Vol.9.No.3.2021
Publisher : Institut Pendidikan Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (247.651 KB)

Abstract

Penelitian ini bertujuan untuk mengkaji musik KiaiKanjeng pada forum Maiyah dalam konteks pendidikan memalui seni dengan metode penelitian fenomenologi. Fokus analisisnya adalah konsep pendidikan melalui seni musik. Jenis penelitian yang digunakan ialah penelitian kualitatif dengan metode pengumpulan data berupa wawancara, observasi, dan studi dokumentasi. Metode tersebut digunakan untuk mengamati subjek penelitian yaitu personil KiaiKanjeng. Sedangkan data pendukung didapat dari dokumentasi pertunjukan berupa video, artikel, audio, partitur lagu dan foto. Hasil Penelitian menunjukkan bahwa Konsep pendidikan melalui seni musik oleh KiaiKanjeng meliputi (1) Latarbelakang konsep pendidikan melalui seni KiaiKanjeng, (2) Konsep Pendidikan (3) Aktivitas pendidikan.
Nilai dan Fungsi Kesenian Kothekan Lesung di desa Wisata Pandean Kabupaten Trenggalek Mustika Maulany Sabilla Putri; I Nengah Mariasa; Setyo Yanuartuti
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 5 No 1 (2023)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v5i1.119

Abstract

Purpose: This research aims to describe the value and function of the Shotokan dimple art in Pandean Tourism Village. This research is expected to serve as a basis for further investigation. Method: The research approach used is qualitative research. Data collection techniques were obtained from interviews, literature and documentation. Result and Discussion: The results of this study indicate that the values contained in the mortar kothekan include cooperation, discipline, hard work, tolerance and others. The Pandean Tourism Village and the Tourism Awareness Group (POKDARWIS) are collaborating with traditional arts in the Tourism Village program to preserve traditional skills and maintain their character values. Kothekan mortar, initially used by farmers as entertainment to relieve fatigue, now has several other functions. The involvement of the kothekan lesung art in the Tourism Village gives this art have 3 (three) artistic functions, namely: 1) personal function, 2) social function, and 3) physical function.
Aesthetic criticism of dancers' costumes at Jaranan Pegon's performance in Trenggalek Mellany Octa Salsabila Sugiarto; I Nengah Mariasa; Setyo Yanuartuti
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 18 No. 2 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i2.5191

Abstract

Aesthetic criticism serves as an evaluation of diverse forms of beauty perceived differently by individuals. Costumes worn by Jaranan Pegon dancers adhere to specific standards and regulations during performances, with the dancers donning Wayang Wong attire. This research aims to assess aesthetic criticism by investigating absolutism, anarchy, and relativism in the costumes of Jaranan Pegon dancers. The study employed a descriptive approach with a phenomenological method. The findings revealed that, in accordance with absolutism, Jaranan Pegon dancers' costumes must adhere to established standards or guidelines. From the perspective of anarchy, there is freedom in costume choices, allowing deviation from traditional rules. Relativism permits flexibility in attire, considering various presentation factors while still allowing departures from established guidelines. The significance of this research lies in exploring aesthetic criticism through the lenses of absolutism, anarchy, and relativism in the context of Jaranan Pegon dancers' costumes, shedding light on the varying standards and freedoms associated with costume choices in performances.
Pengembangan Media Pembelajaran Musik Keroncong Berbasis Android Untuk Siswa SMK Kelas XI Achmad Oktabrian Mahandra; I Nengah Mariasa
DESKOVI : Art and Design Journal Vol. 6 No. 2 (2023): DESEMBER 2023
Publisher : Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/deskovi.v6i2.16272

Abstract

Aplikasi Android untuk pembelajaran musik keroncong di sekolah dapat mendorong kemandirian belajar dan minat siswa, serta dapat memudahkan pemahaman materi, dan praktik. Penelitian ini bertujuan mengembangkan Aplikasi Kromo sebagai media pembelajaran musik keroncong dengan menggunakan model Four-D Thiagarajan yang terdiri dari tahapan Define, Design, Development, dan Disseminate. Tahap pengembangan mencakup proses pembuatan Aplikasi Kromo, evaluasi kualitas produk oleh ahli musik keroncong dan ahli media, serta penilaian kualitas pengguna berdasarkan respon guru dan siswa dari uji coba. Hasil keseluruhan menunjukkan bahwa Aplikasi Kromo efektif dan praktis dengan tingkat keberhasilan sekitar 87% dalam meningkatkan hasil belajar siswa dalam memahami musik keroncong. Ini berarti Aplikasi Kromo yang dikembangkan telah berhasil menjadi sebuah produk yang berkualitas, efektif, dan praktis dalam mendukung pembelajaran musik keroncong sehingga dapat meningkatkan hasil belajar siswa.
Pengembangan Lembar Kerja Mahasiswa Mata Kuliah Praktek Tata Teknik Pentas Dan Cahaya Welly Suryandoko; I Nengah Mariasa; Eko Wahyuni Rahayu
CandraRupa : Journal of Art, Design, and Media Vol. 1 No. 1 (2019): Vol.1 No.1 (2019)
Publisher : Universitas Dinamika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37802/candrarupa.v1i1.32

Abstract

Based on observations. Some lecturers have used MFIs and other lecturers not to use MFIs because the use of printed books is enough to be used by students in understanding the material taught. Seeing the facts, all lecturers from the concentration in the department stated that there was a need for the development of MFIs. This is the basis of the problem statement 1) How is the Development Process of Eye and Light Engineering MFIs? 2) How is the Quality of Development of Eye MFIs for Stage and Light Engineering? The research method used in the development of this MFI is research and development or Research and Development (R & D). Sukmadinata (2015) states that research and development or Research and Development (R & D) is a research method or approach to produce new products or improve existing products. Based on the results of the process of developing stage and light engineering MFIs for the 6th semester students of the 2015 UNESA FBS study program, the percentage scale obtained was 90%, 85% and 74%. The percentage scale obtained belongs to the good category. Quality aspects consist of: the accuracy of the contents of the book validator I gets a scale of 92% and validator II gets a scale of 83%. For the benefit aspect the book validator I got a scale of 83% and validator II got a scale of 83%. For completeness aspects, validator I gets a scale of 100% and validator II gets 93%. For linguistic aspects, validator I got a scale of 100% and validator II got a scale of 93%. With the scale obtained from these 4 aspects, it can be concluded that the product does not need to be revised. The researcher hopes that this product can be disseminated and used by lecturers and students extensively to improve the ability of lecturers in the arts, especially the practice of TTPC.
Music Jaranan Turangga Yaksa in Dongko Village Trenggalek Regency (Study Ethnomusicology) Syafiq Agil Varisandi; Setya Yuwana; I Nengah Mariasa
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.74816

Abstract

Jaranan Turangga Yaksa is an original art from Dhongko Village, Trenggalek Regency. Turangga Yaksa is a horse with a giant head and ridden by a knight who can control amarah, syaitonah, lauamah, dan serakah. This art is the result of creations from the Baritan ceremony (bar ngarit tanduran), local people usually hold tayub parties which aim to express gratitude for the harvest they have received. In this research, Jaranan Turangga Yaksa was studied ethnomusicologically by taking several approaches, namely describing the notation, musical aspects and organology found in the musical instrument Jaranan Turangga Yaksa. The research was conducted in Dhongko Village, Trenggalek Regency. The data collection method was carried out by interviewing several sources such as Mbah Mu'an (Creator of the Jaranan Turangga Yaksa music), chairman of the Sanggar Purwo Budaya, singer, dancer, and also pengrawit. Observe the development of musical accompaniment, and also perform FGD (Forum Group Duscussion) to deepen information and data to make it more valid. The description of the musical notation used by the author includes using number notation on balungan instruments and also vocals. The use of the terms plak, dlang, dhe as notation for percussion instruments such as kendang. Writing drum notation using notasi balok, and also using symbols as another term in writing gamelan notation. From the musical aspect, Jaranan Turangga Yaksa music has its own drum beats that differentiate it from other jaranan music such as Jaranan Buto, Jaranan Senterewe, Jaranan Pegon, and Jaranan Dor.
Co-Authors Achmad Oktabrian Mahandra Eko Wahyuni Rahayu Luthfi Ardiansyah Mellany Octa Salsabila Sugiarto Mustika Maulany Sabilla Putri Setya Yuwana Setyo Yanuartuti Syafiq Agil Varisandi Warih Handayaningrum Welly Suryandoko