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Janda dan Resistensi Sosial dalam Lirik Lagu: Upaya Melawan Stigma Patriarki Masyithah Maghfirah Rizam; Setya Yuwana; Darni; Suyatno; Anas Ahmadi
Entita: Jurnal Pendidikan Ilmu Pengetahuan Sosial dan Ilmu-Ilmu Sosial Special Edition: Renaisans 1st International Conference of Social Studies
Publisher : IAIN Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ejpis.v1i.19157

Abstract

The stigma attached to women with widow status remains a strong social phenomenon in patriarchal societies, including in Madura. The identity of widows is often associated with negative connotations that hinder their freedom and rights in everyday social life. This study examines how the lyrics of modern Madurese songs represent social resistance against the stigma of widows through expressions of popular culture. Using a critical discourse analysis approach within the framework of social sciences, this research explores in depth how language in song lyrics constructs, maintains, or challenges existing social structures. The analysis focuses on two songs, Anyar Dedih Janda and Lanceng Abini Randha, which represent the voices of widowed women in confronting social stigma. The findings show that these songs not only reflect the lived experiences of widows but also function as advocacy tools in constructing alternative, more positive, and empowering narratives. Song lyrics become an important medium for promoting gender equality, redefining women’s identities, and shifting discriminatory social perceptions. This study highlights the crucial role of popular culture as a medium of resistance and social transformation against patriarchal norms in Madura.
Resistensi Perempuan terhadap Perjodohan dalam Lirik Lagu Kontemporer Berbahasa Madura: Kajian Futurologi Etnofeminis Rizam, Masyithah Maghfirah; Darni, Darni; Suyatno, Suyatno
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia SPECIAL EDITION: LALONGET VI
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.vi.21710

Abstract

This study explores the representation of female resistance to arranged marriage in contemporary Madurese song lyrics. The analysis focuses on three songs: Benni Peleyan Bula (2014) by Yuli Asiska, Mateh Rassa (2022), and Mile Reng Towah (2024) by Ahmed Habsy. Using a qualitative approach with ethnofeminism and literary futurology as analytical frameworks, the findings reveal that resistance does not always appear as direct defiance but is expressed through forms such as active resignation, emotional disappointment, and reflective awareness. These expressions signify a shift in cultural values and the emergence of new social imaginaries within Madurese society. Song lyrics serve not only as entertainment but also as symbolic spaces where women negotiate identity, express dissent, and envision a more gender-equitable future. Through emotional narratives, these songs project alternative cultural futures where women possess greater autonomy in choosing their life partners and defining their own happiness.
Bahasa Dan Identitas Budaya Dalam Proyeksi Masa Depan: Pendekatan Futurologi Novel Bumi Cinta Siddik, Achmad Muafi; Rizam, Masyithah Maghfirah
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.1866

Abstract

This research highlights the importance of preserving language and cultural identity in an increasingly powerful era of globalization. Globalization and information technology accelerate cultural interaction but also promote the homogenization of values thru the dominance of foreign languages. Using the novel Bumi Cinta as the research object, this study analyzes cultural encounters thru the characters of Ayas and Ilena. With a literary futurology approach, this research explores the role of language as resistance to globalization and the transformation of cultural identity. The novel "Bumi Cinta" by Habiburrahman El Shirazy was chosen as the research object because it presents the dynamics of cultural encounters thru its characters, particularly Ayas and Ilena, who explicitly display tension, resistance, and identity negotiation. This research uses a qualitative method with a literary futurology approach. The analysis focuses on the dialog, narrative, and cultural symbols contained in the novel, with language projected as a medium of resistance and transformation of cultural identity in the face of globalization. Data was obtained from the novel's text and analyzed interpretively using the theoretical frameworks of cultural identity and futurology. The research findings indicate that the character Ayas uses Indonesian and Arabic as a form of resistance against foreign cultural influences and as a symbol of collective identity resilience. Meanwhile, the character of Ilena reflects the process of negotiating and transforming identity thru her openness to learning Islamic language and values. The Moscow backdrop as a multicultural space reveals the interplay between local traditions and global influences. This finding confirms that language not only maintains cultural continuity but also serves as an instrument of cultural diplomacy capable of projecting the direction of future identity. Thus, literature plays a strategic role as both a medium of reflection and projection in maintaining and negotiating cultural identity in the era of globalization.