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All Journal Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal MIPA dan Pembelajarannya Jurnal Historica
Sumarjono Sumarjono
Universitas Negeri Malang
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Journal : Jurnal Historica

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The Movement Of Sarekat Islam's Politics In Struggling National Independence In 1918-1945 Maftuhin Maftuhin; Sumarjono Sumarjono; Nurul Umamah
JURNAL HISTORICA Vol. 1 No. 2 (2017): Desember 2017
Publisher : History Education, University of Jember

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Abstract

Sarekat Islam is a movement organization becoming a vanguard of appearing a modern political movement in Indonesia. The encouragement of Sarekat Islam as political movement stimulates new ways of Indonesian in facing colonialism for national independence of Indonesia. This study aims to analyze many political movements done by Sarekat Islam such as diplomatist, strike, propaganda, even a protest in the attempt of achieving national independence. The research questions in this study are the Sarekat Islam's attempts in changing a fight into politics field, what types of Sarekat Islam's fight in a political field, and how the effect of Sarekat Islam's fight in the political field. The research uses a historical study method of heuristics step (collecting data), critic (through the validity of sources that had been gotten from the heuristics process), interpretation (interpretation toward the sources gotten), historiography (providing a result of a study in a writing form). This study uses a theory of conflict and political sociology approach. The finding of the study shows that the change of Sarekat Islam leadership from Haji Samanhudi to Tjokroaminoto make a new fight in the field politics. The change is also motivated by the appearance of Indie Werbaar establishment (Hindia defence) and Volksraad (house of people’s representatives). So it makes Sarekat Islam changes its movement into a dynamic political movement. Many political fights are done by Sarekat Islam thorough Volksraad, labour movement, Pan-Islam movement, and PPPKI national federation (Indonesian political nationalism association conciliation) and GAPI (Indonesian political alliance). Beside inspiring much another organization movement to fighting in the field of politics, the political movement of Sarekat Islam also stimulates many new fighting to oppose Dutch colonialism and it becomes the most important thing for the movement organization in achieving national independence of Indonesia. Keywords: a political movement, Sarekat Islam, struggle, independence.
The Assassinaton of Mahatma Gandhi in 1948 Guruh Prasetyo; Marjono Marjono; Sumarjono Sumarjono
JURNAL HISTORICA Vol. 2 No. 1 (2018): June 2018
Publisher : History Education, University of Jember

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The sovereignty given to India and Pakistan in separate way at 1947, became the beginning of disturbance which is occured in India. Therefore, the conveyance of sovereignty separately caused a prolonged conflict in India and Pakistan. As a nationalist of India, Mahatma Gandhi wanted a unity of society in India as well as in Pakistan. Moreover, the difference thoughts were frequently occured among Mahatma Gandhi and several figures of fanatic people on the mission of peace series in India and Pakistan. This situation caused a conspiration by the group of fanatic people through assassination on Mahatma Gandhi. The conspiracy had done by a person in a particular capacity who comes from Mahasabha Party and Rhatrya Swayam Sevak Sangha Organizatiom. In addtition, issue of districts distribution was also the reason of continuous conflict occured in India and Pakistan. According to this situation, this research is proposed to explain the series of conspiracy which have done by the conspirator through phenomenon of throwing grenade to Gandhi's assassination in 1948 at Birla House. As the results, at that moment, disturbance were more considerable in India. Thus, disturbance occured in the area of Jammu and Khasmir were the main impact of disturbance which is never dispersed. Keywords: Conspiration, Ghandi, India, Pakistan
Zaibatsu's Role in Development of Japan in the Meiji's Emperor Period of Year 1868-1912 Rahardi B; Sri Handayani; Sumarjono Sumarjono
JURNAL HISTORICA Vol. 2 No. 1 (2018): June 2018
Publisher : History Education, University of Jember

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The Meiji restoration gave a great impact on Japan development into a developed nation. The development of Japan at the Meiji restoration periode required funds in great quantity. The Zaibatsu was a group of entepreneurs with a lot of funds and had developed businesses in various sectors. The cooperation between the Meiji goverment and the Zaibatsu made the restoration well-worked. This research aims to know the contribution of Zaibatsu in granting funds for the development of Japan. This research also describes the history of Zibatasu development. The result of cooperation between the Government of Meiji imperialism and the Zaibatsu was showed by the success of Japan in becoming an industrial nation by retaining its traditional nature. Beside that, the Meiji imperialism had been succeded in developing the economy of Japan. In addition, Japan also had become an imperial nation, showed by the Japanese victory over Russia for taking Korea as the market of Japan industrial products during the reign of Meiji imperialism periode. The Zaibatsu became the side that succesfully advance the economics of Japan so Japan can become a developed nation in the economy, especially in the industry. Keywords: contribution, Zaibatsu, development, Meiji, Japan
THE EXISTENCE OF SOCIO-ECONOMIC COMMUNITY AROUND GUS DUR FAMILY TOMB IN THE CUKIR VILLAGE YEAR OF 2009-2016 Mitha Aprilia Kartikaningtyas; Sumarjono Sumarjono; Bambang Soepeno
JURNAL HISTORICA Vol. 2 No. 2 (2018): Desember 2018
Publisher : History Education, University of Jember

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Abstract

Social and economic movement in this case is a change in the community around the tomb of Gus Dur at Cukir village years 2009-2016 towards the better. The changes that occurred in the economy is evident impact on income and the improvement of the education of children around the tomb, say previous earnings ranging between Rp. 1,500,000 monthly increase of around Rp. 2,000,000 every weekend. While social changes seen from the kind of occupations, how interact people around the tomb interact to sellers from outside the Cukir village and enterprise spirit of communities around the tomb, for example changes in the type of occupations from agricultural sector into the trade sector. The problems that were examined are: (1) how is the socio-economic conditions before 2009? (2) what are the factors that cause social and economic movement? (3) how the socio-economic movement around the family tomb complex in the village of Gus Dur Cukir years 2009-2016?. The purpose of this study are: (1) to assess the socio-economic conditions of society before 2009; (2) to examine factors that cause social and economic movement; (3) to assess the socio-economic changes of society around the family tomb complex in the village of Gus Dur Cukir years 2009-2016. This study used heuristic method with the stage of history, criticism, interpretation and historiography. The approach used Economic Sociology and the theory of modernization.Keywords: Socio-Economic Changes, Society Neighborhood Around Gus Dur Tomb
GANDRUNG SEWU FESTIVAL IN BANYUWANGI FROM 2012 TO 2018 Ayu Trisna Dewi; Sumarjono Sumarjono; Sugiyanto Sugiyanto
JURNAL HISTORICA Vol. 3 No. 1 (2019): Desember 2019
Publisher : History Education, University of Jember

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Abstract The Gandrung Sewu Festival is a traditional celebration featuring thousands of more Gandrung dancers and performed out on the beach. The purpose of Gandrung Sewu Festival is to preserve regional culture and attract tourists to visit Banyuwangi. The results of the research obtained were that the background of the Sewu Gandrung Festival was established by: (1) socio-cultural factors, in which want to prove that Gandrung’s existence is real in Banyuwangi; (2) political factors, in order to attract tourists coming to Banyuwangi; (3) economic factors, in order to increase Domestic Income of Banyuwangi Regency by introducing Gandrung Sewu Festival. The person in charge of the Gandrung Sewu Festival was originally Paguyuban Pelatih Seni dan Tari Banyuwangi “Patih Senawangi” (Association, of Art and Dance Coaches of Banyuwangi), there by all the needs of the Gandrung Sewu Festival were completed by Patih Senawangi and there was no assistance from any party. The cost constraints made Patih Senawangi decide not to perform the Gandrung Sewu Festival in the coming year. Finally in 2014, Gandrung Sewu Festival was taken over by the Banyuwangi Regency Culture and Tourism Office. This aims to facilitate tourisme interests, and encourage tourists to Banyuwangi. Keywords: Gandrung Sewu Festival, Culture, Tourism.
THE DYNAMICS OF REYOG ART IN NGAWI REGENCY YEAR 2000-2015 Ageng Pristiwasakti; Sumarjono Sumarjono; Bambang Soepeno
JURNAL HISTORICA Vol. 3 No. 1 (2019): Desember 2019
Publisher : History Education, University of Jember

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The traditional art of Reyog originated from Ponorogo Regency spread in Ngawi Regency. Reyog Ponorogo in Ngawi District experienced fluctuation of Reyog Ponorogo Art Dynamics in Ngawi Regency needs to be done. Study as follows; (1) social condition in Kabupaten Ngawi; (2) the change of Reyog art in Ngawi District; (3) Reyog's preservation efforts in Ngawi District year 2000-2015. This method uses historical method with heuristic steps, criticism, interpretation and historiography. This study resulted Reyog art in Ngawi Regency experiencing a shift function that was originally used for ritual means to be a means of entertainment of the people in Ngawi District. The role of the Reyog artist who is incorporated in the groups in Ngawi regency has fluctuation in its preservation because of the current globalization that greatly affects the people in Ngawi regency, as well as the efforts made by the artists to keep preserving the art of Reyog. Suggestions for the future that the government, artists and society maintain and preserve this Reyog art.
Radya Pustaka Museum As the Preservation Of Surakarta Cultural Heritage From 2008 - 2018 Vista Anindya Kusuma; Marjono Marjono; Sumarjono Sumarjono
JURNAL HISTORICA Vol. 4 No. 1 (2020): June 2020
Publisher : History Education, University of Jember

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Radya Pustaka Museum was founded by KRA Sosrodiningrat IV on October 28, 1890, which aims to preserve the art of Javanese culture. The management of the Radya Library museum from 2008 - 2018 was performed by the committee and Technical Unit Implementation as well as support from the Surakarta City Government. Efforts to preserve cultural heritage objects carried out by managers of the Radya Library Library must be based on regulations set by the government. Method this study enganger of historical study. The results of the research show that since 2008 - 2018 the Radya Library library has undergone two changes of management, namely since 2008 the museum was managed by a committee with the assistance of a grant from the Surakarta City government and in 2016 - 2018 the museum has been transferred under the control of the Surakarta Cultural Service UPT museum and operational funds are obtained from the Surakarta City Government Budget. Preservation of Cultural Heritage in the Radya Pustaka museum is based on the Law on Cultural Heritage No. 11 of 2010. The museum preserves cultural heritage was encouraged by the existence of an ancient manuscript of the Kasunanan palace which was not maintained and to grow interest for cultural heritage to the community. Since 2008 - 2018 Radya Library management was managed by the committee and Technical Unit Implementation. Efforts to preserve cultural heritage in the Radya Pustaka museum by implementing protection, development and utilization of cultural heritage. Keywords: Management, Radya Pustaka, Preservation.
The Dynamics of Jember Sari Wedding Dress In Jember From 2005 To 2018 Alifatul Inaayah; Sumarjono Sumarjono; Mohamad Na'im; Akhmad Ryan Pratama
JURNAL HISTORICA Vol. 5 No. 1 (2021): June 2021
Publisher : History Education, University of Jember

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Abstract

Jember Sari wedding dress is a original wedding dress of Jember regency. Jember Sari wedding dress consists of kebaya, beskap and jarit. The purpose of examining Jember Sari wedding dress is in order to mantain a regional wedding dress and preserve the existing culture. The result of the study is the apperarance motive of Jember Sari weding dress as follows; (1) Socio-cultural factors, due to the fusion process of Javanese and Madura culture. The Javanese and Madurese etnics coexisted in Jember, thereby the new culture is called “Pandhalungan” culture. One of the Pandalungan culture is the wedding dress of Jember Sari. (2) In 2003, HARPI "Melati" appealed to every region in order to obtain the regional wedding dress. After that, based on the idea of the HARPI "Melati" chairman Jember, then HARPI performed out the excamination and research towards Jember Sari wedding dress in 2005. Keywords: Wedding Dress, Jember Sari, Pandhalungan
Rezti’s Batik Mboeloe Industry Tegalsari Village Ambulu District Jember from 2011 to 2018 Desi Putri Rahma Sari; bambang soepeno; sumarjono sumarjono
JURNAL HISTORICA Vol. 3 No. 2 (2019): June 2019
Publisher : History Education, University of Jember

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Batik is a native culture of Indonesia. The first batik making was in Sumber Jambe which is the center of batik in Jember Regency. Problem formulation in this research is how the background of Rezti's Batik Mboeloe industry in Tegalsari Village, Ambulu District, Jember Regency in 2011 and how the development of Rezti's Batik Mboeloe in Tegalsari Village, Ambulu District, Jember Regency, 2011-2018. This research was designed with historical research methods, where the stages of the process consist of 4 steps, namely: 1. Heuristics; 2. Criticism; 3. Interpretation; and 4. Historiography. The development of batik is a form of the creative economy by bringing up various product motif innovations that are able to survive until now. The results of this research, the establishment of the Rezti's Batik Mboeloe industry, have the same potential as Sumber Jambe and Rumah Batik Rolla, although the Ambulu batik industry can be said to be relatively new. Rezti’s Batik Mboeloe Industry offers affordable products with good quality and has batik motifs that are not the same as Sumber Jambe and Rumah Batik Rolla. An interesting development of Rezti's Batik Mboeloe Industry motifs is the lifting of the marine motifs that are characteristic of the Reztik Batik Mboeloe Industry. Suggestions in this study This researcher is expected to be a reference in the development of writing other historical writing studies, this research is expected to provide additional historical knowledge about Indonesian Batik Industry. Keywords: Batik, the development of the Resti Batik Mboeloe Industry
KETOPRAK MUSTIKO BUDOYO DI BLORA TAHUN 1976-2018 Yasiran Yasiran; sumarjono sumarjono; sumarno sumarno
JURNAL HISTORICA Vol. 3 No. 2 (2019): June 2019
Publisher : History Education, University of Jember

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Ketoprak merupakan seni pertunjukan tradisional terkenal yang tetap eksis hingga sekarang. Salah satu kelompok Ketoprak yang masih konsisten mengadakan pagelaran dan mengembangankan seni ketoprak adalah "Mustiko Budoyo" di Desa Tempuran Kecamatan Kota Blora kabupaten Blora. Rumusan masalah dalam penelitian ini adalah latar belakang berdirinya ketoprak Mustiko Budoyo di Blora pada tahun 1976 dan bagaimana dinamika Ketoprak Mustiko Budoyo di Blora tahun 1976-2018. Penelitian ini dirancang dengan metode penelitian sejarah. Langkah-langkah dalam penelitian ini adalah: (1) Heuristik; (2) Kritik; (3) Intepretasi; Dan (4) Historiografi. Hasil penelitian menunjukkan bahwa berdirinya Ketoprak Mustiko di latar belakangi oleh kondisi sosial-budaya masyarakat yang mayoritas bekerja sebagai petani memiliki kehidupan spiritual yang selalu melibatkan seni pertunjukan khususnya Ketoprak. Ketoprak Mustiko Budoyo telah mengalami banyak perubahan dan perkembangan yang mencakup aspek Lakon, pemain, Tata Busana, Tata Rias, Panggung, dan Peralatan. Saran dalam penelitian ini diharapkan dapat memberikan tambahan pengetahuan tentang sejarah Ketoprak Mustiko Budoyo. Keywords: ketoprak, Mustiko Budoyo, Blora.
Co-Authors Ageng Pristiwasakti Ahmad Rizal Kurniawan ahmad ryan pratama Akhmad Ryan Pratama Alifatul Inaayah Ayu Trisna Dewi Bambang Soepeno Bambang Tahan Sungkowo Debora Febbivoyna Desi Putri Rahma Sari Dheka Januarifin Diah Ayu Octavia Dian Palupi Guruh Prasetyo Jamil, Robit Nurul Kayan Swastika Lia Yuliati Maftuhin Maftuhin Marjono Marjono Mitha Aprilia Kartikaningtyas Mohamad Na'im Mohamad Na'im Muhammad Nur Firmansyah Nurul Umamah Rahardi B Sari Agustina Sri Handayani Sugiyanto Sugiyanto Sumarno Sumarno Vista Anindya Kusuma Yasiran Yasiran