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All Journal Lingua Jurnal Bahasa dan Sastra Edu Komputika Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Piwulang : Jurnal Pendidikan Bahasa Jawa Lingua Susastra Jurnal Locus Penelitian dan Pengabdian AKSARA: Jurnal Bahasa dan Sastra Sutasoma : Jurnal Sastra Jawa
Sungging Widagdo
Jurusan Bahasa dan Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang
Aerospace Engineering Arts Humanities Automotive Engineering Computer Science & IT Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Bentuk dan Makna dalam Film Pendek “Kabar Anget” karya Paniradya Kaistimewan: Kajian Semantik Aziz, Aniqotul Difla Amalia; Lestari, Prembayun Miji; Widagdo, Sungging
Jurnal Locus Penelitian dan Pengabdian Vol. 4 No. 6 (2025): JURNAL LOCUS: Penelitian & Pengabdian
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/locus.v4i6.4439

Abstract

Nowadays, short films have a more modern story concept, so that the analysis of a film becomes more varied. However, many people are still not familiar with it because most short films are broadcast on Youtube channels, while not all groups always access Youtube social media. In this study, the researcher wants to introduce more widely about Javanese language short films on Youtube. Because films can be used as a medium to convey messages, this study aims to describe the form and meaning of the short film "Kabar Anget" by Paniradya Kaistimewan using semantic studies. This type of research uses qualitative methods in analyzing data and descriptive methods in presenting data and uses a semantic approach in its theory. The source of research data is the transcription of the script for the film "Kabar Anget" by Paniradya Kaistimewan. The data collection technique in this study went through four stages, namely: (1) free listening technique; (2) recording technique; (3) transcription technique; (4) note-taking technique. The data analysis technique used the semiotic method in the transcription of the script. The results of the study show (1) the form of lexical meaning in the dialogue of the film "Kabar Anget" contains 3 antonyms, 2 synonyms, 4 metaphors, and 6 syllogisms, (2) the meaning in the dialogue of the film text "Kabar Anget" is quite varied. Emotive meaning amounts to 4 speech data. Ideational meaning amounts to 3 speech data. Referential meaning amounts to 1 speech data.
Ketimpangan Sosial dalam Novel Pincuk Garing karya Tulus Setiyadi Fajarwati, Kinanti Dwi; Widagdo, Sungging; Anggraeni, Sri Prastiti Kusuma
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.470

Abstract

The issue of social inequality in Indonesia remains a critical topic, particularly concerning access to education, the economy, and social justice, which are often marginalized in rural communities. This phenomenon is also reflected in literary works, including the novel Pincuk Garing by Tulus Setiyadi. This study aims to explore the manifestations of social inequality as depicted in the novel. The central research question concerns how forms of social inequality are represented through the characters and their relationships within the narrative. This research adopts a qualitative descriptive method with an objective literary approach, employing Pierre Bourdieu’s theory of capital (economic, cultural, social, and symbolic) to identify various forms of capital, alongside Robert Stanton’s theory of story facts to analyze how these capitals are embedded in character construction and depiction. The findings reveal a disproportionate distribution of capital: economic (12 instances, 31%), cultural (6 instances, 15.3%), social (8 instances, 20.5%), and symbolic (13 instances, 33.3%). This imbalance directly influences disparities in power, recognition, and opportunity, wherein characters with greater capital are portrayed as dominant, while those with limited capital are frequently marginalized. These findings underscore the significant role of literature as a mirror of social realities and contribute to addressing gaps in existing scholarship by applying Bourdieu’s capital theory to Pincuk Garing, thereby offering a comprehensive analysis of multidimensional social inequality.
Dari Objek Kekuasaan ke Subjek Perlawanan: Agensi Perempuan dalam Lakon Kethoprak Rara Mendut-Pranacitra Ningsih, Santini Ayu; Purnomo, Sucipto Hadi; Widagdo, Sungging
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.473

Abstract

Traditional kethoprak performances often portray women as passive figures, but the play Rara Mendut-Pranacitra challenges this by presenting an active female protagonist. This study analyzes how the central character, Rara Mendut, demonstrates female agency by fighting for her desires and freedom against a patriarchal social structure. Using a qualitative, descriptive-analytical approach grounded in Anthony Giddens's theory of agency, the research examines specific dialogues and scenes from a performance available on the Balkam TV YouTube channel. The analysis reveals that Rara Mendut exhibits her agency through three key indicators: reflective agency (subtly rejecting marriage proposals), symbolic negotiation (using humor to challenge authority), and personal decision-making (gaining economic independence). Her ultimate act of agency is her radical choice to control her own destiny. The findings confirm that traditional performing arts can serve as a powerful medium for female resistance. This study demonstrates that female characters in Javanese narratives are not merely passive objects but active agents capable of shaping social structures from within, providing a valuable theoretical perspective beyond traditional feminist criticism.
Co-Authors Anggraeni, Sri Prastiti Kusuma Aziz, Aniqotul Difla Amalia Balighah Nur Fitriyati , Hikmatun Ermi Dyah Kurnia Fajarwati, Kinanti Dwi Ningsih, Santini Ayu Pramitasari, Dewi Ajeng Pratama, Alif Putra Prembayun Miji Lestari Putri, Egie Yuandita Syah Seinsiani, Izzati Gemi Sucipto Hadi Purnomo Teguh Supriyanto