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Sangkan Paraning Dumadi: The Image of Women, Hysteria, and Patriarchal Chains in Intan Paramadhita’s Short Story Amaliah, Rodliatul; Shofah, Novia Adibatus; Tawakal, Choirunnisa Salwa
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 1 (2022): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.1.14-23

This study focuses on the psychological symptoms experienced by the Mother in Pemintal Kegelapan (The Dark Spinner) by Intan Paramadhita. Hysteria is understood as a neurosis form based on an element of anxiety in the character’s past life. Psychological disorders in the short story can be seen from the dual personality of the Mother to avoid or cure the anxiety she suffers. As a psychological disorder, hysteria certainly has a therapy known as catharsis. That method is applied by the Mother as a treatment for her psychological disorders. The feminist reflection of Pemintal Kegelapan can be analyzed by applying Sigmund Freud’s psychoanalytic theory. Through that stage of analysis, it can be known how the Mother applies the cathartic method. The causes of the hysteria disorder experienced can be revealed, both hysteria as a mental illness and a woman’s disease.

Un-tying Patriarchal Legacy: Polygamy in the Indonesian Novel 'Entrok' Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53761

This article examines how Entrok, a novel by Okky Madasari, portrays the oppressive realities of polygamy and patriarchal domination within Indonesia’s socio-political landscape, especially during the New Order regime. Using feminist literary criticism as the main theoretical framework, supported by a Marxist view on economic power, this study explores how literature critically reflects women’s lived experiences under systemic gender inequality. While previous studies have discussed gender bias and resistance in Entrok, few have examined polygamy as a tool of patriarchy or analysed how resistance strategies vary across women’s social and educational positions. The analysis reveals a clear contrast in how female characters respond to polygamy and patriarchal structures. Yu Yem, Yu Parti, Endang Sulastri, and Marni, who represent uneducated women, not only reject and do not tolerate polygamy but also actively resist it by building economic independence, thus asserting their agency and autonomy. Their refusal becomes a form of open defiance against patriarchal expectations. Conversely, Rahayu, an educated woman, accepts her position as a second wife under religious justification, internalising patriarchal norms despite experiencing profound psychological distress. These representations demonstrate how both class and ideology influence women's capacity and methods of resistance to gendered oppression. Framing Entrok within broader feminist and socio-political discourse, this study affirms the novel’s role as a critique of patriarchal injustice. It underscores how fiction can challenge ideological violence and support Sustainable Development Goal 5 on Gender Equality by imagining alternative possibilities for empowerment and resistance.

Un-tying Patriarchal Legacy: Polygamy in the Indonesian Novel 'Entrok' Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53761

This article examines how Entrok, a novel by Okky Madasari, portrays the oppressive realities of polygamy and patriarchal domination within Indonesia’s socio-political landscape, especially during the New Order regime. Using feminist literary criticism as the main theoretical framework, supported by a Marxist view on economic power, this study explores how literature critically reflects women’s lived experiences under systemic gender inequality. While previous studies have discussed gender bias and resistance in Entrok, few have examined polygamy as a tool of patriarchy or analysed how resistance strategies vary across women’s social and educational positions. The analysis reveals a clear contrast in how female characters respond to polygamy and patriarchal structures. Yu Yem, Yu Parti, Endang Sulastri, and Marni, who represent uneducated women, not only reject and do not tolerate polygamy but also actively resist it by building economic independence, thus asserting their agency and autonomy. Their refusal becomes a form of open defiance against patriarchal expectations. Conversely, Rahayu, an educated woman, accepts her position as a second wife under religious justification, internalising patriarchal norms despite experiencing profound psychological distress. These representations demonstrate how both class and ideology influence women's capacity and methods of resistance to gendered oppression. Framing Entrok within broader feminist and socio-political discourse, this study affirms the novel’s role as a critique of patriarchal injustice. It underscores how fiction can challenge ideological violence and support Sustainable Development Goal 5 on Gender Equality by imagining alternative possibilities for empowerment and resistance.

Un-tying Patriarchal Legacy: Polygamy in the Indonesian Novel 'Entrok' Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh.
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53689

This article examines how Entrok, a novel by Okky Madasari, portrays the oppressive realities of polygamy and patriarchal domination within Indonesia’s socio-political landscape, especially during the New Order regime. Using feminist literary criticism as the main theoretical framework, supported by a Marxist view on economic power, this study explores how literature critically reflects women’s lived experiences under systemic gender inequality. While previous studies have discussed gender bias and resistance in Entrok, few have examined polygamy as a tool of patriarchy or analysed how resistance strategies vary across women’s social and educational positions. The analysis reveals a clear contrast in how female characters respond to polygamy and patriarchal structures. Yu Yem, Yu Parti, Endang Sulastri, and Marni, who represent uneducated women, not only reject and do not tolerate polygamy but also actively resist it by building economic independence, thus asserting their agency and autonomy. Their refusal becomes a form of open defiance against patriarchal expectations. Conversely, Rahayu, an educated woman, accepts her position as a second wife under religious justification, internalising patriarchal norms despite experiencing profound psychological distress. These representations demonstrate how both class and ideology influence women's capacity and methods of resistance to gendered oppression. Framing Entrok within broader feminist and socio-political discourse, this study affirms the novel’s role as a critique of patriarchal injustice. It underscores how fiction can challenge ideological violence and support Sustainable Development Goal 5 on Gender Equality by imagining alternative possibilities for empowerment and resistance.

Analisis Sentimen Pengguna Aplikasi X Terhadap Pelaksanaan Makan Bergizi Gratis Menggunakan Metode Adaptive Neuro-Fuzzy Inference System Mergianti, Wahyu Ningtiyas; Khudin, Nasroh; Afandi, Achsan; Shofah, Novia Adibatus; Novitasari, Dian Candra Rini
Sains Data Jurnal Studi Matematika dan Teknologi Vol 4, No 1: January - June 2026
Publisher : Sekolah Tinggi Agama Islam Nurul Islam Mojokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52620/sainsdata.v4i1.339

Program Makan Bergizi Gratis (MBG) menimbulkan beragam sentimen positif dan negatif di media sosial yang mencerminkan perbedaan persepsi publik terhadap pelaksanaannya. Penelitian ini bertujuan menganalisis sentimen masyarakat menggunakan metode Adaptive Neuro-Fuzzy Inference System (ANFIS) agar perbedaan sentimen positif dan negatif dapat diidentifikasi secara lebih jelas dan terukur. Data penelitian berupa 3520 tweet hasil crawling dengan beberapa kata kunci. Dataset melalui empat tahap persiapan dan dilakukan pembobotan menggunakan TF-IDF. Penelitian ini menguji kinerja ANFIS menggunakan validasi silang K-Fold dengan variasi learning rate (0.001, 0.01, 0.1, 0.2) dan 4 optimasi yakni sgd, adam, RMSProp, Adagrad. Hasil pengujian menunjukkan model uji terbaik menghasilkan akurasi sebesar 56.55%, sensitivitas 19.73%, presisi 38.06%, dan f1-score 25.98% dengan kombinasi parameter learning rate sebesar 0.01 dan optimizer Adam. Hasil evaluasi menggunakan confussion matrix menunjukkan bahwa sentimen positif terhadap pelaksanaan program MBG masih rendah, sehingga diperlukan evaluasi dan perbaikan pada aspek implementasian program.

Erotic Devotion and Theological Strain in Contemporary Indonesian Islamic Fiction Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Septiyani, Rizki Endi
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 8 No 1 (2026): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v8i1.10271

This article examines the intersection of erotic desire and religious devotion in Emha Ainun Nadjib’s BH, a contemporary Indonesian Islamic short story that challenges conventional theological boundaries. The narrative centres on two male characters. First is Niken, a feminised transgender figure, and second is Aku, a devout Muslim man, whose relationship embodies homoerotic intimacy intertwined with spiritual tension. Drawing on Judith Butler’s theory of gender performativity, the study explores how Islamic values and moral expectations shape expressions of queer desire. Using a qualitative descriptive method and close textual analysis, the research reveals that Niken openly enacts her gender identity through stylised feminine expression, signifying confidence and spiritual acceptance of her queer self. In contrast, Aku displays restrained masculinity and emotional detachment, illustrating an internal theological struggle between piety and same-sex longing. These contrasting performances expose the theological strain experienced by queer Muslim individuals in reconciling erotic devotion with religious conformity. The study argues that BH offers a literary space where Islamic belief and homoerotic intimacy collide, complicating the boundaries between sacred and profane. By examining such tensions in Islamic fiction, the article contributes to broader conversations on gender, sexuality, and spirituality in contemporary Indonesian literature.

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