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DISSECTING IMPLICIT MEANING IN TEMBANG DOLANAN: A DISCOURSE ANALYSIS Abdullah, Asep Abbas; Muhid, Abdul; S.A.P., Rangga Saâ€™adillah
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 16, No 1 (2021): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v16i1.10247

This article uses discourse analysis to examine dolanan songs such as Sluku-Sluku Bathok, Cublak-Cublak Suweng, Lir-Ilir, Gundul-Gundul Pacul, and Kloso Bedah. The method used in this research is a descriptive qualitative method so that the data can be described as clearly and objectively as possible by the researchers' subjective views. To avoid bias on the validity of the research results, triangulation was carried out by comparing the researchers' interpretations with some supporting literature. The result of this research is that five dolanan songs contain many meanings. The songs offer a deep meaning about the condition of the environment that grows around it to increase the value of character, good behavior, the environment - especially cleanliness, health, and religious life. The character values are conveyed through satire or humor. Dolanan songs have meanings, both explicit and implicit, about this life. These songs are neatly arranged both in terms of structural both physically and mentally. Javanese children's songs contain poetry filled with language games, such as alliteration, assonance, poetry, and rhythm.

Antara Yogyakarta dan Jakarta: Campur Kode dan Domestikasi Bahasa Jawa dalam Iklan Tokopedia Munfa’ati Muadibah; Miranti Widyaningsih; Assolatu Jamiah; Asep Abbas Abdullah
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 1 (2020): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

The sociolinguistic paradigm forms the background of this study. Code switching in advertisements is an interesting thing because it actually shows the interrelation between major and minor languages which are in Indonesian and Javanese. On the other hand, code switching is a linguistic phenomenon that is closely related to certain social situations. The object in this study is the Tokopedia advertisement "Berani Tentukan Mimpi: Lanjutkan Mimpi atau Ubah Mimpi". The method of the study is qualitative based on video advertisements in the Youtube channel. Based on the results of the analysis, it is concluded that the linguistic event (code switching) is Tokopedia's strategy in imaging itself, increasing the interest of producers and consumers in making transactions in the marketplace at once.

“Humor in Da’wah”: Socio-linguistic Analytic of Kyai Ishaq Latif Da’wah from Pesantren Tebuireng Jombang Asep Abbas Abdullah; Abdul Muhid; Winarto Eka Wahyudi
Ilmu Dakwah: Academic Journal for Homiletic Studies Vol 14, No 2 (2020): Ilmu Dakwah: Academic Journal for Homiletic Studies
Publisher : Faculty of Da'wah and Communication, UIN Sunan Gunung Djati, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/idajhs.v14i2.9053

This article aims to describe the anatomy of humor exercised consistently by one of Islamic preachers and teachers from Pesantren Tebuireng, Jombang. This article employs qualitative approach. Kyai Ishaq Latif humor in his sermon analyzed by socio-linguistic perspective. This article found that the Islamic teaching containing theology, family relationship, and social interaction was delivered by him with humor such as anecdotes, acronym., codes, limerick, and satire. Humor has been developed within certain social context. Preacher use humor to be more understood by broader audiences. This article thus suggests that the usage of humor in religious sermons will generate intimacy which enable audience accepted the message without being coerced or offended or intimidated. Humor in religious sermon shows social dialect (sociolect) of the preacher that has integrated with his audiences. The usage of humor is an alternative instrument in delivering holy messages (act sequences) to be accepted effectively by the audiences.Artikel ini bertujuan untuk mengetahui anatomi humor dalam dakwah yang dikembangkan oleh Kiai Ishaq Latif dari Pondok Pesantren Tebuireng Jombang. Melalui pendekatan kualitatif, paper ini dianalisis menggunakan perspektif sosiolinguistik. Hasil penelitian menunjukkan bahwa terdapat beberapa metode humor Kiai Latif antara lain anekdot, akronim, alih kode, pantun dan sindirian. Selain itu, metode humor merupakan “bahasa” yang lahir dari ruang dan konteks sosial tertentu. Bahasa lelucon yang diselipkan dalam dakwah merupakan bentuk guyub tutur yang jamak berlaku di masyarakat awam. Implikasi praksis penelitian ini adalah humor yang ditunjukan oleh seorang pendakwah akan melahirkan keakraban (intimate) yang memungkinkan seseorang menerima ajaran Islam tanpa tekanan, paksaan dan intimidasi. Pada posisi tertentu, humor juga menunjukan dialek sosial (sosialek) seorang pendakwah yang lebih menyatu dengan psikologi masa. Humor diadopsi sebagai instrument untuk membawa amanat suci (act sequences) ajaran agama Islam agar tersampaikan secara efektif bagi masyarakat.

Anasir-Anasir Kisah Perjalanan dalam Helen dan Sukanta: Travel Writing Carl Thompson Ahmad Taqiyuddin Hidayah; Asep Abbas Abdullah; Moh Atikurrahman
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 1 (2022): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.1.47-56

Tulisan ini menempatkan Helen dan Sukanta sebagai teks bergenre perjalanan. Sepintas lalu narasi novel Pidi Baiq ini seperti memusat pada kisah sejoli dari senjakala kolonialisme Hindia Belanda. Helen, seorang perempuan keturunan Belanda yang lahir dan tumbuh di sebuah kawasan perkebunan di pedalaman Ciwidey, Bogor jatuh hati pada Sukanta. Kisah asmara mereka kandas lantaran perbedaan rasial. Tragedi itu sendiri diceritakan oleh protagonis kepada narator utama novel yang kebetulan tengah melawat ke Belanda. Oleh sebab itu, kisah Helen tersebut sangat bergantung pada bagaimana sikap dan posisi narator novel untuk merespon dan merepresentasikan kenangan protagonis. Dalam penelitian ini novel Baiq dikaji sebagai representasi sastra perjalanan. Sebuah catatan yang bersumber pada aktivitas perjalanan bagi Carl Thompson mengemukakan beberapa pokok penting, yakni informasi atau keadaan riil belahan dunia lain (reporting the world), sikap pribadi seorang (revealing the self), dan respon terhadap orang asing (respresenting the other) yang notabene berbeda budaya. Secara umum penggambaran novel menempatkan narator sebagai pelancong merupakan diri (self) yang secara aktif bersikap sehingga menentukan jalan cerita dalam Helen dan Sukanta.

DISSECTING IMPLICIT MEANING IN TEMBANG DOLANAN: A DISCOURSE ANALYSIS Asep Abbas Abdullah; Abdul Muhid; Rangga Sa’adillah S.A.P.
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 16, No 1 (2021): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v16i1.10247

This article uses discourse analysis to examine dolanan songs such as Sluku-Sluku Bathok, Cublak-Cublak Suweng, Lir-Ilir, Gundul-Gundul Pacul, and Kloso Bedah. The method used in this research is a descriptive qualitative method so that the data can be described as clearly and objectively as possible by the researchers' subjective views. To avoid bias on the validity of the research results, triangulation was carried out by comparing the researchers' interpretations with some supporting literature. The result of this research is that five dolanan songs contain many meanings. The songs offer a deep meaning about the condition of the environment that grows around it to increase the value of character, good behavior, the environment - especially cleanliness, health, and religious life. The character values are conveyed through satire or humor. Dolanan songs have meanings, both explicit and implicit, about this life. These songs are neatly arranged both in terms of structural both physically and mentally. Javanese children's songs contain poetry filled with language games, such as alliteration, assonance, poetry, and rhythm.

POLIGAMI DAN PERSELINGKUHAN: POTRET RUMAH TANGGA DALAM POSTER TAYANGAN INDONESIA (STUDI IKONITAS DIAGRAMMATIK PIERCE) Wardani, Fitri Rahma; Abdullah, Asep Abbas
Pena Literasi Vol 6, No 2 (2023): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.6.2.141-153

Komposisi pada poster tayangan di Indonesia selalu memiliki pakem yang menjadi cara bagi (calon) penonton untuk mengintip fiksi dari filem atau serial yang bakal ditontonnya. Sebuah poster dari tayangan memang merangkum keseluruhan cerita yang disajikan. Penempatan tokoh, ekspresi, gestur, pakaian bahkan latar pada sebuah poster dapat menjadi potongan-potongan enigmatik yang menjadi bekal bagi (calon) penonton untuk memahami keseluruhan tayangan yang ditontonnya. Artikel ini hendak mengkaji poster serial bertema selingkuh dan poligami. Dibandingkan dengan poster tayangan bergenre lain, tontonan yang mengangkat isu dinamika keluarga tersebut memiliki kekhasan tersendiri. Seolah terdapat sebuah formula yang pakem dan disepakati antara satu poster dengan poster lain. Hasil penelitian ditemukan berbagai tanda yang memiliki keselarasan antara satu sama lain sehingga mendukung tersampainya pesan yang ingin disampaikan dalam poster film. Visualisasi pendukung yang ditampilkan pada poster serial yang berkembang di Indonesia memberikan gambaran tersirat tentang konflik yang terdapat dalam setiap tayangan dan mempengaruhi tanda visual yang tergambar dalam poster.

THE EFFECT OF THE CHARACTERIZATION OF MAX IN KARAN BAJAJ’S THE YOGA OF MAX’S DISCONTENT Fanani, Abu; Abdullah, Asep Abbas; Thoriqussud, Muhammad; Mufid, Nur; Amiq
Lingustic, Literature and English Education Vol 5 No 1 (2025): Research in Education, Literature and Linguistics
Publisher : LP3MKIL

Show Abstract | Download Original | Original Source | Check in Google Scholar

The purpose of the study is to characterise the main character, Max Pzoras, in Karan Bajaj’s The Yoga of Max’s Discontent. Indeed, the main character's characteristics are unique and poorly portrayed. Therefore, it becomes the attraction of the researcher to study. Using Bogdan’s qualitative approach, the study indicates that the main character, Max, has bad characteristics as follows: emotional, suffering, and indecisive, through which Max undergoes a terrible effect that is traumatic. Then, through the gap in the study, the researcher hopes so much it inspires other researchers to conduct further study in the same novel with different points of view in order that the literary study develop in a significant way.

Naming, Blaming, Erasing: Van Leeuwen’s Recontextualization–Legitimation Matrix in Bratang Surabaya Coverage, 20 August 2025 Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh; Abdullah, Asep Abbas
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.63-89

This study examines how nine Indonesian online outlets transformed the 20 August 2025 Taman Flora–Bratang traffic accident in Surabaya into stabilised news narratives. Using Theo van Leeuwen’s socio-semiotic framework and a mixed-methods Critical Discourse Analysis, we ask: (1) how actors, actions, time–space, purposes, and legitimations are added or removed; (2) how victims, the car/driver, police, and “road/space” are portrayed (naming, genericisation, activation/passivation, inclusion/exclusion); and (3) which authorisation, moral evaluation, rationalisation, and mythopoesis assign responsibility under breaking-news uncertainty. A parallel, convergent analysis treated sentences (including headlines) as units across nine same-day reports. Quantitatively, we tracked inclusion/exclusion, activation/passivation, gender marking, and legitimation types per sentence; qualitatively, we traced outlet-level patterns via a CDA Matrix, joint displays (actor × legitimation), and a recontextualisation flow. Double-coding (Cohen’s κ template) audited heuristic labels, with discrepancies resolved interpretively. Three recurring narrative packages emerged: (i) a police-led “two-motor” template that simplifies causality and backgrounds the car/driver; (ii) a BPBD-led procedural timeline that individualises the driver yet defers legal judgment; and (iii) a defensive naming-then-denial pattern specifying the car (even plate/model) while disassociating it via surface forensic cues. Early texts privilege authorisation (police/BPBD voice) and rationalisation (procedural/technical accounts); moral cues and mythopoetic framings surface subtly in headlines. Social-actor design personalises/feminises the deceased and functionalises authorities, pre-structuring responsibility maps.

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