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Journal : Cakrawala Jurnal Penelitian Sosial

MAKNA KARIKATUR INTERPRETATIF NABI MUHAMMAD PADA COVER MAJALAH CHARLIE HEBDO (Analisis Semiotika Roland Barthes Cover Depan Majalah Perancis Charlie Hebdo Edisi 19 September 2012) Rizki Amalia Yanuartha; Sih Natalia Sukmi
Cakrawala Jurnal Penelitian Sosial Vol 2 No 2 (2013)
Publisher : Universitas Kristen Satya Wacana

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Abstract

Starting from the emergence of protest actions against the publication of drawing image of the Prophet Mohammed caricatures interpretive on magazine cover of the French edition of 19 September 2012. The image is the main image of the magazine cover issue is consider as mocking and have insulted the Prophet Muhammad. As we know that the Prophet Muhammad is the Apostle gives the teachings of Islam and described in the Hadits that all living things must not be portrayed visualization including all the prophets.  The main image of the magazine cover portrayed two characters with each identity attached to them. Main Image then became a controversy with the pros and cons in response to magazine cover picture Charlie Hebo 19 September 2012 Edition.   The aim of this research is to know the connotative meaning of Prophet Mohammed caricature on Charlie Hebdo magazine cover, therefore using semiotics Roland Barthes as a tool for analyzing a magazine cover is the best way from point of view of researcher. Conclusion of this research is the main image of Charlie Hebdo magazine cover issued September 19, 2012 was a cartoon of the Prophet Mohammed caricature rather than opinion. On the connotation of retrieved the meaning that this opinion cartoon series about the second film The Intouchables titled Intouchables 2 with people from the Arabs and Europeans.             Keywords: magazine cover, caricatures, controversies, semiotics Roland Barthes.
ANALISIS WACANA AKUN FACEBOOK HUMOR POLITIK TERKAIT PILKADA DKI JAKARTA TAHUN 2017 Rizki Amalia Yanuartha; Laila Kholid Alfirdaus
Cakrawala Jurnal Penelitian Sosial Vol 9 No 1 (2020)
Publisher : Universitas Kristen Satya Wacana

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Abstract

The development of technology and communication marked a change in the generation of political communication. The interesting thing in it is the realization of political participation through cyber technology accompanied by the emergence of hate speech discourse. This study aims to explain the discourse formed and identify various forms of political messages on the Humor Politik Facebook account related to the DKI Jakarta Regional Election in 2017. The method used is the critical discourse analysis method of Norman Fairclough. Limitation of research on the final goal does not generally look at social changes that occur. The results of the analysis from 218 memes, linguistically and socio-culturally indicate that the text contains more forms of satire and criticism on two pairs of candidates, namely number 1 (Agus Harimurti Yudhoyono – Sylviana Murni) and 3 (Anies Rasyid Baswedan – Sandiaga Salahudin Uno) governors and deputy governors of DKI Jakarta in 2017. While the text of support to the candidate pairs number 2 (Basuki Tjahaja Purnama – Djarot Saiful Hidayat). The text contains hate speech totaling 23 memes with forms of provocation and insults in the context of religion, ethnicity, race, sexuality, culture and personality. The production of political messages is a model of communal participation. Seen from the identification of the form and production of messages including the unconventional participation model. While political activities include political participation in the form of electoral activity by showing patterns of participation that express political preferences and indirectly also showing patterns of campaign participation or promotion of certain candidates. The form of political messages also leads to image packaging and tends towards neutralization. Through social media, political participants can express their opinions in the form of self-satire, criticism, or support. But it also requires a selective and critical attitude in interpreting every political message. Considering the use of social media today encourages more participation and impacts on the continuation of democracy.