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Candi Keboireng: Aspek Keagamaan dan Kronologinya Muhammad Azzam Al Haq; Niken Wirasanti
AMERTA Vol. 41 No. 2 (2023)
Publisher : Badan Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/amt.2023.3002

Abstract. Keboireng Temple: Its Religious Aspects and Chronology. Various aspects of the existence of temples can be studied, one of which is the religious background underlying the construction of the temple. Generally, the identification of the religious background of temple buildings can be based on the presence of the main deity statue worshipped in the temple. However, not all temples are rediscovered in intact condition, one of which is the Keboireng Temple. Therefore, the identification of the religious background of Keboireng Temple is carried out by utilising the data of decorative elements (kāla), written source data (inscriptions and ancient manuscripts), and toponyms. The kāla of Keboireng Temple is unique because it is depicted grasping and biting an object until it bends. Such a depiction of kāla is not commonly found. The Mūla Maluruŋ inscription mentions the existence of a place of worship of Bhairawa, one of the terrifying manifestations of the Hindu deity Śhiva, in Kapulungan. Other data sources were used to find the connection between the toponym of Kapulungan and Keboireng Temple. The analysis of the unique depiction of kāla, the description in the Mūla Maluruŋ inscription, and the identification of the Kapulungan toponym lead to the conclusion that Keboireng Temple in its original context was a temple for followers of the Bhairawa sect that flourished during the Siŋhasāri period. Keywords: Keboireng Temple, Religious Background, Kāla Ornament, Kapulungan, Bhairawa Abstrak. Terdapat berbagai aspek yang dapat dikaji mengenai keberadaan candi, salah satunya adalah latar keagamaan yang mendasari pembangunan candi tersebut. Pada umumnya, identifikasi latar keagamaan bangunan candi dapat didasarkan pada keberadaan arca utama yang dipuja di candi. Namun, tidak semua candi ditemukan kembali dalam keadaan utuh, salah satunya adalah Candi Keboireng. Oleh karena itu, identifikasi latar keagamaan Candi Keboireng dilakukan dengan memanfaatkan data ragam hias (kāla), data sumber tertulis (prasasti dan naskah kuno), dan toponimi. Kāla Candi Keboireng memiliki keunikan karena digambarkan menggenggam dan menggigit sebuah objek hingga bengkok. Penggambaran kāla tersebut tidak umum dijumpai. Prasasti Mūla Maluruŋ menyebutkan adanya tempat pemujaan Bhairawa, salah satu manifestasi Dewa Śiwa dalam agama Hindu yang berwujud mengerikan, di Kapulungan. Sumber data lain digunakan untuk mencari keterkaitan antara toponimi Kapulungan dengan Candi Keboireng. Analisis terhadap penggambaran kāla yang unik, keterangan dalam prasasti Mūla Maluruŋ, serta identifikasi atas toponimi Kapulungan menghasilkan kesimpulan bahwa Candi Keboireng dalam konteks aslinya merupakan sebuah kuil untuk penganut aliran Bhairawa yang berkembang pesat pada masa Siŋhasāri. Kata kunci: Candi Keboireng, Latar Keagamaan, Kāla, Kapulungan, Bhairawa

KOMPLEKSITAS PENGELOLAAN KAWASAN BENTENG VREDEBURG YOGYAKARTA Niken Wirasanti
Berkala Arkeologi Vol. 29 No. 1 (2009)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v29i1.371

The development and modification of a city is an unavoidable process. However, to preserve the identity of a city is a necessity; for instance, city of Indonesian struggle for freedom, and city of culture heritage. All have been characterized with icons available throughout Yogyakarta area. The identities of Yogya as a City of Indonesian struggle for freedom and City of Culture heritage, among others, are reflected at the Benteng Vredeburg Museum and is surrounding. But at the same time various hotels and shopping mall are built nearby the site. Even though Government regulation on environmental management (Environmental Impact Analysis) have been made, however, at that location, the Cultural Heritage sites, one by one, have been destroyed and replaced by modern buildings.

TINGGALAN ARKEOLOGI MASA HINDU-BUDDHA DI LASEM: SEBUAH KAJIAN FILOARKEOLOGI Wijaya, Candrika Ilham; Wirasanti, Niken
Handep: Jurnal Sejarah dan Budaya Volume 7, No. 2, June 2024
Publisher : Balai Pelestarian Nilai Budaya Kalimantan Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33652/handep.v7i2.604

During the Hindu-Buddhist period, Lasem became a vassal of Majapahit led by a queen named Bhre Lasem. Lasem was historically significant during the Majapahit period. However, complete archaeological data from the Hindu-Buddhist era is unavailable due to the extensive destruction of sacred buildings, particularly temples, caused by the Dutch East India Company (VOC) and the Regent Suroadimenggolo after the Lasem War. This study aims to conduct an inventory of the classical sites in Lasem and to gain insight into the significance of sacred buildings during that period. The study employed philloarchaeological analysis, comparing the textual data from Babad Lasem, Rapporten Oudheidkundigen Diens (ROD), and field surveys. The results indicate that the designation of the sacred building is in line with Nāgarakŗtāgama’s description of the functions of saiwa, sogata, and rsi. Furthermore, its location complies with the principles of caturāśrama and the concept of the triloka—the sacred building of worship, the holy building of hermitage, and the sacred building of dharma (dharmaan). The temple in Lasem represents the harmony of the macrocosm and microcosm, functioning as a relation between sacred buildings serving as examples of applying the concept of the triloka (three realms). This study underscores the interdependence of sacred buildings, representing the manifestations of the three realms

Menelisik Tanda Nitik pada Batik Wirasanti, Niken; Mahirta, Mahirta
PANGGUNG Vol 34 No 4 (2024): Dekonstruksi dan Rekonstruksi Identitas Budaya
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i4.2835

Tulisan ini membahas tentang simbol nitik yang divisualisaikan dan diekspresikan pada selembar kain (batik) dalam bentuk geometris, garis, lengkung, oval, ellips, dan terjadi pengulangan-pengulangan dengan beragam kombinasi. Penulisan ini bersifat kualitatif, data yang dikumpulkan melalui observasi lapangan, dan wawancara kelompok pembatik batik nitik di Desa Trimulyo, Bantul, Yogyakarta. Data dianalisis dengan pendekatan simbolik (interptretivisme simbolik) untuk menemukan pengetahuan dan pesan-pesan melalui simbol-simbol yang menjadi ciri khas ragam seni hias nitik pada batik. Hasilnya pola seni hias nitik sarat dengan nilai spiritualitas yang menggambarkan cara berpikir kosmosentris. Karakter nitik terus berkembang mewujud yang beragam bentuk dengan struktur yang berubah-ubah,namun polanya masih tetap sama.

Candi Keboireng: Aspek Keagamaan dan Kronologinya Al Haq, Muhammad Azzam; Wirasanti, Niken
AMERTA Vol. 41 No. 2 (2023)
Publisher : Penerbit BRIN (BRIN Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/amt.2023.3002

Abstract. Keboireng Temple: Its Religious Aspects and Chronology. Various aspects of the existence of temples can be studied, one of which is the religious background underlying the construction of the temple. Generally, the identification of the religious background of temple buildings can be based on the presence of the main deity statue worshipped in the temple. However, not all temples are rediscovered in intact condition, one of which is the Keboireng Temple. Therefore, the identification of the religious background of Keboireng Temple is carried out by utilising the data of decorative elements (kāla), written source data (inscriptions and ancient manuscripts), and toponyms. The kāla of Keboireng Temple is unique because it is depicted grasping and biting an object until it bends. Such a depiction of kāla is not commonly found. The Mūla Maluruŋ inscription mentions the existence of a place of worship of Bhairawa, one of the terrifying manifestations of the Hindu deity Śhiva, in Kapulungan. Other data sources were used to find the connection between the toponym of Kapulungan and Keboireng Temple. The analysis of the unique depiction of kāla, the description in the Mūla Maluruŋ inscription, and the identification of the Kapulungan toponym lead to the conclusion that Keboireng Temple in its original context was a temple for followers of the Bhairawa sect that flourished during the Siŋhasāri period. Keywords: Keboireng Temple, Religious Background, Kāla Ornament, Kapulungan, Bhairawa Abstrak. Terdapat berbagai aspek yang dapat dikaji mengenai keberadaan candi, salah satunya adalah latar keagamaan yang mendasari pembangunan candi tersebut. Pada umumnya, identifikasi latar keagamaan bangunan candi dapat didasarkan pada keberadaan arca utama yang dipuja di candi. Namun, tidak semua candi ditemukan kembali dalam keadaan utuh, salah satunya adalah Candi Keboireng. Oleh karena itu, identifikasi latar keagamaan Candi Keboireng dilakukan dengan memanfaatkan data ragam hias (kāla), data sumber tertulis (prasasti dan naskah kuno), dan toponimi. Kāla Candi Keboireng memiliki keunikan karena digambarkan menggenggam dan menggigit sebuah objek hingga bengkok. Penggambaran kāla tersebut tidak umum dijumpai. Prasasti Mūla Maluruŋ menyebutkan adanya tempat pemujaan Bhairawa, salah satu manifestasi Dewa Śiwa dalam agama Hindu yang berwujud mengerikan, di Kapulungan. Sumber data lain digunakan untuk mencari keterkaitan antara toponimi Kapulungan dengan Candi Keboireng. Analisis terhadap penggambaran kāla yang unik, keterangan dalam prasasti Mūla Maluruŋ, serta identifikasi atas toponimi Kapulungan menghasilkan kesimpulan bahwa Candi Keboireng dalam konteks aslinya merupakan sebuah kuil untuk penganut aliran Bhairawa yang berkembang pesat pada masa Siŋhasāri. Kata kunci: Candi Keboireng, Latar Keagamaan, Kāla, Kapulungan, Bhairawa

KOMPLEKSITAS PENGELOLAAN KAWASAN BENTENG VREDEBURG YOGYAKARTA Wirasanti, Niken
Berkala Arkeologi Vol. 29 No. 1 (2009)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v29i1.371

The development and modification of a city is an unavoidable process. However, to preserve the identity of a city is a necessity; for instance, city of Indonesian struggle for freedom, and city of culture heritage. All have been characterized with icons available throughout Yogyakarta area. The identities of Yogya as a City of Indonesian struggle for freedom and City of Culture heritage, among others, are reflected at the Benteng Vredeburg Museum and is surrounding. But at the same time various hotels and shopping mall are built nearby the site. Even though Government regulation on environmental management (Environmental Impact Analysis) have been made, however, at that location, the Cultural Heritage sites, one by one, have been destroyed and replaced by modern buildings.

PERAN MASYARAKAT DALAM PELESTARIAN NILAI-NILAI WARISAN BUDAYA CANDI SAWENTAR KABUPATEN BLITAR Aji, Nindi Jawining; Wirasanti, Niken
Jambura History and Culture Journal Vol 6, No 1 (2024): Januari
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jhcj.v6i1.22728

Understanding the values of Cultural Heritage as relics from the past can be considered as an attempt to understand the history that took place in it. Not only does it understand the past but, it also functions to understand the present and the future. The community plays an important role in maintaining the values contained in a Cultural Heritage. Sawentar Temple is one of the historical sites that has high cultural and historical value. The preservation of the historical values of Sawentar Temple requires active participation from the local community. This study aims to analyze the participation of the local community in maintaining and preserving the historical values of Sawentar Temple. The research method used in this paper is a qualitative approach by conducting interviews and direct observations of the community and parties directly related to Sawentar Temple. The results of this study show that community participation is very important in the process of preserving the values owned by Sawentar Temple through participation in the form of maintenance, education, promotion, and surveillance.

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